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1.
In recent years the control and monitoring of works of art has gained more and more importance. In particular, works partially or totally realized with wood, such as polychrome sculptures, painted panels or Crucifixes, are highly sensitive and delicate and thus need a particular attention. The wooden support is, in fact, an essential element for the stability of pictorial layers: the color lies on a preparation, which in turn, is anchored to the wood. Wrong conservation methods, i.e. in an environmental climate that is not controlled, or intrinsic mechanical stresses, can warp such structures, and the effects can be irreversible and destructive to the painted layer. The use of fiber Bragg grating (FBG) sensors for the quasi-distributed, in situ measurement and continuous monitoring of deformations in painted wood panel is proposed. In order to demonstrate the applicability of FBG sensors to painted wood panels, a wooden support, made using the same 15th–16th century techniques, was prepared in the Opificio laboratories. A number of Bragg grating sensors were affixed in several critical points, on the back and front sides and on the strengthening cross-beams, in order to detect deformations in the panel dependent on the variations in the environmental relative humidity (RH). Measurements during the removal of the cross-beams are also reported. The results of measurements have shown the applicability of FBG sensors for the continuous in situ monitoring of valuable wooden objects and works of art.  相似文献   

2.
The effects of a Q-switched Nd:YAG laser irradiation on a group of supports, painted with six different inorganic pigments, was investigated. The pigments were chosen from among the most utilized on painted historical surfaces: red ochre, yellow ochre, chromium green, ultramarine azure, white chalk and carbon black, and they were distempered with two binders – linseed oil and gypsum – on primed wood panels. The pigments were characterized by means of X-ray diffraction and Fourier transform infrared spectroscopy. Chromatic characteristics, chemical composition and surface morphology of the painted layers were investigated before and after the laser irradiation. Three different fluences were used to detect the correlation between laser parameters and changes in painting layer characteristics.  相似文献   

3.
The use of phase change materials (PCMs) in civil buildings as an effective thermal energy storage solution has been well documented in literature and proven in the field. When applied to Cultural Heritage, PCMs’ technology needs to be adapted to specific requirements. Besides the important objectives of economic return and human comfort, the indoor microclimatic conditions have to be suitable for conservation purposes. The application of PCMs’ technology to Cultural Heritage has been investigated within the European MESSIB (Multi-source Energy Storage System Integrated in Buildings) project. Firstly, several methodologies of incorporation of PCMs in different materials were studied and tested. The thermal properties of gypsum panels and silicon coatings incorporating micro-encapsulated PCMs in the form of powder and emulsion were analysed in the laboratory. Then, PCMs incorporated in gypsum panels in contact with a wooden panel were tested and their effect on the thermal behaviour of the wooden panel was evaluated under thermal cycles in a climatic chamber. PCMs incorporated in silicon coatings in contact with a painting were also tested. Moreover, gypsum panels containing PCMs were tested in the S. Croce Museum in Florence, Italy, where the microclimatic monitoring has shown thermal conditions potentially dangerous for the works of art preserved. The research performed both in the laboratory and on the field confirmed the effectiveness of the PCMs as thermal storage solutions, but also gave evidence on an important drawback when the material incorporating PCMs is in direct contact with an object of art.  相似文献   

4.
The development of laser cleaning as a conservation treatment has imposed a need for the evaluation and assessment of other cleaning techniques. The use of more traditional methods like abrasive cleaning, steam cleaning and chemical cleaning has relied so far on visual assessment, unlike much of the research applied to laser cleaning. A conscientious use of these cleaning methods requires their assessment as well as the need for a comparison based on a common methodology. A topographical assessment of laser cleaning, abrasive cleaning, steam cleaning and chemical cleaning (using hydrofluoric acid, ammonium carbonate and EDTA) is presented. Topographical variations induced on marble, oolitic limestone and architectural terracotta surfaces are assessed by means of light interferometry, showing the potential of this non-contact and non-destructive technique for surface studies in conservation. The comparison between cleaning treatments is based upon key parameters associated with cleaning surfaces. The aesthetic impact of these treatments is verified by means of optical microscopy and quantified by colour measurement. Chemical analysis of the cleaned surface (EDS) is performed to investigate the removal of surface pollutants and the presence of residues. Finally, petrographical analysis was used to investigate the removal of pollutant layers and its effect on surface texture.  相似文献   

5.
A KrF-excimer laser operating at λ = 248 nm was used for basic studies in cleaning ancient glass surfaces. For irradiation a mask projection technique was applied. A modified optical set-up was designed using cylindrical lenses for large area removal by line scanning. Previous investigations revealed insufficient knowledge about interaction processes between UV-laser radiation and individual surface layers of encrusted historical glass. Thus, first detailed studies were carried out on special model glass samples simulating the behaviour of historical glass. The potential of removing crusts, bio layers as well as layers of different conservation materials (due to former conservation work) were examined. The avoidance of damaging material such as gel layers, paint layers or the bulk glass was of great importance. Removal rates and thresholds for the materials mentioned above were carried out. The collected data enables a comparison and evaluation of the feasibility for the removal of superficial layers from historical glass artefacts. The results indicate that in some cases a closed loop process control will be necessary to avoid over-cleaning.  相似文献   

6.
Within the framework of a European project, three cleaning laser devices are tested to evaluate the influence of different parameters on stone cleaning rate and efficiency. The project objective is to design a large surface-cleaning laser. One of the devices is a prototype with some technological improvements compared to the lasers used today for restoration. The tests are performed on limestone and sandstone covered with various dirt layers. The influence of fluence, water spraying, spot area, frequency, as well as particle emission rate is investigated. Results allow a comparison of the importance of each parameter and confirm the increase in cleaning speed of the new prototype. Nevertheless, it can be concluded that an automatic device will be suitable to attain a cleaning speed competitive with other traditional cleaning techniques.  相似文献   

7.
Laser cleaning was applied to remove aged and soiled oil paints of the 19th century from weathered, brittle sandstone surfaces. In contrast to other tested cleaning methods, the laser technique allows the removal of the oil paint layers with a minimum of material loss in brittle zones. The cleaned test areas have been investigated by optical and scanning electron microscopy as well as by colour measurements. The investigations have shown that the dirt and the oil paint layers can be removed by laser cleaning without affecting the original sandstone surface and that the pores can be opened again. The brown shade after cleaning is not caused by laser interaction with the sandstone surface but by historic impregnation with linseed oil. Immediately after cleaning, a treatment with chemical consolidants is necessary to preserve the brittle sandstone surface. Sustainable consolidation could be problematic in some areas, because the laser cleaning also preserves heavily damaged, crumbling zones of the carvings. For economic reasons, laser cleaning should be applied only in the most endangered zones of carvings and combined with classical methods (organic solvents and scalpel).  相似文献   

8.
SMART CLEAN is an innovative Nd:YAG laser system that has been designed to optimize laser cleaning procedures, especially for the treatment of altered stone surfaces. The project, originated by the co-operation of researchers and enterprises involved in optoelectronics system development, was aimed at improving the intrinsic features of the laser source, as well as some practical aspects, in order to facilitate laser application in the restoration yard. Emission characteristics were suitably tailored to obtain effective removal of alteration layers, and to minimize possible side effects. In particular, the pulse duration of the SMART CLEAN laser was set at 20 μs, by means of a proprietary design of the power supply. This was in order to reduce the risk of both mechanical and thermal damage to the artwork substrate, which is more likely to occur with short and long laser pulses, respectively. Moreover, this pulse duration permitted a reliable transmission of high laser energy through long optical fibres (50 m), which allowed easy cleaning operations on façades. The laser system was tested on a large variety of lithotypes and in operative cleaning interventions on Italian monuments.  相似文献   

9.
Ground wood cellulose paper exhibits a practicable cleaning laser fluence window during middle-UV radiation processing. In this case, a minimum dose volume density should be applied. However, cleaning of bleached cellulose paper is accompanied by strong yellowing and destruction. The presence of charcoal graphite particulates shows substantial influence on the yellowing with increasing coverage.  相似文献   

10.
A fast and reliable surface monitoring and diagnostic technique is essential to develop a real-time automatic control system for laser cleaning of artworks. In this paper, an in-line surface monitoring and diagnostic system based on chromatic modulation using tristimulus detectors and fibre optics is presented. The system produces measurements that are dependent on the spectral signature of the incident light but are independent of intensity. In order to demonstrate its usefulness and versatility, the technique was applied to surface monitoring in the laser cleaning of metal and stone. Results show that the spectral parameters derived from chromatic detection not only provide a clear indication of the surface cleanliness and surface damage but also much surface chromatic information from its versatility. It is also shown in this paper how a chromatic modulation technique may be utilised as a robust method for monitoring and diagnosing the surface during laser cleaning.  相似文献   

11.
Microbial colonization of the surface of historic glass panels and the subsequent biodeteroration of glass are well documented phenomena. Yet little is known about the composition of this microflora that has to be adapted to low nutrient conditions and a dry environment. The microbial community growing on glass window panels from four different locations and ages ranging from 30 to 600 years was analyzed in situ using confocal laser scanning microscopy with nucleic acid stains and fluorescently labeled rRNA-targeted oligonucleotide probes for the domains Bacteria and Eucarya. A typical biofilm of the studied glasses displayed a total thickness of approximately 10–60 μm. Microbial colonization of the glass surface was heterogeneous at 0.8–7% areal coverage. The dominant microbial group belonged to the filamentous fungi. A different attached microflora was found only on one glass surface. This sample was sparsely colonized with areal coverage of 0.8% and a thickness of 10–20 μm; the biofilm consisted of single bacterial cells and microcolonies. Chemical composition and durability of the glass samples and availability of an additional organic layer were important factors influencing the extent of microbial growth. Information about the thickness and microbial composition of biofilms offer an essential background to optimize cleaning procedures or conservation strategies for stained glass windows.  相似文献   

12.
Potentials and limitations of the near-UV pulsed laser cleaning of parchment (wavelength 308 nm, pulse duration 17 ns) are demonstrated by the application of scanning electron microscopy (SEM), colour metrics and diffuse reflectance infrared Fourier transform spectroscopy (DRIFT) at model contamination/pigment/parchment systems. Pigment-binder systems stable and unstable against near-UV laser treatment could be identified. A chemical degradation threshold fluence of a goat parchment model substrate was determined which practically coincided with its ablation threshold fluence. This indicates that the fluence range of destructionless laser cleaning at 308 nm is almost not impaired by chemical modfications below the ablation limit. Nevertheless, spectroscopic diagnostics are necessary to guarantee destructionless cleaning for practical cases where the chemical conversion threshold fluence deviates from the ablation threshold to lower values.  相似文献   

13.
The removal of a brass-based paint (purpurin) used in painting gilded wood to cover losses of gold leaf, represents today a difficult task to conservators, who may have to resort to toxic chemical solvents in order to clean the painted surface. This action, due to its nature, is unsuitable for both the conservator and the artwork itself. In this study, a Q-switched Nd:YAG laser system outputting 1 064 nm (infrared), 532 nm (visible, green) and 266 nm (ultra-violet) radiation was used to study the interaction of these wavelengths in a gilded sample surface painted with purpurin. All tested wavelengths interacted differently with the tested surface and, also, the several layers that form the gilded surface (purpurin, varnish and gold) showed different interactions to each wavelength. The ultra-violet radiation (266 nm), in a multi-pulse mode at low fluences, was found to be the most efficient wavelength in cleaning the painted gilded surface.  相似文献   

14.
An innovative laser restoration tool for non-contact cleaning of painted artworks is developed. Accurate beam manipulation techniques in combination with on-line detection make the system suitable for selective cleaning of delicate surfaces. The utilisation of lasers obviates the use of various chemicals, and provides a method to remove layers that are untreatable using conventional methods. The first professional laser cleaning station for paintings is equipped with a modern mechatronic engineering tool for accurate beam manipulation (‘optical arm’). An intelligent combination of software and hardware enables accurate control, necessary to deal with the variable properties of the artworks to be treated. An on-line monitoring system is incorporated, using laser-induced breakdown spectroscopy. The user interface plays an important role in simulating the ‘hands-on’ treatment. In January 1999, the 2-year European co-operative research project ‘Advanced workstations for controlled laser cleaning of artworks’ started. The research objective is to define the boundary conditions in which laser cleaning with the present technology can be safely applied.  相似文献   

15.
Fifty crucible fragments and 10 fragments of the melting furnace of the forest glassworks of Südel (1723–1741, Ct. Luzern), were analyzed by petrographic, mineralogical and chemical techniques in order to assess the temperature reached in the melting chamber and to find out which raw materials were used to make the crucibles and the melting furnace. Since the crucibles were used in the melting furnace, the temperature estimations were based on both the crucibles and the refractory fragments, as they were parts of the same system. The temperature range in the melting chamber, estimated by the structural order of the new-formed cristobalite, points to a temperature range between 1350 and 1500 °C. However, three crucible samples recorded extreme temperatures as high as 1650 °C, suggesting very high flame temperatures for wood fuel. The analyzed red bricks were made with local calcium-poor clay. One of them was tempered with refractory fragments, demonstrating an in-house production and the recycling of such a material after its use. The crucibles and the refractory bricks were made with the same refractory clay. The former using unprocessed clay and the latter blending clay with chamotte. A comparison with Sidérolithique clayey sand samples from the Swiss Jura, shows strong affinities which may rule out the archaeological hypothesis of an exclusive provenance of such clays from Germany, suggesting an import from the Swiss Jura mountains.  相似文献   

16.
The utilization of laser light to produce fine and selective cleaning of superficial deposits and encrustation from stones was originally proposed more than 20 years ago by John Asmus who performed pioneering trials of laser cleaning on stone façades in Venice, Cremona and Padua. The opportunity to collect stone samples from these sites allowed us to carry out an original study aimed at evaluating the conservation state of stone surfaces cleaned 10–20 years ago by means of three different techniques: Nd:YAG laser radiation, micron sandblasting and chemical pads. Samples of various stone types, as Istria limestone, Botticino limestone and Nanto sandstone were collected and examined by means of optical and SEM microscopy, FT/IR, and EDAX analyses. The results provided preliminary indications that the state of conservation of stone surfaces previously subjected to laser cleaning is generally better in comparison with those which concurrently underwent mechanical and chemical cleaning.  相似文献   

17.
A series of tests has been conducted to evaluate the potential for using a Q-switched Nd:YAG laser (wavelengths 1 064, 532 and 266 nm) to clean both new and naturally aged cotton textiles. Tests have been carried out on i) plain weave and velvet cotton and ii) new and naturally aged cotton samples to investigate the possible roles of weave structure and ageing in the cleaning process. Cleaning trials have been carried out on artificially soiled new cotton and compared with results obtained using traditional cleaning techniques: wet cleaning and organic solvent cleaning. Cleaned surfaces were examined using optical and scanning electron microscopy.  相似文献   

18.
This study aims to introduce a new spectral imaging methodology that can be used to monitor on-line, non-destructively and in situ the cleaning level of pollution encrustation on stonework. The suggested technique is based on the optical properties of monochromatic light penetration in matter. The calculated differences of images, obtained at two different spectral bands, could reliably map the depth of cleaning. This novel approach was tested in the laboratory during laser cleaning trials on polluted stonework enabling high accuracy measurements (such as the detection of thin crust layers remaining on the under-cleaned marble surfaces). However, it may also apply for the monitoring of any other cleaning technique (micro air-abrasive, etc). A detailed presentation of the results will be demonstrated while the potential of its wide application on everyday conservation practice on stonework will be discussed.  相似文献   

19.
The procedures for making and applying a new family of high viscosity aqueous polymeric dispersions based on poly(vinyl alcohol)-borax (PVA-borax) matrices are presented. A specific system of this type has been used to remove an oxidized varnish coating from the surface of “Coronation of the Virgin with Saints”, a 15th century egg tempera painting on wood by Neri di Bicci (Florence, 1418–1492). FTIR spectra showed that the oxidized varnish was constituted of highly aged shellac resin. Good cleaning performance was attained when the liquid portion of the dispersion consisted of a mixture of water and acetone. Rheological investigations indicate that the acetone content does not affect the mechanical properties of the polymeric dispersion. Those mechanical properties permit easy removal of the cleaning agent simply by peeling it from the surface by means of a forceps or spatula once it has carried out its cleaning function. Optical microscopic and FTIR investigations show that the cleaning agent is able to remove the oxidized varnish coating from the surface of the Neri di Bicci painting without leaving detectable residues.  相似文献   

20.
A collaborative project between the Materials Department of Imperial College, the Victoria & Albert Museum, Natural History Museum and the Tate Gallery was initiated with the objective of introducing laser cleaning in these London-based museums and establishing a long-term research collaboration. An access to these material conservation departments means that materials like traditional statuary materials, heavily corroded metals, ivory, palaeontological samples, textiles, stained glass, plaster and some modern materials can be used to investigate the usefulness of laser cleaning and study their effects using a wide range of analytical techniques.  相似文献   

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