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1.
Felicity McArdle 《The Australian Educational Researcher》2012,39(1):91-106
It would be a rare thing to visit an early years setting or classroom in Australia that does not display examples of young
children’s artworks. This practice serves to give schools a particular ‘look’, but is no guarantee of quality art education.
The Australian National Review of Visual Arts Education (, 2009) has called for changes to visual art education in schools. The planned new National Curriculum includes the arts (music,
dance, drama, media and visual arts) as 1 of the 5 learning areas. Research shows that it is the classroom teacher that makes
the difference, and teacher education has a large part to play in reforms to art education. This paper provides an account
of one foundation unit of study (Unit 1) for first year university students enrolled in a 4-year Bachelor degree program who
are preparing to teach in the early years (0–8 years). To prepare pre-service teachers to meet the needs of children in the
twenty-first century, Unit 1 blends old and new ways of seeing art, child and pedagogy. Claims for the effectiveness of this
model are supported with evidence-based research, conducted over the 6 years of iterations and ongoing development of Unit
1. 相似文献
2.
Marie Claire Murphy 《Journal of Adventure Education & Outdoor Learning》2018,18(3):257-274
Forest School is a concept, or intervention to traditional educational settings, backed up by research and built upon long-standing theories that children engage with nature naturally and that learning becomes more relevant to the student when they can relate it to real life scenarios. This research documents the implementation of the Irish Primary School Visual Arts Curriculum through Forest School, specifically, the ‘Construction’ Strand. The research was a qualitative inquiry that was supported by an action research methodology. It was conducted over six weekly sessions. Key findings show the development of a sense of responsibility, resilience, independence, happiness in a sense of achievement and an awakened awareness of the child’s own surroundings. The findings advocate the benefits of implementing this approach to enhance the Primary School Visual Arts Curriculum, as well as promoting happiness and contentment in the remainder of the day at school in other curricular subjects. . 相似文献
3.
C. Paul Newhouse 《Assessment in Education: Principles, Policy & Practice》2014,21(2):205-220
This paper presents the findings of the first phase of a three-year study investigating the efficacy of the digitisation of creative practical work as digital portfolios for the purposes of high-stakes summative assessment. At the same time the paired comparisons method of scoring was tried as an alternative to analytical rubric-based marking because we believed that it was likely that a more holistic approach to scoring would be more appropriate. Researchers created digital representations of the practical submissions of 75 Visual Arts and 82 Design students graduating from secondary school in Western Australia. These digital portfolios were scored using the two methods, with the scores compared to those officially awarded to the physical forms. It was concluded that the digital representations of the Visual Arts submissions had adequate fidelity for the purpose of awarding high-stakes scores particularly using the paired comparisons method. However, the Visual Arts teachers and students were opposed to digitisation. For the Design portfolios teachers and students were supportive of digital submission, but the structure of the portfolios reduced the reliability and validity of scores, particularly from analytical marking. 相似文献
4.
Lee Dunn 《高等教育研究与发展》2006,25(4):357-369
Australia is now the third largest provider of education to overseas students. Between 1994 and 2000 the number of overseas students taught by Australian universities increased by 150% to 107,622. It is estimated that 41% of the recent growth in international education has been in offshore enrolments, with each of Australia’s 38 universities now providing offshore education. This paper reviews recent Australian literature on transnational teaching and presents an overview of a study with academics who teach transnationally and who are drawn from nine Australian universities. The study covers the professional development and teaching experiences of these academics and their perceptions of the induction/orientation and ongoing professional development needed to support the delivery of quality trans‐cultural education offshore. 相似文献
5.
Malcolm Quinn 《The International Journal of Art & Design Education》2011,30(1):62-70
This article examines the political economic theories that informed the development of the first publicly funded art school in Britain, by the Select Committee on Arts and Manufactures of 1835/6. It begins by assessing these origins in the context of some recent experiments in art school pedagogy. It then responds to the challenge offered by Mervyn Romans in iJADE, Vol. 23, No. 3 (2004) to the argument that economic necessity was the motive for the establishment of publicly funded art education in Britain. I argue that in this instance, economic necessity should be defined according to the terms of political economic theories that offered ‘scientific’ reasons for the economic benefits of political change. I analyse this political economic discourse with reference to the examination of Martin Archer Shee, then President of the Royal Academy of Arts, at the Select Committee on Arts and Manufactures in 1836. I conclude by suggesting that the establishment of the first publicly funded art school in Britain in 1837, as it was distinguished from the Royal Academy of Arts, can be understood as part of a political economic experiment that was realised only when Henry Cole took charge of the School of Design as ‘The Department of Practical Art’ in 1852. This experiment depended on risking the models of professionalism in art that existed at that time, in order to advance new combinations of politics, economics and public pedagogy under capital, in ways that are no longer readily recognisable. 相似文献
6.
There is a developing urgency about how Australian universities should best make use of the World Wide Web (WWW) to meet the needs of culturally diverse students, especially those of Asian origin. This urgency is the result of both global and internal pressures, some political, (consider the imminence of the 'Hanson movement' against a multicultural Australia), some economic, some social. Moreover, to miss the current opportunity to exploit WWW technologies to design, implement and market effective instructional courses will only work to disadvantage Australia in a growing but globally competitive educational market. One of the most pressing problems in this context is how to provide instructional materials in a model of teaching and learning that is cost-effective, makes extensive use of WWW technologies to provide for flexibility in learning, and that is culturally appropriate. This paper outlines an approach and model for investigating and developing culturally appropriate instructional materials. It is hoped that through publication, we might obtain feedback on the validity of this model and also widen the potential of its scope beyond its immediate application to the Australian context. The following hypotheses are central to our work: (1) Existing cultural influences in instructional materials designed and delivered on the WWW by Australian universities, and intended for use by culturally diverse students, are minimal and ineffective. (2) The efficacy of learning based in the use of the WWW for instructional purposes can be improved by the adoption of a culturally appropriate model of instructional design. (3) Culture is a significant factor in determining the effectiveness of learning materials created in the WWW and intended for use by culturally diverse students. In testing these hypotheses, we intend to provide the empirical research to help determine the most appropriate ways of using the WWW to stimulate effective learning at tertiary level for all learners, whatever their cultural heritage or perspectives 相似文献
7.
Technology is a dominant mediating factor impacting on current human behaviour and social change, which both acts on and is acted upon by other phenomena. This changing social landscape, along with new expectations and requirements, drives our educational priorities and curriculum agenda. There is no denying the prevalence of technology found in the statements and guidelines of the national Australian Curriculum. Further, the National Review of School Music Education identified the importance of technology in school music education in 2005. The curriculum guidelines illustrate an understanding of technology in Music and the Arts that is both vague and limiting. In 2015 we are at a point of curriculum stasis, an equilibrium that highlights a disconnect between music, technology and Australian music education. This article investigates current secondary school Years 7–10 (ages 11–15 years) Music and Arts curriculum statements concerning the use of technology and compares this to the general capability information and computer technology (ICT) curricula. There is wide recognition that digital technology is essential in teaching and learning, but this is not reflected in contemporary Australian Arts and Music curricula. 相似文献
8.
Mervyn Romans 《The International Journal of Art & Design Education》2007,26(2):215-224
The 1835/6 Select Committee on Arts and Manufactures is generally acknowledged as being the key political event in the establishment of a system of public art and design education in Britain. The immediate outcome of its deliberations was the opening of the Normal School of Design in London in 1837 followed by the steady expansion of the system over the course of the nineteenth century, with art schools being opened in most major towns and cities throughout the country. The Minutes and Report from this Select Committee therefore represent the most important primary source for historians seeking rationales for the introduction of governmentally funded art and design education in Britain. Despite this, the workings of this Select Committee remains under‐researched in a number of important directions. This article sets out to look at one of these ‐ namely, the politicians who sat on the 1835/6 Select Committee on Arts and Manufactures. 相似文献
9.
Wendy Green 《高等教育研究与发展》2007,26(3):329-344
This paper investigates the approaches taken to essay writing by five Asian international students at an Australian university. Analysis of their in‐depth interviews reveals links between their perceptions of learning, their perceptions of essay writing, their motivation for completing the task, and their awareness of the structural conventions of the essay as a genre. These links are apparent, irrespective of whether the students were taking a deep or a surface approach to the task. In addition, analysis of the interviews shows that the students who were taking a deep approach to writing had developed high levels of cross‐cultural awareness, specifically in relation to the learning cultures, and the discursive structures of academic writing in Australia and their home country. Implications for the practice of teaching academic writing within the context of increasing cultural diversity in higher education are discussed. 相似文献
10.
王秀彦 《鞍山师范学院学报》2013,(6):85-88
人才培养和科学研究是高等院校的两个重要职能,他们相辅相成、互相促进。本文结合大连艺术学院服装学院的教学实际,论述了教学和科研结合对提高艺术类高校教师的科研能力和学生各方面能力的积极作用,并阐述了如何建立相应机制从政策和制度上推动和促进教学与科研相结合。通过科研来促进艺术类教育教学改革的顺利进行,达到教学、科研共同提高的目的,有利于培养出具有创新能力的艺术类人才。 相似文献
11.
The Talacchanda project took place as an independent research/exhibition undertaking supported by the Glasgow School of Art. Over seventeen months an exploratory education programme was introduced at various levels of schools and higher education. The education programme sprang from a contemporary art exhibition and dance performance called Talaccahnda which was informed by ancient Indian thought on art and drama. The exhibition and performance took place in Glasgow's Tramway Project Room and Theatre in October 2002. It had been shown previously in the British Council Gallery in New Delhi in 2000, and later in 2001 at the artist run space ‘Out of the Blue’ in Edinburgh. Thanks to Scottish Arts Council Lottery funding, Talacchanda Glasgow was accompanied by an education programme, which offered workshops and events in schools, at the gallery, through community groups as well as at GSA and Reid Kerr College, Paisley. By demonstrating connections between apparently disparate activities, the project aimed to serve as a catalyst for fresh thinking on inter‐cultural and anti racist education, and to strengthen connections between the community groups and institutions involved. 相似文献
12.
艺术教育是学校实施美育的基本途径,是素质教育不可或缺的内容。本文通过与纽约州2006—2007学年学校年度艺术教育的对比,对国内外艺术教育课程实施的情况和特点进行比较分析。为我国中小学艺术教育和课程教学带来一些思考。 相似文献
13.
19世纪中期澳大利亚人对英心态剖析 总被引：1，自引：0，他引：1
王宇博 《淮阴师范学院学报(哲学社会科学版)》2004,26(2):226-230
19世纪中期是澳大利亚民族形成与澳大利亚社会转型的重要时期之一。当时,澳大利亚人的对英心态体现为权利意识与"母国情结"相互交织,其自治要求日益强烈。这种心态对澳大利亚民族与社会的发展及发展模式的成型影响深远,它决定了独立的澳大利亚民族国家是在平和的合法交涉中形成,而不是在暴力革命中诞生。 相似文献
14.
吕煜 《南昌教育学院学报》2011,(7):22+56
艺术类学生具有不同于其他专业学生的特点,这些特点影响着他们对党的认识,使得艺术类学生党建工作存在着不容忽视的问题。相比于其他专业的学生,艺术类学生入党积极性不够高,文化素质相对较低,政治上崇尚自由主义。本文针对这些问题,以华侨大学美术学院为例提出了对策。实践表明,通过教育引导,积极组织,热情帮助,严格管理,艺术类专业的学生同样是能够焕发出政治热情的,同样能够成为为共产主义事业的接班人。 相似文献
15.
周楷 《昭通师范高等专科学校学报》2007,29(6):38-41
诗画关系经历了从"诗画一律"到"诗画异质"的变化,其中,诗是时间的艺术,画是空间的艺术。但是,诗画表现方式的不同并不能说明它们各自功能的强弱,它们是同属于艺术的不同的表现形式,它们都有艺术所具有的表现能力。不宜对诗和画的表现力作出强弱之分。诗和画的关系应该是相互补充、相互渗透、相互借鉴的关系。 相似文献
16.
Derek Freeman 《Academic Questions》1992,5(3):23-33
Derek Freeman has been a member of the Research School of Pacific Studies of the Institute of Advanced Studies of the Australian
National University since 1955. This essay is adapted from a public lecture given at the Australian National University on
23 October 1991; the entire lecture is to be published in pamphlet form by the Research School of Pacific Studies, The Australian
National University, Canberra, Australia 2601. 相似文献
17.
《The International Journal of Art & Design Education》1994,13(1):89-102
Book reviewed in this article: The Rationality of Feeling, David Best Visual Arts in Education: Completing the Circle, Rod Taylor The Arts in the Primary School, Rod Taylor Glennis Andrews Aesthetics and Education, Michael J. Parsons Gene Blocker Art History and Education, Stephen Addiss Mary Erickson Drawing Research and Development: Art and Design Education Series, David Thislewood (Ed) 相似文献
18.
Entry of men and women to an academic career was studied through a survey of 230 men and women who in 1991 held a full-time appointment at lecturer level or above in Arts and Science disciplines in an Australian university. The women more often than the men had learned about the position they obtained from a source inside the department in which the job was being filled, had been encouraged by senior members of the department to apply, and had gained a position that was filled without advertisement. However, these differences arose because more of the women than the men had been a tutor in the department where they gained a lectureship. There were no differences in terms of how men and women had been recruited when allowance was made for this factor and whether a person had been residing within Australia immediately prior to appointment. The results are discussed with reference to why men have in the past and now do substantially outnumber women among academics in Australian universities. Although the survey suggests men and women who gained positions were recruited on similar bases, successful applicants need to be compared with unsuccessful applicants to obtain comprehensive understanding whether selection practices have disadvantaged women.The survey reported in this article was undertaken while Ray Over held an appointment as Visiting Professor in the Faculty of Education at Griffith University. 相似文献
19.
该研究旨在探索学习风格和多元智能之间的相关性。研究通过对广州美术学院205名学生的问卷调查,经SPSS分析,发现美术专业的学生在学习过程中所偏好的学习风格多为动手型,而所擅长的智能类型多为自我认识型和视觉/空间型,其学习风格和多元智能中多项呈正相关关系。研究希望能通过对这些美术专业学生的调查和分析,加深对他们特性的了解,从而得到外语教学上的启发,并应用更合理的教学策略,帮助他们在英语学习上取得更大的进步。 相似文献
20.
《Higher Education Policy》1998,11(4):311-322
Since the introduction of the Overseas Student Program (OSP) in 1985, courses have been marketed, often quite aggressively, by Australian universities. In most cases, overseas students have responded by coming to Australia. The cultural implications of the OSP are evaluated using a hypothetical case—Hong Kong Registered Nurses undertaking a post-graduate Public Health Nursing program in a higher education institution to prepare them for work with Vietnamese people in Hong Kongs refugee camps. The evaluation is based on an application of Dunns jurisprudential metaphor and transactional model of argument to a consideration of the contextual and cultural issues which arise from an examination of the impact of the course. It was concluded that the course would not be appropriate. Moreover, arguments developed from the hypothetical case were found to be generalisable to the export of other professional courses, and the relevance of many offerings were questioned. 相似文献