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1.
ABSTRACT

International students face challenges associated with identity negotiation as they interact with others who may hold distinctly differing worldviews while operating from a position of cultural dominance. The current study explores how African students negotiate identity in interactions with domestic students within a relational-conflict context. Themes emerging include uncertainty in self-presentation, constrained relationships with domestic students, and avoidance as a response to relational conflict. The emergent concept is that of “being careful”, attributable to African students’ perception of power differences between foreign and domestic students, as well as risk associated with assertive conflict behavior. Theoretical and practical implications are discussed.  相似文献   

2.
ABSTRACT

This article reveals the role of volunteers in the British government’s campaign to increase recycling during the Second World War. It uses their experience to deconstuct the idea of a 'people's war', showing how this concept was invoked in several different ways. The article demonstrates that voluntary recycling schemes were led from the bottom-up, shifted the balance of power between private citizens and local authorities, and highlighted difference based on age, socio-economic status, gender, and geographical location. It concludes that official appeals may have invoked the ‘people’s war’, but the way that these messages were received was of most importance.  相似文献   

3.
Abstract

Around 1960, revolutionary forms of activism and critique emerged to challenge administrative forms of politics and daily life. In Japan, despite massive strikes and widespread protest, the ruling party used a Diet majority and riot police to renew the USA–Japan Security Treaty. After this display of force, this party’s new administration sought a new legitimacy, and a means to assuage and co‐opt the defeated opposition, through promoting a depoliticized everyday world of high growth and consumption, and a dehistoricized national image in preparation for the 1964 Tokyo Olympics. Among those activists who emerged to contest this new cultural politics, a diverse group of young artists worked to repoliticize daily life through an interventionist art practice. Their practices arose out of a particular local, playful art practice, whose focus on the material debris and spaces of the economic expansion led to an engagement with the transformations of daily life. Focusing on the art practices connected with the yearly exhibition, the Yomiuri Indépendant, I examine the advent of a critical art examining the everyday world of Japan in the late 1950s and early 1960s, reflecting on its complex relation with an internationalized art world and domestic art scene, mass culture, and domestic protest movements. Examining the history of this art illuminates the state’s investments in a normative cultural order, and a particular configuration of the politics of culture in the early 1960s.  相似文献   

4.
<正>Nuo dance,or Nuo opera,is an indigenous dramatic art evolved from ancient religious rites. Nuo opera,deemed the"living fossil of opera,"  相似文献   

5.
In the past 20 years, new concepts and vocabulary have kept emerging to classify and characterize China’s middle class, via cultural symbols related to consumerism. Today, the middle-class culture at its post-nascent state has taken on some new features. The current study, which is based on a survey of the cultural situation of the middle class in Shanghai, found that the new features are mainly manifested in three aspects. First, they like being outdoors, close to nature, doing some extreme sports. Second, being aware of the importance of fitness and wellbeing, they tend to pursue a healthy lifestyle. Third, they all suffer some sort of anxiety. These new features come as a result of three intertwined underlying causes, i.e. the rapid deterioration of the natural environment, the widespread home culture, and the mounting political and economic pressure. Together, they mark a turn in the middle-class culture from external identity to inward physical and mental needs. As Shanghai’s middle-class culture is most representative of that of the country, a basic judgement and preliminary conclusion can be made based on the survey about the cultural situation of the Chinese middle class as a whole.  相似文献   

6.
Abstract

This paper argues that two conflicting discourses of internationalism stood in uneasy counterpoint and contention in the Asian arena of the 1950s, reflected in the legacies of the Bandung conference. The first drew on a language of global citizenship and rights. The second saw the international system as a source of strength and support for state sovereignty, and state‐directed programmes of national development. The remainder of the paper uses the case of late‐colonial Singapore to examine the intersection of these two discourses of internationalism. An Asian internationalism, which spanned to include Africa over the course of the 1950s, became one of a stock of narratives that made Singapore’s ‘everyday cosmopolitanism’ possible, in the worlds of the hawkers, the dockworkers and the agriculturalists. The political aspirations of these groups were sacrificed, ultimately, to the goal of disciplined national development, supported by an international order that had closed in to defend the interests of state power.  相似文献   

7.
Editor’s Note     
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8.
This paper, focusing on the short film, Dear Kim (2009), and a debate between Polish filmmaker Krzysztof Zanussi and Marxist intellectual P. Govinda Pillai at the International Film Festival of Kerala (IFFK) in 1998, attempts to understand the work done by the category of “world cinema” and the institution of the film festival in the formation of the subject of the region, in this case the south Indian state of Kerala. It focuses on the linguistic region formed in post-independence India, thought of as either mirroring or resisting the nation, and as a cultural resource necessary to inhabit the nation as a citizen. The paper argues for a conception of the subject of the region that is performative, where it negotiates multiple horizons of universality simultaneously. While the figure of the citizen provides it with one horizon of universality, the subject is not exhausted by it. In the case of Kerala, through the figuration of a conception of “world,” operationalized through the conduit of “world cinema,” often located in the institutional space of the film festival, the subject is able to access other horizons of universality, enabling it to transcend the particularities that a politics of location imposes on it.  相似文献   

9.
CICDAF, jointly sponsored by China Center of International Cultural Exchange (CICE), the Publicity Department of CPC Jiangsu Provincial Committee, the Culture Department of Jiangsu, the Radio and TV Department of Jiangsu and Changzhou Municipal Government, will embrace its third session in late September. Comparing to the animation lm festivals held in Annecy, France and Zagreb, Croatia, CICDAF is only a new comer. But the progress that it has made in the past three years is r…  相似文献   

10.
BL (Boys’ Love) fandom has been regarded as a counterpublic by some academics since 2005. In this article, I investigate the dispute over “real-person” texts (texts based not on fictional characters but on real people, both public and non-public figures) on the BL board of PTT BBS in Taiwan as a case-study. The dispute is significant in the sense that, ostensibly, there were a few young female BL fans who actively defined what the BL scene consists of, as only these young women were involved in the dispute. Nevertheless, a closer look at the dispute reveals that the mainstream values actually played a significant role in framing the fandom in question. I then argue that the objection to the real-person texts should be regarded as a refusal by the BL fandom to be part of a counterpublic. The dispute started with a clarification of the genre, equating real-person with real gay people, BL with fantasy, and gay with reality. It is on this basis that real-person texts were not regarded as part of BL practices. Moral issues, such as respect and politeness, were also raised to question real-person texts. The conflict intensified, leading finally to the total exclusion of real-person texts from the BL board. To sum up, the dispute over real-person texts demonstrates how BL fans actively (re)formed the shape of the BL board; at the same time, it represents a refusal and exclusions, which place this counterpublic into question.  相似文献   

11.
The Spring Festival is the most important traditional festival for the Chinese people.
With the increase of Ch＇ina＇s overall strength, more and more people from different countries and with different skin colors are attracted by the joyful atmosphere and unique traditions of the Spring Festival. While experiencing and enjoying the charm of Chinese culture, they can get the cultural conception of the Spring Festival, which is ＂Happy, Harmony and Sharing＂.  相似文献   

12.
SINCE the Tianqiaole Tea-house opened In a small,out-of-the-way lane in the south-ern part of Beijing last October,anumber of overseas tourists,bus-inessmen and diplomats living inBeijing have frequented the newestablishment.Hundreds of foreignstudents in Beijing often come tospend their weekends;CEOs frommany joint venture enterprises holdtheir banquets here;the“MadameAmbassadors Federation”of the for-eign diplomatic corps in Beijing alsouses the spot to hold their socials.InApril of this year Richard Nixon,the former US president,visited the  相似文献   

13.
The task here is to consider what I would call Stuart Hall’s theoretical “legacy” in the field of social and cultural thoughts. As a materialist of articulation rather than of reductionism, Hall taught us how to profoundly understand and intensely describe the “concrete” in cultural and social fields. The “concrete,” according to Hall, is a result of “non-necessary correspondence” between various forces, relations and situations, that is, the contingent and articulated determination in history. In my view, he was after all a Marxist in this sense. In the earlier stage of his thinking, Hall was very much indulged in reading and learning from Marx. This is characteristic in his “Marx’s Notes on Method: A Reading of the 1857 ‘Introduction.’” His Marxism then showed a unique twist in later stage, which was explicitly expressed in his article “Signification, Representation, Ideology: Althusser and the Post-Structuralist Debate.” Reading these two texts, I aim to comprehend the way Hall has read Marx and the way his thoughts resonated. His lesson helps us to tackle our ongoing agendas in this half-dead Capitalist world, such as the crisis of culture, subjectivity and politics.  相似文献   

14.
Embroidery is a distinctive folk art of China that dates back to ancient times.Embroiders stitch various patterns and characters with needles on silk and cloth fabrics,creating unique pieces of art.There are many embroidery styles in China,among which Miao people’s dragon-patterned embroidery  相似文献   

15.
<正>It defines the architectural structure of a historic capital built over 850 years ago. It highlights the best of Chinese architectural traditions. It reflect...  相似文献   

16.
CHINA Chilren’s Art Thea-ter,located just off Wangfuj-ing Street in downtown Bei-jing,is the only state-level children’sart palace in China.It was built in1956.Kalimeris Flower,the first play toopen the theater,set a record for thelongest run in cnildren’s theater andbecame a milestone in the historyof moden children’s drama in newChina.Kalimeris Flower is a movingfairy tale of a boy living in the  相似文献   

17.
To enrich the discussion of global labor, between 2010 and 2016, we studied Apple’s value chain, Foxconn’s mode of labor control, and Chinese workers’ struggles. Through our fieldwork in China we also examined Apple’s and Foxconn’s responses to the spate of worker suicides, workers’ resistance, the activism of scholar and student groups, and transnational justice campaigns. We conclude with reflection on global labor studies in light of the debates between Karl Polanyi’s counter movement and Karl Marx’s class-based struggle.  相似文献   

18.
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19.
Critical and feminist studies have continued to demand for accounts of the representational challenges confronting marginalized people, as various social and cultural platforms continue to other and discriminate. The Roma, or the Gypsies, in particular have been one of the most reviled and marginalized ethnic groups. This study examines textual representations of gypsies in contemporary popular culture, evident in a musical adaptation of Victor Hugo’s celebrated novel The Hunchback of Notre Dame and its accompanying worldwide press coverage. It finds that artistic and press representations of the gypsy woman Esmeralda embody characteristics consistent with historic stereotypes of the bohemian. It also shows that the novel’s band of Parisian criminals have been reconfigured for present-day global audiences to include critique of current political and popular discourses about immigration. International critics, however, miss this latter point and confine their reporting to dominant ideology and (continued) rhetorical colonization of the other.  相似文献   

20.
This qualitative study employs the uses and gratifications framework to explore the perspective of African American women in Kentucky, specifically urban Louisville and rural Hopkinsville, to understand their use of media as potential sources for gathering information about healthy food habits. Key findings include how the participants used media for instrumental purposes to educate themselves about healthy food habits, and that the specific media personalities were very important to the participants as they decided to make healthier food selections.  相似文献   

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