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1.
Based on interviews with 30 female readers of BL (‘boys’ love') manga conducted in Taipei in 2005, this paper analyses the BL scene in Taiwan from the perspective of its social utility as a discursive arena enabling women collectively to think through transforming social ideologies around gender and sexuality. This form of participatory pop culture is most interesting, I argue, not because of any unilateral subversiveness vis-à-vis culturally dominant understandings of (feminine) gender or (homo)sexuality—although it does often contest such dominant understandings. Rather, it is important in providing a space for the collective articulation of young women's in-process thinking on these questions. The paper also engages with the Japaneseness of the genre as consumed in Taiwan in order to consider the imaginative function that its perceived cultural ‘otherness’ performs.  相似文献   

2.
ABSTRACT

The present article uses Nell Dunn's Up the Junction (1963) to explore class, gender and the city in the 1960s. It focuses on three elements: the book's representation of post-war, urban working-class identity; the place of gender and sexuality within that representation; and, finally, Nell Dunn's own position as a middle-class observer. It argues for the continuing relevance and dynamism of class as a social referent in post-war, ‘affluent’ Britain. The article also explores the meaning of ‘slumming’ in the context of the mid-twentiethcentury city, against the background of ‘affluence’ and the emergence of the ‘permissive society’. What becomes particularly apparent in both contexts is the importance of femininity and female sexuality in the representation of mid-twentieth-century London, whether in terms of the portrayal of working-class women or the position of the middle-class author.  相似文献   

3.
《Popular Communication》2013,11(2):89-109
This study investigates the ways in which gender transgression and "queering" are used as an indicator of deviance and villainy in children's animated full-length movies. Through an analysis of male villains in 10 full-length animated movies, this article examines the ways in which gender transgression creates what is termed a "villain-as-sissy" archetype that signifies villains as deviant and enhances the positive gender qualities of heroes. Further, this study discusses the potential impact this pattern of representation may have in terms of limiting and reinforcing heteronormative gender roles and promoting negative associations about gays.  相似文献   

4.
Abstract

This essay examines a moment of institutionalization in cultural studies, and argues that questions of gender have a significant place in this interdisciplinary domain. The issue is discussed in a pedagogic context that has almost normalized feminism, seeing its political contributions as belonging to the past. The essay argues that the conceptual conjuncture of culture and gender which has been central to feminist theorizing in India needs to be rethought. This conjuncture arose from thinking about culture in the framework of nationalism and the anti‐colonial struggle, and the alignment of women with national culture. I discuss briefly the trajectory of how we have gone about investigating the culture‐gender conjuncture, present a reformulation of what I think we're up against, and introduce some new research projects which are trying to take this on board. The focus in these projects is on the question of translation, and how the issue of ‘regional’ languages poses a challenge to prevalent ideas in the women's movement and in feminist teaching. The larger proposition is that we need to formulate curricula based on new kinds of research if we are to take feminism into the cultural studies classroom of the future.  相似文献   

5.
The present study investigated gender, age, and culture differences in immigrants’ ownership of the idea to immigrate to Australia. Married immigrants (N = 1702) indicated whose idea it was to immigrate: their own, their partner's, or a joint idea. Consistent with a patriarchal model, female immigrants were significantly less likely to claim ownership of the idea than male immigrants, and this difference partially mediated gender differences in post-immigration satisfaction. In addition, age and culture qualified gender differences in ownership of the idea to immigrate. Young women and nonWestern women were least likely to claim ownership of the idea. The generality of the patriarchal model across age and culture is discussed.  相似文献   

6.
《Popular Communication》2013,11(4):191-211
The Walt Disney Company today is a veritable cultural machine, churning out new products and recycling old in ways that build and maintain a consumer base that spans generations. Although it is true that Disney's contemporary box office success is subject to significant competition, the company has a distinct advantage: A strategic grasp on key cultural objects-characters the American public has grown to hold quite dear-and the means with which to maintain and promote them. Disney products thus serve as both memory takers and memory makers, absorbing original works and forming a cultural heritage that is reinforced and reproduced cooperatively between Disney and the American public.  相似文献   

7.
This article, theoretically constructed on Gramsci's notion of cultural hegemony, explores the use of Black female hair as a cultural signifier in two media texts, specifically Adrienne Kennedy's play, Funnyhouse of a Negro, and Chris Rock's documentary, Good Hair, in specific media texts. Analysis of the verbal and visual rhetoric regarding a Black female aesthetic revealed associated themes of generational family influences and identity formation.  相似文献   

8.
Discussions of teacher preparation, qualifications, and effectiveness are at the heart of increasing attacks on public education. In this article, we contribute to the growing body of literature that works to challenge the narrowing parameters of what is considered effective teacher pedagogy, particularly as it relates to the noted value of teachers of color. We argue that racial justice-oriented teachers of color—teachers who recognize structural racial inequities and strive for transformation—provide important, yet invisible labor in our nation's schools. Using a community cultural wealth (CCW) framework, we illuminate multiple strengths and contributions that racial justice-oriented teachers of color bring to the profession that go largely unnoticed by whitestream—Eurocentrism as a norm—measures of teacher quality. In an analysis of data from interviews, digital narratives, and questionnaires, we present counter-narratives—oppositional stories told from the vantage point of the oppressed—of women of color educators to show how their positionalities as teachers of color, community members, and activists, provide insights to the experiences and needs of students that often go unrecognized. This research expands our understanding of overlooked pedagogical characteristics that are foundational to serving students of color and should be incorporated into the way we prepare teachers and the educational administrators who evaluate them.  相似文献   

9.
《Popular Communication》2013,11(2):73-88
Over the past few decades, alternative constructions of masculinity have entered the Japanese popular cultural scene. These definitions are slowly chipping away at traditional constructions of gender and creating new subjectivities through which men and women may choose to define their gendered identities. This article explores some of these changing constructions through a case study of 1 particularly popular male celebrity, young male actor and singer Kimura Takuya. Examining his appearances on various Japanese media sites-from television dramas, to popular magazines, to concert videos-this article attempts to identify the different codes of masculinity emerging from Kimura's diverse characters, and considers their possible significance within the larger Japanese popular cultural environment in which they are distributed and consumed.  相似文献   

10.
Abstract

The purpose of this paper is to understand how masculine ideologies become (re)produced in the trope around transnational prostitution, by examining a lawsuit case concerning Filipina prostitutes in Korea. While several actors, including nation‐states, journalists, and activists engaged in constructing the images of Filipina prostitutes as ‘sex slaves,’ as ‘deceived or exploited victims’, or as ‘abused poor women,’ the actual economic, political and cultural processes that contribute to the complex process of women crossing borders are elided. Such homogeneous images of transnational prostitutes function to symbolically demarcate and maintain the boundaries of the nation, gender, and sexuality, and to neglect actual women’s agency and experiences as workers. This paper demonstrates how, complicit in the representations of the transnational prostitutes as victims, are ideologies of traditional gender norms, nationalism, and colonialism. Ultimately, I argue that this case will enable us to re‐examine contemporary discourses on trafficking and transnational prostitution in a more critical and subversive feminist perspective.  相似文献   

11.
Abstract

More than the half the people who cross the North Korea–China border are women, with most leaving home to seek food, economic benefits and a more comfortable life. From the human rights perspective, it is clear that the dangerous nature of their journeys across the border and their illegal status in China place them in a very vulnerable position with regard to human trafficking and many types of sexual and physical violence. However, some women voluntarily and strategically use migration, marriage and gender as arenas of agency through which to improve their lives and empower themselves. This paper aims to reveal the complexity of these experiences, which occur where specific forms of gender, intimacy and mobility meet. In doing so, I hope to argue for the possibility of agency beyond an overly simplified victim discourse of North Korean border-crossing. I draw on ethnographic fieldwork in South Korea and China to reveal the trajectories of North Korean female border-crossers who developed survival strategies, and employed their gender and sexuality to skilfully use marriage-migration for their own purposes, empowering them to settle or keep moving on to better places. This instrumental orientation to empowerment worked alongside a more normative orientation to helping their “blood” families back in their homeland through remittances or through being able to bring along children from previous marriages. They were willing to adopt the role of temporary “wife” in order to be good “daughters,” “sisters” and “mothers” both now and later. In this sense, the North Korean women and their experiences imply an ambivalent approach to marriage and family.  相似文献   

12.
Abstract

This essay recognizes that representations of the ‘Muslim woman’ as the Othered ‘object’ of the ‘Western’ gaze and the domesticated ‘object’ which the Islamic apologists strive hard to defend, are both constructions and false antitheses of each other. It seeks not the ‘truth’ regarding the Muslim women in the world of social reality but to examine how various representations of the women are constructed and to what effects and consequences these representations are mobilized. The essay proceeds in three stages. The first stage shows how the patriarchy mobilizes the Qur’an and the Hadith in order to construct the woman as the negative, the inessential and the abnormal of the man so as to exert complete subordination over her. However, the very act of attempting to mute the woman in Islam is the most strident proof that she is engaged in resistance against patriarchal control and the degree of resistance must be judged by the degree of patriarchal control. The second stage demonstrates how patriarchy operates in colonial and neo‐imperial landscape: it legitimizes the appropriation of Muslim woman ‘possessed’ by the Other (as exemplified by the orientalist seduction fantasy in William Dalrymple’s The White Mughals), but, haunted by the fear of rape and anxieties regarding the sexuality of the White woman possessed by the Self, it attempts to maintain strict control over her (as in the cases of Miss Wheeler in the ‘Mutiny’ of 1857 and Private Jessica Lynch in the Iraq War). This struggle over the feminine body is perfectly in line with Islam’s hyper‐anxiousness to hide the female body and rigorously ensure monopolic possession over her. The third stage shows how Taslima Nasreen, a late‐20th century feminist from Bangladesh, speaks the unspoken and thereby attempts to subvert the normative representation of the muted women in her autobiographical novella, entitled āmār Meyebelā. In thus examining the representations of the Muslim women, this essay seeks an alternative ‘third space of enunciation’ and takes a distinct political stand located outside of the axis of the dichotomy of the ‘Western’ gaze and the construction of the Islamic theologians.  相似文献   

13.
ABSTRACT

As a femme woman of color, I employ critical autoethnography based on my participant observation within Chatroulette for a qualitative study on how online impressions through web cameras with strangers are formed in quick bursts of time. Chatroulette’s anonymity adds interesting context for impression creation in an online environment that emphasizes ocularcentrism of the embodied self. This article adds to methodologies of self-care for the qualitative researcher by positioning the issue of self-care in the online field, where “regular” interactions based on race, gender, sexuality, and more may leave autoethnographers from marginalized communities especially vulnerable. This study complicates the conceptual boundaries of “audience,” “participation,” and “observation” for online autoethnographic research. This research contributes to impression formation theory by focusing on the importance of the body in immediate, one-time impression constructions with conversational partners online. Race, gender, and sexuality impact online communication, even when a word is not even said.  相似文献   

14.
The Mediterranean Sea has stirred the imagination of Andalusian poets of the tenth and eleventh centuries. They wrote many poetic maritime scenes with lively details about sea and ships. Describing ships as camels ranging over the land is the central core-image of these scenes. The poets’ perspective of ships reveals their unique character and aspires to an aesthetic truth. This article will concern itself with some of the ships’ depictions in Andalusian Arabic poetry, and will illustrate, in particular, the ways by which poets refer to the ships’ external characteristics in order to represent them as animated beings in the sea vista. These epithets coincide with the medieval perception of animals that generally particularize their appearance by some qualitative characteristics. By means of some of animal epithets like physiological features, anatomical references, behavioural traits and feminine characters, poets succeeded in referring to ships as the most animated objects on the maritime scene.  相似文献   

15.
ABSTRACT

This paper examines the cultural significance of three emerging Chinese kung fu films in their recent box office success in global film market. The paper aims to provide an integrative framework that shows how Hollywood’s global dominance in both film consumption and production contributes to the success of the newly Chinese Kung Fu films. Focusing on marketing strategies of Crouching Tiger, Hidden Dragon, Hero and House of Flying Daggers, this study argues that the economic success of the three films represent further regulation of Hollywood. In production, the NICL thesis is at work with a particular collaboration pattern among the transnational Chinese film talent communities. In distribution and exhibition, this paper contends that global box office achievement fails to contribute directly to any Chinese film industry. Autonomy is seen between Hollywood film majors and Chinese filmmakers when consumption of these films becomes a global phenomenon.  相似文献   

16.
This article utilizes Michel Foucault's view of state racism to analyze the criminalization of sex workers in Taiwan. To explore the political significance underlying the term “sex work” for anti-prostitution activists, we must historically situate their discourses and their impact on legal control in the late 1980s women's movements. Their efforts to reform society followed from their commitment to child protection and from their long-standing goal of eliminating women's sexuality through motherhood. An uphill battle, marshaled chiefly by the amendment of the Youth Welfare Act in 1988 and the legislation of CYSTPA in 1995, it became more furious in its assault on sex workers. By 2009, whereas those anti-prostitution activists had promoted anti-human trafficking provisions to protect victims under the age of 18, such provisions had in reality become mechanisms for arresting anyone related with the sex industry. This means that what was put forward as a principle for the integration of society and its visible order was based on sexual inequality. Contrasting the strategies and rhetoric of regulating sex workers in Taiwan, what is really necessary is to bring the cultural dynamics behind policies into a sharper view of state racism.  相似文献   

17.
We examined equal opportunity climate (EOC) perceptions of reserve component personnel in the US Army (n = 949). We expected that gender and ethnic group membership would influence perceptions of the equal opportunity climate; and that gender and ethnic group membership would moderate the relationship between equal opportunity climate perceptions and ratings of job satisfaction, organizational commitment and workgroup effectiveness. Consistent with our hypothesis, we found the women and minorities perceptions regarding the equal opportunity climate were less favorable than White men. We also found that both gender and ethnicity moderated the relationship between equal opportunity climate perceptions and job outcomes of these groups. Our findings suggest that different groups are sensitive to particular aspects of EOC (e.g., harassment or discrimination) and that these sensitivities affect job-related outcomes.  相似文献   

18.
This study analyses the prevalence of sexting and the reasons and attitudes associated with its practice in adolescents with different cultural backgrounds (Colombia and Spain). The sample is made up of 489 Spaniards and 510 Colombians aged between 13 and 18 years. The results show that sexting is strongly influenced by gender and the country, in favor of men and Colombians respectively. The interaction between gender and country establishes that in Spain women and men practice sexting equally, while in Colombia men practice much more sexting than women. Although the practice of sexting increases progressively with age, the levels are higher among Colombian adolescents, especially after 15 years. According to the results, although both groups present a high risk for sexting, socio-cultural aspects and gender constitute differential variables to be taken into consideration. Therefore, it is necessary to design preventive strategies including cultural differences in relation to the sexuality.  相似文献   

19.
Films produced since the 1990s revival of Singapore cinema have been interpreted through a historical backdrop consisting of the nation's rapid development, participation in the global economy and authoritarian one-party governance. Film historians have described these texts by relying on discourses associated with globalization and postmodernism. This paper finds the perspective of Singaporean films to have overlooked colonialism as a significant part of Singapore's cultural identity and argues that greater consideration of that history can not only illuminate contemporary films, but also expand film scholarship to include understudied films from Singapore's ‘golden age’ of filmmaking from the 1950s to early 1970s. The history of Singapore cinema should thus be re-periodized. By analyzing the heuristic function of colonial urbanity in films from both eras, this paper explores how spatiality provides a common thread that runs through local experience, identity, culture and cinema.  相似文献   

20.
Based on a sample of 131 Chinese international students in Germany, the study examined (1) the influence of vertical-horizontal individualism-collectivism (Triandis & Gelfand, 1998) on mainstream and heritage acculturation and (2) the moderating role of gender on these relationships. It was hypothesized that both vertical-horizontal individualism would enhance mainstream acculturation and both vertical-horizontal collectivism would enhance heritage acculturation. From a gender role and a value-motivation perspective, a moderating effect of gender was also hypothesized. Since the vertical dimension is related to power and achievement values which is more important for men, men who scored high in this dimension would be more likely to acculturate than women. Since the horizontal dimension is related to universalism and benevolence which is more important for women, women who scored high in this dimension would be more likely to acculturate than men. The hierarchical regression analysis shows that (1) women's mainstream acculturation was higher than men's, but no gender difference was found in heritage acculturation; (2) the influence of horizontal individualism on mainstream acculturation was stronger for women than for men, but adopting vertical individualism has an equally positive effect on acculturation for both gender groups; (3) vertical collectivism had a positive influence on heritage acculturation for men but not for women, while horizontal collectivism had a stronger influence on heritage acculturation for women than men. These findings were discussed using a gender role perspective and the possible changes in cultural transitions.  相似文献   

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