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1.
Abstract The evaluation of the cold war influences played by the US on the rest of the world should not only be accounted economically and politically, but also culturally. In this paper we see the US influences on South Korea and Taiwan from the value‐laden concept of Americanization and through which we examine comparatively specific practices of domestic popular music development in these two countries. Setting this paper as a historical comparative study, we see the working of Americanization in relation to popular music as a value regime in which American is constructed as an ideal model imaginatively and discursively, which was made possible by economic, social and cultural forces in South Korea and Taiwan. Focusing on the Cold War period, circa 1950s to 1960s, levels and aspects of Americanization were therefore ways of translation, to use Said’s concept of traveling theory analogically; Anglo‐American music genres traveled to these countries to be incorporated contextually as new or trendy conventions of music‐making, which in turn helped form local music genres. The socio‐historical contexts of South Korea and Taiwan, with respect to the presence of American army forces, and similar postwar anti‐communist political forces, in nation‐building (north–south Korea, red China–free China antagonism respectively) are central to our understanding of the visibility of Americanization in different music cultures in these two countries. This paper will go into each country’s historical trajectory of music practices that took Japanese colonial influences up to the postwar time and then blending with Anglo‐American genres in indigenizing that eventually marked their different paths, as we comparatively reveal their institutional, political and national cultural conditions, which were necessary in shaping each country’s music‐making conventions, entertainment business, and consumption cultures of popular music – and that might implicitly inform tentatively the present rivalry between ‘offensive’ Korean Wave and ‘defensive’ Taiwanese ‘rockers’ in the globalization era. 相似文献
2.
Hans Tao‐Ming Huang 《Inter-Asia Cultural Studies》2013,14(4):540-558
Abstract The gender sexual politics of Liu Yu‐hsiu has been pivotal in the hegemonic ascendancy of Taiwan state feminism in recent years. Through an examination of Liu’s psychoanalytically mediated essays of cultural criticism, this article traces the contour of Liu’s sexual imaginary within the context of 1990s feminist and queer politics. Liu’s modernising project of gender equality, I argue, upholds heterosexual monogamy as a feminist ideal that seeks to purge all the masculine ills, including perversion and promiscuity. Meanwhile, queers and prostitutes come to be figured as the very negativity that must be repressed. Yet, like the Lacanian Real, they impinge on the symbolic order that Liu ordains as they thwart her desire to civilise sex. 相似文献
3.
Po-keung HUI 《Inter-Asia Cultural Studies》2013,14(2):202-218
Abstract This paper not only gives an overview of the transgender word in contemporary Japan but also attempts to illustrate the male to female cross‐dressing (MTFCD) community in Shinjuku, Tokyo, which plays an important role in the overall transgender world and how people in the community think and live, by conducting comprehensive fieldwork. The MTFCD community consists of amateur cross‐dressers and their patrons, and it is formed around about ten bars/clubs in Shinjuku. This community differentiates itself from the gay community in their customs and consciousness; they tend to recognize gender based on gender performance rather than biological sex, which is usually accepted for distinguishing sex. Therefore, a MTF cross‐dresser with feminine performance is considered as a ‘woman,’ regardless of one’s physical and biological conditions. Because of this recognition of gender based on gender performance, people in the community are able to develop the ‘quasi‐heterosexual’ relationships as men and ‘women.’ 相似文献
4.
Day Wong 《Inter-Asia Cultural Studies》2013,14(4):600-616
Abstract In calling for the need to think about sexuality globally, scholars have given increasing attention to the historical specificities of local contexts. The return to the local, however, may not always be fruitful when the local and the global or the Western and the non‐Western are seen as binary opposites rather than permeable constructs. This paper examines the coming home/coming out controversy and calls into question the understanding of coming home as local resistance against global queering. It instead suggests the possibilities of cultural hybridity and blending of coming out and coming home. Using the First and the Second International Day Against Homophobia Hong Kong Parades as an example, this paper elucidates the complexity of cultural production in the interactions of the West and Non‐West, with attention on the effect of transnational mobility of political rhetoric and tactics. 相似文献
5.
Wei Wei 《Inter-Asia Cultural Studies》2013,14(4):572-588
Abstract This paper focuses on the production and transformation of homosexual identities in Chengdu under the background of Chinese society in transition. From a constructionist perspective, I complicate the identity construction process by examining the interaction of three male homosexual identities found in the local context – piao piao, tongzhi, and gay. While gay men in present‐day Chengdu often use piao piao, tongzhi, and gay interchangeably, these terms entail different cultural references and political connotations. I argue that the piao piao identity serves as a critical linkage between the traditional imagination of male homosexuality and the modern gay identities, while the tongzhi identity facilitates the shift of Chinese homosexuality from behavior to identity, and contributes to the development of gay communities in present‐day China. 相似文献
6.
ABSTRACTIn the British Isles, national policies for the arts are primarily viewed as the responsibility of arts councils with statutory duties to distribute state funding that meet the requirements of both “arms-length” principles and national strategic frameworks. This paper explores the tensions between policy making for the nation-state and for “the local” through comparative research on the arts councils (and equivalent bodies) in Scotland, England and Northern Ireland. Drawing on in-depth qualitative interviews with senior representatives from these organisations, it explores their notions of, responsibilities to and affiliations with “the local”. Findings suggest that despite their different models and relationships to the nation-state, and the disparities in the scale of investment, these national policy bodies commonly rely on networked governance to facilitate their relationship to “the local” which risks reproducing national interests, limiting the localised agency of place-based approaches and contributing to a culture of competition within cultural policy. 相似文献
7.
Pattana Kitiarsa 《Inter-Asia Cultural Studies》2013,14(3):381-398
Abstract The focal subject under investigation in this paper is the gendered identities of overseas male migrant workers as presented in the contemporary popular song lyrics from Northeastern Thailand. My reading of such lyrics is informed by my ethnographic fieldwork of Thai migrant workers in Singapore. I intend to uncover some complex, cultural junctures of transnational labor migration, in which men, mobility, and music have come across and formed a social force to reshape cultural imagination of migrant manhood. I argue that popular music celebrates male heroism of overseas migrant workers. Instead of challenging existing structures of hegemonic masculinity in the region, popular song texts poetically reaffirm and reassert the traditional dominant gender ideology and cultural practice. Overseas workmen are usually depicted as hard‐working, self‐sacrificial heroes in their attempts to rescue their families as well as romantic, caring lovers and morally responsible fathers. 相似文献
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9.
James G. Clark 《Cultural and Social History》2013,10(3):277-296
ABSTRACTThis article tackles religion and politics as different aspects of a variety of social practices within a common culture. It examines thie political and religious climate of English provincial towns with a monastic presence in the period before before 1540. It demonstrates the extent to which monastic interests were fused with those of local elites, and argues those elites sought to undercut the process of dissolution and to preserve something of the monastic framework through the unfolding crisis. It challenges the notion of a natural dialect between traditional religion and provincial politics and uncovers a dynamic of negotiation productive for both constituencies before and after the Dissolution. 相似文献
10.
ABSTRACT This article tells the stories of five Korean military brides in the predominantly middle‐class neighborhood of Newburgh, New York, focusing on their association with the American military bases in South Korea and their daily struggles in cross‐cultural marriages in the United States. It examines the particular contexts in which personal and sexual relations developed between American soldiers and Korean women in the ‘camp‐towns’ or ‘GI towns’ (kijich’on). It also looks at the ways in which some Korean women employed fraternization as a survival strategy in a war‐torn society, and in which they struggled to come to terms with the American mainstream society after their migration to the United States. These life histories provide us with a unique lens through which to explore the unequal power relations between the United States and South Korea within the dialectical framework of militarism, gender and migration. 相似文献
11.
Younghan Cho 《Inter-Asia Cultural Studies》2013,14(1):82-96
Abstract This paper explores the process by which Korean nationalism was challenged and transformed through utilizing sports celebrities as iconic figures during the International Monetary Fund (IMF) intervention in South Korea. The influences of the IMF intervention were not limited to economic and political fields; rather, Korean nationalism had undergone substantial changes through the national crisis. At that time, two Korean athletes who were hugely successful in the US became national celebrities, or even national heroes in South Korea, a baseball player, Chan‐ho Park and a goler Se‐ri Pak. The media representation of these two Korean athletes is useful for the understanding of altered nationalism during the IMF intervention. The analysis of media coverage of these two athletes can be summarized in three ways: first, the coverage is focused on a self‐governing individual; second, that individual is invested with the image of economic success in global competition; and third, that individual is invested with the image of responsibility for both family and nation‐state. Conclusively, the two celebrities were presented as models for a new kind of citizenship, i.e. a national individual. Finally, this paper suggests that Korean nationalism has been altered through the IMF intervention, but remains a hegemonic ideology albeit combined with neoliberalism. 相似文献
12.
Saadia Toor 《Inter-Asia Cultural Studies》2013,14(3):318-340
Abstract This paper explores the relationship between (national) culture and state formation, arguing that the former is effectively a field of contestation where struggles over hegemony between various classes and social blocs are played out. Cultural nationalism has been the pre‐eminent form of nationalism in the twentieth century, particularly within the anti‐colonial and postcolonial contexts. Since this form of nationalism lends itself to moral regulation by ruling classes in a way that civic or political nationalisms do not (given its ability to produce and manipulate emotional affect) it becomes imperative to understand its relationship to power and to the project/process of state formation. This paper uses the case of postcolonial Pakistan as a lens through which to explore and analyse the complexities of this relationship during the early years of the Pakistani nation‐state. Using primary material – Constituent Assembly Debates and the texts of important intellectual debates on culture during this period – I show the different ways in which Pakistani culture was defined at this time, the politics and interests behind these various articulations, and their ultimate impact on state formation. 相似文献
13.
Pipob Udomittipong 《Inter-Asia Cultural Studies》2013,14(3):361-363
Abstract This study documents the growth of the discourse of ‘god‐king’ (devaraja) around Thailand's King Bhumibol and explores how Brahmanical symbolisms of royal absolutism have acquired renewed potency alongside Buddhism as a basis of political legitimation in 21st century Thailand. Previous studies have interpreted the growing trend for Thailand's constitutional monarch to be represented as a ‘demi‐divine’ ‘virtual god‐king’ to reflect an ideological strategy set in train by mid‐20th century authoritarian military rule. However, political processes alone do not account fully for the persistence and intensification of this phenomenon since the end of military dictatorship. The pre‐modern discourse of ‘god‐king’ has also been given new life by visual media and the spectralisation of life under neoliberalism, which together produce a regime of representation that auraticises King Bhumibol. These technologies of enchantment have permitted emerging prosperity religions to be harnessed to a conservative nationalist agenda and, together with Thailand's strictly policed lese‐majesty law, have institutionalised a commodified and mass‐mediatised ideology of magico‐divine royal power that works to legitimate King Bhumibol's acquisition of political influence. 相似文献
14.
Abstract Reflecting on a personal experience of ‘pre‐professional’ university education and reluctant engagement with Cultural Studies as an academic project, this article examines the now ambiguous role of undergraduate education under neo‐liberal management regimes. Arguing that a ‘new class politics in knowledge’ is emerging with the transnational policy‐sharing and international student exchange schemes with which diverse governmental cultures are responding to globalization, Morris suggests that the undergraduate classroom is becoming a ‘frontier’ of struggle over the future. Teaching cultural studies to undergraduates in a liberal arts environment is one way in which the discipline's emphasis on local knowledge can be put to institutionally creative uses. 相似文献
15.
Sanjay Seth 《Inter-Asia Cultural Studies》2013,14(4):589-605
Abstract Critics of postcolonial theory have provided this theory with a genealogy in which it appears as the poisoned fruit of a period when revolutionary energies were ebbing and in retreat. This essay seeks to provide an alternative genealogy, suggesting that the Subaltern Studies project, and postcolonial theory more generally, were enabled and in important ways shaped by the Maoist upsurge in some parts of India in the latter 1960s and early 1970s. The critiques of modernity, of nationalism and the nation‐state, and of homogenizing narratives of progress which mark, and in the eyes of its critics, mar these intellectual currents, far from being reflections of their disassociation from radical politics, are here presented as the indirect outcome of a profound cultural and intellectual shift, which has been the consequence of the Naxalite movement of this period. This alternative genealogy proceeds through an alternative reading of the Naxalite movement. This essay asks why this movement was so important, given that its ideology was naïve, and its political successes short‐lived. The Naxalite strategy of ‘annihilating’ feudal landlords, and the urban ‘statue‐smashing’ campaign of Naxalite youth in 1970 – commonly regarded and condemned as juvenile and ultra‐leftist – are here instead interpreted as an incipient critique of aspects of Marxist theory, a critique subsequently given more explicit and elaborate exposition in the writings of the Subaltern Studies group, and in postcolonial theory. 相似文献
16.
Partha Chatterjee 《Inter-Asia Cultural Studies》2013,14(1):116-126
Abstract In the last quarter of a century there has been a fundamental change in the historical situation of post‐coloniality. The new conditions under which global flows of capital, commodities, information and people are now regulated have created both new opportunities and new obstacles for post‐colonial countries. The old idea of a Third World, sharing a common history of colonial oppression and backwardness, is no longer as persuasive as it was in the 1960s. The phenomenal growth of China and India in recent years has set in motion a process of social change that, in its scale and speed, is unprecedented in human history. I will argue that the forms of capitalist industrial growth in the twenty‐first century may, in large agrarian countries like China, India and the countries of South‐east Asia, make room for the preservation of peasant production and peasant cultures, but under completely altered conditions. The analysis of these emergent forms of postcolonial capitalism requires new conceptual work. 相似文献
17.
Abstract Hou Hsiao‐Hsien was invited to Singapore to talk about himself. In the speech, he focused on talking about his family background, his childhood memories, life experiences and how these experiences affected his life, and also how he made his films. Furthermore, as Taiwan had gone through many drastic political and economic changes, especially after the lifting of Martial Law, these conditions influenced Hou’s life and his films, too. That is, Hou’s films presented not only the changes in a rapidly urbanizing rural society, but also the important events of Taiwan’s history. At the end of the speech, Hou also mentioned that realizing the importance of social responsibilities, he would like to get more involved in the public sphere in order to make a difference in society. 相似文献
18.
Sakiyama Masaki 《Inter-Asia Cultural Studies》2013,14(3):383-386
Abstract 1997 as a global media spectacle about Hong Kong’s handover of its sovereignty from Britain to China is now almost forgotten; yet Hong Kong is still caught between the politics of time and memory too complex to be captured under simple post‐colonialist notion such as ‘hybridity’. This paper tries to put in perspective a (post‐)colonial cultural politics of counter‐memory in Hong Kong cinema by investigating its decades‐long investment in a sub‐genre built around the motif of undercover‐cop. Specifically, the example of the blockbuster Infernal Affairs series is analyzed in details, with particular attention to its innovative plot, to show how the ‘structure of feeling’ about Hong Kong’s political fate is embedded in the films underpinning their local box‐office success. The allegorical reading of the film series attempted in this paper also connects the discussion about the ‘political unconscious’ of Hong Kong, now and in the past, with the wider problem of how the future political subjectivity of Hong Kong will take shape. 相似文献
19.
ObjectiveIn a migration context, we analyzed interaction effects of positive and negative extended contact and between valenced-extended and valenced-direct contact on prejudice in the acculturation process between host society members and refugees.MethodsTwo studies analyzed relations between valenced-extended contact and prejudice in German majority group members (N = 389, Study 1) and refugees (N = 816, Study 2). Regression models tested valenced-extended contact effects, interactions between valenced-extended contacts, and moderation by valenced-direct contact.ResultsInteraction analyses showed significant interactions between valenced-extended contact experiences in both samples. Furthermore, analyses showed that positive direct contact can facilitate prejudice reduction through positive extended contact in majority group members and buffers the relation between positive extended contact and lower levels of prejudice in minority group members. Negative direct contact was found to be positively associated with prejudice through negative extended contact but was unable to affect the relations between positive extended contact and lower levels of prejudice.ConclusionInteractions between positive and negative extended contact and their interactions with valenced-direct contact are significantly associated with prejudice in majority and minority group members. Valenced-direct contact can facilitate or buffer the effects of valenced-extended contact and interactions have a significant impact on prejudice especially if valence of contact experiences is matched. 相似文献