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1.
Abstract

This essay revisits the fourth of David Underdown’s seven books and places it into its historical and historiographical context. It seeks to demonstrate how the book represents a major turning point in his intellectual development and offers, with the wisdom of hindsight, a highly positive account of its ambition and achievement. It then seeks to explain why the books received a much less enthusiastic set of reviews than earlier and later books. It is, the essay concludes, a book that was either published too early or too late.  相似文献   

2.
Prime Minister Abe’s return to power in Japan dealt a blow to the anti-nuclear movement and returned the country to broadly pro-nuclear policies. Meanwhile, eight years on, although the effects of the Fukushima disaster are still being felt, Japan’s anti-nuclear movement has struggled to move forward or effect changes in policy. This article argues that prospects for change will not emerge until Japan’s anti-nuclear movement is able to look beyond its national borders and articulate a perspective on nuclear power that takes into account other countries within East Asia. The 3.11 Great East Japan Earthquake revealed heretofore hidden aspects of the Japanese state and society. The truth is that Japan’s postwar state (Sengo-kokka) is actually a nuclear power state (Genpatsu-kokka), a byproduct of the US-Japan alliance under the East Asian Cold War system, which insulated nuclear policy from the standard operation of democratic politics. As a product of the Cold War, the issue of nuclear power and development extends beyond Japan’s national borders and relates to the questions of US superpower sponsorship and the armistice system in East Asia that pertain broadly to the politics of East Asia. It is important to understand that Japan’s nuclear energy is a product of the Cold War in East Asia, and the armistice system that constitutes the international system in East Asia must be discarded if Japan is to become a post-nuclear energy state.  相似文献   

3.
Abstract

‘Asian Pop’ cultural products, which include a wide range of media artifacts such as film, music, television drama, comic books, magazines, websites and fashion, have emerged as a popular choice for youth in Asia in recent times. These cultural artifacts feature prominently in the lives of urban youth in major metropolitan centers throughout Asia. This paper examines how Thai youths have become consumers of Korean pop (K‐pop), following the trend of neighboring countries. The popularization of Japanese pop (J‐pop), Taiwanese‐pop and more recently, K‐pop, is welcomed by the Cultural Industry as a sign of expanding borders and as a major step towards expanding its Asian market. On the one hand, growing consumption and mainstreaming of Asian pop might become problematic due to the notion of cultural ‘McDonaldization’/standardization, in the future. On the other hand, perhaps nationalism and national ties will manage to overrule this projected standardization. This paper explores the Thai youth’s consumption of K‐pop in the process of cultural appropriation vis‐à‐vis their ‘national’ cultural formation in changing socio‐cultural contexts.  相似文献   

4.
ABSTRACT

The study of Asian American literature has developed for almost two decades since the beginning of the twenty-first century. Inspired by Kuan-Hsing Chen’s “Asia as method,” which situates Asia at the center and uses Asian societies as each other’s points of reference, we use China as a site to reconsider how to read, teach and study Asian American literature in its new phase by exploring the following interactions: (1) between Asian American literature and American literature; (2) between Asian American literature and overseas Chinese literature; (3) between Asian American literature and Chinese literature. We encourage writers, readers and scholars to adopt Chen’s inter-Asia approach to rethink and reconsider the writing of Asian American subject, the study of Asian American literature, the inquiries made about it, and the methods of teaching it. We further expand it to include both a global perspective and a comparative approach that also uses national/regional literatures as reference points.  相似文献   

5.
Since the late 1970s, European funding of the arts has been a feature of the mixed‐funding regime and support of a range of community arts, training, heritage and regeneration programmes in Member States. In the late 1980s, following widened membership and more direct policy engagement by the European Commission, regional development began to support increasing levels of investment in culture, notably heritage, cultural tourism and city regeneration through arts venues. Meanwhile the Commission's own culture programmes have focused on Cities of Culture, language and heritage projects.

However, the funding of culture through the various Structural Funds (although not categorised as such at either European, national and regional levels) has dwarfed that of the Culture Unit. No cultural policy or plan for this significant amount of investment in cultural facilities has been evident, and such programmes have largely bypassed national arts policy, being directed through regional and local authority economic development, tourism and regeneration departments.

Promotion of European ‘Common Culture’ was expounded in the Maastricht Treaty and, it is argued, these objectives have driven increased city‐regional autonomy. Notwithstanding difficulties in categorising grant data in cultural terms, this chapter measures the impact and distribution of such regional funding across beneficiary countries and within the eligible regions. A UK survey provides a regional breakdown of projects receiving support in the 1990s and European funding used as part of partnership funding (lottery, regeneration programmes). The chapter concludes that, while the funding of these cultural projects has been under‐estimated and ‘hidden’, its concentration in city arts and heritage venues raises questions for both European and national cultural policy: whether cultural investment has been of the right type, in the right place; or whether European common culture aspirations have ignored local and more culturally diverse opportunities. In short, whether form has followed funding.  相似文献   


6.
Two distinguishing features of the New Labour Government have been its focus on regionalism and the establishment of a department of state, the Department for Culture, Media and Sport (DCMS), explicitly dedicated to ‘cultural’ policy. This paper tracks the development of a new set of regional cultural organizations, the Regional Cultural Consortiums (RCCs). These were established to contribute to regional development and to deliver the DCMS's national policy goals. The paper examines the RCCs' remit, challenges, achievements and prospects, and locates these in wider debates about evidence-based policy and continuity and change in cultural and regional policy. Particular consideration is given to the RCCs' research and data collection activities and their role in developing a move towards improved capacity in regional cultural research and data collection.  相似文献   

7.
This study utilizes critical race theory and critical language socialization to unpack embedded ideologies regarding language usage and immigrant wives’ heritage language transmission within multicultural families in Korea. Specifically, this study unveils hidden structures and beliefs which hinder or promote immigrant women’s use of heritage languages, and its intergenerational transmission. According to Sizemore, the language used by various ethnic group members often reflects their interethnic relationships. Exploring Asian female immigrants’ experiences of marginalization in Korea, this study uncovers the complex interethnic relationship among Asians, as well as show how immigrant wives’ language usage reflects power relations within Korea.  相似文献   

8.
Abstract

This article examines Korea’s politics of identity in the form of Asianism in the modern period, especially since Korea’s incorporation into the modern world system in the late nineteenth century. Asianism, and regionalism generally, has become a salient policy strategy for the current South Korean government. However, Asianism has been a primary ideological current in modern Korea whose most recent incarnation should be understood in the larger historical context. This study traces the development of Asianism in four different periods: precolonial, colonial, Cold War, and post‐Cold War. Initially emerging as a bulwark against Western encroachment, the Asianism narrative became irrelevant upon Japanese annexation of Korea in 1910 and only survived as a discourse about a glorified cultural past during colonial rule. Upon liberation, Asianism rescinded as the Japan‐centered regional order was replaced by a new Cold War alignment, capitalist (Japan, South Korea, and Taiwan) versus communist (China and North Korea). Although discussion about Asianism and a new East Asian regional order have recently resurfaced, the historical legacy of colonialism, war, and national division has added much complexity to the debate. Explicating how the Asianism narrative emerged and evolved through these various historical contexts sheds light on the complexities and difficulties inherent in the current attempt to forge an Asian regional order. By looking at Asianism from a historical perspective, we can also better appreciate the continuity and discontinuity in Korea’s politics of identity. While it is still uncertain what the foundation of a new Asianism will be, it is equally obvious that regional interactions will continue to be an important part of the global world order. This study concludes with policy implications of how a historically sensitive understanding of the development of an Asian regional identity can further interaction and integration of East Asian nations.  相似文献   

9.
Singapore has been undergoing a negotiation of its national identity as it celebrated its fifty years of independence. The seemingly lack of consensus on the nation’s identity has brought about much heated debates about Singapore’s governance. However, the construction of one’s definition of national identity is often shaped not by the political discourse but by what one has experienced in his or her formative years. Citizens who experienced different stages of nationhood are hence likely to develop different interpretations of what it means to be a citizen of the nation. In this study, using network analysis, we sought to examine how the definition of national identity differed between citizens who were born before Singapore’s independence, and hence experienced the early nation-building phase of the country, vis-à-vis citizens who were born after the country’s independence. 1000 native Singaporeans indicated which of the 27 identity markers were important for an immigrant to have to be accepted as a Singaporean. The analysis revealed that there were differences in the number of clusters within the identity networks of individuals born before versus after Singapore’s independence. The strength of the identity network of individuals born before independence was also stronger. Using simulated networks, we also showed how a change in endorsement of more influential markers had stronger effect on the overall identity network than a change in endorsement of less influential markers among individuals born before independence.  相似文献   

10.
We examine whether country-level national culture dimensions might moderate an international firm’s environmental, social, governance performance to strengthen or weaken its financial performance based on the Institutional Difference Hypothesis. We find that low power distance, high individualism, high masculinity, high uncertainty avoidance, long-term orientation, and indulgent national culture would moderate a firm’s environmental, social, governance performance to strengthen its financial performance further. On the contrary, high power distance, collectivism (low individualism), feminine, low uncertainty avoidance, short-term orientation, and restraint dimensions would be expected to weaken a firm’s financial performance by discouraging firms from undertaking superior environmental, social, governance performance. GLOBE’s findings such as low power distance, collectivistic institutional and in-group national culture, high uncertainty avoidance, future orientation, all report a significant positive moderation impact on a firm’s environmental, social, governance performance to strengthen its financial performance further. However, high gender-egalitarian national culture and high assertiveness would negatively moderate firm’s financial performance and environmental, social, governance performance. Overall, we think that our findings would further propagate the institutional difference hypothesis as we observe that each of our studied national culture dimensions would moderate firm’s environmental, social, governance performance and financial performance associations significantly.  相似文献   

11.
This study sought to address Hofstede and McCrae’s (2004) call for systematic cross-cultural comparisons of trait-like attributes. Specifically, we examined the extent to which Danish, Icelandic, Polish, and American adults’ trait affection given and trait affection received are (a) dependent on national origin, and (b) associated with Hofstede’s dimensions of cultures (i.e. individualism-collectivism, masculinity-femininity, power distance, and uncertainty avoidance). The participants (N = 606) completed a questionnaire in English that consisted of the trait affection given and trait affection received scales. Results of a multivariate analysis of variance and linear regression analyses revealed that people’s trait affection given and received are (a) dependent on national origin, and (b) associated with Hofstede’s dimensions of cultures.  相似文献   

12.
This study considers recent criticism levelled at Berry’s acculturation model by (1) taking into account more complex expressions of belonging and by (2) testing the importance of regionalism (or the distinction between national and regional (/subnational) contexts) in understanding acculturation patterns. Data of the School, Identity and Society-survey, which contains information on 3510 adolescents from 64 schools selected from the three regions is employed to test specific hypotheses for the Belgian case. Three multiple identity profiles are selected for adolescents from migrant families, and four multiple identity profiles for adolescents from non-migrant families. The findings show that multiple identification for adolescents from migrant families is more often a conflicting than integrated experience. This incompatibility is not present for adolescents from non-migrant families. Small but meaningful variations of these multiple identity profiles occur among the three regions. In Brussels adolescents have a higher chance to be in the integrated identity profile.  相似文献   

13.
Culture Wars     
Abstract

In Revel, Riot and Rebellion, David Underdown reasserted the importance of the concepts of social change, revolution and puritanism to an understanding of the English Civil War. Regional cultures provided the framework through which the fracturing of England into opposing societies, cultures and, ultimately, armies could be explained. The book contributed to a re-thinking of puritanism as a cultural phenomenon. If the intensity of puritan feeling helps to explain the division of England, so also does the strength of support for the Established Church identified by recent research. Further micro-studies are needed to understand the dynamics of local cultural and religious conflicts before and during the Civil War.  相似文献   

14.
Abstract

I intend to show the characteristics and limitations of South Korea’s social movements in the 1960s and examine its formative potentialities in the growth of social movements thereafter. Whereas the 1960s in the Western world is characterized by the surge of ‘new social movements’ and waves of upheaval in the Third World, it would not be the case of South Korea. The ‘subject’ of the movements looks similar, but the context and raised issues proved markedly different. Some old‐school left‐wingers who conceived the strategy of socialistic national liberation survived the emergence of new ‘liberal’ generations in South Korea’s 1960s. The structural crisis of Korea’s anticommunist ruling class caused by the democratization movements and the growth of nationalism at the turn of the 1960s instigated the military coup of 1961, which finally brought Yushin dictatorship in 1972. Although South Korea’s social movements remained isolated from the world through the ‘long 60s’, it may be viewed as a significant part of the division of the ‘liberal consensus’ in the American‐led East‐Asian bloc.  相似文献   

15.
This article focuses on Chua Beng Huat’s work on the East Asian pop culture that became more prominent in East and Southeast Asia from the 1990s, when the circulation of multilingual and multi-format pop culture started to exceed linguistic, ethnic and national boundaries. It argues that Chua’s work indicates that the pop-cultural production and innovation that support the globalisation and regionalisation processes in East Asia need not be national in origin but can hail from different national origins – and this despite the existing political realities of the region and its history of political fractures. Chua Beng Huat cautions, though, that the national popular can also be marshalled to defeat the border-crossing potential of an inter-Asian pop culture. What is the “Asia” imagined or being represented in such cultural production? Chua’s work is also distinctive in that it deals with the political and economic conditions that underpin mainstream pop consumption as a socio-cultural phenomenon, instead of examining consumption as identity politics. The article concludes by noting the significance that Chua as an institutional builder has played in enabling the study of East Asian pop culture in the region.  相似文献   

16.
Taiwanese film KANO recounts the passage of a mixed-race baseball team to Japan’s Koshien Tournament during the colonial era of the 1930s. Its release evoked in both Taiwan and Japan critical responses in view of its rosy depiction of colonial modernity. Through analysing the film’s text and reviews in both Taiwan and Japan, we identify KANO as a “post-national” cinematic event. Its inviting nostalgic invocation of Japanese colonialism at the civilian level has launched divergent discourses on colonial legacies in the contemporary re/making of national identities, reflecting on the post-colonial socio-cultural conditions facing both Taiwan and Japan. We found that KANO in Taiwan instigated a re-examination of the state’s role in crafting the foundational myth of baseball as a “national” sport. Furthermore, the film brought on schemes of othering in which two national others were distinguished to manifest Taiwan subjectivity: Japanese colonialism versus Chinese nationalism. On the other hand, KANO in Japan was stripped of its colonial connotation. Its honouring of juvenile devotion to baseball was employed as a psychic introjection of Japanese-ness, which many considered losing in the globalizing social milieu.  相似文献   

17.
This paper is one of the attempts to show how each East‐Asian regional country’s memory of the war has been related to the post‐war literatures and movies restricted by the structure of the Cold War. In particular, this paper takes up the issue of how the structure of Japanese culture after World War II was heavily influenced by the Cold War. When Japan was under the Occupational Forces, Japanese writers and film directors settling on the subject matter of the war were not free from the strain of the systematic censorship by GHQ. Translating into mechanisms of their works using the body or woman (comfort woman) by squarely facing the facts of the East‐Asian history, this paper reconsiders the body of post‐colonial Japan.  相似文献   

18.
Abstract

This paper argues that two conflicting discourses of internationalism stood in uneasy counterpoint and contention in the Asian arena of the 1950s, reflected in the legacies of the Bandung conference. The first drew on a language of global citizenship and rights. The second saw the international system as a source of strength and support for state sovereignty, and state‐directed programmes of national development. The remainder of the paper uses the case of late‐colonial Singapore to examine the intersection of these two discourses of internationalism. An Asian internationalism, which spanned to include Africa over the course of the 1950s, became one of a stock of narratives that made Singapore’s ‘everyday cosmopolitanism’ possible, in the worlds of the hawkers, the dockworkers and the agriculturalists. The political aspirations of these groups were sacrificed, ultimately, to the goal of disciplined national development, supported by an international order that had closed in to defend the interests of state power.  相似文献   

19.
Abstract

In this article, I would like to focus on an analysis of internal logic of the ‘Haruki phenomenon’ as a symptom in current East Asian public culture. In particular, I will discuss how Haruki searches for the healing method for the ‘60s complex’ among Japan’s ‘Sixties’ Kids,’ including Haruki himself, through an analysis of his novels Norwegian Wood (2000[1987]) and Kafka on the Shore (2005[2002]). In the process of analysis, we can witness that Haruki abandoned his task of ‘reconciliation with the 1960s’ through faith, rather than facing it directly, and fiznally stripped the 1960s of historicity and reality. He regarded the ‘reconciliation with the 1960s’ as something beyond an individual’s ability. Transforming the 1960s from a history of postwar Japan into an object of abstract and universal nostalgia, which is closed to the present, Haruki effectively met the latent desire of the East Asian people, who were experiencing the dissolution of their ideologies, at the right time. This is the essence of the Haruki phenomenon that emerged in East Asia over the last decade. I use the phrase ‘nostalgia that lost its nationality’ to describe the uncanny cultural phenomenon of East Asian readers longing for the 1960s pictured in Haruki’s novels as if this were their own past, despite their very different national memories. Nostalgia, a cultural symptom of the postmodern society, where remembering the nation’s past totally is impossible, is a blank imitation deprived of its original source. In short, the substance of the Haruki phenomenon is nostalgia that developed from a desire to forget the traumatic memories of the national histories in individual East Asian countries.  相似文献   

20.
Abstract

In March 2007, Japan’s ‘national atonement project’ for survivors of military sexual slavery was officially concluded. The atonement project that was implemented by a Japanese government‐established non‐governmental organization – the Asian Women’s Fund – has distributed its fund to a number of survivors in the Philippines, South Korea, Taiwan and the Netherlands since its inception in 1995. Over the years, intense politicization around the project has made it extremely difficult for most observers to assess whether the project was successful or not. Several prominent scholars in Japan and South Korea have called for a more compassionate and positive assessment of the project’s good intentions, while feminist activists continue to critique the project’s negative interventions in the process of redress and reconciliation in Asia. This essay is an attempt to open up a space to rethink the felicitousness of the atonement project by focusing on the ways in which the project told its own story of war, violence, and gender. By juxtaposing stories told by Filipina survivors of the ‘comfort women’ system with one that has been told by the atonement project implemented by the Asian Women’s Fund, it seeks to find a way to reassess whether the project acknowledged the survivors’ claims for justice and compensation.  相似文献   

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