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1.
3. HISTORY     
TIJUANA BIBLES: ART AND WIT IN AMERICA'S FORBIDDEN FUNNIES, 1930s‐1950s edited by Bob Adelman (New York: Simon &; Schuster, 1997—124.00, ISBN 0–684–83461–8, 160 pp.)

HOGARTH AND HIS TIMES: SERIOUS COMEDY by David Bindman (Berkeley: University of California Press, 1997—$45.00/29.95, ISBN 0–520–21299–1 hard, 0–520–21300–9 paper, 208 pp., photos)

FOR THE LOVE OF PRAGUE by Gene Deitch (Prague: Peter Lemkin, 1997— $20.00, ISBN 80–7205–467–8)

ART IN MOTION: ANIMATION AESTHETICS by Maureen Furniss (Sydney: John Libbey, 1998—$24.95, ISBN 1–86462–038–2)

GEORGE GROSZ: AN AUTOBIOGRAPHY by George Grosz, translated by Nora Hodges (Berkeley: University of California Press, 1998—$17.95, paper, ISBN 0–520–21327–0)

CARTOONING AND COMIC ART IN SOUTHEAST ASIA edited by John Lent (Singapore: Times Academic Press, Southeast Asian Journal of Social Science, 25:1, special issue [1997]—$26.50, ISSN 0303–8246, ISBN 981–210–111‐X, 166 pp., illustrations, references)

COMIC ART IN ASIA: HISTORICAL, LITERARY, AND POLITICAL ROOTS edited by John Lent (Clevedon, England: Multilingual Matters, Asian Pacific Communication, 7:1–2, special issue [1996]—$16.00, ISSN 0957–6851, 86 pp., illustrations, references)

SEAL OF APPROVAL: THE HISTORY OF THE COMICS CODE by Amy Kiste Nyberg (Jackson: University Press of Mississippi “Studies in Popular Culture,”; 1998—$45.00/18.00, ISBN 0–87805–974–1 hard, 0–87805–975‐X paper, 208 pp.)

CELEBRITY CARICATURE IN AMERICA by Wendy Wick Reaves (Washington and New Haven: National Portrait Gallery, Smithsonian Institution, in association with Yale University Press, 1998—$45.00, ISBN 0–300–07463–8, 306 pp.)

READING THE RABBIT: EXPLORATIONS IN WARNER BROS. ANIMATION edited by Kevin S. Sandier (New Brunswick, NJ: Rutgers University Press, 1998—$49.00/19.00, ISBN 0–8135–2537–3 hard, 0–8135–2538–1 paper, 271 pp.)

EDITORIAL CARTOONING AND CARICATURE: A REFERENCE GUIDE by Paul P. Somers, Jr. (Westport, CT: Greenwood Press, 1998— $69.50, ISBN 0–313–22150–2, 205 pp.)  相似文献   

2.
Film Directors     
Alexander Sesonske, Jean Renoir: The French Films, 1924-1939 ( Cambridge: Harvard University Press -- $25.00 cloth/ $9.95 paper)

Martin Williams, Griffith: First Artist of of the Movies (New York: Oxford University Press -- $12.95)

Tony Rayns (ed.), Fas sbinder ($8.25 paper/$17.50 cloth)

Peter Baxter (ed.), Sternberg ($9.50 paper/$17.50 cloth)

G. K. Hall "Reference Publications III Film" series (Boston: C.K. Hall, 1979 except 1980 for Penn volume -- at prices shown below)  相似文献   

3.
ON THE HISTORY OF FILM STYLE by David Bordwell (Cambridge: Harvard University Press, 1997‐$60.00/24.95, ISBN 0–674–63428–4 hard, 0–674–63429–2 paper, 322 pp., photographs, chapter notes, index)

MASKED MEN: MASCULINITY AND THE MOVIES IN THE FIFTIES by Steven Cohan (Bloomington: Indiana University Press “Arts and Politics of the Everyday,”; 1997‐$39.95/8.95, ISBN 0–253–33297–4 hard, 0–253–21127–1 paper, 376 pp., photographs, selected filmography, chapter notes, references, index)

THE EXPLODING EYE: A RE‐VISIONARY HISTORY OF 1960s AMERICAN EXPERIMENTAL CINEMA by Wheeler Winston Dixon (Albany: State University of New York Press “SUNY Series, Cultural Studies in Cinema/Video,”; 1997‐$57.50/18.95, ISBN 0–7914–3565–2 hard, 0–7914–3566–0 paper, 250 pp., photos, bibliography, index)

THE KING OF THE MOVIES: FILM PIONEER SIEGMUND LUBIN by Joseph P. Eckhardt (Madison, NJ: Fairleigh Dickinson University Press, 1997‐$55.00, ISBN 0–8386–3728–0, 286 pp., B&;.W photos, notes, bibliography, index)

WITHIN OUR GATES: ETHNICITY IN AMERICAN FEATURE FILMS, 1911–1960: AMERICAN FILM INSTITUTE CATALOG edited by Alan Gevinson (Berkeley: University of California Press, 1997‐$150.00, ISBN 0–520–20964–833, 1571 pp., abbreviations list, indexes, bibliography)

FRAME BY FRAME II: A FILMOGRAPHY OF THE AFRICAN AMERICAN IMAGE, 1978–1994 by Phyllis R. Kotman and Gloria J. Gibson (Bloomington: Indiana University Press, 1997‐$49.95/29.95, ISBN 0–253–33280‐X hard, 0–253–21120–4 paper, 771 pp., bibliography, indexes)

FILMMAKERS AND FINANCING: BUSINESS PLANS FOR INDEPENDENTS by Louise Levison (Boston: Focal Press, 1998 [2nd ed.]‐$22.95, paper, ISBN 0–240–80300–0, 190 pp., tables, index)

FEMINISM, FILM, FASCISM: WOMEN'S AUTO/BIOGRAPHICAL FILM IN POSTWAR GERMANY by Susan E. Linville (Austin: University of Texas Press, 1998‐$30.00/14.95, ISBN 0–292–74696–2 hard, 0–292–74697–0 paper, 208 pp., photos, chapter notes, bibliography, index)

THE MOTION PICTURE MEGA‐INDUSTRY by Barry R. Litman (Boston: Allyn &; Bacon “Series in Mass Communication,”; 1998‐$24.00, paper, ISBN 0–205–20026–5, 321 pp., charts, tables, notes, references, index)

FROM HEADLINE HUNTER TO SUPERMAN: A JOURNALISM FIL‐MOGRAPHY by Richard R. Ness (Lanham, MD: Scarecrow Press, 1997‐$89.50, ISBN 0–8108–3291–7, 787 pp., references, appendices, black‐and‐white photographs, index)

Chile v/s Hollywood / CHILE vs HOLLYWOOD by Daniel Olave (Santiago, Chile: Editorial Grijalbo, 1997‐no price available, ISBN 956–258–051–2, 208 pp., photographs)

TRIANGULATED VISIONS: WOMEN IN RECENT GERMAN CINEMA edited by Ingeborg Majer O'Sickey and Ingeborg von Zadow (Albany: State University of New York Press “SUNY Series in Feminist Criticism and Theory,”; and “SUNY Series, Cultural Studies in Cinema/Video,”; 1998‐$65.50/21.95, ISBN 0–7914–3717–5 hard, 0–7914–3718–3 paper, 290 pp., photos, chapter notes, index)

FILM AND THE NUCLEAR AGE: REPRESENTING CULTURAL ANXIETY by Toni A. Perrine (New York: Garland “Garland Studies in American Popular History and Culture,”; 1998‐$68.00, ISBN 0–8153–2932–6, 304 pp., index, bibliography, chronology, filmography)

CONTEMPORARY CINEMATOGRAPHERS ON THEIR ART by Pauline Rogers (Boston: Focal Press, 1998‐$19.95, paper, ISBN 0–240–80309–4, 223 pp.)

HOLLYWOOD'S WORLD WAR I: MOTION PICTURE IMAGES edited by Peter C. Rollins and John E. O'Connor (Bowling Green, OH: Bowling Green State University Popular Press, 1998‐$49.95/19.95, ISBN 0–87972–755–1 hard, 0–87972–756‐X paper, 304 pp., illustrations, notes, general index, film/TV index)

DOCUMENTING OURSELVES: FILM, VIDEO, AND CULTURE by Sharon R. Sherman (Lexington: University Press of Kentucky, 1998‐$22.95, paper, ISBN 0–8131–0934–5, 336 pp., photographs, filmography, chapter notes, references, index)

JAMES WILLIAMSON: STUDIES AND DOCUMENTS OF A PIONEER IN THE FILM NARRATIVE by Martin Sopocy (Cranbury, NJ: Fairleigh Dickinson University Press, 1998‐$52.50, ISBN 0–8386–3716–7, 337 pp., photographs, chapter notes, bibliography, index)

HISTORY BY HOLLYWOOD: THE USE AND ABUSE OF THE AMERICAN PAST by Robert Brent Toplin (Urbana: University of Illinois Press, 1996— 288 pp., $36.95/16.95, ISBN 0–252–02073–1, 0–252–06536–0 paper, photos, chapter notes, selected bibliography, index)  相似文献   

4.
Eric Reade's Australian Silent Films: A Pictorial History, 1896-1929 (Melbourne: Lansdowne, 1970—$6.20)

Andrew Bergman's We're in the Money: Depression America and Its Films (New York: New York University Press, 1971—$7.95)

James Robert Parish's The Fox Girls (New Rochelle, N.Y.: Arlington House, 1971—$14.95)

Peter Cowie The Concise History of the Cinema: Volume II, After 1940 (Cranbury, N.J.: A.S. Barnes, 1971—$3.50, paper)

Louis M. Sarary and J. Paul Carrico Contemporary Film and the New Generation. (New York: Association Press, 1971—$2.95, paper)

Richard Rudisill, Mirror Image: The Influence of the Daguerreotype on American Society (Albuquerque: University of New Mexico Press, 1971—$30.00)  相似文献   

5.
Foreign Film     
George Perry's The Great British Picture Show from the 90s to the 70s (New York: Hill and Wang, 1974---$12.50)

Mildred Constantine and Alan Fern's Revolutionary Soviet Film Posters (Baltimore: Johns Hopkins Press, 1974---$12.95)

Michael Jon Stoil's Cinema Beyond the Danube: The Camera and Politics (Metuchen, N.J.: Scarecrow Press, 1974---$6.00)

Antonin J. Liehn's Closely Watched Films: The Czechoslovak Experience (International Artistic Sciences Press, 901 North Broadway, White Plains, N.Y. 10603, 1974---$15.00)

Eleanor Beatty's A Handbook of Canadian Film (Toronto: Peter Martin Association with Take One, 1973---price not known, paper)

Kuleshov on Film: Writings by Lev Kuleschov (Berkeley: University of California Press, 1974--- $10.00)

Susan Sontag's Brother Carl (New York: Noonday Press/Farrar, Straus & Giroux, 1974---$10.95/4.95)  相似文献   

6.
William Kuhns' Movies in America (Dayton, Ohio: Pflaum/Standard, 1973 - $6.50, paper)

William Kuhns and John Carr Teaching in the Dark (same publisher, $4.50, paper)

Peter Wollen's Signs and Meaning in the Cinema (Bloomington: Indiana University Press, 1972 - $5.95 2.95)

David Shipman's The Great Movie Stars: The International Years (New York: St. Martin's Press, 1972 - $15.00)

The Silent Picture (quarterly, $4.00 per year)

Films Illustrated (monthly, $10.00 per year)

Slide Albums ($35.00 each)

Herbert Volkmann's Film Preservation (1965, 60 pp., $1.50)

Theodore Huff's The Early Work of Charles Chaplin (1961, 24 pp., 500)

Fifty Years of Soviet Cinema: 1917-1967 (1967, 30 pp., 950)

Rules for Use in the Cataloguing Department of the National Film Archive (1960, $1.20)

Literature/Film Quarterly (Salisbury State College, Salisbury, Md. 21801 - $5.00 per year/four issues, or $2.00 each)  相似文献   

7.
Richard Taylor, The Politics of Soviet Cinema, 1917 - 1929 (Cambridge: Cambridge University Press, 1979 -- $19.95)

S.S. Prawer, Caligari's Children: The Film as Tale of Terror (New York: Oxford University Press, 1980 -- $19.95)

Thomas Sobcheck and Vivian C. Sobcheck, An Introduction to Film (Boston: Little Brown, 1980 -- $10.95 with instructor's manual)

Brian Henderson, A Critique of Film Theory (New York: E.P. Dutton, 1980 -- $8.95 paper)

Two more volumes have appeared in the Wisconsin/Warner Bros. Screenplay Series (both Madison: University of Wisconsin Press, 1980 -- $12.50/ $4.95 paper)

Paul Seydor, Peckinpah: The Western Films (Urbana: University of Illinois Press, 1980 -- $12.95 hardcover)

Vivian Carol Sobcheck, The Limits of Infinity: The American Science Fiction Film ( South Brunswick: A.S. Barnes, 1980 -- $14.50)

Richard Meyers in The World of Fantasy Films (South Brunswick: A.S. Barnes, 1980 -- $17.50)

Michael Chanan, The Dream That Kicks: The Prehistory and Early Years of Cinema in Britain (London: Routledge Kegan Paul, 190-- $32.50)  相似文献   

8.
Motion pictures     
THE FILMS OF MICHELANGELO ANTONIONI by Peter Brunette (New York: Cambridge University Press “Cambridge Film Classics,”; 1998—$49.95/paper price not given, ISBN 0–521–38085–5 hard, 0–521–38992–5 paper, 186 pp., selected bibliography, filmography, notes, photos, index)

BACK IN THE SADDLE AGAIN: NEW ESSAYS ON THE WESTERN edited by Edward Buscombe and Roberta E. Pearson (London: British Film Institute, 1998—$60.00/22.50, ISBN 0–85170–660–6 hard, 0–85170–661–4 paper, 218 pp., chapter notes, photos, color advertising plates, index)

REPRESENTING THE WOMAN: CINEMA AND PSYCHOANALYSIS by Elizabeth Cowie (Minneapolis: University of Minnesota Press, 1997—$18.95 paper, ISBN 0–8166–2913–7 hard, 0–8166–2913–7 paper, 397 pp., chapter notes, photos, index)

TRACKING KING KONG: A HOLLYWOOD ICON IN WORLD CULTURE by Cynthia Erb (Detroit, MI: Wayne State University Press “Contemporary Film and Television Series,”; 1998—$24.95, paper, ISBN 0–8143–2686–2, 238 pp., bibliography, chapter notes, index)

IMAGES OF THE PASSION: THE SACRAMENTAL MODE IN FILM by Peter Fraser (Westport, CT: Praeger, 1998—$65.00/22.95, ISBN 0–275–96464–7 hard, 0–275–96465–5 paper, 201 pp., bibliography, filmography, chapter notes, photos, index)

DOCUMENTING THE DOCUMENTARY: CLOSE READINGS OF DOCUMENTARY FILM AND VIDEO edited by Barry Keith Grant and Jeannette Sloniowski (Detroit, MI: Wayne State University Press, 1998—$27.50, paper, ISBN 0–8143–2639–0, 488 pp., film and video distributors’ address list, chapter notes, general bibliography, index)

HOLLYWOOD RENAISSANCE: THE CINEMA OF DEMOCRACY IN THE ERA OF FORD, CAPRA, AND KAZAN by Sam B. Girgus (New York: Cambridge University Press, 1998—$59.95/paper price not given, ISBN 0–521–62388‐X hard, 0–521–62552–1 paper, 258 pp., index, chapter notes, filmography, B&W photos)

IN THE COMPANY OF WOMEN: CONTEMPORARY FEMALE FRIENDSHIP FILMS by Karen Hollinger (Minneapolis: University of Minnesota Press, 1998—$47.95/18.95, ISBN 0–8166–3177–8 hard, 0–8166–3178–6 paper, 275 pp., chapter notes, photos, index)

INDIGENOUS AESTHETICS: NATIVE ART MEDIA AND IDENTITY by Steven Leuthold (Austin: University of Texas Press, 1998—$35.00/16.95, ISBN 0–292–74702–0 hard, 0–292–74703–9 paper, 238 pp., bibliography, filmography, photos, index)

PASSPORT TO HOLLYWOOD: HOLLYWOOD FILMS, EUROPEAN DIRECTORS by James Morrison (Albany: State University of New York Press “SUNY Series in Postmodern Culture,”; 1998—$65.00/21.95, ISBN 0–7914–3937–2 hard, 0–7914–3938–0 paper, 310 pp., bibliography, chapter notes, photos, index)

EDISON MOTION PICTURES, 1890–1900: AN ANNOTATED FILMOGRAPHY by Charles Musser (Washington, DC: Smithsonian Institution Press, 1998—$75.00, ISBN 1–56098–567–4, 720 pp., illustrations, bibliography, indexes for film titles, personal and corporate names, subjects, and locations)

THE FILMS OF JOHN FRANKENHEIMER: FORTY YEARS IN FILM: JOHN FRANKENHEIMER TALKS ABOUT HIS LIFE IN THE CINEMA TO GERALD PRATLEY by Gerald Pratley (Bethlehem, PA: Lehigh University Press, 1998—$55.00, ISBN 1–900541–40–8, 294 pp., photos, film credits, index)

SAVAGE CINEMA: SAM PECKINPAH AND THE RISE OF ULTRAVIOLENT MOVIES by Stephen Prince (Austin: University of Texas Press, 1998— $35.00/18.95, ISBN 0–292–76581–9 hard, 0–292–76582–7 paper, 282 pp., bibliography, chapter notes, photos, index)

FOR THE LOVE OF PLEASURE: WOMEN, MOVIES, AND CULTURE IN THE TURN‐OF‐THE‐CENTURY CHICAGO by Lauren Rabinovitz (New Brunswick, NJ: Rutgers University Press, 1998—$49.00/19.00, ISBN 0–8135–2533–0 hard, 0–8135–2534–9 paper, 233 pp., film index, bibliography, chapter notes, photos, index)

REALITY TRANSFORMED: FILM AS MEANING AND TECHNIQUE by Irving Singer (Cambridge, MA: MIT Press, 1998—$25.00, ISBN 0–262–19403–1, 216 pp., notes, photos, index)

THE NEW HISTORICAL DICTIONARY OF THE AMERICAN FILM INDUSTRY by Anthony Slide (Lanham, MD: Scarecrow Press, 1998—$55.00, ISBN 0–8108–3426‐X, 267 pp., resource libraries and institutions addresses, index)

FRAMING LATIN AMERICAN CINEMA: CONTEMPORARY CRITICAL PERSPECTIVES edited by Ann Marie Stock (Minneapolis: University of Minnesota Press “Hispanic Issues, Vol. 15,”; 1997—$47.95/18.95, ISBN 0–8166–2972–2 hard, 0–8166–2973–0 paper, 269 pp., chapter notes, photos, index)

MODES OF REPRESENTATION IN SPANISH CINEMA edited by Jenaro Talens and Santos Zunzunegui (Minneapolis: University of Minnesota Press “Hispanic Issues, Vol. 16,”; 1998—$54.95/21.95, ISBN 0–8166–2974–9 hard, 0–8166–2975–7 paper, 346 pp., chapter notes, index)

WORKING GIRLS: GENDER AND SEXUALITY IN POPULAR CINEMA by Yvonne Tasker (New York: Routledge, 1998—hardcover price not given/$19.99, ISBN 0–415–14004–8 hard, 0–415–14005–6 paper, 234 pp., bibliography, chapter notes, filmography, photos, index)

THE ENCYCLOPEDIA OF NOVELS INTO FILM edited by John C. Tibbetts and James M. Welsh (New York: Facts on File, 1998—$48.00, ISBN 0–8160–3317‐X, 522 pp., filmographies, references, appendices including biographical sketches of authors, selected bibliography, index)

GUIDE TO AMERICAN CINEMA, 1930–1965 by Thomas R. Whissen (Westport, CT: Greenwood Press “Reference Guides to the World's Cinema,”; 1998—$79.50, ISBN 0–313–29487–9, 389 pp., appendixes, bibliography, index)

ALLEGORIES OF UNDERDEVELOPMENT: AESTHETICS AND POLITICS IN MODERN BRAZILIAN CINEMA by Ismail Xavier (Minneapolis: University of Minnesota Press, 1997—$54.95/21.95, ISBN 0–8166–2676–6 hard, 0–8166–2677–4 paper, 285 pp., chapter notes, photos, index)  相似文献   

9.
Film History     
Richard Meran Barsam's Nonfiction Film: A Critical History (New York: Dutton, 1973 -- $9.95/4.95)

Stanley Kauffmann and Bruce Henstell (eds.) American Film Criticism from the Beginnings to Citizen Kane: Reviews of Significant Films at the Time They First Appeared (New York: Liveright 1973 -- $12.00/3.95)

Donald C. Willis' Horror and Science Fiction Films: A Checklist (Metuchen, N.J.: Scarecrow Press, 1972 -- $15.00)

Chris Steinbrunner and Burt Goldblatt's Cinema of the Fantasic (New York: Saturday Review Press, 1972 -- $9.95)

Lawrence B. Thomas' The MGM Years: The Golden Age of Movie Musicals (New Rochelle, N.Y.: Columbia House (distribution by Arlington House), 1972 -- $14.95)  相似文献   

10.
RHETORIC IN POPULAR CULTURE by Barry Brummett (New York: St. Martin's Press, 1994‐$18.66, paper, ISBN 0–312–06539–6, 243 pp.)

GAMES IN THE GLOBAL VILLAGE: A 50‐NATION STUDY OF ENTERTAINMENT TELEVISION by Anne Cooper‐Chen (Bowling Green, OH: BGSU Popular Press, 1994‐$36.95/ 15.95, ISBN 0–87972–598–2 hard, 0–87972–599–0 soft, 319 pp.)

APOCALYPSE POSTPONED by Umberto Eco and edited by Robert Lumley (Bloomington: Indiana University Press, 1994‐$29.95, ISBN 0–253–31851–3, 227 pp.)

I READ THE NEWS TODAY: THE SOCIAL DRAMA OF JOHN LENNON'S DEATH by Fred Fogo (Lanham, MD: Rowman & Littlefield, 1994‐$52.50/ 16.95, ISBN 0–8476–7916–0 hard, 0–8226–3034–6 soft, 185 pp.)

AMERICA'S FAVORITE RADIO STATION: WKRP IN CINCINNATI by Michael B. Kassel (Bowling Green, OH: BGSU Popular Press, 1993‐$40.95/15.95, ISBN 0–87972–584–2 hard, 0–87972–585–0 soft, 206 pp.)

TAKE TWO: ADAPTING THE CONTEMPORARY AMERICAN NOVEL TO FILM by Barbara Tepa Lupack (Bowling Green, OH: BGSU Popular Press, 1994‐$45.95/18.95, ISBN 0–87972–641–5 hard, 0–87972–642–3 soft, 198 pp.)

UNDERSTANDING COMICS: THE INVISIBLE ART by Scott McCloud (New York: Harper Perennial, 1994‐$20.00, paper, ISBN 0–06–097625‐X, 216 pp.)

VIOLENCE AGAINST THE PRESS: POLICING THE PUBLIC SPHERE IN U.S. HISTORY by John Nerone (New York: Oxford, 1994‐$60.00/ 16.95, ISBN 0–19–507166–2 hard, 0–19–508698–8 soft, 320 pp.)

READING FOOTBALL: HOW THE POPULAR PRESS CREATED AN AMERICAN SPECTACLE by Michael Oriard (Chapel Hill, NC: University of North Carolina Press, 1993 ‐ $29.95, ISBN 0–8078–2083–0, 320 pp.)

LAND OF IDOLS: POLITICAL MYTHOLOGY IN AMERICA by Michael Parenti (New York: St. Martin's Press, 1994—$22.95/ 18.66, ISBN 0–312–09497–3 hard, 0–312–09841–3 soft, 208 pp.)

AN INTRODUCTORY GUIDE TO CULTURAL THEORY AND POPULAR CULTURE by John Storey (Athens: University of Georgia Press, 1993‐$30.00/ 14.95, ISBN 0–8203–1590–7 hard, 0–8203–1592–5 soft, 238 pp.)  相似文献   

11.
READING FOOTBALL: HOW THE POPULAR PRESS CREATED AN AMERICAN SPECTACLE by Michael Oriard (Chapel Hill: University of North Carolina Press, 1994—$29.95, ISBN 0–8078–2083–0, 319 pp.)

BASEBALL ARCHAEOLOGY: ARTIFACTS FROM THE GREAT AMERICAN PASTIME by Gwen Aldridge (San Francisco: Chronicle Books, 1993—$29.95/ 18.95, ISBN 0–8118–0365–1 hard, ISBN 0–8118–0290–6, soft, 112 pp.)

MAN AS ART by Malcolm Kirk (photographs) and Andrew Strathern (essay) (San Francisco: Chronicle Books, 1993—$22.95, paper, ISBN 0–8118–0478‐X, 144 pp.)

NEW YORK HOT: EAST COAST JAZZ OF THE 50S & 60S, THE ALBUM COVER ART by Graham Marsh and Glynn Cunningham (San Francisco: Chronicle Books, 1993—$24.95, paper, ISBN0–8118–0416‐X, 111 pp.)

ITALIAN ART DECO: GRAPHIC DESIGN BETWEEN THE WARS by Steven Heller and Louise Hill (San Francisco: Chronicle Books, 1993—$16.95, paper, ISBN 0–8118–0287–6,132 pp.)

HEROES WITHOUT LEGACY: AMERICAN AIRWOMEN, 1912–1944 by Dean Jaros (Niwot, CO: University Press of Colorado, 1993— $24.95, ISBN 0–87081–312–9, 282 pp.)

COWGIRLS OF THE RODEO: PIONEER PROFESSIONAL ATHLETES by Mary Lou Compte (Urbana: University of Illinois Press, 1993—$22.50, ISBN 0–252–02029–4, 252 pp.)

UNBEARABLE WEIGHT: FEMINISM, WESTERN CULTURE, AND THE BODY by Susan Bordo (Berkeley: University of California Press, 1993—$25.00, ISBN 0–520–07979–5, hard, 361 pp.)

SANDOW THE MAGNIFICENT: EUGENESANDOW AND THE BEGINNINGS OF BODYBUILDING by David L. Chapman (Urbana: University of Illinois Press, 1994—$26.95, ISBN 0–252–02033–2, 229 pp.)

THE CHANGING FICTIONS OF MASCULINITY by David Rosen (Urbana: University of Illinois Press, 1993—$29.95/14.95, ISBN 0‐ 252–02004–9, hard, 0–252–06309–0, paper, 234 pp.)

LAND OF IDOLS: POLITICAL MYTHOLOGY IN AMERICA by Michael Parenti (New York: St. Martin's Press, 1994—price not given—ISBN 0–312–09497–3, hard, 0–312–09841–3 paper, 208 pp.)

THE TRAGEDY OF ABUNDANCE: MYTH RESTORATION IN AMERICAN CULTURE by Jerome O. Steffen (Niwot, CO: University Press of Colorado, 1993—16.95, ISBN 0–87081–272–6, 129 pp.)

COMIC BOOKS AND COMIC STRIPS IN THE UNITED STATES: AN INTERNATIONAL BIBLIOGRAPHY ($85.00, ISBN 0–313–28211–0, 624 pp.)

COMIC ART OF EUROPE: AN INTENTIONAL, COMPREHENSIVE BIBLIOGRAPHY ($95.00, ISBN 0–313–28212–9, 688 pp.)  相似文献   

12.
Approaches to Communication Planning edited by John Middleton (1980, 300 pp.)

Communication Planning for Development: An Operational Framework by Alan Hancock (1981, 198 pp.)

Impact of Modern Communication Technology I: Australia, by Chris Duke (n.d., 122 pp.)

Impact of Modern Communication Technology II: Indonesia (n.d., 72 pp)

Flow of News in the Gulf, by Phil Harris, et al. (n.d., 70 pp.)

Protection of Journalists (no author, n.d., but 142 pp.)

82. The Book in Multilingual Countries by Abul Masan (1978, 40 pp.)

83. National Communication Polic Councils: Principles and Experiences by M.A. Rodrigues Dias, et al. (1979. 44 pp.)

84. Mass Media: The Image, Role, and Social Conditions of Women: A Collection and Analysis of Research Materials (1979, 78 pp.)

85. News Values and Principles of Cross-Cultural Communication (1980, 51 pp.)

(86) Special Issue: Mass Media Codes of Ethics and Councils: A Comprehensive International Study on Professional Standards by J. Clement Jones (1980, 80 pp.)

87. Communication in the Community (this title not yet seen)

88. Rural Journalism in Africa by Paul Ansah, et al. (1981, 35 pp.)

89. The SACl/EXERN Project in Brazil: An Analytical Case Study by Emile G. Mc- Anany et al. (1981, 46 pp.)

90. Community Communications: The Role of Community Media in Development by Frances Berrigan (1981, 50 pp.)

1. Historical Development of Media Systems–Japan by Shinichi Ito, et al. (1979, 69 pp.)

2. Historical Development of Media Systems–German Democratic Republic by Emil Dusiska (1979, 35 pp.)

3. Communication Indicators I: Communication Indicators and Indicators of Socio-Economic Development by Rita Cruise O'Brien, et al. (1979, 96 pp.)

4. Communication Indicators II: 100 Years of Mass Communication in Germany by Anton Galli, et al. (1979, 28 pp.)

5. Sccio-Economic and CommunicatioA Indicators in Development Planning: A Case Study of Iran by Majid Tehranian (n.d., 126 pp.)

6. Communication Methods to Promote Grass-Roots Participation by Jeremiah O'Sullivan-Ryan (n.d., 155 pp.)

7. Importation of Films for Cinema and Television in Egypt by Gehan Rachty (n.d., 77 pp.)

Reporting of International News and Roles of the Gatekeepers (1980) is a summary of two late 1979 meetings on the subject in Paris. (18 pp.)

Intergovernmental Conference on Communication Policies in Africa (1981, 81 pp. plus 47 page working paper for same meeting)

Intergovernmental Conference for Co-operation on Activities, Needs and Programmes for Communication Development (1980, 65 pp. plus 32 page working paper)

List of Documents and Publications in the Field of Mass Communication 1979 (no. 5 in the series, 1980, 187 pp.)

Mass Media and the Transnational Corporation by Basskaran Nair (Singapore: Singapore University Press, 1980—$12.50/7.50)

Mass Media and National Cultures, by the International Association for Mass Communication Research (Leicester, U.K.: Adam Bros., and Shardlow Ltd., 1980—price not known, paper)

Organisations Internationales et Regionales de Journalistes [International and Regional Organizations of Journalists] (Prague: International Organization of Journalists, 1980—price, if any, not given, paper)

Bruce L. Cook, Understanding Pictures in Papua New Guinea (David C. Cook Foundation, Cook Square, Elgin, Ill. 60120—$8.95, paper)

Paul Lendvai, The Bureaucracy of Truth: How Communist Governments Manage the News (Boulder, Colo.: Westview Press, 1981—$24.75)  相似文献   

13.
John M. Smith and Tim Cawkwell (eds.) The World Encyclopedia of the Film (New York: World, 1972 -- $25.00)

The Working Teacher's Personal Guide to Film Sources (Stanford, Ca.: ERIC Clearinghouse on Media and Technology, 1972 -- single copies free on request, paper)

D. Richard Bach (ed.) The Film Buff's Bible of Motion Pictures (1915-1972) (Hollywood, Calif.: Hollywood Film Archive, 8344 Melrose Ave., 1972 -- $24.00)

John Willis' Screen World: 1972 (New York: Crown Publishers, 1972 -- $8.95)

George Sadoul, Dictionary of Films, and Dictionary of Film Makers (Berkeley: University of California Press, 1972 -- $16.50/5.95 and $14.50/4.95 respectively)

Clifford McCarty's Published Screenplays: A Checklist (Kent, Ohio: Kent State University Press, 1971 -- $6.50)

James M. Salem, A Guide to Critical Reviews, Part IV: The Screenplay from the Jazz Singer to Dr. Strangelove (Metuchen, N.J.: Scarecrow Press, 1971 -- S30.00 for the set)

Cinema Catalog (Larry Edmunds Bookshop Inc., 6658 Hollywood Blvd., Hollywood, California 90028 -- $2.95, paper)

Catalog of Film Literature (Cinemabilia, 10 Cornelia St., New York 10014 -- $2.50, paper)  相似文献   

14.
F. Facsimile/Fax     

INFORMATION AND ELECTIONS by R. Michael Alvarez (Ann Arbor: University of Michigan Press, “Michigan Studies in Political Analysis,”; 1997— $39.50, ISBN 0–472–10779–8, 257 pp., tables, notes, references, index)

MEDIA SCANDALS: MORALITY AND DESIRE IN THE POPULAR CULTURE MARKETPLACE edited by James Lull and Stephen Hinerman (New York: Columbia University Press, 1997—$45/17.50, ISBN 0–231–11164–9 hard, 0–231–11165–7 paper, 259 pp., notes, index)

POLITICAL COMMUNICATION: POLITICS, PRESS, AND PUBLIC IN AMERICA by Richard M. Perloff (Mahwah, NJ: Lawrence Erlbaum Associates, 1998—prices not given, ISBN 0–8058–1794–8 hard, 0–8058–1795–6 paper, 492 pp., endnotes, references, index)

HYSTORIES: HYSTERICAL EPIDEMICS AND MODERN CULTURE by Elaine Showalter (New York: Columbia University Press, 1997—$24.95/14.95, ISBN 0–231–10458–8 hard, 0–231–10459–6 paper, 244 pp., notes (index)

REVIEWING THE ARTS by Campbell B. Titchener (Mahwah, NJ: Lawrence Erlbaum Associates “LEA's Communication Series,”; 1998 [2nd ed.]—$39.95/19.95, ISBN 0–8058–2774–9 hard, 0–8058–2809–5 paper, 187 pp., reading list, index)

THE MEDIA AND THE MILITARY: FROM THE CRIMEA TO DESERT STRIKE by Peter Young and Peter Jesser (New York: St. Martin's Press, 1997— $59.95/19.95, ISBN 0–312–21011–6 hard, 0–312–21012–4 paper, 391 pp., notes, bibliography, index)  相似文献   

15.
History     
AM STEREO AND THE FCC: CASE STUDY OF A MARKETPLACE SHIBBOLETH by Mark J. Braun (Norwood, NJ: Ablex, 1994—$39.50/19.50, ISBN 0–89391–966–7 hard, 0–56750–000–5, paper, 216 pp.)

PHILCO RADIO 1928–1942: A PICTORIAL HISTORY OF THE WORLD'S MOST POPULAR RADIOS by Ron Ramirez and Michael Prosise (Schiffer Publishing, 77 Lower Valley Rd., Rt. 372, Atglen, PA 19310—$29.50, paper, ISBN 0–88740–547–9, 188 pp.)

SEE IT NOW CONFRONTS McCARTHYISM: TELEVISION DOCUMENTARY AND THE POLITICS OF REPRESENTATION by Thomas Rosteck (Tuscaloosa: University of Alabama Press, 1994—$29.95, ISBN 0–8173–0705–2, 247 pp.)

THE HOUSE THAT ROONE BUILT: THE INSIDE STORY OF ABC NEWS by Marc Gunther (Boston: Little, Brown, 1994— $23.95, ISBN 0–316–33151–1, 381 pp.)

SCIENCE OF COERCION: COMMUNICATION RESEARCH & PSYCHOLOGICAL WARFARE 1945–1960 by Christopher Simpson (New York: Oxford University Press, 1994—$29.95, ISBN 0–19–507193‐X, 204 pp.)

FIGHTING FOR AIR: IN THE TRENCHES WITH TELEVISION NEWS by Liz Trotta (Columbia, MO: University of Missouri Press, 1994—$16.95, paper, ISBN 0–8262–0952–1, 399 pp.)  相似文献   

16.

FACING DIFFERENCE: RACE, GENDER, AND MASS MEDIA edited by Shirley Biagi and Marilyn Kern‐Foxworth (Thousand Oaks, CA: Pine Forge Press, 1997—$27.95, ISBN 0–8039–9094–4 soft, 285 pp., tables, charts, illustrations, notes, references, index)

THE CIVIL WAR IN POPULAR CULTURE: A REUSABLE PAST by Jim Cullen (Washington: Smithsonian Institution Press, 1997—$13.95, paper, ISBN 1–56098–687–7, 254 pp., illustrations, notes, index)

AMERICAN POPULAR CULTURE AT HOME & ABROAD edited by Lewis H. Carlson and Kevin B. Vichcales (Kalamazoo, MI: New Issues Press, 1996—$40.00/20.00, ISBN 0–932826–42–3 hard, 0–932826–43–1 soft, 388 pp., footnotes)

DANGEROUS KNOWLEDGE: THE JFK ASSASSINATION IN ART AND FILM by Art Simon (Philadelphia: Temple University Press “Culture and the Moving Image,”; 1996—$49.95/18.95, ISBN 1–56639–378–7 hard, 1–56639–379–5 soft, 265 pp., illustrations, notes, index)

IN THE ZONE: THE TWILIGHT WORLD OF ROD SERLING by Peter Wolfe (Bowling Green, OH: Bowling Green State University Popular Press, 1997— $39.95/19.95, ISBN 0–87972–729–2 hard, 0–87972–730–6 soft, 217 pp., works cited, index)  相似文献   

17.
Paul P. Ashley's Say it Safely: Legal Limits in Publishing, Radio, and Television (Seattle: University of Washington Press, 1976—$9.50)

David E. Price, The Commerce Committees: A Study of the House and Senate Commerce Committees ($16.50, 358 pp.)

Peter N. Schuck, The Judiciary Committees: A Study of the House and Senate Judiciary Committees ($16.50, 446 pp.)

Harry R. Olsson, Jr.'s Legal and Business Problems of Television and Radio (Practicing Law Institute, 810 Seventh Ave., New York 10019—$20.00, paper)

Robert Agranoff's The Management of Election Campaigns (Boston: Holbrook Press, 1976—price not given)  相似文献   

18.
Cinema Today     
Andrew Sarris Politics and Cinema (New York: Columbia University Press, 1978—$12.95)

Randall M. Miller, ed. Ethnic Images in American Film and Television (Philadelphia: The Balch Institute, 18 South 7th St., 1978—$6.00, paper)

Feature Films on 8mm, 16mm and Videotape: A Directory of Feature Films Available for Rental, Sale, and Lease in the United States and Canada by James L. Limbacher (New York: Bowker, 1979—$24.00)

Guide to Short Films by Jeffrey Schrank (Rochelle Park, N.J.: Hayden Book Co., 1979—$7.95, paper)  相似文献   

19.
HISTORY OF THE MASS MEDIA IN THE UNITED STATES edited by Margaret A. Blanchard (Chicago: Fitzroy Dearborn, 1998—price not given, ISBN 1–57958–012–2, 752 pp., photos, bibliographies, index)

MANIPULATING THE ETHER: THE POWER OF BROADCAST RADIO IN THIRTIES AMERICA by Robert J. Brown (Jefferson, NC: McFarland, 1998— $45.00, ISBN 0–7864–0397–7, 312 pp., photos, notes, bibliography, sources of broadcast recordings, index)

SALANT, CBS, AND THE BATTLE FOR THE SOUL OF BROADCAST JOURNALISM: THE MEMOIRS OF RICHARD S. SALANT edited by Susan and Bill Buzenberg (Boulder, CO: Westview Press, 1998—$27.00, ISBN 0–8133–9091–5, 326 pp., photos, chronology, index)

FATHER CHARLES E. COUGHLIN: SURROGATE SPOKESMAN FOR THE DISAFFECTED by Ronald H. Carpenter (Westport, CT: Greenwood “Great American Orators No. 28,”; 1998—$69.50, ISBN 0–313–29040–7, 224 pp., bibliography, index)

A HISTORY OF MODERN COMPUTING by Paul E. Ceruzzi (Cambridge, MA: MIT Press “History of Computing,”; 1998—$35.00, ISBN 0–262–03255–4, 398 pp., photos, tables, notes, bibliography, index)

ELECTRONIC INVENTIONS AND DISCOVERIES: ELECTRONICS FROM ITS EARLIEST BEGINNINGS TO THE PRESENT DAY by G.W.A. Dummer (Bristol, England and Philadelphia: Institute of Physics Publishing, 1997 [4th ed]—$40.00, paper, ISBN 0–7503–0493–6, 284 pp., charts, tables, diagrams, bibliography, index)

ON THE AIR: THE ENCYCLOPEDIA OF OLD‐TIME RADIO by John Dunning (New York: Oxford University Press, 1998—$55.00, ISBN 0–19–507678–8, 822 pp., index)

RUBEN SALAZAR: BORDER CORRESPONDENT, SELECTED WRITINGS, 1955–1970 edited by Mario T. García (Berkeley: University of California Press, 1998—$18.95, paper, ISBN 0–520–21385–8, 283 pp., index)

EDISON: A LIFE OF INVENTION by Paul Israel (New York: John Wiley, 1998—$30.00, ISBN 0–471–52942–7, 552 pp., photos, diagrams, notes, index)

THE AIRWAVES OF NEW YORK: ILLUSTRATED HISTORIES OF 156 AM STATIONS IN THE METROPOLITAN AREA, 1921–1996 by Bill Jaker, Frank Sulek, and Peter Kanze (Jefferson, NC: McFarland, 1998—$55.00, ISBN 0–7864–0343–8, 205 pp., photos, bibliography, index)

ROUGH NEWS, DARING VIEWS: 1950s’ PIONEER GAY PRESS JOURNALISM by Jim Kepner (Binghampton, NY: Haworth Press “Gay and Lesbian Studies,”; 1998—$49.95/24.95, ISBN 0–7890–0140–3 hard, 0–56023–896–8 paper, 462 pp., notes, index)

BLACKLISTED: A JOURNALIST'S LIFE IN CENTRAL EUROPE by Paul Lendvai (New York: St. Martin's Press, 1998—$39.95, ISBN 1–86064–268–3, 213 pp. photos, index)

THE COMMERCE OF EVERYDAY LIFE: SELECTIONS FROM THE TATLER AND THE SPECTATOR edited by Erin Mackie (New York: St. Martin's Press “Bedford Cultural Editions,”; 1998—$45.00, ISBN 0–312–16371–1, 617 pp., selected bibliography)

THE DECADE THAT SHAPED TELEVISION NEWS: CBS IN THE 1950s by Sig Mickelson (Westport, CT: Praeger, 1998—$39.95, ISBN 0–275–95567–2, 242 pp., photos, notes, index)

MATHEW BRADY AND THE IMAGE OF HISTORY by Mary Panzer with an essay by Jeana K. Foley (Washington: Smithsonian Institution Press, 1997—$39.95, ISBN 1–56098–793–6, 232 pp., illustrations, chronology, notes, appendix, index)

THE CORONA PROJECT: AMERICA'S FIRST SPY SATELLITES by Curtis Peebles (Annapolis, MD: Naval Institute Press, 1997—price not given, ISBN 1–55750–688–4, 351pp., photos, notes, index)

EDISON'S KINETOSCOPE AND ITS FILMS: A HISTORY TO 1896 by Ray Phillips (Westport, CT: Greenwood Press “Contributions to the Study of Popular Culture No. 65,”; 1997—price not given, ISBN 0–313–30508–0, 209 pp., photos, diagrams, bibliography, index)

REPORTING VIETNAM: AMERICAN JOURNALISM 1959–1975 (New York: The Library of America, 1998—$35.00 each or $70.00 for the set, two vols., chronologies, notes, photos, glossary of military terms, index; as follows:)

Part One: 1959–1969 (ISBN 1–883011–58–2, 858 pp.)

Part Two: 1969–1975 (ISBN 1–883011–59–0, 857 pp.)

HISTORICAL DICTIONARY OF WAR JOURNALISM edited by Mitchel P. Roth (Westport, CT: Greenwood Press, 1997—$85.00, ISBN 0–313–29171–3, 496 pp., appendices, index)

TEXAS SIGNS ON: THE EARLY DAYS OF RADIO AND TELEVISION by Richard Schroeder (College Station: Texas A&;M University Press “Centennial Series of the Association of Former Students No. 75,”; 1998—$29.95, ISBN 0–89096–813–6, 247 pp., photos, notes, bibliography, index)

THE DAYS OF LIVE: TELEVISION'S GOLDEN AGE AS SEEN BY 21 DIRECTORS GUILD OF AMERICA MEMBERS edited by Ira Skutch (Lanham, MD: Scarecrow Press “Directors Guild of America Oral History No. 16,”; 1998—$49.50/26.00, ISBN 0–8108–3491‐X hard, 0–8108–3492–8 paper, 211 pp., index)  相似文献   

20.

COMMUNICATION AND THE TRANSFORMATION OF ECONOMICS by Robert E. Babe (Boulder, CO: Westview, 1995—$45.00/16.00, ISBN 0–8133–2672–9 hard, 0–8133–2671–0 paper, 270 pp.)

A DIFFERENT ROAD TAKEN: PROFILES IN CRITICAL COMMUNICATION edited by John A. Lent (Boulder, CO: Westview, 1995—$49.95/18.95, ISBN 0–8133–1635–9 hard, 0–8133–1636–7 paper, 319 pp.)

AMERICAN POPULAR CULTURE: A GUIDE TO THE REFERENCE LITERATURE by Frank W. Hoffman (Englewood, CO: Libraries Unlimited, 1994— $37.50; $45.00 outside of North America, ISBN 1–56308–142–3, 286 pp.)

THEORY &; RESEARCH IN MASS COMMUNICATION: CONTEXTS AND CONSEQUENCES by David K. Perry (Mahwah, NJ: Erlbaum, 1996—$39.95/19.95, ISBN 0–8058–1923–1 hard, 0–8058–1924‐X paper, 230 pp.)

MANAGING THE PUBLISHING PROCESS: AN ANNOTATED BIBLIOGRAPHY by Bruce W. Speck (Westport, CT: Greenwood, 1995—$69.50, ISBN 0–313–27956‐X, 360 pp.)

UNDERSTANDING THE MEDIA: A SOCIOLOGY OF MASS COMMUNICATIONS by Joel Smith (Creskill, NJ: Hampton Press, 1995—$28.50, paper, ISBN 1–57273–005–6, 392 pp.)

MEDIA MADNESS: PUBLIC IMAGES OF MENTAL ILLNESS by Otto F. Wahl (New Brunswick, NJ: Rutgers University Press, 1995—$25.95, ISBN 0–8135–2212–9, 260 pp.)

Burleson, Brant R., ed. COMMUNICATION YEARBOOK 19 (Newbury Park, CA: Sage, 1996—$49.95, ISBN 0–8039–0165–5, 458 pp.)

CULTURAL STUDIES AND COMMUNICATIONS edited by James Curran, et al. (London: Arnold/New York: St. Martin's Press, 1996—$59.95/16.95, ISBN 0–340–65268–3 hard, 0–340–61417‐X, 371 pp.)

SOCIAL APPROACHES TO COMMUNICATION edited by Wendy Leeds‐Hurwitz (New York: Guilford Publications, 1995—$42.50/19.95, ISBN 0–89862–867–9 hard, 0–89862–873–3 paper, 260 pp.)

THE IOWA GUIDE: SCHOLARLY JOURNALS IN MASS COMMUNICATION AND RELATED FIELDS by Carolyn Stewart Dyer and Shannon Heim (Iowa Center for Communication Study, School of Journalism and Mass Communication, University of Iowa, Iowa City 52242—$15.00, paper, no ISBN given)

RESEARCH STRATEGIES IN TECHNICAL COMMUNICATION by Lynnette R. Porter and William Coggin (New York: Wiley, 1995—$34.95, paper, ISBN 0–471–11994–6, 374 pp.)  相似文献   

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