共查询到20条相似文献，搜索用时 593 毫秒
1.
William Marotti 《Inter-Asia Cultural Studies》2013,14(4):606-618
Abstract Around 1960, revolutionary forms of activism and critique emerged to challenge administrative forms of politics and daily life. In Japan, despite massive strikes and widespread protest, the ruling party used a Diet majority and riot police to renew the USA–Japan Security Treaty. After this display of force, this party’s new administration sought a new legitimacy, and a means to assuage and co‐opt the defeated opposition, through promoting a depoliticized everyday world of high growth and consumption, and a dehistoricized national image in preparation for the 1964 Tokyo Olympics. Among those activists who emerged to contest this new cultural politics, a diverse group of young artists worked to repoliticize daily life through an interventionist art practice. Their practices arose out of a particular local, playful art practice, whose focus on the material debris and spaces of the economic expansion led to an engagement with the transformations of daily life. Focusing on the art practices connected with the yearly exhibition, the Yomiuri Indépendant, I examine the advent of a critical art examining the everyday world of Japan in the late 1950s and early 1960s, reflecting on its complex relation with an internationalized art world and domestic art scene, mass culture, and domestic protest movements. Examining the history of this art illuminates the state’s investments in a normative cultural order, and a particular configuration of the politics of culture in the early 1960s. 相似文献
2.
3.
Ratheesh Radhakrishnan 《Inter-Asia Cultural Studies》2016,17(2):206-222
This paper, focusing on the short film, Dear Kim (2009), and a debate between Polish filmmaker Krzysztof Zanussi and Marxist intellectual P. Govinda Pillai at the International Film Festival of Kerala (IFFK) in 1998, attempts to understand the work done by the category of “world cinema” and the institution of the film festival in the formation of the subject of the region, in this case the south Indian state of Kerala. It focuses on the linguistic region formed in post-independence India, thought of as either mirroring or resisting the nation, and as a cultural resource necessary to inhabit the nation as a citizen. The paper argues for a conception of the subject of the region that is performative, where it negotiates multiple horizons of universality simultaneously. While the figure of the citizen provides it with one horizon of universality, the subject is not exhausted by it. In the case of Kerala, through the figuration of a conception of “world,” operationalized through the conduit of “world cinema,” often located in the institutional space of the film festival, the subject is able to access other horizons of universality, enabling it to transcend the particularities that a politics of location imposes on it. 相似文献
4.
Richard Hall 《Cultural and Social History》2017,14(1):73-88
By 1960, there were more than 3,500 working men’s clubs in Britain, with a combined membership of more than two million people. This article explores their post-war transformation from small homosocial enclaves for drinking and bar-games to larger family-oriented entertainment venues, while they continued to provide social, welfare and educational activities for local communities. Operating on the boundaries of public and private life, they remained alternative sites of domesticity to the home, in which men nurtured relations with both friends and family. Nevertheless, though women and children came to represent a significant presence in the clubs, their cultures remained largely patriarchal and discriminatory. I argue that working men’s clubs provided important sources of agency, community and continuity for their members, during a period of rapid social and cultural change. 相似文献
5.
《中外文化交流(英文版)》1993,(6)
SINCE the Tianqiaole Tea-house opened In a small,out-of-the-way lane in the south-ern part of Beijing last October,anumber of overseas tourists,bus-inessmen and diplomats living inBeijing have frequented the newestablishment.Hundreds of foreignstudents in Beijing often come tospend their weekends;CEOs frommany joint venture enterprises holdtheir banquets here;the“MadameAmbassadors Federation”of the for-eign diplomatic corps in Beijing alsouses the spot to hold their socials.InApril of this year Richard Nixon,the former US president,visited the 相似文献
6.
Hiroki Ogasawara 《Inter-Asia Cultural Studies》2017,18(2):178-187
The task here is to consider what I would call Stuart Hall’s theoretical “legacy” in the field of social and cultural thoughts. As a materialist of articulation rather than of reductionism, Hall taught us how to profoundly understand and intensely describe the “concrete” in cultural and social fields. The “concrete,” according to Hall, is a result of “non-necessary correspondence” between various forces, relations and situations, that is, the contingent and articulated determination in history. In my view, he was after all a Marxist in this sense. In the earlier stage of his thinking, Hall was very much indulged in reading and learning from Marx. This is characteristic in his “Marx’s Notes on Method: A Reading of the 1857 ‘Introduction.’” His Marxism then showed a unique twist in later stage, which was explicitly expressed in his article “Signification, Representation, Ideology: Althusser and the Post-Structuralist Debate.” Reading these two texts, I aim to comprehend the way Hall has read Marx and the way his thoughts resonated. His lesson helps us to tackle our ongoing agendas in this half-dead Capitalist world, such as the crisis of culture, subjectivity and politics. 相似文献
7.
Liu Guiyun 《中外文化交流(英文版)》2013,(6):42-43
Embroidery is a distinctive folk art of China that dates back to ancient times.Embroiders stitch various patterns and characters with needles on silk and cloth fabrics,creating unique pieces of art.There are many embroidery styles in China,among which Miao people’s dragon-patterned embroidery 相似文献
8.
Xie Er 《中外文化交流(英文版)》2011,(10):11-14
<正>It defines the architectural structure of a historic capital built over 850 years ago. It highlights the best of Chinese architectural traditions. It reflect... 相似文献
9.
《中外文化交流(英文版)》1993,(3)
CHINA Chilren’s Art Thea-ter,located just off Wangfuj-ing Street in downtown Bei-jing,is the only state-level children’sart palace in China.It was built in1956.Kalimeris Flower,the first play toopen the theater,set a record for thelongest run in cnildren’s theater andbecame a milestone in the historyof moden children’s drama in newChina.Kalimeris Flower is a movingfairy tale of a boy living in the 相似文献
10.
11.
Adina Schneeweis 《Popular Communication》2016,14(2):99-110
Critical and feminist studies have continued to demand for accounts of the representational challenges confronting marginalized people, as various social and cultural platforms continue to other and discriminate. The Roma, or the Gypsies, in particular have been one of the most reviled and marginalized ethnic groups. This study examines textual representations of gypsies in contemporary popular culture, evident in a musical adaptation of Victor Hugo’s celebrated novel The Hunchback of Notre Dame and its accompanying worldwide press coverage. It finds that artistic and press representations of the gypsy woman Esmeralda embody characteristics consistent with historic stereotypes of the bohemian. It also shows that the novel’s band of Parisian criminals have been reconfigured for present-day global audiences to include critique of current political and popular discourses about immigration. International critics, however, miss this latter point and confine their reporting to dominant ideology and (continued) rhetorical colonization of the other. 相似文献
12.
《Journal of Intercultural Communication Research》2013,42(3):228-251
This qualitative study employs the uses and gratifications framework to explore the perspective of African American women in Kentucky, specifically urban Louisville and rural Hopkinsville, to understand their use of media as potential sources for gathering information about healthy food habits. Key findings include how the participants used media for instrumental purposes to educate themselves about healthy food habits, and that the specific media personalities were very important to the participants as they decided to make healthier food selections. 相似文献
13.
Jiang Zhijun 《中外文化交流(英文版)》2012,(8):46-47
<正>An outstanding enterprise must be an enterprise with cultural pursuit. Wuyutai has developed a unique corporate culture through its chain store operation.Wuy... 相似文献
14.
Jiang Zhijun 《中外文化交流(英文版)》2012,(7):44-45
<正>An outstanding enterprise must be an enterprise with cultural pursuit.Wuyutai has developed a unique corporate culture through its chain store operation.Wuyu... 相似文献
15.
Emily Wilcox 《Inter-Asia Cultural Studies》2017,18(4):518-539
While dance was a common element of international diplomacy activities around the world during the 1950s and early 1960s, scholars have only recently begun to focus attention on this topic, especially as it concerns relationships forged beyond those of the Cold War superpowers. Using previously unexamined historical materials such as rare photographs and performance programs, dancer biographies, autobiographies and personal interviews, unpublished institutional histories, and contemporary periodicals, this article demonstrates not only that dance was an integral part of China’s inter-Asian cultural exchange between 1953 and 1962, but also that the PRC developed a distinct approach to dance diplomacy. Through a series of exchanges with India, Indonesia and Burma, China’s foreign ministers and dancers developed and refined a method of dance diplomacy in which the primary goal was to learn from, rather than export to, these neighboring countries. This approach harnessed the affective power of embodied aesthetic culture to literally “perform” Bandung ideals, namely, cooperation and mutual respect among Asian nations and an anti-imperialist cultural stance. Through the establishment in 1962 of the Oriental Song and Dance Ensemble, the PRC institutionalized this model of dance diplomacy, expanding it to include the entire Third World. Bandung-era dance diplomacy initiatives of the 1950s and early 1960s not only supported important new international alliances and political movements, but also asserted China’s self-identity as part of the East in the way that challenged Eurocentric ideals previously entrenched in China’s domestic dance field. 相似文献
16.
《中外文化交流(英文版)》2012,(11):16-19
正Appreciation of art is not a birthright. In the prehistoric primitive society, the ancestors of the Chinese people rooted in the harsh natural environment of t... 相似文献
17.
Sean Brayton 《Popular Communication》2017,15(4):283-295
This article focuses on representations of mental illness on U.S. network television, particularly the “police procedural” Elementary. As a modern interpretation of the Sherlock Holmes character, Elementary is unique in emphasizing the detective’s struggles with drug addiction and mental illness, as well as a long road of recovery where intellectual labor is instrumental and “therapeutic” (rather than stressful and alienating). Despite its critical acclaim, Elementary’s progressive portrayals of symptoms of mental illness in Holmes are complicated by the series’s stereotypical depiction of villains that are “mad men,” “lunatics,” and “psychopaths” driven by financial gain and individual greed. The “acceptability” of mental illness in the series is measured by a character’s compliance with the dominant social order. While Elementary provides some positive messages about mental illness, its socioeconomic commentaries individualize “madness,” violence, and the pitfalls of late capitalism to support an increasingly problematic narrative of neoliberalism and mental health. 相似文献
18.
《中外文化交流(英文版)》1993,(6)
ZANG Kejla was already a well-known fi-gure in Chinese literary circles during the1930s.Mao Zedong used to invite him tothe Qingzheng Hall to talk about poetry and edita few pieces,and the two became good friends.AsMao’s 100th birthday approached,I visited thepoet to talk with him about the late chairman’spoetry.Mao Zedong is a name known across theworld.A great revolutionary,politician and mili-tary scientist,he was also a poet at heart.Someforeign observers once wondered that“a poet hadcreated a new China.”His pieces have a veryrevolutionary flavor that recount to his readers the 相似文献
19.
20.
《中外文化交流(英文版)》1993,(5)
CHINA’S reform of culturalundertakings started in 1979,when the Communist Partyof China(CPC)proposed a generalreform and opening to the outsideworld and began China’s economicrestructuring.The key and difficultreform was in the operation of per-forming troupes.The reform under-went four stages. 相似文献