共查询到20条相似文献，搜索用时 312 毫秒
1.
M. Thomas Inge Ray B. Browne Christopher D. Geist 《Communication Booknotes Quarterly》2013,44(8):146-147
M. Thomas Inge, Handbook of American Popular Culture (Westport, Ct.: Greenwood Press, 1978—$25.00) Ray B. Browne and Christopher D. Geist, Popular Abstracts (Bowling Green, Ohio: Popular Press, 1978—S12.95/5.95) 相似文献
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David Manning White Ray Browne Marshall Fishwick Russel B. Nye J. Meredith Neil James Philip Danky 《Communication Booknotes Quarterly》2013,44(6):72-73
“Popular Culture in America” edited by David Manning White with help from Ray Browne, Marshall Fishwick, and Russel B. Nye Marshall Fishwick, is author of his latest, a collection of his own essays entitled Parameters of Popular Culture (Bowling Green, Ohio: Bowling Green University Popular Press, 1974—cost not known, but available in cloth and paper) J. Meredith Neil to assemble Popular Architecture (Bowling Green, Ohio: Bowling Green Popular Press, n.d., but , 1974—price not given, paper) James Philip Danky's UndergroundS; A Union List of Alternative Periodicals in Libraries of the United States and Canada (Madison: State Historical Society of'Wisconsin, 1974—$12.95, paper) George D. Brightbill and Wayne C. Maxon's Citation Manual for United States Government Publications (Philadelphia: Temple University's Center for the Study of Federalism, 1974—75¢, paper) 相似文献
4.
David Fleming 《Curator: The Museum Journal》2016,59(2):73-79
No museum is actually “neutral,” ever. This article presents the keynote address presented at the annual conference of the International Committee on Museum Management (INTERCOM) and of the Federation of International Human Rights Museums (FIHRM). In it, the author lays out the provocative case that museums not only are not, but should not be “neutral” when it comes to issues of human rights and social justice. Museums need not present both sides of every argument, or retain a lofty academic tone when it comes to the injustices of the present and the past. As an alternative course, the author presents a framework published by the British Museums Association, entitled Museums Change Lives, which offers a vision for museums to engage with challenging topics. He then offers a series of examples where Museums have embraced a new role as a promoter of social good. 相似文献
5.
David Manning White, ed. The Great Contemporary Issues: Popular Culture (New York: Arno Press, 1975—$35.00) Stan Lee's Son of Origins of Marvel Comics (New York: Simon and Schuster, 1975—$10.95/6.95) Les Daniels' Living in Fear: A History of Horror in the Mass Media (New York: Scribners', 1975—$12.95) 相似文献
6.
Joseph C. Goulden Bryce Rucker John Phelan David Manning White Marshall Fishwick Ray B. Browne 《Communication Booknotes Quarterly》2013,44(6):59-60
Joseph C. Goulden's Monopoly (Pocket Books 77135, 95¢) Bryce Rucker's The First Freedom (University of Southern Illinois Press, $2.85) John Phelan's Communications Control (Sheed & Ward, $3.45) David Manning White's edited collection Pop Culture in America (Quadrangle Books, $5.95/2.45) Marshall Fishwick and Ray B. Browne's edited Icons of Popular Culture (Bowling Green University Popular Press, $1.00) Don Fabun's Three Roads to Awareness (Beverly Hills, Calif.: Glencoe Press, $5.95/4.95) 相似文献
7.
《Curator: The Museum Journal》1996,39(2):151-160
Book reviewed in this article: Museums and the Community in West Africa Reviewed by Enid Schildkrout Partial Recall Edited by Lucy R. Lippard 相似文献
8.
Alcina Cortez 《Curator: The Museum Journal》2016,59(2):153-176
Popular music is deeply embedded in the dynamics of the contemporary world by means of its capacity to engender modes of privacy and publicness, to communicate emotion, and to enable us to create connections—and so to work within communities. Museums have traditionally addressed art‐music through the exhibition of musical instruments. But now that the exhibition of popular music has presented new challenges and opportunities worldwide for museum professionals, examining popular music discourses in museums is of the utmost importance in order for it to be meaningfully celebrated as instances of heritage. This paper expands on the representation of Popular Music in museums in Portugal at the beginning of the twenty‐first century by discussing a case study: the exhibition No Tempo do Gira‐Discos: Um Percurso Pela Produção Fonográfica Portuguesa at Museu Nacional da Música, Lisbon, Portugal, in 2007. Two methods of analysis are deployed: interviews with the curators, which revealed insights on their understanding of popular music, and analysis of the exhibition through discourse analysis, specifically through the lens of the analytical concepts genre and register. Although the curators had themselves previously developed insightful and innovative concepts with regard to popular music, discourse analysis reveals how, in this instance, the museum practices were primarily inherited from past traditions, and so failed to convey the meanings previously envisioned by the curators. In order for genuine public engagement with museum exhibitions about music, a collaboration is required between the music studies and museum studies professionals. Only through such a collaboration can it be ensured that those contemporary dynamics are present and meaningful. 相似文献
9.
Charles Reagan Wilson 《Publishing Research Quarterly》1993,9(4):3-16
The story of the book in Southern history is the story of the perception of dangers associated with reading, of the problems
in establishing the communications system essential for making books available, of the differing meanings of books to different
groups in Southern culture. This article traces that story from the colonial era through the present, paying special attention
to friction between North and South, the role of religious orthodoxy, the dominance of oral culture, deficiencies in the library
system, and the rural nature of the region. It ends with a discussion of Southern writers and their role in the development
of a book culture.
Charles Reagan Wilson received his bachelor of arts (1970) and master of arts (1972) in history at the University of Texas
at El Paso and his doctorate in history at the University of Texas at Austin (1977). He has taught at the University of Mississippi,
where he is professor of History and Southern Studies, since 1981. He is the author ofBaptized in Blood: The Religion of the Lost Cause, 1865–1920 (1980) and coeditor of theEncyclopedia of Southern Culture (1989). 相似文献
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Joseph E. Dispenza Len Biegel Aileen Lubin Don Allen Patricia Files 《Communication Booknotes Quarterly》2013,44(3):34-35
Joseph E. Dispenza's Advertising the American Worpan (Dayton, Ohio: Pflaum Publishing, 1975—price not know, paper) Len Biegel and Aileen Lubin's Mediability : A Guide for Nonprofits (Taft Products, 1000 Vermont Ave., N.W., Washington D.C. 20005—price not given, paper) Don Allen's The Electric Anthology: Probes into Vass Media and Popular Culture (Dayton, Ohio: Pflaum Publishing, 1975- 1:Tan- not known paper) A Perspective on Information Resources: Annual Report 1974-75 (Program on Information Technologies and Public Policy, 200 Aiken Computation Laboratory, Harvard University, Cambridge, Mass. 02138—$6.00, paper set of two booklets) Patricia Files' A Guide to Educational Resources: 1975-76 (Box E, School of Education, Stanford University, Stanford, Calif. 94305— $3.50, paper, with checks made payable to "Box E") 相似文献
11.
Edith Doron 《Curator: The Museum Journal》2009,52(2):169-182
Abstract Describing actual museum‐wide events developed for the culturally charged arena of the Brooklyn Children's Museum, this article explores the philosophical and pedagogical double binds that have brought multiculturalism to a political impasse. Museums have strived to be valued resources in an increasingly diverse society. In aspiring to broaden their audience base, their work has shifted from developing educational policies that are “object‐centered” to those that are “community‐centered” — a change of strategy affecting everything from programs to exhibit design. Children's museums — distinct (if not marginalized) from the serious work of the traditional art or ethnographic or natural history museum — know and indeed say in their very name — “children's museum” — that they are for the sake of someone and not about something. They have always already been attuned to the visitor at the threshold. 相似文献
12.
通过回顾科普产业集群的理论与现状,梳理科学博物馆资源要素的功能与价值,提出多个科普主体基于共同科普目标的集群运行模式。结合长三角科普场馆联盟实践案例,论述主要资源要素如何推动科学博物馆聚落形成。在简析问题的基础上,提出未来科学博物馆区域集群聚落的发展策略。 相似文献
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Frank Oglesbee 《Communication Booknotes Quarterly》2013,44(11):116-118
Edited by Ray B. Browne, Rituals and Ceremonies in Popular Culture (Bowling Green, OH: Bowling Green University Popular Press, 1980, 21.95 cloth, 10.95 paper) The Buyer's Guide (Dynapubs Enterprises, 15800 Rt. 84 North, East Moline, IL 61244, 10.00/26 issues) Mort Walker, Lexicon of Comicana (Port Chester, NY: Museum of Cartoon Art, Comly Ave., 1980, 95p, pb,) 4.95 plus 50* postage) Geoffrey O'Brien, Hardboiled America: the Lurid Years of Paperbacks (New York: Van Nostrand, 1981, 144 pp., 16.95, cloth ) The Armchair Detective (Mysterious Press, 129 W. 56th St., NYC 10019, $16 USA, $20 elsewhere) Bruce Pollock's When Rock Was Young: A Nostalgic Review of the Top 40 Era (New York: Holt, Rinehart and Winston, 1981, 214pp., 6.95 pb) Jack Ziegler's Hamburger Madness (New York: Harcourt, Brace, Jovanovich, 1978, 5.95 pb) Vincent Lynch and Bill Henkin's Jukebox, the Golden Age (Berkeley: Lancaster-Miller, 1981, llOpp., 12.95 cloth) Blamin Technology: The Irrational Search for Scapegoats (NY: St. Martin's Press, 1981, -207 pp., 12.95 cloth) Terry Hounsome and Tim Chambre's Rock Record (NY: Facts on File, Inc., 1981, 9.95 pb) David Dary's Cowboy Culture: A Saga of Five Centuries (NY: Alfred A. Knopf, 1984, 17.95, cloth) 相似文献
15.
Previous Possessions, New Obligations was launched by Museums Australia Inc. in 1993, the International Year for the World's Indigenous People, as a policy framework to guide the development of relationships between museums in Australia and Indigenous Australians. The policy was based on consultation with Indigenous people to develop protocols, policies and procedures for more sensitive collection management and for including Indigenous people in research and public programs; and to address issues of governance. It expressed the values that would underpin new relationships between museums in Australia and Indigenous Australians. An evaluation of the policy was conducted in 2000 in a collaboration between the Australian Museum Audience Research Centre, Sydney, and Museums Australia Inc., Canberra. The evaluation found that the policy had substantially met its goals, particularly in establishing the primary rights of Indigenous people to control their cultural material in museum collections. However, a range of substantially new issues emerged which require new policy responses and initiatives. 相似文献
16.
《Behavioral & Social Sciences Librarian》2013,32(1):49-54
Library historians can learn a great deal from studying the gender of authorship and institutional affiliation of a scholarly journal. The focus of this study is to examine these two aspects of journal production in library history to see who is producing published research in this field. Twenty-three years of Libraries & Culture were chosen as the target volumes. The study reveals that more men than women published in library history as well as locating which institutions were represented. This type of information is usedful to the library historian engaged in the analysis of published scholarship, and more generally to scholars with an interest in patterns of literature production in fields closely related to the social and behavioral sciences. 相似文献
17.
《Communication Teacher》2013,27(2):63-68
Objectives: Students will: (1) think critically about how they perform gender through clothing choices and (2) recognize how different cultures define masculinity and femininity Courses: Communication Theory, Gender and Communication, Popular Communication, Rhetorical Theory, Visual Rhetoric 相似文献
18.
Des Griffin 《Curator: The Museum Journal》1996,39(1):45-62
In 1993, Museums Australia, representing museums and the Australian museum community, adopted a policy covering relations between museums and Australia's indigenous peoples. Previous Possessions, New Obligations is based on 13 principles, the first of which recognizes the right to self-determination of Aboriginal and Torres Strait Islander peoples in respect of their cultural property. The policy recognizes a multiplicity of interests in indigenous peoples' cultural property but emphasizes Aboriginal and Torres Strait Islander peoples' primary role. The policy was developed through consultation with indigenous people and communities, museums, professional associations, and governments. It covers human remains, secret/sacred material, and collections in general. It also deals with museums' public programs and issues of staffing, training, and governance. It emphasizes the importance of consultation between museum staff and appropriate persons and communities when museums are dealing with indigenous cultures. This paper traces the history of museums' dealings with indigenous peoples in several countries, especially Australia. The development of this policy from mid-1991 is traced. Museums Australia, in collaboration with the Australian government, is pursuing the policy, especially the provenancing of human remains and secret/sacred material, to assist in returning such material when requested and appropriate. Museums Australia is also reviewing the effect the policy has had over the last two years. While the policy is an important document, there is still much progress to be made. 相似文献
19.
James B. Pick 《Archives and Museum Informatics》1990,4(2):2-7
The national survey, conducted for all art museums in the United States and Canada, resulted in 252 questionnaires, of which
166 were computer-user museums with acceptable questionnaires. The institutions using computers averaged 2.2 million in budget and had a median membership level of 860. Museums were divided in small, medium, and large budget categories by the budget ranges of2.2 million in budget
and had a median membership level of 860. Museums were divided in small, medium, and large budget categories by the budget
ranges of 0-210,000, 211-817,000, and211-817,000, and 818,000+. 相似文献
20.
Lorna M. Daniells' Business Information Sources (Berkeley: University of California Press, 1976---$14.95) Gene V. Glass, ed. Evaluation Studies: Review Annual Volume I, 1976 (Beverly Hills, Calif.: Sage Publications, 1976---$29.95) The Concise and Comprehensive Reference Guide to Black Journalism, Radio and Television, Educational and Cultural Organizations in the USA, Africa, and the Caribbean (Black List, Box 3552, New York, N.Y. 10017---$50.00, two volumes, paper) Ray B. Browne, ed. Abstracts of Popular Culture: A Quarterly Publication of International Popular Phenomena (Bowling Green, Ohio: Bowling Green University Popular Press, 1976---$50.00 per year/$90.00 for two years/$200 for five years) 相似文献