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1.
David Buckingham 《The Communication Review》2013,16(1-2):51-60
This article explores some of the dilemmas and difficulties encountered by academic researchers (and specifically those who work on media audiences) in presenting their work in the public domain. It considers some examples of media coverage of debates about media audiences, raising questions about academic authority, research evidence and public knowledge. It points to the limitations of a view of such debates as “moral panics” and proposes a different approach based on social constructionist analyses of “social problems.” It concludes by considering some of the ambivalence and uncertainty that surrounds the increasingly common requirement for academics to become engaged with the public at large. 相似文献
2.
面对“四区叠加”的独特市情和公共文化建设“五大结构性”矛盾,安康市创建国家公共文化服务体系示范区。其制度设计根据扶贫攻坚新形势、文化建设新任务、社会治理新问题,按照坚持法治思维、问题导向,坚持因地制宜、突出特色,坚持新民风建设引领、制度创新驱动的原则,充分聚焦乡村文化建设,形成以乡村文化建设“三改革”“三培育”“六结合”为主要内容,以全面推动乡村公共文化服务创新发展为目标的制度设计思想。其中,乡村文化建设“三改革”,旨在通过乡村文化建设观念变革、治理结构改革和供给侧结构性改革,使乡村文化回归其发展的历史逻辑。 相似文献
3.
Victor Pickard 《The Communication Review》2015,18(2):82-97
By providing historical context for the recurring regulatory retreat in the face of structural problems in the news media, this study examines the policy discourse that continues to define the US journalism crisis and government’s inability to confront it. To contextualize this pattern, I compare two historical junctures, the first occurring in the 1940s, exemplified by the Hutchins Commission, and the second occurring in the more recent policy debates during the years 2009–2011, exemplified by the Waldman Report. Both of these historical moments represented a societal response to a journalism crisis, and both entailed deeply normative discussions about the role of media in a democratic society and government’s role in managing that relationship. A comparison of these historical case studies brings into focus recurring weaknesses in liberal reform efforts. Specifically, it highlights what I refer to as the “discursive capture” reflected in common assumptions about the proper relationship between media and government, and how this American paradigm is constrained by an implicit market fundamentalism. 相似文献
4.
Broadcast network newsrooms are powerful gatekeepers, setting cultural standards and attitudes for America at large via the stories they tell and the images they project. In 1968, the federal Kerner Commission chastised American news media for ignoring race, and seeing through the “white man’s eyes” and speaking from “the white perspective.” Grounded in critical and cultural studies and organizational theory, this study analyzes the experiences of 23 post-Civil Rights generation black journalists working in broadcast newsrooms who continue to struggle against anti-black cultural norms and attitudes at great physical, psychological and financial cost. 相似文献
5.
This paper explores the nature and extent of citizens’ connection to public space through media consumption. It reports on a study of data from two qualitative sources: panel responses and individual in-depth interviews. The authors’ findings are, first, that people's media consumption and forms of public connection may be significantly constrained by limitations on their time—not just objectively, but also subjectively (their sense of lacking time to use media or pursue information). Second, such is the complexity of how people think about their public connection that research methodologies must be sensitive to the details of people's reflexivity, while enabling effective typologies of the positions people take up in thought and practice. Third, such research may reveal not a consensus, but instead a range of incompatible framings of whether public connection matters and how it can be achieved. Research should aim, therefore, not at a redefinition of something as unified as “civic culture,” but rather at tracking the hetereogeneity of the “dispersed citizen.” 相似文献
6.
Louise Woodstock 《Critical Studies in Media Communication》2016,33(5):399-408
ABSTRACTStuart Hall’s “Encoding/decoding” essay sparked an on-going focus in media studies on reception and audience studies that remains theoretically robust today. Hall’s insight that audience members decode media content in multiple ways, some in line with the dominant cultural ideology and some resistant to that ideology, illuminates the phenomenon of media resistance. Media resisters significantly limit their media consumption and they do so based on their decodings of media culture—decodings, or readings, that resist normative messages about commercialism and consumption, about the natural diffusion and inherent benefits of mobile technologies and social media, and about the political landscape depicted and generated by news media. Hall’s encoding/decoding model is expanded here to include not only audiences’ decodings of specific content, but of media culture broadly. Concerns about media culture in the aggregate lead to media resisters’ practices of limiting media engagement, practices themselves that are counter hegemonic. 相似文献
7.
An analysis of the studies used by the U.S. Federal Communications Commission (FCC) in its media ownership proceedings from 2002–2007 found a disproportionate use of economic research to support the agency's rule changes. The use of this research in policymaking is important because the FCC's reliance on economic literature may have helped justify a “procedural” definition of what constitutes the public interest, and a “neoliberal” faith in the wisdom of market forces to ensure that the public interest is being served. The findings suggest that the inclusion of a broader range of scholarship, especially media research, would not have supported the FCC's decision to further relax media ownership rules. 相似文献
8.
Sarah Stevens 《The Communication Review》2014,17(3):256-268
To date, feminists have conflated (and continue to conflate) historical understandings of bondage, discipline, dominance and submission, and sadomasochism (BDSM) as pathological and representations of BDSM in literature and popular media with the lived experiences of feminist BDSM practitioners. Feminist BDSM practitioner Madison Young’s pornographic film 50 Shades of Dylan Ryan (2012) takes the recent resurgence of the ongoing debate on women, submission, and popular literature as a starting point for reconsideration and possibility. By adapting the discourse surrounding 50 Shades of Grey, Young’s pornographic film points to the ways in which feminism also contributes to that which makes pleasure possible. Young’s film reimagines the dualities that have traditionally dominated feminist cultural critique through concepts the author calls “mediated authenticity” and “formal simultaneity.” Beginning with a brief, rigorous examination of the 50 Shades of Grey phenomenon, this article analyzes Madison Young’s 50 Shades of Dylan Ryan and seeks to provide a critical intervention in feminist studies of pornography and popular culture. 相似文献
9.
Aljosha Karim Schapals 《Journalism Practice》2018,12(8):976-985
Much has been written about the alleged “crisis” of journalism, with narratives of cultural pessimism centred on the decline of legacy news media, and print media in particular. Whilst factually accurate in parts, such narratives offer an incomplete picture not just of how journalism is declining, but also evolving as it transitions in the digital age. This paper is funded by a major Australian Research Council-study of “Journalism beyond the crisis”, a project which seeks to evaluate the emerging assemblage of journalistic forms, practices, and uses in a transnationally comparative study across four different countries. The present study is a first step in investigating how journalists perceive their roles at a time in which the legitimacy of factual accounts of current events is increasingly put into question. To do so, it draws on in-depth interviews with senior journalists based in London and Sydney, providing topical insights into how these practitioners understand their role in an era of “fake news”. The findings indicate that journalists are particularly concerned about a decrease of public trust in the media, and urge colleagues to adapt more rigorous fact-checking techniques – particularly at times when the role of journalism as a “watchdog” over society appears to be most crucial. 相似文献
10.
Peter Schirmbeck 《Curator: The Museum Journal》2006,49(1):37-44
Museums have the fine task of collecting and preserving history for future generations. By presenting the collections to the public, museums not only document different epochs but also try to look at them via new aspects, widening cultural understanding. In the Municipal Museum of Rüsselsheim, German industrial culture in the Rhine‐Main region is described and understood as a “route” that serves as a conceptual key identifying crucial architectural, historical and cultural resources of the region. In this cultural model, past, present and future are directly intertwined, and the invisible door between the world of museums and the “outside” world has vanished. 相似文献
11.
Nete Nørgaard Kristensen 《Journalism Practice》2015,9(6):760-772
This special issue addresses a topic of journalism studies that has previously been somewhat neglected but which has gained increasing scholarly attention since the mid-2000s: the coverage and evaluation of art and culture, or what we term “cultural journalism and cultural critique.” In this introduction, we highlight three issues that serve to frame the study of cultural journalism and cultural critique more generally and the eight articles of this special issue more specifically: (1) the constant challenge of demarcating cultural journalism and cultural critique, including the interrelations of “journalism” and “critique”; (2) the dialectic of globalisation’s cultural homogenisation, on the one hand, and the specificity of local/national cultures, on the other; and (3) the digital media landscape seen in terms of the need to rethink, perhaps even redefine cultural journalism and cultural critique. 相似文献
12.
Samiyyah Black Carolina Estrada Mirza Carolina de la Fuente Ashley Orozco Andrew Trabazo Sofia de la Vega 《Journalism Practice》2019,13(1):35-51
This article examines talks given by 12 female media professionals at a Southern US university’s center on women in communication between 2013 and 2015 to identify the influence of hegemonic masculinity in industry speak about women and professionalism in the fields of journalism, advertising, and public relations. This paper applies a feminist critique of discussions about “work–life balance,” “leaning in,” “emotion,” and language about the role of technology and innovation in women’s careers, to argue that inherent in these discussions about media professionalism are traits that perpetuate binary notions of feminine–masculine traits of the workplace. As a whole, these messages fail to account for notions of intersectionality and perpetuate inequality and masculine power for future professionals. 相似文献
13.
档案类电视节目可以分为文献纪录类、历史揭秘类、调查访谈类和文化情感类四类,而《见字如面》《朗读者》等文化情感类电视节目的热播,一定程度上反映了社会文化意识和时代情感需求的转变。除了基本的记忆建构功能外,还可将档案类电视节目视为一种特殊的社会记忆表征体系,从集体和个体层面进行公众情感价值的社会再生产建构,而这一建构过程具体表现为档案内容源的选择、档案节目场景的营造和公众参与体验的情感再生产。 相似文献
14.
Meltem Parlak 《Curator: The Museum Journal》2012,55(2):167-178
Abstract Culture Ants Project is an original, unique educational model, which aims to raise children’s awareness of and sensitivity to cultural heritage. Specially trained Culture Volunteers show children historical sites of the city and provide information about the city’s historical heritage in an educating and entertaining fashion that addresses their emotional intelligence (EI) and elicits their fondness for historical sites. The model is based on a teaching technique that involves “seeing, perceiving, sensing, and acquiring first‐hand experience.” Visiting cultural sites helps introduce children and youth to cultural values. 相似文献
15.
为解决当前公共文化云服务模式中面临的群众主体性地位彰显不足、“群众点单”服务执行力度不够、公共数字文化资源建设乏力、线上线下服务脱节等困境,提高公共文化云服务模式效能,本研究依托协同治理理论对其运行逻辑和治理要素进行分析,并以此为据提出以满足群众文化需求为目的、完善协同治理规则,以平等协商为前提、构建多元主体协同治理格局,加大公共数字文化资源投入、增强资源整合力度,增强线上线下服务融合度、实现“群众点单”等优化路径。 相似文献
16.
17.
The WTO protests in Seattle witnessed the emergence of an international citizens' movement for democratic globalization. With the tactical exploitation of television, the internet, and other technologies, Seattle also witnessed the enactment of forms of activism adapted to a wired society. In the wake of Seattle, this essay introduces the “public screen” as a necessary supplement to the metaphor of the public sphere for understanding today's political scene. While a public sphere orientation inevitably finds contemporary discourse wanting, viewing such discourse through the prism of the public screen provokes a consideration of new forms of participatory democracy. In comparison to the public sphere's privileging of rationality, embodied conversations, consensus, and civility, the public screen highlights dissemination, images, hypermediacy, publicity, distraction, and dissent. Using the Seattle WTO protests as a case study and focusing on the dynamic of violence and the media, we argue that the public screen accounts for technological and cultural changes while enabling a charting of the new conditions for rhetoric, politics, and activism. 相似文献
18.
Kristina Riegert 《Journalism Practice》2015,9(6):773-790
This article explores how nine Swedish cultural editors and managers in mainstream media institutions define cultural journalism and its political dimensions during times of increased digitization and media convergence. Swedish cultural journalism is aesthetic and political critique applied to subject areas (music, literature, etc.) and contemporary societal and ethical issues. Drawing on Zelizer we ask whether there is a common interpretive community of cultural journalists in different media regarding: (1) how they define their scope, (2) how they understand “the political” in cultural journalism and its implications for democracy, and (3) how they view media convergence and digitalization. We find that although editors/managers from different media share a basic understanding of cultural journalism as an alternative perspective to news, “the political” in cultural journalism is approached differently in the press and the public service broadcast media. Furthermore, due in part to structural conditions, they also see the effects of digitization differently, forming sub-communities on two counts. This study thus contributes new knowledge to a field previously focused almost exclusively on newspapers. 相似文献
19.
Paul M. Leonardi 《Critical Studies in Media Communication》2013,30(2):160-179
Recent studies of new communication technologies have shown that broad terms such as “new media” are problematic. This study expands previous research by exploring how first-generation, working class United States Latino participants perceive and use new communication technologies in relation to their cultural values. Discussions generated across seven focus group sessions (N=78) about three common new communication technologies, 1) cell phones, 2) computers, and 3) the internet, showed that United States Latinos positioned the perceived usefulness of each communication technology differently, based upon their cultural values regarding good communication. In particular, participants discussed how cell phones provide an effective way to make interpersonal contact whereas computers and the internet were viewed as damaging to the communication necessary for good social relations. The findings show that this group of United States Latinos did not view new media as a homogeneous category, but instead had very distinct perceptions and ideas about the expected uses of cell phones, computers, and the internet in relation to their cultural values regarding communication. 相似文献
20.
Chaim Noy 《Critical Studies in Media Communication》2016,33(4):308-323
The move from “old” to “new” media centrally involves a shift in participatory possibilities, through which individuals and communities differentially access and populate the public sphere, assume voice, and partake in open discussion and debate. This paper offers a rich ethnographic case study of new participatory media in the shape of commenting systems in museums. By portraying the similarities and the differences in communicative affordances between two museum media—traditional visitor books, on the one hand, and a digital and immersive interface, on the other hand—light is shed on how media invite and intervene in possibilities for public participation. Furthermore, with their emphasis on visual design and display, studying participatory public media in museums helps highlight the semiotic construction of the public sphere as such, and how the notion of the public and laypersons’ contributions are materially displayed. Analysis of communicative affordances reveals the politics of remediation, and supports recent hesitations with regard to the promise of newer and “smarter” media: digital media affords more interaction than their analogue predecessors, but participatory content-production via analogue media is found to be discursively richer on a number of grounds. 相似文献