以2008年北京夏季奥运会开幕式与2022年北京冬季奥运会开幕式为研究对象，运用比较分析、文献资料、录像分析等研究方法，对两届奥运会开幕式表演的历史进程和主要内容进行分析和整理。研究旨在通过两届奥运会表演的对比分析，探究两届奥运会开幕式在创作思路、艺术偏向、文化内涵等方面的“变”与“不变”，总结出两届开幕式生产的有益经验。研究发现，从2008年开幕式到2022年开幕式，奥运会开幕式从历史时间建构走向艺术时间建构、从民族史诗走向浪漫抒情诗、从淡化体育元素走向强化体育元素、从科技加强艺术到科技艺术融合共创的转向历程，这体现了不同时期设计思路，生产语境及创作心境等方面的变化。不变的是对奥运精神及“天下大同”理念的传达。共同留下了诸如：多样的时间建构艺术手法、民族史诗和浪漫情诗的异时空叙事典范、东方艺术语言的发掘创新、体育元素的深化融入、科技人文主义对舞台表现的深度驱动等有益经验，这些为未来我国举行大型体育赛事进行赛事表演活动提供了宝贵的借鉴启发。

Taking the opening ceremonies of the 2008 Beijing Summer Olympics and the 2022 Beijing Winter Olympics as the research objects, the historical process and main contents of the performances of the opening ceremonies of the two Olympic Games were analyzed by using comparative analysis, document data, video analysis and other research methods. and finishing. The purpose of the research is to explore the "changes" and "unchanges" of the opening ceremonies of the two Olympic Games in terms of creative thinking, artistic preference, cultural connotation, etc., through the comparative analysis of the performances of the two Olympic Games, and to summarize the useful experience in the production of the two opening ceremonies. The study found that, from the opening ceremony in 2008 to the opening ceremony in 2022, the opening ceremony of the Olympic Games has changed from historical time construction to artistic time construction, from national epic to romantic lyric poetry, from diluting sports elements to strengthening sports elements, and from technology strengthening art to technology art. The turning process of integration and co-creation reflects the changes in design ideas, production contexts and creative moods in different periods. What remains unchanged is the conveyance of the Olympic spirit and the concept of "Great Harmony in the World". Together, they have left some useful experiences such as: various artistic techniques of time construction, different time and space narrative models of national epics and romantic love poems, the exploration and innovation of oriental artistic language, the deepening integration of sports elements, and the in-depth drive of technological humanism on stage performance, etc. These provide valuable inspiration for the future performance of large-scale sports events in my country.

2022年度江苏省研究生科研创新计划项目 “音乐空间意识：理论建构及教学实践”（ KYCX22_2270）的阶段性成果。