共查询到20条相似文献，搜索用时 31 毫秒
1.
Diana Dixon 《Media History》2013,19(1):79-89
Television history channels and programming have seen considerable growth in recent years, yet empirical research on television history audiences remains limited. This essay argues that media history scholars need better to understand what happens when audiences consume television history, examining the critical debates concerning the genre's specific modalities of rendering the past on screen before exploring what opportunities and problems it affords viewers. The essay draws on original qualitative, empirical research on audiences of historical reality television through a specific, small-scale case study of BBC Wales' Coal House at War (Indus 2008). It argues for the need to retain a dual focus upon such programming's historical content and its televisuality if we are to appreciate the intricacies of viewers' cultural consumption. The essay concludes by demonstrating that audiences' own oral and written responses to television history reveal something of how people, situated in their specific times and places, understand both their past and their present. 相似文献
2.
Davis W. Houck 《Communication Studies》2013,64(3-4):285-298
Many scholars have misunderstood and misinterpreted Malcolm X's pilgrimage to Mecca in the spring of 1964. Instead of treating the conversion within its historical moment, scholars have de‐politicized this crucial event by ignoring the historical, political, and rhetorical dynamics of the situation. In this essay, I argue for a rhetorical reading of Malcolm's Mecca pilgrimage. Malcolm's conversion to orthodox Islam facilitated his attempts to actualize his political mission of internationalizing the battle for civil rights. Converting to orthodox Islam also enabled Malcolm to appropriate the rhetoric of the Koran to legitimate his political mission of indicting the United States on human rights violations at the United Nations. 相似文献
3.
John Clarke 《传播与批判/文化研究》2013,10(3):309-313
Currently, scholars grapple with media that depict Third World women as either victims of unchanging contexts or agents of liberation. To explore how a widely distributed and popular documentary film can destabilize a First World gaze, this essay examines Iron Ladies of Liberia (ILL), which traced Ellen Johnson Sirleaf's first year as president of Liberia. ILL foregrounded women's rhetorical and political agencies to alter a postwar context, while it also situated their agencies within an enabling and constraining constellation of power relationships. Through its unique relationships between filmmaker and subject, ILL suggested a transnational feminist perspective on women in media. 相似文献
4.
On October 22, 1986, C. Everett Koop released the Surgeon General's Report on Acquired Immune Deficiency Syndrome. This essay examines that report as a rhetorical watershed in the national dialogue about AIDS. We suggest that this report—and the media attention that attended it—dramatically shifted the socio‐political environment concerning AIDS and contextual‐izfd Reagan's silence concerning the disease as a lack of presidential leadership on the issue. 相似文献
5.
Don Paul Abbott 《Communication Studies》2013,64(4):193-203
Juan Luis Vives, like many sixteenth‐century humanists, sought to reform the arts of rhetoric and dialectic. This essay argues that Vives' efforts to rehabilitate the disciplines of discourse may well have been the most original of his century. Vives' discussion of elecutio—the essence of rhetoric—is considerably more distinguished than that presented by the better known Peter Ramus. 相似文献
6.
周婧景 《自然科学博物馆研究》2020,(6):54-64
美国儿童博物馆协会编著的论文集《儿童博物馆建设运营之道》,既是一部启发思路的成果汇编,又堪称是一本指导实践的实用手册。该书不仅专注于显性意义上形而下的器,还重视隐性意义上形而上的道。本文对该论文集中各位学者的真知灼见和核心观点进行归纳和述评,并在此基础上反思该书在当代博物馆儿童研究中的地位和价值。同时主张在面对与日俱增的儿童现象及材料时,不应仅止步于追求“求实”“致用”的经验,还要探寻隐匿于经验之中的本质及其关联,以“求真”实现“道器并重”。 相似文献
7.
Susan Mancino 《Curator: The Museum Journal》2016,59(2):141-152
Throughout their history, museums have performed diverse public services: from preservation, collection, and exhibition, to interpretation, education, and civic engagement. As Stephen E. Weil ( 2002 ) explains, since the mid‐twentieth century, museums have experienced two major revolutions. First, a revolution in focus from collection‐oriented to visitor‐oriented practices, and second, a revolution in public expectations as museums secured a position within the nonprofit sector (81–82). With competition for public, private, and philanthropic support resting upon measurable results, the evaluation of museums depends upon its ability to “accomplish its purpose” (5). However, the question remains: what is the museum's purpose? Which is the more important: collection and artifact preservation, or public engagement and education? An overview of museum practices reveals a multiplicity of professional tasks distributed among three imperatives: preservation, scholarship, and programming (Weil 2002 , 11). The competition for resources devoted to each of these imperatives can spark controversy—particularly if museum professionals answer the question of the purpose of museums differently. Organizational communication scholar, Janie M. Harden Fritz, developed a theoretical framework that seeks to respond to such controversies in Professional Civility: Communicating Virtue at Work. This essay considers Fritz's “professional civility” in the context of the American museum sector, lending insight to the question of museum purpose and function. 相似文献
8.
《Communication monographs》2012,79(2):138-157
This essay explores the aesthetic and rhetorical implications of prudent and imprudent presidential performance fragments embodied in photo‐opportunities, thereby addressing presidential rhetoric's “visual turn. “Assembled as a critical rhetoric text, this essay posits that presidential performance fragments privilege the dominant ideology and its power relationships. In addition, this project argues that prudent presidential performances signal a chief executive's consubstantiality with the mythic presidency, centralized authority, and active political leadership. Imprudent photo‐opportunity performances, by contrast, impact negatively a president's image, agenda, credibility, and authority. The essay concludes with a discussion of how political images symbolically affect the citizenry and democratic processes, and advances foundational issues for the critic. 相似文献
9.
《Communication monographs》2012,79(4):250-264
Students of public address have long admired the rhetorical works of two of the leading ministers of the eighteenth century—Hugh Blair and George Campbell. Little has been said, however, about the rhetorical theory of another eighteenth‐century preacher, John Wesley. The purpose of this paper is to analyze Wesley's views on rhetoric and belles lettres. Since most of the subjects covered by Blair in his Lectures on Rhetoric and Belles Lettres were also discussed by Wesley in his Journal, Letters, and essays, Blair's pattern of organization is followed here. Hence the study considers Wesley's precepts on taste, genius, style, the speaker's content and organization, delivery, poetry, and historical and philosophical writing. 相似文献
10.
Sarah Banet‐Weiser 《Critical Studies in Media Communication》2013,30(2):119-139
Nickelodeon is a powerful commercial cable network of television, internet activities, toy manufacturing, and video production. The network has been recognized by both industry professionals and media scholars for its representation of girls as strong, intelligent lead characters. Focusing on entertainment programs Clarissa Explains It All and As Told by Ginger, as well as on Nickelodeon's non‐fiction children's news program, Nick News, I argue that the media context of girl power, combined with the increasing recognition of adolescent girls as both powerful citizens and consumers, offers what at times looks like a radical gesture in terms of disrupting dominant gender relations. However, we can also read the mainstream embrace of girl power as a restabilization of particular categories of gender, so that this “radical” challenge moves toward the entrenchment of conventional gender relations. 相似文献
11.
Ralph Beliveau Ph.D. 《广播与电子媒介杂志》2013,57(2):273-274
The “topless radio”; phenomenon was briefly widespread— and controversy about such formats continues to appear. This article reviews two important FCC decisions, Sonderling (WGLD‐FM), and Pacifica (WBAI‐FM), to discern and describe FCC policy trends and attempts to define just what obscenity and indecency is and what standards for broadcasting should exist. Dr. Feldman is on the speech faculty at Denison University (Ohio), while Dr. Tickton teaches mass communication and speech at, respectively, Norfolk State College and Old Dominion University, both in Virginia. 相似文献
12.
Danielle M. Stern 《The Communication Review》2013,16(1):50-77
Using MTV's popular long-running program The Real World as a case study, this essay examines the interrelationship of the construction and consumption of bodies in an increasingly surveillance-based, commercial, hybrid media culture. This article is part of a larger project that employed a multi-method approach grounded in feminism combining textual data from The Real World with interviews with producers and female fans of The Real World. The author investigates how Real World viewers make sense of the series' claims to the real, using the body as the site of cultural production. Two key frames of bodies on The Real World are identified: the troubled body and the heteronormative body. The analysis is situated among studies of media realism to interrogate the context in which real women today are recreated as the “fractured female” in popular culture. The author argues that scholars should continue in a move toward interdisciplinary approaches that link the cultural with the capital and offers the body as a major site of cultural production and reception. 相似文献
13.
Robert E. Gutsche Jr. 《Visual Communication Quarterly》2014,21(1):14-23
This photo essay updates research previously presented in Visual Communication Quarterly about news characterizations of a “Black neighborhood” in Iowa City, Iowa. Shot by preschoolers in the city's Southeast Side, the images in this essay—peppered with the inadvertent appearance of the photographers' fingers—added to an artistic value that cast life there being other than dangerous, dark, and devious. Whereas hands can often be used to conceal, the fingers in these photographs frame special and specific glimpses of life, ultimately presenting a counternarrative to neighborhood characterizations constructed by news photographs. 相似文献
14.
This essay explores three films from 2007, Knocked Up, Juno, and Waitress, which foreground young women's unplanned pregnancies. These movies depoliticize women's reproduction and motherhood through narratives that rearticulate the meaning of choice. Bypassing the subject of abortion, the women's decisions revolve around their choice of heterosexual partners and investment in romantic relationships. Although they question the viability of the nuclear family for single pregnant women, these films represent new iterations of post-feminism that ultimately restore conservative ideas that valorize pregnancy and motherhood as women's imperatives. We conclude by addressing how these movies present a distorted and short-sighted depiction of the politics of reproductive agency and the challenges that single mothers face. 相似文献
15.
Janet Brown 《Communication Studies》2013,64(2):138-144
This essay employ's Burke's pentad and pattern of symbolic action and a definition of feminism proposed by Aileen S. Kraditor to posit a definition of feminist drama. An analysis of the Mod Donna by Myrna Lamb illustrates the critical use of this definition. 相似文献
16.
Ted Striphas 《Critical Studies in Media Communication》2013,30(3):295-316
This essay explores the cultural politics of television talk-show host Oprah Winfrey's Book Club. Because women constitute both the primary Oprah television audience and the largest United States book buying public, it focuses specifically on women's involvement in the club and their modes of engagement with its selections. The Book Club's astonishing success was attributable in part to the carefully considered communication strategies through which participants, Winfrey, and Oprah producers collectively articulated the value of books and reading specifically for women. Their de-emphasizing of purely literary considerations, I contend, enabled women to strategize how to use Book Club selections simultaneously to distance themselves from and to engage more intensively with the demands of living in a patriarchal and otherwise socioeconomically stratified society – a relationship I call a “dialectic with the everyday.” This essay thus traces the communicative processes/practices through which those involved in Oprah's Book Club articulated a highly sophisticated economy of cultural value around books and reading and the implications of that economy to a possible feminist cultural politics. 相似文献
17.
David Shayt 《Curator: The Museum Journal》2008,51(2):179-185
Abstract Large works of public sculpture outside our museum doors reveal aspects of a museum's self‐image. They beckon, reassure, or confront visitors with new ideas about what might lurk inside. Whether off‐the‐shelf or commissions by well‐known sculptors, these pieces matter. They are the noses on our museum faces. In this essay, one museum curator reflects on the layered meanings of his museum's entry art — meanings that, he argues, have the potential to evolve over time. 相似文献
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19.
Victor Pickard 《传播与批判/文化研究》2013,10(2-3):306-311
This essay considers the meaning of “being critical.” Specifically, it considers how critical scholarship might aim to demystify and contest dominant power arrangements. First I situate my own work within a specific critical tradition and then I discuss the critical scholar's role in society more broadly. I draw from some of these attributes to conclude with a general proposal for a potential project focused on misinformation that may appeal to critical scholars from diverse theoretical backgrounds. 相似文献
20.
Jack Glascock Ph.D. 《Communication Studies》2013,64(1):29-47
This essay examines approximately 1 1/2 years of opinion page content in The Jasper NewsBoy concerning the dragging death of James Byrd Jr. in June of 1998. The manner of Byrd's murder horrified much of the nation and galvanized public discussion about race relations. The NewsBoy's coverage was an important part of the community's response to the crisis, which ranged from prayer vigils to town hall meetings. This paper sketches a brief outline of the crisis as it unfolded to provide a context for the papers role, followed by an analysis of the NewsBoy's opinion section based on Fishman's methodology for examining crisis communication events. By combining elements of civic journalism and crisis communication, the newspaper helped the town stage a successful image restoration campaign. 相似文献