共查询到20条相似文献，搜索用时 15 毫秒
1.
Shi Lei 《中外文化交流(英文版)》2006,(7):46-48
As the Olympic mascots ＂Five Friendlies＂ were released, the 2008 Beijing Olympic Games is approaching us. The anti-doping of the 2008 Olympics shall be undertaken by China Doping Test Center, whose performance at the 1990 Asia Games has been generally recognized and praised. However, the much larger scale of the Olympics will prove that the anti-doping task in 2008 will be much more difficult and complicated. Recently, the staff journalist interviewed fellow researcher Du Lijun from the sports medicine institute of the State Administration of Sports and his colleague Prof. Wu Moutian who just came back from the Durino Winter Olympics. 相似文献
2.
Yi Jun 《中外文化交流(英文版)》2010,(2):32-33
<正>The four treasures of the study, including writing brush, ink stick, ink slab and paper, have been favored as curios by emperors, noblemen and elite scholars in dynastic China. The appreciation and collection 相似文献
3.
LinYunfan LiJun WangXie 《中外文化交流(英文版)》2004,(4):38-41
When people are asked about what impresses them most in Xinjiang, they are very likely to mention Turpan grapes and Hami melons. In fact, Xinjiang is also well known for its fine-breed horses. Two thousand years ago, Emperor Wu of the Han Dynasty (206 BC -- 220 AD) bestowed horses imported from Xinjiang 相似文献
4.
HeiXiong 《中外文化交流(英文版)》2004,70(2):42-43
The remains of kingdom Yan‘s capital,located 2.5 kilometers southeast of YiCounty,Hebei Province,is a key heritage site under the state protection. 相似文献
5.
《Cultural and Social History》2013,10(3):287-300
The notion of charlatanism is central to the social workings of the eighteenth-century republic of letters. Starting with Johann Burkhard Mencke's famous treatise The Charlatanry of the Learned, this paper traces how accusations of academic and scientific misconduct put in terms of ‘charlatanry’ initially helped to produce the new species of the erudite ‘charlatan’. Facing a growing complexity of scientific culture, this new frame of meaning, structured by numerous examples of scientific misconduct, offered a way of mapping the world of learning. But besides its cognitive impacts, the discourse of charlatanry allowed the creation of symbolic boundaries, which determined decisions as to the affiliation or non-affiliation to this recently forming scientific community by separating honourable from dishonourable scientific personae. Speaking of charlatanry therefore always implied a social distinction as much as a scientific one. The discourses on charlatanry also mirror differentiations within the scientific field. At first dominated by a critique built on courteous or bourgeois values, the scientific field later developed its own criteria of appraisal, such as authorship, originality, transparency, etc. Attracting the attention of a growing public sphere, the explicit verbalization of claims which were not related to the value system of a republic of letters primarily concerned with the production and distribution of knowledge finally led to a more implicit moral economy of science. 相似文献
6.
《中外文化交流(英文版)》2002,(6)
Tibet, known as the“roof of the world”, has long been a destination of pilgrims from around the globe for its unique and mysterious culture. And antiquities and relics excavated from this area, which are testament to the Tibetans' diligence and intelligence, have been an abundant resource of the famous Tibetan culture. About 50,000 years ago , the ancestors of the Tibetans entered the Stone Age. The pottery shown in picture one, a monkey-faced sculpture excavated in Qu Gong, is the remains of the decorative part of a large piece of earthenware. It illustrates the widespread idea that the monkey 相似文献
7.
8.
Mōri Yoshitaka 《Inter-Asia Cultural Studies》2013,14(1):17-29
This paper examines new cultural and political movements that have developed outside of traditional leftist politics since the early 1990s in Japan. The new movements, including Dame‐ren, the Cardboard House Art movements in Shinjuku and recent anti‐war protests on the Iraqi war, were mainly led by young people, in particular, the freeter generation, who did not experience the leftist politics of the 1960s. These movements are different from traditional Marxist political ones and even from the new social movements in the 1960s and 1970s in the sense that they incorporate more cultural practices such as art, music, dance and performance into their political activities. The paper also explores the historical background against which the new movements were born and have developed since the end of the Bubble economy. It sees freeters, young part‐time workers, as emerging, new political actors that have appeared through the transition of a mode of production from Fordism to post‐Fordism. The transformation of society, economy and politics, known as ‘post‐modernization’ or recently as ‘globalization’, has asked us to re‐consider and re‐define the basic concepts such as class, proletariat, power, labour and work which we once shared. The paper tries to locate, through a critical examination, the new movements within a broader context of anti‐neo‐liberalism and anti‐globalization and find political potentiality within it. 相似文献
9.
《中外文化交流(英文版)》2003,(2):34-35
“In July 1971,my father Richard Nixon,the then U.S.President,declared that he would visit china at the invitation of chairman mao zedong and Premier zhou enlai of the people‘s republic of china.“ 相似文献
10.
《中外文化交流(英文版)》1993,(6)
REPOSING as itdoes on thebank of theWest Lake in Hang-zhou,the ZhejiangAcademy of Fine Artsstill manages to be un-pretentious.Ask for di-rections and you will betold that the school is at218 Nanshan Road,besides LiulangwenyingPark.Originally,it wassimply known as theArt Academy,the titlebestowed by Cai Yuan-pei,the great Chinese 相似文献
11.
RaoRao GuangYu 《中外文化交流(英文版)》2005,(3):30-31
Every adventurer may have a wish to travel to the end of the sky. In their minds, the end of the sky not only means a long journey and being away from urban hurly-burly, but also symbolizes the most beautiful place. The Flower Lake is such a place in the end of the sky. 相似文献
12.
Vicky Vanruysseveldt 《Cultural and Social History》2016,13(4):437-450
This article examines the uses of passports among itinerant entertainers travelling through the Duchy of Brabant. Making their living with public performances ranging from singing, making music, acting and puppetry to acrobatics and bear dancing, they travelled on a daily, weekly or monthly basis over short and long distances with their shows. Their high level of mobility met with multiple restrictions imposed by the authorities. Travellers with little or no means were often arrested for vagrancy or begging on the charge of having no fixed residence or a steady job. Passports could help itinerant entertainers preventing their possible arrest. This article addresses the question how ambulant entertainers made use of passports for their travels. To this end I used passport registers on the one hand and vagrancy files of arrested itinerant entertainers on the other hand. The passport registers (available for the cities of Brussels and Antwerp) provide insight into who applied for a passport. Meanwhile, the vagrancy files shed light on entertainers travelling without a passport or with invalid ones. As such, this body of sources provides us with an exceptional insight into the variety of uses of passports by itinerant entertainers in Brabant at the turn of the century. 相似文献
13.
《中外文化交流(英文版)》2014,(1):30-30
Cast： 140 actors Stage： 14-16m wide, 20m deep, 8m high, with 42-45 scenery and light battens Prop weight： flexibly subject to theatre conditions Schedule： available from September to October in 2014 and negotiable for other periods of time 相似文献
14.
Mao Chenglin 《中外文化交流(英文版)》2011,(12):38-41
<正>Jianzha is a mysterious and richly-endowed land surrounded by the Yellow River and situated at the southern foot of Mt.Tsongkha in the northeastern part of t... 相似文献
15.
Yu Jung Lee 《Inter-Asia Cultural Studies》2018,19(2):180-205
This article examines the ways in which multiple traditions of camp shows and the overlapping and relational layers of Imperial Japan and U.S. presence in Korea shaped Korean entertainers’ lives after 1945, producing their idiosyncratic performances in response to rapid shifts in Korea’s relations with Japan and the United States in the 1940s–1950s. When the United States sought to reposition Japan at the top of the newly emerging American hegemonic order of Asian countries, Korean entertainers who served the Imperial Japanese Army a few months earlier found themselves performing for American soldiers. The stage of the Korean native camp shows became a “strange and exotic” yet “familiar and even comforting” place where inconsistent logics, such as Imperial Japan’s pan-Asian ideology and American Orientalist fantasy, mingled. Under the complicated legacies of overlapping militarization and colonization in Korea, militarization has constituted a structuring force that enabled Korean women camp show entertainers generating their hybrid performance styles in ironies, contradictions, and complexities. Building on postcolonial theorists’ notion of hybridity, I argue that Korean entertainers’ performances were being shaped or negotiated in contact with different audiences and expectations as well as Korean entertainers attempted to navigate the acceptable ground of performances and womanhood in the constantly changing political and ideological environment. 相似文献
16.
《中外文化交流(英文版)》2003,(1)
Liu Cheng, a cook from a small town, takes his son Xiao Chun to Beijing to participate in a violin contest. The boy takes the fifth prize. Liu Cheng persuades teacher Jiang of the Children's Palace to teach his son, and he himself gets a job in Beijing to pay for the tuition. Xiao Chun and his teacher gradually get to like each other. Meanwhile, Xiao's skill is improving. Xiao starts up a friendship 相似文献
17.
ChenBaoguang 《中外文化交流(英文版)》2003,(1):18-19
Liu Cheng, a cook from a small town, takes his son Xiao Chun to Beijing to participate in a violin contest. The boy takes the fifth prize. Liu Cheng persuades teacher Jiang of the Children‘s Palace to teach his son, and he himself gets a job in Beijing to pay for the tuition. Xiao Chun and his teacher gradually get to like each other. 相似文献
18.
Chenbaoguang 《中外文化交流(英文版)》2003,(2):18-19
Liu Cheng, a cook from a smallBeijing to participate in a violin contest.the boy takes the fifth prize. liu ChengChilden‘s Palace to teach his son, 相似文献
19.
《Cultural and Social History》2013,10(2):215-245
Published histories of the British home front during the Second World War, both academic and popular, say little or nothing about civilian holidays; the implication is that for most people they did not exist. This article disputes that reading. Complementing earlier work on officially sponsored ‘Holidays at Home’, the article first looks briefly at 1930s holiday expectations, then summarizes government measures to restrain ‘unnecessary’ wartime travel. Using rail-travel statistics, memoirs and diaries, contemporary novels, local press reports, Mass-Observation and other surveys it shows that throughout the war large numbers of people took holidays much as they had in peacetime. This apparent contradiction is then discussed in relation to, for instance, ideas of ‘normality’ and ‘wartime’, the survival of class in Britain, the wartime economy and the debate on the ‘myth of the blitz’ view of civilian behaviour. 相似文献