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1.
《Popular Communication》2013,11(3):195-207
This article explores the relations between journalism and feminist cultural studies to underscore the crucial importance of studying forms of popular knowledge that claim to foster citizenship among audiences. The article begins by examining the history of feminist cultural studies scholars' sustained interest in feminine genres of popular culture rather than journalism. Crossing over to the other side, I then outline some of the reasons for journalism's early resistance to cultural studies and trace new developments that suggest the growing acceptance of cultural studies within the institutional apparatus of journalism. As a case study, news magazines' representations of globalization illustrate the distinct ways in which journalism employs discourses of gender to produce hegemonic ideas of modernity, prosperity, and achievement for global reading publics. Finally, the article points to new directions for international audience research in the arena of globalization, gender, and journalism.  相似文献   

2.
From the mid-twentieth century, the evolving tension between modernity and tradition has become a troublesome issue for the newly-established independent nation-states in Asia. With the ethnographic methodology of field study, this article retraces the drama practice in 1960s’ rural China and tries to reveal the practical formation and specifically, the operative mechanism with which the socialist new culture remolds and summons the subjectivity of People. In such practical process, the subjectivity of People is a key concept of socialist values and a leading principle of people’s everyday life in rural China, which contributes to the formation of a “new tradition” in practice. The “new tradition” has a profound influence on the pathway of the Chinese socialist development, and may also provide necessary reference to other Asian states.  相似文献   

3.
The literature argues that in global business communication the concept of “national culture(s)” is becoming obsolete because globalization leads to cultural convergence. This article argues that “national cultures” are not obsolete in global organizations. Two focus group interviews were conducted in a global corporation using folk perceptions as a framework. Employees were asked to discuss their work practices and agreed that uniform standards could not be used across cultures. The article concludes that, despite globalization, we do not see evidence of cultural assimilation in global employees’ work practices, but rather that stereotypes of national cultures are used to provide orientation.  相似文献   

4.
This article focuses on Chua Beng Huat’s work on the East Asian pop culture that became more prominent in East and Southeast Asia from the 1990s, when the circulation of multilingual and multi-format pop culture started to exceed linguistic, ethnic and national boundaries. It argues that Chua’s work indicates that the pop-cultural production and innovation that support the globalisation and regionalisation processes in East Asia need not be national in origin but can hail from different national origins – and this despite the existing political realities of the region and its history of political fractures. Chua Beng Huat cautions, though, that the national popular can also be marshalled to defeat the border-crossing potential of an inter-Asian pop culture. What is the “Asia” imagined or being represented in such cultural production? Chua’s work is also distinctive in that it deals with the political and economic conditions that underpin mainstream pop consumption as a socio-cultural phenomenon, instead of examining consumption as identity politics. The article concludes by noting the significance that Chua as an institutional builder has played in enabling the study of East Asian pop culture in the region.  相似文献   

5.
Abstract

Following the recent trends of globalization and regionalization, the idea of Asia has been revived in political, economic, and cultural fields. This essay examines some of the various uses of this idea in modern East Asian and especially Chinese history. The essay consists of four parts. Part One discusses the derivativeness of the idea of Asia, that is, how this idea developed from modern European history, especially the nineteenth century European narrative of “World History,” and it points out how the early modern Japanese “theory of shedding Asia” derived from this narrative. Part Two studies the relationship between the idea of Asia and two forms of Narodism against the background of the Chinese and Russian revolutions – one, exemplified by Russian Narodism, attempted to use Asian particularity to challenge modern capitalism; the other, represented by Sun Yat‐sen, attempted to construct a nation‐state according to a socialist revolutionary program, and to develop agricultural capitalism under the particular social conditions of Asia. Part Three considers the differences and tensions between the “Great Asia‐ism” of Chinese revolutionaries such as Sun and the Japanese idea of Toyo (East Asia), and it discusses the need to overcome the categories of nation‐state and international relations in order to understand the question of Asia. Part Four discusses the need to go beyond early modern maritime‐centered accounts, nationalist frameworks, and Eurocentrism in re‐examining the question of Asia through historical research by focusing on the particular legacies of Asia (such as the tributary system) and the problems of “early modernity.”  相似文献   

6.
ABSTRACT

Recent film and television treatment of South Asia from UK producers have introduced new angles on the violent politics of colonial past, whether this be the activities of the East India Company in the early days of Empire, or about Partition, at the ostensible Raj’s end. The controversy over Gurinder Chadha’s 2017 film Viceroy’s House is taken as an opportunity to consider the new South Asian film and television studies and the emergent scholars that are challenging conventional media studies models. The co-constitution of here and there is given as an analytic lens through which to comprehend representation and stereotyping in films “about” politics in South Asia, and the view taken is that a debilitating divide and rule, via mechanisms of representation, remains strongly in place, despite the fighting efforts of the new South Asian media scholarship.  相似文献   

7.
From the transsexual sex workers of Bugis Street to the self-fashioning butches of the current creative economy, trans-visibility has always been an iconic feature of Singapore’s public culture. Using three case studies that examine colonial transsexual subculture, postcolonial transgender biomedical modernity and the contemporary inter-Asian performances of tomboy boybands, this paper examines these practices of trans-embodiment to reveal their centrality to Singapore’s modernity. While the recent transgender turn in the West has resulted in trans-visibility and acceptance, this paper will critically show how the experience of trans-visibility in Singapore provides a different model to consider the narrative of progressive modernity. It concludes by gesturing to this new model – one that does not replicate Eurocentric ontology – through further demonstrating these practices as strategies for the critical paradigm of “queer Asia as method.”  相似文献   

8.
Abstract

Following the recent trends of globalization and regionalization, the idea of Asia has been revived in political, economic, and cultural fields. This essay examines some of the various uses of this idea in modern East Asian and especially Chinese history. The essay consists of four parts. Part One discusses the derivativeness of the idea of Asia, that is, how this idea developed from modern European history, especially the nineteenth‐century European narrative of ‘World History,’ and it points out how the early modern Japanese ‘theory of shedding Asia’ derived from this narrative. Part Two studies the relationship between the idea of Asia and two forms of populism against the background of the Chinese and Russian revolutions – one, exemplified by Russian Narodism, attempted to use Asian particularity to challenge modern capitalism; the other, represented by Sun Yat‐sen, attempted to construct a nation‐state according to a socialist revolutionary program, and to develop agricultural capitalism under the particular social conditions of Asia. Part Three considers the differences and tensions between the ‘Great Asia‐ism’ of Chinese revolutionaries such as Sun and the Japanese idea of East Asia (Tōyō),and it discusses the need to overcome the categories of nation‐state and international relations in order to understand the question of Asia. Part Four discusses the need to go beyond early modern maritime‐centered accounts, nationalist frameworks, and Eurocentrism in re‐examining the question of Asia through historical research by focusing on the particular legacies of Asia and Toyo (such as the tributary system) and the problems of ‘early modernity.’  相似文献   

9.
Abstract

This paper examines some of the questions that could emerge from the relationship between Law and Cinema. While there has been some scholarship on law and cinema, most of it has largely focused on the formal properties of film, and not moved beyond the question of representation. This paper argues that for a fruitful enquiry to emerge, we would need to have an understanding of the complex relationship between the spatial implication of cinema, practices of groups like fan clubs, the question of changing technologies of cinema and how they relate to issues of citizenship and modernity. Finally, it argues for a more nuanced understanding of the phenomenon of non‐legal media circulation or piracy in the contemporary and links this to the question of citizenship and globalization.  相似文献   

10.
In Britain, film studies came on the agenda in the 1970s, when it served as a terrain for the formulation of a critical understanding of how cinema functioned within the broader context of industrial capitalism and the nexus between that and the reshaping of people's habits and lives. However, during that decade, a different agenda was also at work, which, from the early 1980s, began to receive support from neo‐liberal ‘free‐market’ ideologues. Over a period of 30 years, the overall direction of the inquiry into cinema, now firmly sealed into institutional networks, has become such that the critical language of ‘film theory’ has been hollowed out and the industrial agenda of British national television and cinema wrapped around it. Today, with the opening of film studies departments across Asia, the question is not whether outside Britain the language of film studies will became available for instrumentalization by the forces of an expanding Euro‐American capital, but how it will do so. This paper argues that the recovery of film from the bureaucratization of its study and its rediscovery as one of the modalities of modernization require both a framework of analysis that is fully conscious of its own historicity and critical role, and a new topography of cinema.  相似文献   

11.
Abstract

This paper proposes new conceptual frameworks for “inter-Asia studies” in order to be more appropriate for addressing and redressing the demands of global patriarchal capitalism as well as overcoming the “regime of separation” of Asian studies from African and/or Latin American studies. To do that, first, I will problematize the male-East Asia-metropolis centeredness of “inter-Asia.” Then, I will try to locate “inter-Asia studies” into the field of “tricontinental studies” invented by the decolonial and deimperial spirit of connection between the colonized continents of Asia, Africa and Latin America. In the third section, I will propose a “feminist inter-referencing reading” that involves shuttling back and forth between the postcolonial sub-regions of Asia, Africa and/or Latin America horizontally from the location and perspective of gendered subalterns rather than upward-mobile metropolitan feminists. The feminist standpoint that reading takes is combined with the conceptual frameworks of labor, ecology and ethnicity. It is also held that such a feminist inter-referencing reading needs the imaginative and interpretative metaphor of the “planet” to overcome the Westernized notion of the “nation” and “globe” as well as the concept of “universality shared by all humans” not monopolized by Westerners. Lastly, this paper will illustrate the new kind of “tricontinental studies” by providing an example of “feminist inter-referencing reading” which connects and compares the sub-regions of South Korea, Vietnam and Liberia.  相似文献   

12.
The 60th anniversary of the Bandung Conference adopted the Bandung Message 2015, suggesting Asia and Africa be committed to eradicating poverty, narrowing the gap in living standards, and fostering closer cooperation across the regions. Whilst the historic 1955 Bandung Conference can be understood as a reaction to the Cold War system in the form of an alternative framework for cooperation among nations that resisted the hegemony of economic and military alliances dominated by specific countries, present day Asia witnesses significant attempts to reshuffle the world order; such as the Asia-Pacific system and China's “One Belt One Road” project. Equally, there are also signs of a determination towards openness and to cross boundaries in a spatial sense that may lead to the reshuffling of both institutions and everyday lives. These attempts are aimed at realizing a different Asia and a different world, rather than becoming part of a world order led by a specific country. The “people” of Asia have experienced colonization and forced emigration, drifting around the region while, at the same time, fleeing from one place to another, resulting in numerous interactions with diverse social systems and cultures. In this process they have shaped new spaces, places and social relations within the shifting landscapes of imperialism, the Cold War and globalization. These could be defined as a “historicized Asia” in which various movements, ruptures and hostilities generated by imperialism and the Cold War overlap, but at the same time crystallize the reality of Asia in the era of globalized capitalism. In this context, it is important to explore the way Asia is being constructed within the everyday lives of people as well as from the top; to focus on a different Asia that sits outside modern constructions of ethnicity and nation state, and to locate Asia in the context of its relationship with Africa and Latin America in this historic moment of the 60th anniversary of the Bandung Conference. Therefore, this is the time we may need to question whether or not “Asians in Asia are still alive and well.”  相似文献   

13.
Abstract

Muslims are a politically significant religious minority in Singapore. This is compounded by the fact that an overwhelming number of Malays are also Muslims. This conflation of Malay ethnicity and religious identity has led to assumptions of homogeneity when addressing Islam in Singapore. This paper argues for greater care in understanding Muslims in Singapore. It tries to show how the conflation of ethnic and religious identities is a product of historical and political factors. It explores the growing pluralism within Islam as Singaporean Muslims are exposed to processes of modernization, globalization and Islamization. Ultimately, the paper argues that growing heterogeneity is leading to new tensions in the vertical linkages between Islam and the State in Singapore. New contestations for religious authority are producing pressures to de-link ethnic and religious identity in political representation.  相似文献   

14.
Abstract

This review article looks at three books, published in 2002, which provide from different perspectives a response by South Asian Muslims to the new interest in Islam evoked by the events of 9/11. Written from different vantage points, they represent an intellectual effort to come to grips with the notion of an ‘Islamic’ identity – debating notions of jihad, and its connections with Islamic faith, with the notion of an Islamic umma or nation, and where Muslim societies are headed to in the 21st century. It is not only the emergence of the Taliban movement in the North‐western portion of South Asia that has brought the focus on South Asian Islam. As M.J. Akbar has observed, South Asia forms the demographic heartland of Islam. The books reviewed do not fall into the category of the myriad publications that have become a kind of apology for Islam, but represent an effort at understanding the connections between geo‐political concerns and intellectual academic approaches to the subject of Islam.  相似文献   

15.
This essay attempts to map out the global networking of counter‐feit production and consumption by considering the historical and economic complications of fake superlogograms in Taiwan, Hong Kong and Mainland China as a point of departure. It traces not only the ‘capital logic’ of the counter‐feiting industry, which duplicates the international division of labour, but also its ‘cultural logic’, which creates the Euro‐American superlogograms under the spell of Western imperialist ideology. The essay is divided into three main parts to foreground the ‘glocal’ circulation of fake superlogos. The first part considers the famous French Louis Vuitton as a case study to explore the economic, historic and cultural formation of the logomania in East Asia piloted by Japan in the 1980s. The second part discusses the double cultural reproduction of fake logos in Taiwan as both an imitation of Japan and an imitation of Japanese imitation of Europe. The third part seeks to theorize the fake under the context of Asian consumption of the superlogo and to foreground further the historical change of how the ‘fake’ becomes ubiquitous, how the ‘fake’ could be produced out of no originals, and how the ‘fake’ turns out to be perfectly indistinguishable and doubly authentic, which could rewrite the whole theory of mimesis. A new theorization of ‘fake dissemination’ is attempted in this essay to map out the co‐dependent ongoing (de)construction between ‘fake globalization’ and ‘globalization.’ What we mean by ‘fake’ here is no longer the mere difference between real/fake; the ‘fake’ in ‘fake globalization’ means ‘counter‐feiting’ as well as ‘appropriating’. (In Chinese, ‘Jia’ means both ‘fake’ and ‘by a particular means’.) That is, counter‐feit products appropriate the power of globalization to disseminate themselves. ‘Fake globalization’ is the ‘dark flow’ within globalization; it counter‐feits and appropriates globalization, repetitively reduplicating and deconstructing it. ‘Fake globalization’ and ‘globalization’ are not a pair in binary opposition. ‘Fake globalization’ is the ‘subversion’ of global capitalism; it is subject to global superlogo fashion consciousness and simultaneously resistant to the manipulation of ‘glogocentrism’. This subversive fake globalization is different from the traditional anti‐globalization movement, which tends to highlight the protection of international worker's rights, anti‐monopoly and anti‐sweatshops, for the latter focuses chiefly on the ‘oppositional’ stance while the former stresses more the ‘reverse’ side of it. Fake globalization helps to turn globalization itself inside out and outside in. Fake globalization is not an external attack on globalization from without, but an internal exposure of how the historical and psychic formulations of the logics of global capitalism are subject to the cultural imagination under (western) imperialist ideology, and how they are influenced by the political‐economic deployment of international divisions of labour. What fake dissemination does is to expose from within the possibility and impossibility of ‘glogocentrism.’  相似文献   

16.
Abstract

This article addresses the issues of how feminism, cultural studies and inter‐Asia studies can intersect amicably and meaningfully as an institutional program by using Yonsei University as an example. Speaking from the position of someone who is one of the founders and teachers of the Graduate Program in Cultural and Gender Studies at Yonsei University, I endeavor to analyze the possibilities and limitations of combining these fields together. This article suggests that practitioners of inter‐Asian cultural studies carefully formulate and establish a conceptual framework as foundation upon which we can begin to discuss some possible commonalities for future curriculum. I believe that the framework ought to focus more on the ‘post‐nation state paradigm,’ and incorporate the achievements of both critics of global capitalism and the neoliberal order, and creators of new meanings – including migrants and youths – as a possible transnational subjectivities. Inter‐Asia cultural studies also needs to learn some lessons from the history of the belittlement and groundless exclusion of feminism experienced by the Birmingham School and Korean cultural studies practitioners and the gender‐blindness they held.  相似文献   

17.
Prime Minister Abe’s return to power in Japan dealt a blow to the anti-nuclear movement and returned the country to broadly pro-nuclear policies. Meanwhile, eight years on, although the effects of the Fukushima disaster are still being felt, Japan’s anti-nuclear movement has struggled to move forward or effect changes in policy. This article argues that prospects for change will not emerge until Japan’s anti-nuclear movement is able to look beyond its national borders and articulate a perspective on nuclear power that takes into account other countries within East Asia. The 3.11 Great East Japan Earthquake revealed heretofore hidden aspects of the Japanese state and society. The truth is that Japan’s postwar state (Sengo-kokka) is actually a nuclear power state (Genpatsu-kokka), a byproduct of the US-Japan alliance under the East Asian Cold War system, which insulated nuclear policy from the standard operation of democratic politics. As a product of the Cold War, the issue of nuclear power and development extends beyond Japan’s national borders and relates to the questions of US superpower sponsorship and the armistice system in East Asia that pertain broadly to the politics of East Asia. It is important to understand that Japan’s nuclear energy is a product of the Cold War in East Asia, and the armistice system that constitutes the international system in East Asia must be discarded if Japan is to become a post-nuclear energy state.  相似文献   

18.
ABSTRACT

Expanding on the critique of Euro-America-centrism in knowledge production, this article examines three spatiotemporal hierarchies through the inter-referencing practices of Asia Pacific Queer Film Festival Alliance. First, through the analysis of the documentary short Lady Eva and its circulation, I look at how the network opens up the issue of Pacific indigeneity in the transpacific context, which has the potential to unsettle the existing epistemic structures that rest upon the binary of West/non-West or white/Indigenous. Second, I investigate how the queer film festival alliance serves as sites for the articulation of queer rights, which sometimes cast a progressivist temporal narrative based on a hierarchical arrangement of geographical places. Third, through the case of ShanghaiPRIDE Film Festival, I examine how anti-institutionalism in film festival organizing offers a critique of gay-male dominated queer film festivals and the capitalist developmental logic that emphasizes profit and financial viability. By doing so, I scrutinize how the spatiotemporal hierarchies embedded in the film festival network complicate the understanding of inter-referencing as citation, collaboration, and competition. At the same time, I use inter-referencing to further the discussion of spatial politics in film festival studies by highlighting the spatiotemporal hierarchies.  相似文献   

19.
This essay outlines an intellectual portrait of Chua Beng Huat and offers a critical appreciation of his contributions as an academic, a scholar, and an intellectual. I highlight key biographical details: his family upbringing in Bukit Ho Swee, schooling in the Chinese and English mediums, higher education and academic experience in Canada, his return to Singapore, and serving as a sociology faculty at the National University of Singapore, which he made a home base for inter-Asia studies. I discuss his pedagogical approach, which extends to his research and public engagement. In reviewing his works, I focus on the theme of communitarianism as a basis of political legitimacy in East Asia, with housing provision in Singapore as a prime example. His project presents an alternative to Western liberal democracy taken as the universal bedrock of political modernity. I characterize it as the recuperation of the social in the face of capitalist modernity, which is conducive to atomization and corrosive of solidarity. Yet, he projects the possibilities of a more politically liberalized communitarianism. What he offers is not a set of ready answers that reconcile Marx’s “realm of necessity” and “realm of freedom,” but a lucid exposition of the tensions between the two realms under contemporary conditions.  相似文献   

20.
This article examines conflicts over the transnationalization of South Korean celebrities in the wake of the Korean Wave (Hallyu) in the twenty-first century. I consider a number of celebrity controversies to argue that the demands placed upon Hallyu celebrities by domestic observers, foreign audiences, and global capital are fundamentally irreconcilable. South Korean nationalist appropriation of Hallyu, as well as the local celebrity culture, demand that Hallyu stars firstly be exemplary Korean patriots, whereas international audiences expect sympathy for their own causes. Local nationalist agendas have proven particularly troublesome because of postcolonial sensibilities and ongoing territorial disagreements between South Korea and its neighbors. Finally, as circulating commodities and commercial assets, Hallyu stars are also pledged to global capital. Their value is highest when they appeal to as broad an audience as possible and alienate no one with their politics. An apolitical neutrality on regionally controversial issues, however, is an untenable position when antagonistic geopolitical interests are concerned and nationalist passions flare. I situate this argument within critical scholarship on cultural globalization flows within Asia, while engaging celebrity studies to frame Hallyu stars as transnational commodities.  相似文献   

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