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1.
Children face numerous transitions throughout their school careers. Research has demonstrated that early transitions can positively or negatively impact future school performance. Establishing effective models to ensure carryover of instructional strategies and interventions into early elementary school can increase the likelihood children will have a smooth transition to kindergarten from preschool. Response and Recognition (R&R) is a framework for delivering a continuum of instructional strategies and interventions to meet children’s needs at the preschool level. Response to Intervention (RtI) is a framework for implementing a continuum of instructional strategies and interventions to meet children’s needs at the K-12 level. The purpose of this paper is to outline the similarities and differences between the R&R and RtI frameworks and to provide recommendations of ways the two frameworks can be used to ensure a smooth transition into primary school.  相似文献   

2.
My original paper, “Toward a Post-Modern Agenda in Instructional Technology” (Solomon, 2000), was an interdisciplinary review of the literature and offered multiple perspectives of the subject, a post-modern approach sometimes referred to as multivocality. I found several themes inherent in the literature, which I presented as eight general assumptions about post-modernism for consideration, discussion, and adoption. Then, I concluded the paper with a discussion about the potential contributions of post-modern concepts in instructional technology. In a reaction to my paper, Voithofer and Foley (this issue) misinterpreted some of the purposes and assumptions expressed, by seeing my view as an effort to construct a model of a post-modern agenda, which could not be further from my original purpose. This paper serves to clarify my position as a sequel to their response. David L. Solomon is Creative Director in Training Operations at PentaMark Worldwide. He is also Research Fellow at the Learning Development Institute Author's note: I was introduced to post-modernism during a group project in one of Rita Richey's graduate classes at Wayne State University. My interest in the subject flourished, and post-modernism became the focus of my dissertation research. Clearly, I found a problem to solve: No one I knew could explain post-modernism, and almost everyone I encountered in the field had no idea what it was. Gary Morrison was a member of my doctoral committee and introduced me to the classic works of Morris (1946), Knowlton (1964;1966), Stevens (1969; 1970), and Cassidy (1982). Under his guidance, I submitted my work to the Association for Educational Communications and Technology (AECT) and was awarded the 2000 ETR&D Young Scholar Award. Richey and Morrison encouraged me to explore this topic with rigor and clarity and I am grateful for their support.  相似文献   

3.
This paper describes my journey from instructional technology professional and doctoral student to instructional technology leader and tenure-track faculty member. I reflect on 15 years of application, in government, industry, and higher education, of what I learned in the classroom from some of the giants of the field (Wager, Morgan, Kaufman, Dick, Keller, Harless, Reiser, Driscoll). With the continuing proliferation of technology throughout all levels of higher education, systems thinking and the instructional systems design (ISD) process is highly relevant and germane. Its application, however, must be done with care as many people do not understand it and it is applied within a complex, imperfect social and organizational cultural context that requires compromise, consensus building, patience, and a willingness to proceed slowly. The growing role of technology in organizations, and especially e-Learning in education, has increased the need for systems thinking and systemic change in order to manage rapid change. This is my story.  相似文献   

4.
Larkin and Rainard's (1984) article was sufficiently interesting not only to have me recommending it to others but also to re-read it for a third time. Unhappily I then realized that as a biproduct I had been giving my students an entrée into the old fallacy of inverse probability (see R. A. Fisher's, The Design of Experiments, Chapter 1). The fallacy occurs on pages 252 and 253. The authors say: “ ? sample size is rarely important to generalizability. Suppose, for example, 500 or 10 individuals are tested out of a population of 5000. Testing 500 (instead of 10) decreases the standard error of the mean by only a factor of 1.1 [= (1–10/5000)/(1–500/5000)]. Most research does not use large samples to increase generalizability. Instead the function is either to estimate many parameters in a detailed model, or to increase statistical significance, a factor sensitive to sample size.”  相似文献   

5.
This study examines the key concepts of elements‐and‐principles art instruction, as defined in the publications by Vorkurs (preliminary course) instructors at the Bauhaus. Elements‐and‐principles instruction was for decades central to formalist art training, and continues to play a role, albeit limited, today. Preceding accounts of the elements‐and‐principles have not considered contextual matters worthy of attention, specifically, two other instructional frameworks. One is perceptual drawing that dominated in Western art culture before the inception of the elements‐and‐principles approach. The second is the instructional model Paul Klee proposed in his well‐known but under‐examined instructional publication of 1925, Pedagogical Sketchbook. With regard to the latter, scholars have failed to undertake detailed analysis that would explain Klee's instructional model and, in particular, its central (and idiosyncratic) concept of ‘trichotomy’. Trichotomy is a structure rather than a formal element, providing visual equivalents for extra‐visual events. The peculiarity of trichotomy and related concepts in Pedagogical Sketchbook has kept the publication a faint presence in elements‐and‐principles instruction and in related scholarly inquiry. With a more precise presentation of Klee's pedagogical focus, this study distinguishes heretofore overlooked dissimilarities between the Pedagogical Sketchbook model and elements‐and‐principles approach, and enables recognition of affinities between Klee's model and current conversations about embodiment pedagogies in visual arts education.  相似文献   

6.
Many theorists and practitioners are calling for more authentically based teaching approaches in the preparation of instructional designers and performance technologists to address the complexity of the field's practice. Although many innovative methods have been incorporated into the study of instructional design and development and human performance technology, including case studies and applied experiences with collaborative groups, among others, the majority of teaching approaches are limited to the time constraints and format of the traditional university classroom setting. This paper discusses an alternative teaching approach that incorporates action learning principles along with authentic project‐based methods into the full‐time study of instructional design. The paper reviews action learning principles and highlights the commonalties between these principles and the application of the practice and teaching of the instructional design process in an authentic manner. Finally, the implementation of action learning principles within a graduate program in instructional technology is described. Action learning principles may be applied to many content areas; however, the highly complementary nature of this specific methodology to the teaching and practice of instructional design may have the potential to improve greatly our preparation of professionals in the complex work environments characteristic of this and related disciplines. As a valuable component of performance technology skills, training in instructional design methods based on an action learning approach may have broad implications for both the preparation of instructional designers and performance technologists.  相似文献   

7.
As a White, middle-class, English-speaking female of the type commonly found in teacher education programs, I have had to learn how to use my perspective to challenge the assumptions of the “typical” student teachers for whom I am a teacher educator. This self-study describes how I have been transformed by this learning process. Studying my teaching has provided me with opportunities to challenge my own assumptions about teacher education and to confront my issues of control and ambiguity as they relate to teaching.  相似文献   

8.
This article discusses the personal experience of reading an Artist‐Teacher MA, both as a way of engaging with a course of study aimed specifically at art teachers and also as an attempt to explore and possibly reconcile the pedagogic issues related to the area of critical and contextual studies that had arisen within my own practice. Critical and contextual studies has grown to become an essential component of art education in schools, yet there would appear to be limited pedagogic approaches amongst art teachers or enthusiasm for alternative curriculum models other than those inferred from exemplar material provided by examination boards for assessment purposes. As a consequence of engaging with the Artist‐Teacher MA, I confronted my pedagogic practice and reconsidered my personal position within the continuum of the role of teacher and that of artist. In turn this has led me to consider the notion of the pupil‐artist and and to question the implications of this for my continuing classroom practice.  相似文献   

9.
Increasingly, instructional literature is pointing out the need for theories of instruction which are consistent with emerging cognitive psychology. Theory construction of this sort entails taking into account developing notions of the learner as a processor of information rather than a respondent to stimuli. The purpose of this article is to describe a recent instructional effort, referred to as the Elaboration Theory of Instruction (ETI), and chart its correspondence with several major principles drawn from contemporary cognitive psychology. The ETI incorporates models for both the sequencing and structuring of subject matter. The article will show how these components relate to current models of knowledge representation, schema theory, memory processes such as storage and retrieval, and earlier cognitive based instructional frameworks.  相似文献   

10.
Since the early 1980s educators have argued that reflection is an essential dimension of good pedagogical practice. This discussion of my attempt to support a constructivist approach to learning for three different groups of learners illustrates one effort to engage in such reflection. I analyze several assignments I have designed for differently positioned learners, all within the context of a liberal arts college in northeastern USA. Referring to the assignments I have developed in each context, I analyze the particular kinds of structures, challenges and supports I try to provide to learners, with the goal of surfacing the convictions I hold about learners' identities and capabilities. My intention is to identify underlying pedagogical principles that inform my practice across contexts, not only to make it clearer for myself and others what guides that practice but also, in an effort to acknowledge the evolving and interdependent nature of this work, to articulate the new challenges this analysis poses for me.  相似文献   

11.
Not all instructional design models are fully integrated into the HPT practice. Some of these processes such as the successive approximation model (SAM) and the lot like Agile methods approach (LLAMA) are the outgrowth of Agile processes for instructional design. The major design processes are often assumed to be competitive; that is, one model is better than the other. However, most Agile instructional design processes assume that the most ubiquitous performance solution is e‐learning, hence the direct integration of Agile processes. Therefore, instead of thinking about design models, we think about instructional methods and solutions over human performance technology (HPT). These methods are all equal until one understands the conditions or the context of the instructional or performance problem. We recommend designers reverse engineer the Agile instructional systems design process by using a rapid performance analysis method that quickly pinpoints and confirms the performance problem(s).  相似文献   

12.
Yonjoo Cho 《TechTrends》2017,61(1):46-52
Interdisciplinarity is defined as communication and collaboration across academic disciplines. The instructional technology (IT) field has claimed to have an interdisciplinary nature influenced by neighboring fields such as psychology, communication, and management. However, it has been difficult to find outstanding evidence of the field’s interdisciplinary research efforts, except with psychology. IT and neighboring fields including human performance technology, instructional design, learning sciences, human resource development, and human resource management share common goals of learning and performance in diverse contexts. These fields are converging in terms of underscoring the importance of people in improving organizational performance through learning, development, and innovations. In this context, the purpose of this study was to identify interdisciplinary research collaboration efforts in the field through a review of literature on the topic. Based on the review of the literature, I provided implications for research and practice.  相似文献   

13.
My initial interest in multi-cultural art education coupled with a wish to promote more cultural equality was inspired by my two years teaching experience in Kenya, Africa. The contrast of cultures gave me an objective view of my own culture on my return home and I found that I had not only changed as a person as a result, but wanted to continue that change, which gave me the motivation to become a research student, whilst lecturing. As a lecturer in and around the Bristol area it came to my notice through informal conversations with my colleagues at work that they held quite racist views. This I felt was a very insular way of viewing the world when global communications were very efficient and wide spread. In view of this, I chose to investigate to what extent Further Education staff in art and design were racist, and to consider how that might affect students' performance in terms of self-esteem, achievement and assessment. I took a psychodynamic approach to the interview schedule which was based on my experience and training as an art therapist, as well as an artist-sculptor and lecturer, and used Race Awareness Training (RAT), and specific criteria to base and analyse the data collected during the research. An interpretative paradigm was used in the final analysis and evaluation of this small scale study. The qualitative methodology used was felt to be more applicable to a personal approach because it gained clearer and more honest information in this sensitive field.  相似文献   

14.
Since high school I have always wanted to study in a country other than my own. However my parents always informed me that it was too expensive. This was until luck turned my way one day while I was at university. My advisor called me and asked me to go and see him as soon as possible. I just knew it had to be good news. I could barely stand the suspense and went to his office with a nervous happiness in my tummy My advisor told me that I had been offered a scholarship to study at Central Washington Univers...  相似文献   

15.
The Accomplishment-Based Curriculum Development system is based on ten key principles which provide a cohesive framework for the processes of human performance technology and instructional design. These ten principles are: the performance equation; the basic progression of performance; the processes of front-end analysis; the three types of behavior characteristics; logic regarding information storage and retrieval; the general tactics of instruction; the relationship of learning problems and special instructional tactics; the process of instructional design; the progression of materials development; and the relationship between analysis and evaluation. This article provides an overview of each principle, outlines the connections that link the individual principles into an integrated system of human performance technology and instructional design, and compares these principles to the work of others in the field. Finally, this article serves to document the contributions made by Joe Harless to the disciplines of human performance technology and to instructional design.  相似文献   

16.
This article shares my experience as a doctoral student researching within the domain of art and design education. This is a professional doctorate bringing together my experience as an educator and that of researcher where boundaries between education and social science research disciplines cross. My research paradigm is situated within critical theory. It is an interpretive hermeneutic study where I am cast as a participant ethnographer. At the time of writing I wanted to make known the issues and tensions that I encountered with research protocols, such as permissions mechanisms and ethical gatekeepers. These tensions I still perceive as confining, but more significantly, I realise that knowing and understanding research methodology is key to achieving creative and unpredictable research practice. This article is, therefore, focused on my journey to discover a research methodology that enables me to use a creative voice. By this I mean a method by which I can develop a writing style that articulates my practice that enables me in the construction and reporting of my research analysis to fully capitalise on my reflexive self. I have referenced papers produced by others at the time of writing their doctoral thesis and have found this enlightening. This is my contribution.  相似文献   

17.
The flipped classroom is an instructional model which allows for more advanced learning activities during in-class time while introduces subject knowledge to students prior to class. To address a gap in the recent research regarding higher education instructors’ experiences, perceptions and adoption decisions of the flipped classroom instruction, this study aimed at investigating the critical factors which were predictive of a higher education instructor’s decision to adopt a flipped classroom instructional model through exploratory factor analysis (EFA) and multiple regression in a US university. The results revealed that performance expectancy and technology self-efficacy were significant predictors. Although facilitation condition was significantly correlated with instructors’ adoption decisions, it was not a significant predictor. This study suggests that in order to improve higher education instructors’ adoption decisions of the flipped classroom and other active learning instructional models, it is of priority for institutions to remove the internal barriers to instructors’ adoption decisions of these instructional models, such as improving their performance expectancy and technology self-efficacy.  相似文献   

18.
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19.
I am an assistant professor at New Mexico State University; however, the path to getting to this position has been about crossing borders, about learning in and from the borderlands. The borderlands that my body has had to cross, physically and figuratively, have left many heridas abiertas (open wounds) but have also provided me with knowledge. The pain and struggles are constant reminders of the collisions that happen between el primer y tercer mundo and how these experiences leave open wounds. The inextricable relationship between Mexico and the US is deepened as Mexicanos like me are forced to come to El Norte, whether by choice or brought by parents. At almost 11 years old, my life changed—I crossed, with the help of a coyote, into Los Angeles, California. In the US, xenophobic spaces and actions have influenced and shaped my epistemologies and my awareness/conocimiento about navigating anti-immigrant spaces. This conocimiento was affirmed by and informs my teaching and research. This acute awareness, facultad (Anzaldúa, 1987), and use of these teaching tools are what I term pedagogical border crossings.  相似文献   

20.
As I look back on my professional career of some fifty years and try to summarize the guiding principles in my work, I wish to acknowledge my indebtedness to the protagonists and advocates of the community concept and responsibility for Jewish education, the men who were my mentors, teachers and senior colleagues. Foremost among them was Samson Benderly, under whose influence and guidance I came when I was seventeen and continued to be under his influence during my association with the New York Bureau of Jewish Education for fourteen years. The other men were those who were associated with Dr. Benderly: Isaac B. Berkson, Israel Chipkin, Alexander Dushkin, Emanuel Gamoran, Leo Honor and Albert Schoolman. During my professional work, I had the opportunity to meet and work with this distinguished group of Jewish educators, and their influence on me, personally and via their writings, was çompelling.  相似文献   

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