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James Heilbrun 《Journal of Cultural Economics》1997,21(1):29-40
The Sunday “Arts and Leisure” section of the New York Times for selected years is examined to gauge competition between “high”
culture and “popular” culture. From 1962 through 1988 high culture consistently outranked popular culture in percentage of
articles, but after 1988 popular culture gained steadily, and by 1993 accounted for 49 percent of articles as compared with
only 39 percent for high culture. Most of the gain was accounted for by coverage of motion pictures. For two out of four sub-categories
a significant correlation was found between editorial content and advertising, so that one cannot reject the hypothesis that
advertising affects editorial coverage.
This revised version was published online in August 2006 with corrections to the Cover Date. 相似文献
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作为一个持续生长的有机体,城市在历史进程中需要经历代谢、衰退、病变、更新、再生等生命演替,如何让城市既有设施持续发挥作用、保持活力是城市发展面临的主要问题之一。纽约将废弃的高架铁路改造为供市民公共活动的公园,并成功地带动了整个区域的复兴,在观念、方法、策略等方面为城市既有设施的活化再利用提供了很好的示范。回溯纽约切尔西区铁路线从废弃到改造为高线公园的活化过程,分析了高线公园在更新过程中采取的地方文脉延续理念、社会参与引导路径、公共空间营造策略,深度揭示高线公园空间品质和城市效应形成的内在机制以及由此带来的衍生效应,并在此基础上探讨该案例对于我国城市更新的借鉴意义。 相似文献
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Vojislava Filipcevic 《Culture, Theory & Critique》2013,54(1):65-91
Abstract Three New York films of the Great Depression and its aftermath, 42nd Street (1932, Lloyd Bacon), Dead End (1937, William Wyler), and The City (1939, Ralph Steiner and Willard Van Dyke), embodied a new political aesthetics in screening urban democratic spaces during moments of social breakdown. This article draws from urban and cinema studies, as well as from social and cultural theory (Lefebvre, Benjamin, Kracauer), to show how these films contributed to a discourse of urban planning and cinematic democratic aesthetics on the possibility of an egalitarian, inclusive, participatory community in diverse city spaces. The article argues that the reshaping of this cultural discourse, through the films’ emphasis on the conflicting material domains of the skyline and the slum, came at the cost of undermining the metropolis and, in The City, of limiting the urban spaces of democracy. 相似文献
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又是龙井新茶飘香时节。3月28日，杭州湖畔居茶楼、西湖国际茶人村、老龙井御茶园、和茶馆同时首开“西湖茶宴”。近午，宾客相继如期而至，服务员先奉上一杯澄澈清纯的虎跑泉水，大家在品啜茶泉间，自由交谈，还除却口腔的杂异气味。一杯虎跑泉成了茶宴的一个引子。 相似文献
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“莺啼燕语报新年”，2011年的新年已经来到。值此辞旧年迎新春之际，我谨向热情关心和支持《文化交流》办刊工作的各级领导、各界人士致以崇高的敬意和衷心的感谢，向《文化交流》的广大读者、作者朋友以及《文化交流》的办刊工作者道一声：谢谢!谢谢你们，在过去的一年中，《文化交流》因你们而精彩! 相似文献
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上海是我的故乡,我出生在这里,也成长在这里,我热爱这座城市。和很多不曾离开过这座城市的上海人不一样的是,我在年轻时便离开故乡,在长达21年的时间里,我生活在中国的西南山乡,因而我能够充分地感受现代化的大城市和西南偏远山乡的差别。这种城市和乡村的落差,给了我最为宽广的想象空间,因而我时常能用一双现代都市人的目光观察传统古朴的乡村,也时常能用一双阅尽了高原村寨风情的目光来观察节奏快捷的上海。我的 相似文献
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“山不在高,有仙则名。”当一批批濒临湮没的“国宝级”古籍善本在杭州萧山古籍印务公司得到再生时,许多人便将惊奇的目光投向坐落在杭州市萧山区义桥镇的一个山乡小厂。 相似文献
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首都航天桥附近有条苏州街,坐落着有名的京华园林紫竹院.靠近紫竹院新近对外出现了一家再现清朝宫廷饮食文化的"白家大院",为本来就书卷气十足的海淀区增添了一处得天独厚的人文景观.…… 相似文献
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Just as the ancient Chinese saying goes, "A mountain doesn't have to be high for a name. All it needs is an immortal dwelling on in," a printing house doesn't have to be big for a fame. All it needs is the ancient masterpieces it reproduces with modern technology. This is exactly why Xiaoshan Ancient Books Printing House is famed 相似文献