共查询到20条相似文献，搜索用时 203 毫秒
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前人一直认为《内典随函音疏》零卷仅存于日本,现通过对陕西本《碛砂藏》随函音义的考察,可知其有可能亦存在于国内,亦可证明作于五代时期的该音义有可能在南宋末年还在中土流传. 相似文献
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中国套版印刷术的应用李虎套版印刷术是在单色雕版印刷术的基础上发展起来的，它是雕版印刷术的新发展。套版印刷在元代雕印史上的成就是重大的。元至元六年（１３４０），中兴路资福寺所刻的无闻和尚注解的《金刚经》是用朱墨两色套印的，卷首扉画画一位老僧在讲经，桌前... 相似文献
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《图书馆理论与实践》2008,(2):52
最近,重庆罗汉寺工作人员在清理藏经阁时,无意中发现了一副连专家都不敢估价的清代佛画《五百罗汉图》。为了以此为蓝本重建寺中的罗汉堂,罗汉寺希望通过媒体向全球寻找罗汉图的上半卷。据了解,罗汉寺拥有大量藏经、文物和字画,包括《碛砂藏》《频伽藏》等古代珍品,但这种"五百罗汉"长卷还是第一次发现。整幅画卷长16.72米,宽0.54米, 相似文献
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当前全国自上而下都在开展古籍普查工作,就普查工作中发现的《中国丛书综录》、《中国古籍善本书目》、《国家珍贵古籍名录图录》等书存在的个别问题,以及古籍普查平台所设置分类和某些要求尚欠科学的地方进行了讨论。 相似文献
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我是广西军区后勤部的一名士官报道员。入伍10年来,我凭着对新闻工作的挚爱,坚持在新闻路上辛勤耕耘,先后在《人民日报》、《解放军报》和中央人民广播电台等中央级媒体发表稿件500余篇（幅）,在《战士报》、《广西日报》等省部级报刊发表稿件1800余篇（幅）, 相似文献
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以学者们编撰的纳西族东巴经书目著作为基础,把书目的发展过程分为滥觞期、发展期和成熟期,提出书目应兼收文字经和口诵经、经书类别编排依东巴教作法仪式为主、著录项目全面详细有特色,实现以书目来总结经书研究成果,由书目来了解东巴经研究的基本格局与发展趋势的目的。 相似文献
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《文物保护研究》2013,58(2):127-132
AbstractThe authors describe the application of TV holography, also known as electronic speckle pattern interferometry (ESPI), to the examination of wall paintings. The equipment usesfibre-optic illumination and a solid-state camera connected to a computer. Images made after the wall painting has been warmed slightly with an infrared lamp are compared with reference images; differences in the speckle pattern can be used to identify cracks and subsurface detachments. The system is robust and portable, allowing it to be used for the in situ investigation of wall paintings, including those exposed externally. It can also be used to monitor the condition of the work of art over time and to evaluate the success of any treatment. 相似文献
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《文海披沙》是晚明福建文坛诗人、学者谢肇淛的笔记体著作。谢氏去世后,很多作品流传到东邻日本,并在日本多次刊刻,产生了很大影响。 相似文献
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自2007年中华古籍保护计划实施以来,云南省建构起了具有民族特色的古籍保护体系,即省、州(市)、县成立了相应的古籍保护机构;依靠自身的专业人员和志愿者力量,在全省范围内开展了古籍普查登记工作;根据云南少数民族古籍收藏丰富的特点,有针对性地开展了彝文古籍、藏文古籍、傣文古籍和东巴古籍的修复工作,在少数民族古籍修复技术上取得了突破,同时也培养了一支少数民族古籍保护的人才队伍;积极开展古籍的数字化建设和整理出版,一批珍贵古籍和拓片数据库及时向社会公开发布。围绕寺庙和民间少数民族古籍的普查登记、少数民族古籍修复,论文认为古籍保护涉及多学科知识,应尽快开展古籍保护学的学科建设。 相似文献
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《文物保护研究》2013,58(4):209-214
AbstractWell-cleaned canvas fibres from two oil paintings have been dated by radiocarbon. Although the dates agree with the expected ages of the paintings to a first approximation, uncertainties in the date arise from ambiguities (or ‘wiggles’) in the calibration curve. Only by introducing additional information about the paintings into the calculations can more precise results be obtained. Two paintings have been dated in this way, using the radiocarbon dating technique in conjunction with dendrochronological and art historical information. 相似文献
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《文物保护研究》2013,58(1):30-40
AbstractThe Kitora tumulus, which is thought to have been built around the late seventh to early eighth century, has beautiful mural paintings which were executed directly on a very thin layer of plaster in the stone chamber. When the paintings were found, the plaster was partly detached from the stone wall and the murals were therefore considered to be likely to fall off the wall with a casual touch or stimulation. Therefore, it was decided to detach the mural paintings and to store them flat and under controlled environmental conditions. This was initiated immediately after the excavation of the tumulus in 2004. However, fungal growth and biofilm development were observed within the stone chamber during the relocation work. In 2005, small holes containing black substances were observed on certain areas of the ceiling plaster, and following investigation an acetic acid bacterium, Gluconacetobacter sp., was isolated from the black substances. The bacterium was also isolated from the ceiling, floor, and east wall in the stone chamber in 2008 after the relocation of most of the paintings had been completed. These bacteria were shown to decompose calcium carbonate (CaCO3), one of the primary components of the plaster, and to produce organic acids such as acetic acid. Additionally, they were observed to decrease the pH of the culture media significantly in the presence of ethanol and glucose. This is the first example of the characterization of acetic acid bacteria isolated from decayed plaster paintings, and it is likely that microbes such as these bacteria have been involved in the deterioration of the plaster. Chemicals to treat microbes in the Kitora tumulus during the relocation work were selected on the basis of their antimicrobial efficacy, low potential to cause adverse effects on the paintings, and low level of toxicity to humans, depending on the condition of the plaster or stone in each area. However, some chemicals, especially ethanol, may act as a carbon source, which could encourage the growth of microbes and thereby the production of acids by the microbes when diluted to a low concentration or in a degraded state. Moreover, prior contamination by other microbial species in the form of a biofilm could also encourage the growth of the acetic acid bacteria by providing low-molecular-weight organic materials as a nutrient source. 相似文献
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论文在考察了晋代史家的玄学背景之后,提出晋代史学之所以出现追求简约的风气,除了受经学简化之连带影响外,更受到魏晋玄学特别是玄学中的言意之辨的影响。 相似文献
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图书馆持续发展字画馆藏的5个理由是：字画本应属于图书馆的收藏范围,圈忙靖收藏字画有相关法规支持,字画在图书馆可得到专业保护,字画藏品可满足读者的读图需求,字画数字化足数字化复制保护工作的难点。延缓字画损耗的保护工作实际是维护、发展这一特色馆藏。 相似文献
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刘兰芝 《图书馆工作与研究》2011,(6):78-80
洛阳汉代壁画是汉代文化的一个组成部分,它以鲜明的时代特征、生动的形象塑造,大气磅礴的艺术风格,深刻反映汉代社会的理想追求和精神面貌,是研究汉代社会历史的图像资料,具有重要的文献学价值。洛阳汉代壁画对古代文献具有考证价值,对于汉代的制度、文献、法律有考证、校勘价值,对于汉代社会创造的文化又因历史原因遗失部分提供补遗功能。 相似文献