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1.
Horacio Ortiz 《Journal of Cultural Economy》2018,11(1):1-19
Financial imagination plays a fundamental, yet ambivalent role in the establishment of hierarchies within and between business schools, and in business life at large. This study examines this process in the ‘middle tier’ of business education: that is, in the social space in which students and instructors understand themselves to occupy a ‘mid-range’ position within an order of excellence and success. Largely articulated through business school rankings, this order strongly relies on the centrality of the financial curriculum, proficiency in which is understood as both a proxy for smartness and a sign of moneymaking capacity. In the ‘middle tier’, this order manifests in the form of an anxiety: an order that, though legitimate, is thought not to be attained, or hardly attainable. The study draws from ethnographic investigation in a ‘middle tier’ business school with attention to how finance is made sense of in relation to an alternative curriculum, and in connection with the aim of ‘making it to the top’. A comparison with a ‘top tier’ business school allows furthering understanding of how the order of business schools relies on the anxiety of finance in order to reproduce an acquiescence to dominant financial imagination. 相似文献
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《Journal of International and Intercultural Communication》2013,6(4):272-289
The essay provides a critical intercultural analysis of the 2008 trial of the “mercenary” Simon Mann, accused of instigating an attempted coup in Equatorial Guinea. The author argues that Equatorial Guinean President, Teodoro Obiang, tried to turn this trial into a tactical, neocolonial critique of mercenary activities that were allegedly supported by the United Kingdom, Spain, and other Western powers. Unfortunately, he was only partially successful. The growing influence of private security corporations and the suasory power of new military “rescue” tales meant that there were no shortage of defenders of these types of coups. This study demonstrates how certain actions can, at times, be simultaneously characterized as dominant strategies and subaltern tactics. 相似文献
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Gao Nianhua as a specialist in ancient architecture and Chen Hongbing as an opera singer are well known in Hangzhou. But few local people know they are husband and wife, for they seldom appear together in news stories.How they knew each other and how they got married was a delightful anecdote. Gao and Chen's elder brother were good buddies in their early youth. Chen's family knew him well. Years later, a close friend of Chen Hongbing arranged a blind date 相似文献
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Peter Woelert 《Minerva》2013,51(3):341-362
More recent advancements in digital technologies have significantly alleviated the dissemination of new scientific ideas as well as the storing, searching and retrieval of large amounts of published research findings. While not denying the benefits of this novel ‘economy of memory,’ this paper endeavors to shed light on the ways in which the use of digital technologies may be linked to a distortion of the system of formal publications that facilitates the effective dissemination and collaborative building of scientific knowledge. Through combining three different strands of discussion that are often left separate – those pertaining to the cognitive effects of new technological memory systems, those pertaining to citation and publishing practices, and those regarding the effects of formalizing modes of research governance – it is also shown that this distortion is not merely a consequence of technological developments alone. Rather, such a distortion is inseparable from and potentially aggravated by the spreading of increasingly dysfunctional, formalizing research governance mechanisms. It is argued that these mechanisms run the risk of fostering the proliferation of knowledge practices that are characterized by an increasing degree of superficiality as well as the strategic publication of research that is of a decreasing degree of originality. If left unaddressed, this may pose a serious threat to the efficiency and effectiveness of the formal record of scientific knowledge as a tool for the dissemination of original research. By extension, this may in the long run seriously undermine the capacity of the publicly funded research system more generally. 相似文献
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Minerva - At the intersection of science studies and higher education research, this contribution looks at the way in which the requirements of universities as organizations release development... 相似文献
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This essay contributes to the discussions in intercultural communication scholarship on key intercultural urgencies, issues, and challenges in today's world through the ethical framework of Emmanuel Levinas and his discussion of “absolute otherness” that informs and expands the dialogue on interculturality, cultural humility, and ethics. Levinas's discussion of “absolute otherness” aims to preserve difference—the otherness of the other—by asserting the ethical relation prior to the ontological relation and carries significant communicative implications in terms of the relation of the self and the other as well as making sense of difference and identity, and offers a new way of talking about these issues in the field of communication studies, specifically in intercultural communication. An illustration of attending to the other beyond reduction to the same is offered through a pedagogical application of the Levinasian framework in the intercultural communication class. 相似文献
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Roy Macleod 《Minerva》2008,46(1):53-76
In 1925, A.J. Balfour, first Earl Balfour and author of the famous ‘Balfour Declaration’, attended the inauguration of the
Hebrew University in Jerusalem. His education and experience of foreign policy equipped him to take a prominent role. However,
the conditions of strife-torn Palestine weighed heavily upon him, and raised wider interests of imperial concern. This essay
recounts the circumstances leading to his visit, and suggests that, whatever the region’s political destiny, Balfour’s vision
of science-based economic development would play an essential role in crafting its future.
相似文献
| Roy MacleodEmail: |
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《Journal of International and Intercultural Communication》2013,6(2):106-123
Abstract This essay provides a critical genealogical study of the “water cure” controversies that took place during the Philippine–American War. The author extends the work of Foucault and Agamben to argue that a biopolitical review of this controversy illustrates how many of the legal and cultural arguments used to legitimate the water cure have resurfaced in contemporary debates about waterboarding and enhanced interrogations techniques. The essay also illustrates how anti-imperialists and other critics of Theodore Roosevelt's administration tried to use these water-cure debates as discursive vehicles for complaining about the systematic abuse of Filipinos during the Philippine “Insurrection.” 相似文献
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《Journal of Cultural Heritage》2002,3(1):65-71
Systematic interventions are being planned and progressively designed on most buildings of the Arsenale of Venice, the Venetian republic’s shipyard, a very large complex of docks and sheds of peculiar construction characteristics. These renovation interventions are required in view of new uses for the revitalizing of that area, which is currently almost completely neglected. In the paper, after a general presentation of the main properties and of the most relevant deterioration phenomena of the principal parts of the monumental area, the methodology that is being used for the structural diagnosis, for the implementation of guidelines for the future interventions and for the maintenance of the restored conditions are presented. Some preliminary results, given by experimental tests performed both in situ and in laboratory on materials and structural elements, and by FE simulations, are discussed. 相似文献
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Kai Koddenbrock 《Journal of Cultural Economy》2019,12(2):101-118
This paper contends that political economy may profit from an understanding of money that is both able to account for its systemic importance as well as money’s specific role for the contemporary distribution of wealth. ‘Money-ness’ is a strategic factor in profit-making and capital accumulation. If we accord moneyness to all those instruments that make the repackaging of credit and other financial assets and liabilities and their capitalization possible, we arrive at an understanding of money that underscores the Marxian analysis of the structural importance of the money relation for capital accumulation that is up to speed with current financial innovations. As a social structure and process, moneymaking through capital permeates society. As a public-private deal between the state, rentiers, banks, and taxpayers that has existed since the foundation of the Bank of England in 1694, it binds these actors together in shifting relations of dependence. Under financial capitalism today, what counts as money and how far moneyness stretches into the realms of financial innovation has been a core object of struggle in the public-private deal of money creation. 相似文献
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M. Bjørn von Rimscha 《Journal of Cultural Economics》2013,37(4):433-455
The paper addresses whether the state of the economy impacts the supply of and demand for cinema entertainment. A literature review on the drivers of cinema supply and demand is provided, and two competing hypotheses are extracted. Economic downturns could either lead to a sober mood and drive the interest in serious genres or drive the need for distraction leading to an increased interest in feel-good or action movies. However, characteristics of the movie industry suggest that economic key factors have only limited effects on supply and demand. A time series analysis of supply and demand in three major European markets indicate that demand is unrelated to the state of the economy. In aggregate, the demand does not instruct supply. Fluctuations in individual movie quality superpose potential effects of the economic context on the aggregated demand. Simultaneously, a focus on film as art superposes potential effects of the economic context on the supply. 相似文献
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From finding to making: Jacques Rancière,Richard Rorty,and the antifoundationalist story of progress
Ulf Schulenberg 《Culture, Theory & Critique》2017,58(3):275-293
What is the contemporary significance of the modern antifoundationalist story of progress? By offering a critique of foundationalism and representationalism, pragmatists like John Dewey and Richard Rorty elucidate the far-reaching implications of this question. This article argues that Jacques Rancière’s critique of traditional philosophy and of Louis Althusser’s version of Marxism can be regarded as an important part of the antifoundationalist story of progress. Furthermore, it highlights suggestive affinities (and some differences) between Rorty’s postmetaphysical scenario of a poeticised culture and Rancière’s notion of the aesthetic regime of art. This article seeks to prepare the ground for a comparison between Rancière’s topographical and horizontal critique and Rorty’s pragmatist humanism as nominalist historicism. 相似文献
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Ulf Schulenberg 《Culture, Theory & Critique》2017,58(1):1-16
It is admittedly difficult to imagine that there is something one can learn from the Marxist philosopher Georg Lukács in a postmetaphysical and nominalistic age. At the centre of this essay is the following question: How to resuscitate a metaphysical thinker in postmetaphysical times? The essay shows that Lukács can play a crucial role in the attempt to theorise what Fredric Jameson has termed a ‘new realism’. Elucidating the Lukácsian understanding of the dialectics of form and totality, it is argued that precisely because of his redemptive notion of form and his metaphysical framework, Lukács might eventually turn out to be useful for the endeavour to artistically represent and conceptually grasp our present. 相似文献
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《Journal of Cultural Economy》2013,6(2):145-160
Street papers are publications produced specifically for sale by the homeless and other vulnerable people in many countries around the world. Their social status is, however, often conspicuously unstable: ‘Get a job!’ has been reported as a common insult addressed to vendors, and street paper organisations have responded with their own rhetoric and strategies that aim at disrupting any analogy with begging. The present analysis frames these rhetorical confrontations as a struggle over economic legitimacy, highlighting some of the ways in which social actors build and sever the normatively loaded associations that position them and others in social space, and how the ‘experimental’ combination of business and social responsibilities tests social actors' abilities to adapt to this practice. 相似文献
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Minerva - The paper investigates the evolution of the first manned international space mission – a rendezvous and docking between a US and a Soviet spacecraft in 1975 known as the... 相似文献
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《Journal of Cultural Heritage》2000,1(1):19-28
The Carrera del Darro is a street within the city of Granada, Spain, which is emblematic owing to the architectural value of its buildings, to its significance for the urban structure of the city and to the implications it has for the surroundings of the Alhambra. Our study concerns the chemical analysis of the mural paintings on four façades, corresponding to numbers 23, 25, 27 and 29 of the Carrera del Darro. From the analysis of the mortar, it may be concluded that the composition is very similar, though not identical, in the four paintings studied: a limestone mortar. Ochre, white, black and red were used for the decoration of the four façades; green pigment was also observed in the second decoration of no. 29. The results of the morphological examination and EDX microanalysis of the paint samples are shown. By means of the thermogravimetric analysis we established the existence of an organically derived compound. After the existence of an oleaginous binder had been discounted by gas chromatography/mass spectrometry (GC/MS) analysis, we continued with the extraction and determination of proteins by spectrophotometry analysis, detecting low levels of proteins in the paint on the four façades analysed. The study was completed by evaluating the influence on the deterioration of the paintings by the possible surface presence of salts (such as nitrates or chlorides) and organic compounds. 相似文献