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1.
ABSTRACT

Chen Yingzhen has been regarded as Taiwan's utmost representative leftist intellectual. This article tries to reconstruct Chen's historical significance in Taiwan's “sixties” in a broader perspective. The 1960s in Taiwan was a peculiar period. While there was a global youth rebellion, Taiwan's postwar baby boom generation, who had just been re-educated as Chinese, were going through a cultural “renaissance”. They started to put into practice what they had learned and to realize their creativities in all aspects—taken as a whole, these efforts could be understood as this generation's attempt to achieve self-realization. Chen Yingzhen and his works served as a significant initiating and guiding force during this time. The fact that there were no dominating ideologies during this period allowed room for this wave of creativity to flourish.  相似文献   

2.
Abstract

In this article, I analyze the political significance of Shōji Sōichi's Chin-fujin (The wife of Mr. Chen), an intricate story of an interracial family in colonial Taiwan struggling to come to terms with their cultural identifications against the backdrop of political upheavals in the late 1910s to the mid-1930s. The novel was well received in wartime Japan and received a 1943 Greater East Asia Literary Prize. Contemporary critics praised it for depicting the perseverance of a Japanese woman married into a Taiwanese family and for representing a Han-Taiwanese intellectual realistically. Yet it was the political effect of the novel that was appreciated by those who selected it for the prize. Shōji demonstrated how the policy and political discourse of the Japanese empire could be acted out in a site of family life, the site that was regarded as critically important for colonial control. He depicted a Taiwanese elite man, his Japanese wife, and their mixed-blood daughter as trying to transcend the old categorical distinction between metropolitan Japanese and natives of Taiwan and seeking a new unified identity position based on colonial Taiwan. I want to show the repressive nature of the national subject formation outlined in this colonial fantasy.  相似文献   

3.
This issue contains essays by the important Japanese sinologist and intellectual historian, Mizoguchi Yūzō (1932–2010). Born in Nagoya, he studied in the literature department in Tokyo University and then went to graduate school in Nagoya University. He was a student of Iriya Yoshitaka, the famous sinologist. Mizoguchi has taught at Saitama University, Hitotsubashi University and Tokyo University. He was also a Distinguished Professor at Tokyo University. Mizoguchi Yūzō left a number of important works throughout his life. The selection is unable to provide a complete picture of Mizoguchi’s ideas about the principle of Chinese history, but it provides an entry point for English readers to understand Mizoguchi’s work. In this introduction, we attempt to bring out certain key ideas of Mizoguchi’s writings and discuss his historical and theoretical significance.  相似文献   

4.
Abstract

This paper attempts to read aspects of language, history, and literariness historically from the perspective of both Brazil and Kerala. It is also an attempt to compare two very distinct places from within a framework centred on the South. Initially, region and nation are discussed, as well as modernity and development, and the issue of thinking South–South connections from an anthropological perspective. Next, the matter of the complex connected histories of Kerala within the Indian Ocean is mentioned, including Portuguese colonial history. The image and influence of Latin America in Kerala is briefly brought up, especially in what concerns literary influence. There follows an extended discussion of issues of literacy and the rise of the novel in Kerala as well as the historical intricacies of the construction of Malayalam as a modern medium. A contrast with the literary construction of modernity in Brazil is made, and the importance of English in Kerala is accordingly highlighted as well as the issue of the coloniality of the Portuguese within Brazil's complex creolized history. An analysis of the pioneering novel of Chandumenon is offered, and a comparison with a novel in Brazil is subsequently sketched. The different historical contexts of nineteenth century Brazil and Kerala are stressed. The close interrelatedness between issues of language, nation, and region is emphasised as well as the internal complexities of modernity in both regions.  相似文献   

5.
ABSTRACT

The study of Asian American literature has developed for almost two decades since the beginning of the twenty-first century. Inspired by Kuan-Hsing Chen’s “Asia as method,” which situates Asia at the center and uses Asian societies as each other’s points of reference, we use China as a site to reconsider how to read, teach and study Asian American literature in its new phase by exploring the following interactions: (1) between Asian American literature and American literature; (2) between Asian American literature and overseas Chinese literature; (3) between Asian American literature and Chinese literature. We encourage writers, readers and scholars to adopt Chen’s inter-Asia approach to rethink and reconsider the writing of Asian American subject, the study of Asian American literature, the inquiries made about it, and the methods of teaching it. We further expand it to include both a global perspective and a comparative approach that also uses national/regional literatures as reference points.  相似文献   

6.
I became acquainted with Chen Shibin through his calligraphic and painting works. Having appreciating almost all his creations from his teen years until now,I have been well informed of his artistic visage which fully demonstrates his scrutiny of life, art, nature and society.[第一段]  相似文献   

7.
ABSTRACT

In the late nineteenth century a number of writers turned to anthropology to predict a socialist future. They included prominent revolutionary socialists such as Friedrich Engels, William Morris and members of the Socialist League. Contextualizing the appropriation of the anthropologist Lewis Henry Morgan by such writers, this article also pays particular attention to socialist popularizations of anthropology, particularly those by Morris and his fellow writers in his penny weekly, the Commonweal. Focusing on Morris's articles on ancient society helps to illuminate his own understanding of history, art and socialism. It also sheds new light on his predictive fiction News from Nowhere, which was originally read alongside Commonweal non-fiction. Both, I will argue, encouraged readers to see the future in the struggles of the ancient past.  相似文献   

8.
Abstract

This essay tries to trace the life trajectory of an intellectual, in terms of his intellectual and social practices, who wants to live through modern Korean history via progressive activism. The trajectory can be divided into three different stages: the first comes with the military developmental dictatorship in 1961, ending in 1987. The next is during the democratic transition since the Democratic Uprising in June 1987, which put the Korean society onto the road of democratization. The last one should be the so‐called ‘post‐democratization’ period in which we now find ourselves. This is more a story than an analysis of the progressive intellectual movement in the form of the personal recollections. The story is, however, not just about an individual but it is a window giving a glimpse into the larger trajectory that many progressive intellectuals have gone through, and that directly reflects the huge changes in contemporary history of South Korea, such as the interaction between the domination and social movements.  相似文献   

9.
ABSTRACT

John F. C. Harrison, who has recently passed away, was one of the founders of British social and labour History. Along with figures such as E.P. Thompson and Asa Briggs, Harrison put nineteenth-century social history on the scholarly map. He traced the histories of adult education, Owenism and popular millenarianism. Many came to Victorian history through his textbooks about the period. This appreciation traces his life and work, attempting to establish what was distinctive about his work. Harrison eschewed theory but built important bridges between social, labour and intellectual history which give his work an enduring importance.  相似文献   

10.
ABSTRACT

This study is focused on those filmmakers who make films as a way of fighting to defend human rights. I look in particular in this article at their activist role in the process of documenting human rights abuses in contemporary film projects that explore the aftermath of genocide. In Asia, we can find two examples: the anticommunist genocide in Indonesia in 1965–66 and the genocide perpetrated by the Khmer Rouge regime in Cambodia in 1975–79. Two contemporary filmmakers have produced works that recover the history of the atrocities: Joshua Oppenheimer and Rithy Panh. Traditionally, filmmakers have formed relationships only with victims; however, this article shows how the involvement of the perpetrators is also necessary to fully understand the conflict. This article explores why filmmakers decide to engage with the perpetrators, how they get them to participate, and what the consequences of this process may be. Since Oppenheimer’s involvement with his protagonist, Anwar Congo, in The Act of Killing (2012) turns out especially problematic, exploring this relationship in depth is the central purpose of this article.  相似文献   

11.
Abstract

This paper pursues the genealogies of mi-yi (secret doctors) as a threshold figure to attend to the questions of state-mediated governance and knowledge power concerning medical modernity in postwar Taiwan. To consider the mi-yi figure as symptomatic of Taiwan's medical modernity, I inquire into the question of how the scientific discourse of modernity as purported by the class of medical professionals converges with state power to discipline and regulate medical subjects and practices vis-à-vis the discourse of mi-yi. To this end, I analyze the anti-mi-yi discourse that emerged since the 1950s to discuss how the modern medical profession employed a language of science, rationality, and security that initiated an extended state surveillance of unregulated medical subjects and practices. The second part of the essay reads Chen Yingzhen's novella, Zhao Nandong as part of Taiwan's medical “archives” to explore the politics of embodied medical labor as a situated instance of the contradictions of medical modernity. I situate the literary imagination of Zhao Nandong in the social context of mi-yi discourse to frame the erased labor and violence, the ways in which the histories of these labors have been doubly obscured by the conflation of nationalistic historiography and positivist knowledge production of sociological categorizations of Taiwan's modernity.  相似文献   

12.
ABSTRACT

This essay explores what it means to theorize Han racism in Malaysian contexts, where ethnic Chinese constitute a minority. Given the history of Malay political dominance and recent intensification of Malay-Muslim ethno-nationalism as part of a backlash against the historic change of government in 2018, theorizing Han racism might seem like a move to downplay these factors and minimize the various forms of racialized violence directed at Chinese identified bodies. To the contrary, I show that doing so involves tracking the transnational process of racial production, which requires understanding how racist and capitalist modes of hierarchy operate in tandem, and how racial discourses are used by the state to manage domestic political exigencies and global economic forces to facilitate ongoing capitalist accumulation. I then turn to consider the arena of world Anglophone literature, which has emerged as a transnational site for narrating Chinese Malaysian experiences, by considering an exemplary text, a 2012 novel by Tan Twan Eng, The Garden of Evening Mists. In examining the material and ideological conditions of the global literary marketplace in shaping the novel, I consider how the cosmopolitan nature of global Anglophone literary production can obscure the racial underpinnings of its cultural productions as in the case of Tan’s novel.  相似文献   

13.
This essay outlines an intellectual portrait of Chua Beng Huat and offers a critical appreciation of his contributions as an academic, a scholar, and an intellectual. I highlight key biographical details: his family upbringing in Bukit Ho Swee, schooling in the Chinese and English mediums, higher education and academic experience in Canada, his return to Singapore, and serving as a sociology faculty at the National University of Singapore, which he made a home base for inter-Asia studies. I discuss his pedagogical approach, which extends to his research and public engagement. In reviewing his works, I focus on the theme of communitarianism as a basis of political legitimacy in East Asia, with housing provision in Singapore as a prime example. His project presents an alternative to Western liberal democracy taken as the universal bedrock of political modernity. I characterize it as the recuperation of the social in the face of capitalist modernity, which is conducive to atomization and corrosive of solidarity. Yet, he projects the possibilities of a more politically liberalized communitarianism. What he offers is not a set of ready answers that reconcile Marx’s “realm of necessity” and “realm of freedom,” but a lucid exposition of the tensions between the two realms under contemporary conditions.  相似文献   

14.
Focusing on the relationship between Chua Beng Huat’s sociological thinking before the Inter-Asia Cultural Studies project and his more recent famous works on consumption and popular culture, this essay seeks to understand how he has produced a methodology and a mode of authority that is effective for the context he inhabits in Singapore as well as resonant for scholars working elsewhere. After discussing his interest in large rather than ‘cult’ popular cultures, his emphasis on the detail of government processes as well as popular practices, his economically-grounded concept of consumption and his materialist approach to texts, I read his work on ‘nostalgia for the kampung’ as modelling an Inter-Asian way of doing Cultural Studies that helps us ask questions and develop concepts for our own local contexts.  相似文献   

15.
Abstract

This paper explores Guy J. Pauker’s works on Indonesia in the 1960s, particularly the ones concerning the Indonesian Communist Party (PKI) before and after the killing of six top Army officers on 30 September 1965 (called the ‘1965 Affair’ for short). Of Western scholars working on Indonesia in 1960s, Pauker was indeed infamous. Being a consultant for the CIA‐sponsored RAND Corporation has made his academic integrity doubtful. In addition, his active roles in several historical events in Indonesia in the 1960s have given his scholarship a bad reputation. Consequently, it is his name, rather than his works, that has often been mentioned and associated with what happened in Indonesia in the 1960s. However, this paper argues that precisely because of such a position, his pre‐‘1965 Affair’ works were to give a cool report and analysis of the current history, through which one can understand better the PKI before it was exterminated due to being accused of masterminding the killing of six top Army officers. Through these works the narrative of the Communist past can ironically be freed from the demonizing image constructed by the New Order regime. Yet, his post‐‘1965 Affair’ works were not only in parallel with, but also a part – if not the core – of the demonization as such. Through his ways of seeing the PKI in 1960s, one can see the shift from Baconian knowledge/power to Foucaultian power/knowledge relations.  相似文献   

16.
Abstract

This article examines the way in which seemingly contradictory positions of populism and cosmopolitanism are articulated in the development of the Japanese post‐Second World War fascination with overseas. Specifically, I analyze the writings of Ohashi Kyosen, a popular television entertainer, and investigate how a particular mode of subjectivity is expressed through his ideas of overseas leisure and retirement in his best‐selling book Kyosen: Choose Your Own Life (Kyosen: Jinsei no Sentaku) and related essays published around 2000. While the issue of subjectivity has been the central concern throughout modern Japanese history, earlier analyses have been focused on the critical writings of intellectuals. I argue that in order to understand the larger social impacts of the translation of subjectivity, we also need to examine how the issue is articulated in popular discourses. Ohashi’s popular writings suggest that the issue of subjectivity still haunts the contemporary everyday lives of many Japanese, and continues to be the key predicament for articulating a culturally meaningful model of ‘citizen’ in Japan. Ohashi’s writings raise questions about what it means to be an active agent of one’s life, and how to situate the self in the larger society. Through an analysis of Ohashi’s narratives, I first illustrate how subjectivity is negotiated through people’s demands for leisure and their concerns about retirement, both of which are entangled with their fascination with overseas. Second, I examine Ohashi’s narratives as an expression of the paradoxical position of the Japanese citizenry conditioned by the US–Japan political, economic, and military coalition. I discuss how the predicament of articulating Japanese subjectivity reflects this paradoxical position under the legacy of Cold War geopolitics in Asia.  相似文献   

17.
ABSTRACT

This paper explores Eric Hobsbawm’s interest in Jazz, and argues that he helped popularise the music, gave it intellectual credibility and that his jazz writings are still relevant for jazz scholars and cultural historians. Jazz also influenced his view of history. Drawing on his recently catalogued private papers, it suggests Hobsbawm consistently argued for the historical significance of jazz, was flexible in the use of genre and subgenre and was aware of the role of the music business, and the way critics and writers helped shape the music’s meanings. The paper also argues that Hobsbawm wrote partly as fan, and that his penetrating analysis of jazz sometimes led him to undervalue other popular music forms.  相似文献   

18.
Professor Chua Beng Huat is an internationally well-known and respected sociologist and cultural studies scholar from Singapore. In early 2015, his long-time collaborator and Inter-Asia Cultural Studies co-founder, Kuan-Hsing Chen, and his former student turned present colleague, Daniel Goh, interviewed Chua on the eve of his retirement as the Head of the Department of Sociology at the National University of Singapore. This wide-ranging interview tracks a colourful biographical trajectory that expresses both the contradictions of the illiberal capitalism underpinning Singapore's rapid development and the strategic dilemmas and tactical travails of an intellectual clinging on to the representations of truth.  相似文献   

19.
Abstract

This article situates Taslima Nasrin, the controversial writer from Bangladesh, in a particular political and religious moment in the history of Bangladesh, to analyse the difficult relationship the postcolonial state shares with a writer whose work deliberately unsettles the issues of minority and of women and/in religion. The complex mosaic of Nasrin’s work, comprising as varied genres as newspaper columns, poetry and popular novels, has engendered, in the last ten years, unprecedented responses both for and against her writing. This has brought the issue of literature and its uneasy negotiation with state politics to the forefront of national debate. Despised by Islamists and fundamentalists, equally loved and loathed by the reading public, considered with caution by secular intelligentsia and fellow feminists, and ultimately banned by the state, Nasrin is a unique case in point. Her work, written under the gaze of the state defying the fundamentalist fatwa demanding her death, hence invites discussions on state censorship invoked using religious sensibility as a marker of literary judgement and the associated perils of women writing on women in a postcolony like Bangladesh.  相似文献   

20.
ABSTRACT

In the history of Partition women have been long overlooked, often forced to hide in the shadows of their male counterparts. There are now a number of key works that have focused on the role of women, but these have largely focused on women's experiences in India. Sixty years on and we know little about Muslim women and their experiences of migration and resettlement in West Punjab, Pakistan. In an attempt to trace the experiences of the Muslim women, this article will explore their history by examining official documents, newspaper accounts and women's own testimonies. It attempts to understand how this silent history is documented from these various sources.  相似文献   

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