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1.
RHETORIC IN POPULAR CULTURE by Barry Brummett (New York: St. Martin's Press, 1994‐$18.66, paper, ISBN 0–312–06539–6, 243 pp.)

GAMES IN THE GLOBAL VILLAGE: A 50‐NATION STUDY OF ENTERTAINMENT TELEVISION by Anne Cooper‐Chen (Bowling Green, OH: BGSU Popular Press, 1994‐$36.95/ 15.95, ISBN 0–87972–598–2 hard, 0–87972–599–0 soft, 319 pp.)

APOCALYPSE POSTPONED by Umberto Eco and edited by Robert Lumley (Bloomington: Indiana University Press, 1994‐$29.95, ISBN 0–253–31851–3, 227 pp.)

I READ THE NEWS TODAY: THE SOCIAL DRAMA OF JOHN LENNON'S DEATH by Fred Fogo (Lanham, MD: Rowman & Littlefield, 1994‐$52.50/ 16.95, ISBN 0–8476–7916–0 hard, 0–8226–3034–6 soft, 185 pp.)

AMERICA'S FAVORITE RADIO STATION: WKRP IN CINCINNATI by Michael B. Kassel (Bowling Green, OH: BGSU Popular Press, 1993‐$40.95/15.95, ISBN 0–87972–584–2 hard, 0–87972–585–0 soft, 206 pp.)

TAKE TWO: ADAPTING THE CONTEMPORARY AMERICAN NOVEL TO FILM by Barbara Tepa Lupack (Bowling Green, OH: BGSU Popular Press, 1994‐$45.95/18.95, ISBN 0–87972–641–5 hard, 0–87972–642–3 soft, 198 pp.)

UNDERSTANDING COMICS: THE INVISIBLE ART by Scott McCloud (New York: Harper Perennial, 1994‐$20.00, paper, ISBN 0–06–097625‐X, 216 pp.)

VIOLENCE AGAINST THE PRESS: POLICING THE PUBLIC SPHERE IN U.S. HISTORY by John Nerone (New York: Oxford, 1994‐$60.00/ 16.95, ISBN 0–19–507166–2 hard, 0–19–508698–8 soft, 320 pp.)

READING FOOTBALL: HOW THE POPULAR PRESS CREATED AN AMERICAN SPECTACLE by Michael Oriard (Chapel Hill, NC: University of North Carolina Press, 1993 ‐ $29.95, ISBN 0–8078–2083–0, 320 pp.)

LAND OF IDOLS: POLITICAL MYTHOLOGY IN AMERICA by Michael Parenti (New York: St. Martin's Press, 1994—$22.95/ 18.66, ISBN 0–312–09497–3 hard, 0–312–09841–3 soft, 208 pp.)

AN INTRODUCTORY GUIDE TO CULTURAL THEORY AND POPULAR CULTURE by John Storey (Athens: University of Georgia Press, 1993‐$30.00/ 14.95, ISBN 0–8203–1590–7 hard, 0–8203–1592–5 soft, 238 pp.)  相似文献   

2.
HISTORY OF THE MASS MEDIA IN THE UNITED STATES edited by Margaret A. Blanchard (Chicago: Fitzroy Dearborn, 1998—price not given, ISBN 1–57958–012–2, 752 pp., photos, bibliographies, index)

MANIPULATING THE ETHER: THE POWER OF BROADCAST RADIO IN THIRTIES AMERICA by Robert J. Brown (Jefferson, NC: McFarland, 1998— $45.00, ISBN 0–7864–0397–7, 312 pp., photos, notes, bibliography, sources of broadcast recordings, index)

SALANT, CBS, AND THE BATTLE FOR THE SOUL OF BROADCAST JOURNALISM: THE MEMOIRS OF RICHARD S. SALANT edited by Susan and Bill Buzenberg (Boulder, CO: Westview Press, 1998—$27.00, ISBN 0–8133–9091–5, 326 pp., photos, chronology, index)

FATHER CHARLES E. COUGHLIN: SURROGATE SPOKESMAN FOR THE DISAFFECTED by Ronald H. Carpenter (Westport, CT: Greenwood “Great American Orators No. 28,”; 1998—$69.50, ISBN 0–313–29040–7, 224 pp., bibliography, index)

A HISTORY OF MODERN COMPUTING by Paul E. Ceruzzi (Cambridge, MA: MIT Press “History of Computing,”; 1998—$35.00, ISBN 0–262–03255–4, 398 pp., photos, tables, notes, bibliography, index)

ELECTRONIC INVENTIONS AND DISCOVERIES: ELECTRONICS FROM ITS EARLIEST BEGINNINGS TO THE PRESENT DAY by G.W.A. Dummer (Bristol, England and Philadelphia: Institute of Physics Publishing, 1997 [4th ed]—$40.00, paper, ISBN 0–7503–0493–6, 284 pp., charts, tables, diagrams, bibliography, index)

ON THE AIR: THE ENCYCLOPEDIA OF OLD‐TIME RADIO by John Dunning (New York: Oxford University Press, 1998—$55.00, ISBN 0–19–507678–8, 822 pp., index)

RUBEN SALAZAR: BORDER CORRESPONDENT, SELECTED WRITINGS, 1955–1970 edited by Mario T. García (Berkeley: University of California Press, 1998—$18.95, paper, ISBN 0–520–21385–8, 283 pp., index)

EDISON: A LIFE OF INVENTION by Paul Israel (New York: John Wiley, 1998—$30.00, ISBN 0–471–52942–7, 552 pp., photos, diagrams, notes, index)

THE AIRWAVES OF NEW YORK: ILLUSTRATED HISTORIES OF 156 AM STATIONS IN THE METROPOLITAN AREA, 1921–1996 by Bill Jaker, Frank Sulek, and Peter Kanze (Jefferson, NC: McFarland, 1998—$55.00, ISBN 0–7864–0343–8, 205 pp., photos, bibliography, index)

ROUGH NEWS, DARING VIEWS: 1950s’ PIONEER GAY PRESS JOURNALISM by Jim Kepner (Binghampton, NY: Haworth Press “Gay and Lesbian Studies,”; 1998—$49.95/24.95, ISBN 0–7890–0140–3 hard, 0–56023–896–8 paper, 462 pp., notes, index)

BLACKLISTED: A JOURNALIST'S LIFE IN CENTRAL EUROPE by Paul Lendvai (New York: St. Martin's Press, 1998—$39.95, ISBN 1–86064–268–3, 213 pp. photos, index)

THE COMMERCE OF EVERYDAY LIFE: SELECTIONS FROM THE TATLER AND THE SPECTATOR edited by Erin Mackie (New York: St. Martin's Press “Bedford Cultural Editions,”; 1998—$45.00, ISBN 0–312–16371–1, 617 pp., selected bibliography)

THE DECADE THAT SHAPED TELEVISION NEWS: CBS IN THE 1950s by Sig Mickelson (Westport, CT: Praeger, 1998—$39.95, ISBN 0–275–95567–2, 242 pp., photos, notes, index)

MATHEW BRADY AND THE IMAGE OF HISTORY by Mary Panzer with an essay by Jeana K. Foley (Washington: Smithsonian Institution Press, 1997—$39.95, ISBN 1–56098–793–6, 232 pp., illustrations, chronology, notes, appendix, index)

THE CORONA PROJECT: AMERICA'S FIRST SPY SATELLITES by Curtis Peebles (Annapolis, MD: Naval Institute Press, 1997—price not given, ISBN 1–55750–688–4, 351pp., photos, notes, index)

EDISON'S KINETOSCOPE AND ITS FILMS: A HISTORY TO 1896 by Ray Phillips (Westport, CT: Greenwood Press “Contributions to the Study of Popular Culture No. 65,”; 1997—price not given, ISBN 0–313–30508–0, 209 pp., photos, diagrams, bibliography, index)

REPORTING VIETNAM: AMERICAN JOURNALISM 1959–1975 (New York: The Library of America, 1998—$35.00 each or $70.00 for the set, two vols., chronologies, notes, photos, glossary of military terms, index; as follows:)

Part One: 1959–1969 (ISBN 1–883011–58–2, 858 pp.)

Part Two: 1969–1975 (ISBN 1–883011–59–0, 857 pp.)

HISTORICAL DICTIONARY OF WAR JOURNALISM edited by Mitchel P. Roth (Westport, CT: Greenwood Press, 1997—$85.00, ISBN 0–313–29171–3, 496 pp., appendices, index)

TEXAS SIGNS ON: THE EARLY DAYS OF RADIO AND TELEVISION by Richard Schroeder (College Station: Texas A&;M University Press “Centennial Series of the Association of Former Students No. 75,”; 1998—$29.95, ISBN 0–89096–813–6, 247 pp., photos, notes, bibliography, index)

THE DAYS OF LIVE: TELEVISION'S GOLDEN AGE AS SEEN BY 21 DIRECTORS GUILD OF AMERICA MEMBERS edited by Ira Skutch (Lanham, MD: Scarecrow Press “Directors Guild of America Oral History No. 16,”; 1998—$49.50/26.00, ISBN 0–8108–3491‐X hard, 0–8108–3492–8 paper, 211 pp., index)  相似文献   

3.
READING FOOTBALL: HOW THE POPULAR PRESS CREATED AN AMERICAN SPECTACLE by Michael Oriard (Chapel Hill: University of North Carolina Press, 1994—$29.95, ISBN 0–8078–2083–0, 319 pp.)

BASEBALL ARCHAEOLOGY: ARTIFACTS FROM THE GREAT AMERICAN PASTIME by Gwen Aldridge (San Francisco: Chronicle Books, 1993—$29.95/ 18.95, ISBN 0–8118–0365–1 hard, ISBN 0–8118–0290–6, soft, 112 pp.)

MAN AS ART by Malcolm Kirk (photographs) and Andrew Strathern (essay) (San Francisco: Chronicle Books, 1993—$22.95, paper, ISBN 0–8118–0478‐X, 144 pp.)

NEW YORK HOT: EAST COAST JAZZ OF THE 50S & 60S, THE ALBUM COVER ART by Graham Marsh and Glynn Cunningham (San Francisco: Chronicle Books, 1993—$24.95, paper, ISBN0–8118–0416‐X, 111 pp.)

ITALIAN ART DECO: GRAPHIC DESIGN BETWEEN THE WARS by Steven Heller and Louise Hill (San Francisco: Chronicle Books, 1993—$16.95, paper, ISBN 0–8118–0287–6,132 pp.)

HEROES WITHOUT LEGACY: AMERICAN AIRWOMEN, 1912–1944 by Dean Jaros (Niwot, CO: University Press of Colorado, 1993— $24.95, ISBN 0–87081–312–9, 282 pp.)

COWGIRLS OF THE RODEO: PIONEER PROFESSIONAL ATHLETES by Mary Lou Compte (Urbana: University of Illinois Press, 1993—$22.50, ISBN 0–252–02029–4, 252 pp.)

UNBEARABLE WEIGHT: FEMINISM, WESTERN CULTURE, AND THE BODY by Susan Bordo (Berkeley: University of California Press, 1993—$25.00, ISBN 0–520–07979–5, hard, 361 pp.)

SANDOW THE MAGNIFICENT: EUGENESANDOW AND THE BEGINNINGS OF BODYBUILDING by David L. Chapman (Urbana: University of Illinois Press, 1994—$26.95, ISBN 0–252–02033–2, 229 pp.)

THE CHANGING FICTIONS OF MASCULINITY by David Rosen (Urbana: University of Illinois Press, 1993—$29.95/14.95, ISBN 0‐ 252–02004–9, hard, 0–252–06309–0, paper, 234 pp.)

LAND OF IDOLS: POLITICAL MYTHOLOGY IN AMERICA by Michael Parenti (New York: St. Martin's Press, 1994—price not given—ISBN 0–312–09497–3, hard, 0–312–09841–3 paper, 208 pp.)

THE TRAGEDY OF ABUNDANCE: MYTH RESTORATION IN AMERICAN CULTURE by Jerome O. Steffen (Niwot, CO: University Press of Colorado, 1993—16.95, ISBN 0–87081–272–6, 129 pp.)

COMIC BOOKS AND COMIC STRIPS IN THE UNITED STATES: AN INTERNATIONAL BIBLIOGRAPHY ($85.00, ISBN 0–313–28211–0, 624 pp.)

COMIC ART OF EUROPE: AN INTENTIONAL, COMPREHENSIVE BIBLIOGRAPHY ($95.00, ISBN 0–313–28212–9, 688 pp.)  相似文献   

4.
Motion pictures     
THE FILMS OF MICHELANGELO ANTONIONI by Peter Brunette (New York: Cambridge University Press “Cambridge Film Classics,”; 1998—$49.95/paper price not given, ISBN 0–521–38085–5 hard, 0–521–38992–5 paper, 186 pp., selected bibliography, filmography, notes, photos, index)

BACK IN THE SADDLE AGAIN: NEW ESSAYS ON THE WESTERN edited by Edward Buscombe and Roberta E. Pearson (London: British Film Institute, 1998—$60.00/22.50, ISBN 0–85170–660–6 hard, 0–85170–661–4 paper, 218 pp., chapter notes, photos, color advertising plates, index)

REPRESENTING THE WOMAN: CINEMA AND PSYCHOANALYSIS by Elizabeth Cowie (Minneapolis: University of Minnesota Press, 1997—$18.95 paper, ISBN 0–8166–2913–7 hard, 0–8166–2913–7 paper, 397 pp., chapter notes, photos, index)

TRACKING KING KONG: A HOLLYWOOD ICON IN WORLD CULTURE by Cynthia Erb (Detroit, MI: Wayne State University Press “Contemporary Film and Television Series,”; 1998—$24.95, paper, ISBN 0–8143–2686–2, 238 pp., bibliography, chapter notes, index)

IMAGES OF THE PASSION: THE SACRAMENTAL MODE IN FILM by Peter Fraser (Westport, CT: Praeger, 1998—$65.00/22.95, ISBN 0–275–96464–7 hard, 0–275–96465–5 paper, 201 pp., bibliography, filmography, chapter notes, photos, index)

DOCUMENTING THE DOCUMENTARY: CLOSE READINGS OF DOCUMENTARY FILM AND VIDEO edited by Barry Keith Grant and Jeannette Sloniowski (Detroit, MI: Wayne State University Press, 1998—$27.50, paper, ISBN 0–8143–2639–0, 488 pp., film and video distributors’ address list, chapter notes, general bibliography, index)

HOLLYWOOD RENAISSANCE: THE CINEMA OF DEMOCRACY IN THE ERA OF FORD, CAPRA, AND KAZAN by Sam B. Girgus (New York: Cambridge University Press, 1998—$59.95/paper price not given, ISBN 0–521–62388‐X hard, 0–521–62552–1 paper, 258 pp., index, chapter notes, filmography, B&W photos)

IN THE COMPANY OF WOMEN: CONTEMPORARY FEMALE FRIENDSHIP FILMS by Karen Hollinger (Minneapolis: University of Minnesota Press, 1998—$47.95/18.95, ISBN 0–8166–3177–8 hard, 0–8166–3178–6 paper, 275 pp., chapter notes, photos, index)

INDIGENOUS AESTHETICS: NATIVE ART MEDIA AND IDENTITY by Steven Leuthold (Austin: University of Texas Press, 1998—$35.00/16.95, ISBN 0–292–74702–0 hard, 0–292–74703–9 paper, 238 pp., bibliography, filmography, photos, index)

PASSPORT TO HOLLYWOOD: HOLLYWOOD FILMS, EUROPEAN DIRECTORS by James Morrison (Albany: State University of New York Press “SUNY Series in Postmodern Culture,”; 1998—$65.00/21.95, ISBN 0–7914–3937–2 hard, 0–7914–3938–0 paper, 310 pp., bibliography, chapter notes, photos, index)

EDISON MOTION PICTURES, 1890–1900: AN ANNOTATED FILMOGRAPHY by Charles Musser (Washington, DC: Smithsonian Institution Press, 1998—$75.00, ISBN 1–56098–567–4, 720 pp., illustrations, bibliography, indexes for film titles, personal and corporate names, subjects, and locations)

THE FILMS OF JOHN FRANKENHEIMER: FORTY YEARS IN FILM: JOHN FRANKENHEIMER TALKS ABOUT HIS LIFE IN THE CINEMA TO GERALD PRATLEY by Gerald Pratley (Bethlehem, PA: Lehigh University Press, 1998—$55.00, ISBN 1–900541–40–8, 294 pp., photos, film credits, index)

SAVAGE CINEMA: SAM PECKINPAH AND THE RISE OF ULTRAVIOLENT MOVIES by Stephen Prince (Austin: University of Texas Press, 1998— $35.00/18.95, ISBN 0–292–76581–9 hard, 0–292–76582–7 paper, 282 pp., bibliography, chapter notes, photos, index)

FOR THE LOVE OF PLEASURE: WOMEN, MOVIES, AND CULTURE IN THE TURN‐OF‐THE‐CENTURY CHICAGO by Lauren Rabinovitz (New Brunswick, NJ: Rutgers University Press, 1998—$49.00/19.00, ISBN 0–8135–2533–0 hard, 0–8135–2534–9 paper, 233 pp., film index, bibliography, chapter notes, photos, index)

REALITY TRANSFORMED: FILM AS MEANING AND TECHNIQUE by Irving Singer (Cambridge, MA: MIT Press, 1998—$25.00, ISBN 0–262–19403–1, 216 pp., notes, photos, index)

THE NEW HISTORICAL DICTIONARY OF THE AMERICAN FILM INDUSTRY by Anthony Slide (Lanham, MD: Scarecrow Press, 1998—$55.00, ISBN 0–8108–3426‐X, 267 pp., resource libraries and institutions addresses, index)

FRAMING LATIN AMERICAN CINEMA: CONTEMPORARY CRITICAL PERSPECTIVES edited by Ann Marie Stock (Minneapolis: University of Minnesota Press “Hispanic Issues, Vol. 15,”; 1997—$47.95/18.95, ISBN 0–8166–2972–2 hard, 0–8166–2973–0 paper, 269 pp., chapter notes, photos, index)

MODES OF REPRESENTATION IN SPANISH CINEMA edited by Jenaro Talens and Santos Zunzunegui (Minneapolis: University of Minnesota Press “Hispanic Issues, Vol. 16,”; 1998—$54.95/21.95, ISBN 0–8166–2974–9 hard, 0–8166–2975–7 paper, 346 pp., chapter notes, index)

WORKING GIRLS: GENDER AND SEXUALITY IN POPULAR CINEMA by Yvonne Tasker (New York: Routledge, 1998—hardcover price not given/$19.99, ISBN 0–415–14004–8 hard, 0–415–14005–6 paper, 234 pp., bibliography, chapter notes, filmography, photos, index)

THE ENCYCLOPEDIA OF NOVELS INTO FILM edited by John C. Tibbetts and James M. Welsh (New York: Facts on File, 1998—$48.00, ISBN 0–8160–3317‐X, 522 pp., filmographies, references, appendices including biographical sketches of authors, selected bibliography, index)

GUIDE TO AMERICAN CINEMA, 1930–1965 by Thomas R. Whissen (Westport, CT: Greenwood Press “Reference Guides to the World's Cinema,”; 1998—$79.50, ISBN 0–313–29487–9, 389 pp., appendixes, bibliography, index)

ALLEGORIES OF UNDERDEVELOPMENT: AESTHETICS AND POLITICS IN MODERN BRAZILIAN CINEMA by Ismail Xavier (Minneapolis: University of Minnesota Press, 1997—$54.95/21.95, ISBN 0–8166–2676–6 hard, 0–8166–2677–4 paper, 285 pp., chapter notes, photos, index)  相似文献   

5.
3. HISTORY     
TIJUANA BIBLES: ART AND WIT IN AMERICA'S FORBIDDEN FUNNIES, 1930s‐1950s edited by Bob Adelman (New York: Simon &; Schuster, 1997—124.00, ISBN 0–684–83461–8, 160 pp.)

HOGARTH AND HIS TIMES: SERIOUS COMEDY by David Bindman (Berkeley: University of California Press, 1997—$45.00/29.95, ISBN 0–520–21299–1 hard, 0–520–21300–9 paper, 208 pp., photos)

FOR THE LOVE OF PRAGUE by Gene Deitch (Prague: Peter Lemkin, 1997— $20.00, ISBN 80–7205–467–8)

ART IN MOTION: ANIMATION AESTHETICS by Maureen Furniss (Sydney: John Libbey, 1998—$24.95, ISBN 1–86462–038–2)

GEORGE GROSZ: AN AUTOBIOGRAPHY by George Grosz, translated by Nora Hodges (Berkeley: University of California Press, 1998—$17.95, paper, ISBN 0–520–21327–0)

CARTOONING AND COMIC ART IN SOUTHEAST ASIA edited by John Lent (Singapore: Times Academic Press, Southeast Asian Journal of Social Science, 25:1, special issue [1997]—$26.50, ISSN 0303–8246, ISBN 981–210–111‐X, 166 pp., illustrations, references)

COMIC ART IN ASIA: HISTORICAL, LITERARY, AND POLITICAL ROOTS edited by John Lent (Clevedon, England: Multilingual Matters, Asian Pacific Communication, 7:1–2, special issue [1996]—$16.00, ISSN 0957–6851, 86 pp., illustrations, references)

SEAL OF APPROVAL: THE HISTORY OF THE COMICS CODE by Amy Kiste Nyberg (Jackson: University Press of Mississippi “Studies in Popular Culture,”; 1998—$45.00/18.00, ISBN 0–87805–974–1 hard, 0–87805–975‐X paper, 208 pp.)

CELEBRITY CARICATURE IN AMERICA by Wendy Wick Reaves (Washington and New Haven: National Portrait Gallery, Smithsonian Institution, in association with Yale University Press, 1998—$45.00, ISBN 0–300–07463–8, 306 pp.)

READING THE RABBIT: EXPLORATIONS IN WARNER BROS. ANIMATION edited by Kevin S. Sandier (New Brunswick, NJ: Rutgers University Press, 1998—$49.00/19.00, ISBN 0–8135–2537–3 hard, 0–8135–2538–1 paper, 271 pp.)

EDITORIAL CARTOONING AND CARICATURE: A REFERENCE GUIDE by Paul P. Somers, Jr. (Westport, CT: Greenwood Press, 1998— $69.50, ISBN 0–313–22150–2, 205 pp.)  相似文献   

6.
CRITICAL IDEAS IN TELEVISION STUDIES by John Corner (New York: Oxford University Press “Oxford Television Studies,”; 1999—$52.00/19.95, ISBN 0–19–874221–5 hard, ISBN 0–19–874220–7 paper, 139 pp., references, index)

USES OF TELEVISION by John Hartley (London: Routledge, 1999—$75.00/22.99, ISBN 0–415–08508‐X hard, 0–415–08509–8 paper, 246 pp., figures and pictures, appendixes, references, index)

WAVES OF RANCOR: TUNING IN THE RADICAL RIGHT by Robert L Hilliard and Michael C. Keith (Armonk, NY: M.E. Sharpe “Media, Communication, and Culture in America,”; 1999—$32.95, ISBN 0–7656–0131–1, 288 pp., appendices, notes, index)

THE HIDDEN SCREEN: LOW‐POWER TELEVISION IN AMERICA by Robert C. Hilliard and Michael C. Keith (Armonk, NY: M.E. Sharpe, 1999—prices not given, ISBN 0–7656–0419–1 hard, 0–7656–0420–5, 212 pp., photos, notes, further reading, index)

ACTIVE RADIO: PACIFICA'S BRASH EXPERIMENT by Jeff Land (St. Paul: University of Minnesota Press “Commerce and Mass Culture,”; 1999—$42.95/16.95, ISBN 0–8166–3156–5 hard, 0–8166–3157–3 paper, 179 pp., photos, notes, bibliography, program index, text index)

MAKING SENSE OF TELEVISION: THE PSYCHOLOGY OF AUDIENCE INTERPRETATION by Sonia Livingstone (London: Routledge “International Series in Social Psychology,”; 1998 [2nd ed.]—$85.00/25.99, ISBN 0–415–18623–4 hard, 0–415–18536‐X paper, 212 pp., tables, bibliography, author and subject indexes)

TELEVISION: A MEDIA STUDENT'S GUIDE by David McQueen (London: Arnold, 1998—$55.00/18.95, ISBN 0–340–719764 hard, 0–340–70604‐X paper, 275 pp., illustrations, suggested readings, index)

HANDBOOK ON RADIO AND TELEVISION AUDIENCE RESEARCH by Graham Mytton (New York: UNICEF House, 1999 [Rev. and expanded ed.]—$20.95, paper, ISBN 92–806–3393–7, 191 pp., appendices, bibliography, glossary, references)

A BROADCAST ENGINEERING TUTORIAL FOR NON ENGINEERS (Washington, DC: NAB, 1999 [2nd ed.]—$49.95/29.97, paper, ISBN 0–89324–275–6, 209 pp., diagrams, index)

DIGITAL TELEVISION IN A DIGITAL ECONOMY: OPPORTUNITIES FOR BROADCASTERS by A. T. Kearney (Washington, DC: NAB, 1998— $164.99/98.99, paper, ISBN 0–89324–316–7, about 100 pp., charts, tables, notes, glossary)

NAB ENGINEERING HANDBOOK edited by Jerry Whitaker, et al (Washington, DC: NAB, 1999 [9th ed.]—$379.95/228.00, ISBN 0–089324–258–6, 1,572 pp., charts, diagrams, tables, chapter references and bibliography, CD‐ROM disc, index)

STATION CONSOLIDATION: A TECHNICAL PLANNING GUIDE FOR RADIO STATIONS by the NAB Science &; Technology Department (Washington, DC: NAB, 1997—$89.95/53.97, paper, ISBN 0–89324–311–6, 80 pp., diagrams, maps, appendices)

TOWER SITE REGULATION HANDBOOK by the NAB Science &;. Technology Department (Washington, DC: NAB, 1998—$99.95/59.95, paper, ISBN 0–89324–312–4, 533 pp., tables, diagrams, appendices)

UNITED STATES RBDS STANDARD: SPECIFICATION OF THE RADIO BROADCAST DATA SYSTEM (RBDS) by the National Radio Systems Committee of the Electronic Industries Association and the National Association of Broadcasters (Washington, DC: NAB, 1998—$49.95/29.97, paper, no ISBN provided, 202 pp., diagrams, tables, glossary, annexes)

RACE IN SPACE: THE REPRESENTATION OF ETHNICITY IN STAR TREK AND STAR TREK: THE NEXT GENERATION by Micheal C. Pounds (Lanham, MD: Scarecrow Press, 1999—$32.50, ISBN 0–8108–3322–0, 252 pp., figures, tables, notes, references, index)

PLAYERS ALL: PERFORMANCE IN CONTEMPORARY SPORT by Robert E. Rinehart (Bloomington: Indiana University Press “Drama and Performance Studies,”; 1998—$35.00 /15.95, ISBN 0–253–33426–8 hard, 0–253–21223–5 paper, 188 pp., notes, index)

DIRECTING FOR TELEVISION: CONVERSATIONS WITH AMERICAN TV DIRECTORS by Brian G. Rose (Lanham, MD: Scarecrow Press, 1999—$32.50, ISBN 0–8108–3591–6, 227 pp., index)

BROADCASTING FREEDOM: RADIO, WAR, AND THE POLITICS OF RACE, 1938–1948 by Barbara Dianne Savage (Chapel Hill: University of North Carolina Press “John Hope Franklin Series in African American History and Culture,”; 1999—$45.00/18.95, ISBN 0–8078–2477–1 hard, 0–8078–4804–2 paper, 391 pp., illustrations, photos, notes, bibliography, and index)

TELEVISION AND NEW MEDIA AUDIENCES by Ellen Seiter (New York: Oxford University Press “Oxford Television Studies,”; 1999—$65.00/19.95, ISBN 0–19–871152–5 hard, 0–19–871141–7 paper, 154 pp., photos, bibliography, index)

UNTOUCHABLES by Tise Vahimagi (London: British Film Institute, 1998 [available from Indiana University Press]—$19.95, paper, ISBN 0–85170–563–4, 112 pp., photographs, index)  相似文献   

7.
History     
AM STEREO AND THE FCC: CASE STUDY OF A MARKETPLACE SHIBBOLETH by Mark J. Braun (Norwood, NJ: Ablex, 1994—$39.50/19.50, ISBN 0–89391–966–7 hard, 0–56750–000–5, paper, 216 pp.)

PHILCO RADIO 1928–1942: A PICTORIAL HISTORY OF THE WORLD'S MOST POPULAR RADIOS by Ron Ramirez and Michael Prosise (Schiffer Publishing, 77 Lower Valley Rd., Rt. 372, Atglen, PA 19310—$29.50, paper, ISBN 0–88740–547–9, 188 pp.)

SEE IT NOW CONFRONTS McCARTHYISM: TELEVISION DOCUMENTARY AND THE POLITICS OF REPRESENTATION by Thomas Rosteck (Tuscaloosa: University of Alabama Press, 1994—$29.95, ISBN 0–8173–0705–2, 247 pp.)

THE HOUSE THAT ROONE BUILT: THE INSIDE STORY OF ABC NEWS by Marc Gunther (Boston: Little, Brown, 1994— $23.95, ISBN 0–316–33151–1, 381 pp.)

SCIENCE OF COERCION: COMMUNICATION RESEARCH & PSYCHOLOGICAL WARFARE 1945–1960 by Christopher Simpson (New York: Oxford University Press, 1994—$29.95, ISBN 0–19–507193‐X, 204 pp.)

FIGHTING FOR AIR: IN THE TRENCHES WITH TELEVISION NEWS by Liz Trotta (Columbia, MO: University of Missouri Press, 1994—$16.95, paper, ISBN 0–8262–0952–1, 399 pp.)  相似文献   

8.
ON THE HISTORY OF FILM STYLE by David Bordwell (Cambridge: Harvard University Press, 1997‐$60.00/24.95, ISBN 0–674–63428–4 hard, 0–674–63429–2 paper, 322 pp., photographs, chapter notes, index)

MASKED MEN: MASCULINITY AND THE MOVIES IN THE FIFTIES by Steven Cohan (Bloomington: Indiana University Press “Arts and Politics of the Everyday,”; 1997‐$39.95/8.95, ISBN 0–253–33297–4 hard, 0–253–21127–1 paper, 376 pp., photographs, selected filmography, chapter notes, references, index)

THE EXPLODING EYE: A RE‐VISIONARY HISTORY OF 1960s AMERICAN EXPERIMENTAL CINEMA by Wheeler Winston Dixon (Albany: State University of New York Press “SUNY Series, Cultural Studies in Cinema/Video,”; 1997‐$57.50/18.95, ISBN 0–7914–3565–2 hard, 0–7914–3566–0 paper, 250 pp., photos, bibliography, index)

THE KING OF THE MOVIES: FILM PIONEER SIEGMUND LUBIN by Joseph P. Eckhardt (Madison, NJ: Fairleigh Dickinson University Press, 1997‐$55.00, ISBN 0–8386–3728–0, 286 pp., B&;.W photos, notes, bibliography, index)

WITHIN OUR GATES: ETHNICITY IN AMERICAN FEATURE FILMS, 1911–1960: AMERICAN FILM INSTITUTE CATALOG edited by Alan Gevinson (Berkeley: University of California Press, 1997‐$150.00, ISBN 0–520–20964–833, 1571 pp., abbreviations list, indexes, bibliography)

FRAME BY FRAME II: A FILMOGRAPHY OF THE AFRICAN AMERICAN IMAGE, 1978–1994 by Phyllis R. Kotman and Gloria J. Gibson (Bloomington: Indiana University Press, 1997‐$49.95/29.95, ISBN 0–253–33280‐X hard, 0–253–21120–4 paper, 771 pp., bibliography, indexes)

FILMMAKERS AND FINANCING: BUSINESS PLANS FOR INDEPENDENTS by Louise Levison (Boston: Focal Press, 1998 [2nd ed.]‐$22.95, paper, ISBN 0–240–80300–0, 190 pp., tables, index)

FEMINISM, FILM, FASCISM: WOMEN'S AUTO/BIOGRAPHICAL FILM IN POSTWAR GERMANY by Susan E. Linville (Austin: University of Texas Press, 1998‐$30.00/14.95, ISBN 0–292–74696–2 hard, 0–292–74697–0 paper, 208 pp., photos, chapter notes, bibliography, index)

THE MOTION PICTURE MEGA‐INDUSTRY by Barry R. Litman (Boston: Allyn &; Bacon “Series in Mass Communication,”; 1998‐$24.00, paper, ISBN 0–205–20026–5, 321 pp., charts, tables, notes, references, index)

FROM HEADLINE HUNTER TO SUPERMAN: A JOURNALISM FIL‐MOGRAPHY by Richard R. Ness (Lanham, MD: Scarecrow Press, 1997‐$89.50, ISBN 0–8108–3291–7, 787 pp., references, appendices, black‐and‐white photographs, index)

Chile v/s Hollywood / CHILE vs HOLLYWOOD by Daniel Olave (Santiago, Chile: Editorial Grijalbo, 1997‐no price available, ISBN 956–258–051–2, 208 pp., photographs)

TRIANGULATED VISIONS: WOMEN IN RECENT GERMAN CINEMA edited by Ingeborg Majer O'Sickey and Ingeborg von Zadow (Albany: State University of New York Press “SUNY Series in Feminist Criticism and Theory,”; and “SUNY Series, Cultural Studies in Cinema/Video,”; 1998‐$65.50/21.95, ISBN 0–7914–3717–5 hard, 0–7914–3718–3 paper, 290 pp., photos, chapter notes, index)

FILM AND THE NUCLEAR AGE: REPRESENTING CULTURAL ANXIETY by Toni A. Perrine (New York: Garland “Garland Studies in American Popular History and Culture,”; 1998‐$68.00, ISBN 0–8153–2932–6, 304 pp., index, bibliography, chronology, filmography)

CONTEMPORARY CINEMATOGRAPHERS ON THEIR ART by Pauline Rogers (Boston: Focal Press, 1998‐$19.95, paper, ISBN 0–240–80309–4, 223 pp.)

HOLLYWOOD'S WORLD WAR I: MOTION PICTURE IMAGES edited by Peter C. Rollins and John E. O'Connor (Bowling Green, OH: Bowling Green State University Popular Press, 1998‐$49.95/19.95, ISBN 0–87972–755–1 hard, 0–87972–756‐X paper, 304 pp., illustrations, notes, general index, film/TV index)

DOCUMENTING OURSELVES: FILM, VIDEO, AND CULTURE by Sharon R. Sherman (Lexington: University Press of Kentucky, 1998‐$22.95, paper, ISBN 0–8131–0934–5, 336 pp., photographs, filmography, chapter notes, references, index)

JAMES WILLIAMSON: STUDIES AND DOCUMENTS OF A PIONEER IN THE FILM NARRATIVE by Martin Sopocy (Cranbury, NJ: Fairleigh Dickinson University Press, 1998‐$52.50, ISBN 0–8386–3716–7, 337 pp., photographs, chapter notes, bibliography, index)

HISTORY BY HOLLYWOOD: THE USE AND ABUSE OF THE AMERICAN PAST by Robert Brent Toplin (Urbana: University of Illinois Press, 1996— 288 pp., $36.95/16.95, ISBN 0–252–02073–1, 0–252–06536–0 paper, photos, chapter notes, selected bibliography, index)  相似文献   

9.

FACING DIFFERENCE: RACE, GENDER, AND MASS MEDIA edited by Shirley Biagi and Marilyn Kern‐Foxworth (Thousand Oaks, CA: Pine Forge Press, 1997—$27.95, ISBN 0–8039–9094–4 soft, 285 pp., tables, charts, illustrations, notes, references, index)

THE CIVIL WAR IN POPULAR CULTURE: A REUSABLE PAST by Jim Cullen (Washington: Smithsonian Institution Press, 1997—$13.95, paper, ISBN 1–56098–687–7, 254 pp., illustrations, notes, index)

AMERICAN POPULAR CULTURE AT HOME & ABROAD edited by Lewis H. Carlson and Kevin B. Vichcales (Kalamazoo, MI: New Issues Press, 1996—$40.00/20.00, ISBN 0–932826–42–3 hard, 0–932826–43–1 soft, 388 pp., footnotes)

DANGEROUS KNOWLEDGE: THE JFK ASSASSINATION IN ART AND FILM by Art Simon (Philadelphia: Temple University Press “Culture and the Moving Image,”; 1996—$49.95/18.95, ISBN 1–56639–378–7 hard, 1–56639–379–5 soft, 265 pp., illustrations, notes, index)

IN THE ZONE: THE TWILIGHT WORLD OF ROD SERLING by Peter Wolfe (Bowling Green, OH: Bowling Green State University Popular Press, 1997— $39.95/19.95, ISBN 0–87972–729–2 hard, 0–87972–730–6 soft, 217 pp., works cited, index)  相似文献   

10.
PRAY TV: TELEVANGELISM IN AMERICA by Steven Bruce (New York: Routledge, Chapman &; Hall, 1990–$16.95, paper, ISBN 0-415-03098-6, 272 pp.)

RELIGIOUS TELEVISION: CONTROVERSIES AND CONCLUSIONS edited by Robert Abelman and Stewart M. Hoover (Norwood, NJ: Ablex, 1990—price not given, ISBN 0-89391-643-9, 366 pp.)

THE GAME BEHIND THE GAME: HIGH STAKES, HIGH PRESSURE IN TELEVISION SPORTS by Terry O'Neil (New York: Harper &; Row [now HarperCollins], 1989—$17.95, ISBN 0-06-016019-5, 291 pp.)

GAMES AND SETS: THE CHANGING FACE OF SPORT ON TELEVISION by Steven Barnett (London: British Film Institute/Bloomington: Indiana University Press, 1990—$35.00/13.95, ISBN 0-85170-267-8 hard, 0-85170-268-6 paper, 214 pp.)

SPLIT IMAGE: AFRICAN AMERICANS IN THE MASS MEDIA edited by Jannette L. Dates and William Barlow (Howard University Press, 2900 Van Ness St. NW, Washington, DC 20008—$29.95/14.95, ISBN 0-88258-035-3 hard, 0-88258-063-9 paper, 492 pp.)

TELEVISION AND WOMEN'S CULTURE: THE POLITICS OF THE POPULAR edited by Mary Ellen Brown (Newbury Park, CA: Sage, 1990—$45.00/18.95, ISBN 0-8039-8228-3 hard, and 0-8039-8229-1 paper, 244 pp.)

SOCIAL AND CULTURAL ASPECTS OF VCR USE edited by Julia R. Dobrow (Hillsdale, NJ: Lawrence Erlbaum, 1990—$29.95, ISBN 0-8058-0499-4, 219 pp.)

ADVENTURES ON PRIME TIME: THE TELEVISION PROGRAMS OF STEPHEN J. CANNELL by Robert J. Thompson (New York: Praeger, 1990—$37.95, ISBN 0-275-93330-X, 143 pp.)  相似文献   

11.
SOAP OPERAS FOR SOCIAL CHANGE: TOWARD A METHODOLOGY FOR ENTERTAINMENT‐EDUCATION TELEVISION by Heidi Noel Nariman (New York: Praeger, 1993—$47.95, ISBN 0–275–94389–5, 184 pp.)

POWER AND TELEVISION IN LATIN AMERICA: THE DOMINICAN CASE by Antonio V. Menendez Alarcon (Westport, CT: Greenwood Press, 1992—$47.95, ISBN 0–275–94275–9, 208 pp.)

BROADCASTING IN THE ARAB WORLD: A SURVEY OF THE ELECTRONIC MEDIA IN THE MIDDLE EAST edited by Douglas A. Boyd (Ames: Iowa State University Press, 1993— $37.95, ISBN 0–8138–0468‐X, 390 pp.)

CREATIVE COMPROMISE: THE MacBRIDE COMMISSION: A FIRSTHAND REPORT AND REFLECTION ON THE WORKINGS OF UNESCO'S INTERNATIONAL COMMISSION FOR THE STUDY OF COMMUNICATION PROBLEMS by William G. Harley (Lanham, MD: University Press of America, 1993—$39.50, ISBN 0–8191–8906–5,359 pp.)

COMMUNICATIONS AND THE “THIRD WORLD” by Geoffrey Reeves (New York: Routledge, 1993—$17.95, paper, ISBN 0–415–04762–5, 277 pp.)

TELEVISION, POLITICS, AND THE TRANSITION TO DEMOCRACY IN LATIN AMERICA edited by Thomas E. Skidmore (Baltimore: Johns Hopkins University Press, 1993—$25.00, ISBN 0–943875–44–7, 188 pp.)

NIPPON TELEGRAPH AND TELEPHONE PRIVATIZATION STUDY: EXPERIENCE OF JAPAN AND LESSONS FOR DEVELOPING COUNTRIES‐‐World Bank Discussion Papers No. 179 by Yoshiro Takano (World Bank, 1818 H. St NW, Washington, DC 20433—$9.95, paper, ISBN 0–8213–2224–9, 130 pp.)  相似文献   

12.
F. Facsimile/Fax     

INFORMATION AND ELECTIONS by R. Michael Alvarez (Ann Arbor: University of Michigan Press, “Michigan Studies in Political Analysis,”; 1997— $39.50, ISBN 0–472–10779–8, 257 pp., tables, notes, references, index)

MEDIA SCANDALS: MORALITY AND DESIRE IN THE POPULAR CULTURE MARKETPLACE edited by James Lull and Stephen Hinerman (New York: Columbia University Press, 1997—$45/17.50, ISBN 0–231–11164–9 hard, 0–231–11165–7 paper, 259 pp., notes, index)

POLITICAL COMMUNICATION: POLITICS, PRESS, AND PUBLIC IN AMERICA by Richard M. Perloff (Mahwah, NJ: Lawrence Erlbaum Associates, 1998—prices not given, ISBN 0–8058–1794–8 hard, 0–8058–1795–6 paper, 492 pp., endnotes, references, index)

HYSTORIES: HYSTERICAL EPIDEMICS AND MODERN CULTURE by Elaine Showalter (New York: Columbia University Press, 1997—$24.95/14.95, ISBN 0–231–10458–8 hard, 0–231–10459–6 paper, 244 pp., notes (index)

REVIEWING THE ARTS by Campbell B. Titchener (Mahwah, NJ: Lawrence Erlbaum Associates “LEA's Communication Series,”; 1998 [2nd ed.]—$39.95/19.95, ISBN 0–8058–2774–9 hard, 0–8058–2809–5 paper, 187 pp., reading list, index)

THE MEDIA AND THE MILITARY: FROM THE CRIMEA TO DESERT STRIKE by Peter Young and Peter Jesser (New York: St. Martin's Press, 1997— $59.95/19.95, ISBN 0–312–21011–6 hard, 0–312–21012–4 paper, 391 pp., notes, bibliography, index)  相似文献   

13.

TELEVISION: AN INTERNATIONAL HISTORY OF THE FORMATIVE YEARS by R. W. Burns (London: Institution of Electrical Engineers “History of Technology Series, No. 22,”; 1998 [distribution in U.S. by IEEE Operations Center, 445 Hoes Lane, PO Box 1331, Piscataway, N] 08855–1331]—$120.00, ISBN 0–85296–914–7, 661 pp., photos, diagrams, tables, notes, appendices, bibliography, index)

RADIO DIPLOMACY AND PROPAGANDA: THE BBC AND VOA IN INTERNATIONAL POLITICS, 1956–1964 by Gary D. Rawnsley (London: Macmillan/New York: St Martin's Press “Studies in Diplomacy,”; 1996—$59.95, ISBN 0–333–64943–5, 224 pp., notes, bibliography, index)

WAR OF THE BLACK HEAVENS: THE BATTLES OF WESTERN BROADCASTING IN THE COLD WAR by Michael Nelson (Syracuse, NY: Syracuse University Press, 1997—$29.95, ISBN 0–8156–0479–3, 277 pp., photos, chronology, notes, bibliography, index)

PARTING THE CURTAIN: PROPAGANDA, CULTURE AND THE COLD WAR: 1945–1961 by Walter L. Hixson (New York: St. Martin's Griffin, 1997— $17.95, paper, ISBN 0–312–17680–5, 283 pp., photos, notes, index)

SOUNDS OUT OF SILENCE: A LIFE OF ALEXANDER GRAHAM BELL by James Mackay (Edinburgh, Scotland: Mainstream Publishing, 1997—£20.00 or about $36.00, ISBN 1–85158–833–7, 320 pp., photos, notes, index)

ALEXANDER GRAHAM BELL: THE LIFE AND TIMES OF THE MAN WHO INVENTED THE TELEPHONE by Edwin S. Grosvenor and Morgan Wesson (New York: Harry N. Abrams, 1997—$45.00, ISBN 0–8109–4005–1, 304 pp., photos [some color], bibliography, index)

GET ME A MURDER A DAY! A HISTORY OF MASS COMMUNICATION IN BRITAIN by Kevin Williams (London: Arnold/New York: St. Martin's Press, 1998—$59.95/19.95, ISBN 0–340–69158–1 hard, 0–340–61466–8 paper, 288 pp., end‐ notes, index)

THE DECLINE AND FALL OF PUBLIC SERVICE BROADCASTING by Michael Tracey (New York: Oxford University Press, 1998—$75.00/29.95, paper, ISBN 0–19–815925–0 hard, 0–19–815924–2 paper, 295 pp., notes, bibliography, index)

50TH ANNIVERSARY OF THE TRANSISTOR! (Piscataway, NJ: IEEE, Proceedings of the IEEE, Vol. 86 [January 1998]—$20.00 [individual copies available from IEEE Operations Center, 445 Hoes Lane, PO Box 1331, Piscataway, NJ 08855–1331], ISSN 0018–9219,308 pp., photos, diagrams, references)

STEPHEN CRANE, JOURNALISM AND THE MAKING OF MODERN AMERICAN LITERATURE by Michael Robertson (New York: Columbia University Press, 1997—$45.00/16.95, ISBN 0–231–10968–7 hard, 0–231–10969–5 paper, 253 pp., photos, index, notes)

SINCE RECORDS BEGAN: EMI, THE FIRST 100 YEARS by Peter Martland (Portland, OR: Amadeus Press, 1997—$39.95, ISBN 0–57467–033–6, 359 pp., photos, bibliography, index)

DEFINING VISIONS: TELEVISION AND THE AMERICAN EXPERIENCE SINCE 1945 by Mary Ann Watson (Ft. Worth, TX: Harcourt Brace “American Since 1945,”; 1998—$22.50, paper, ISBN 0–15–503201–1, 303 pp., photos, bibliography, index)  相似文献   

14.
3. HISTORY     
MEGAMEDIA: HOW GIANT CORPORATIONS DOMINATE MASS MEDIA, DISTORT COMPETITION AND ENDANGER DEMOCRACY by Dean Alger (Lanham, MD: Rowman &; Littlefield, 1998—$27.95, ISBN 0–8476–8389–3, 277 pp., cartoons, notes, index)

UNDER THE RADAR: TALKING TO TODAY'S CYNICAL CONSUMER by Jonathan Bond and Richard Kirshenbaum (New York: Wiley “Adweek Books,”; 1998—$27.95, ISBN 0–471–17469–6, 226 pp., photos, credits, index)

MEDIA IN AMERICA: THE WILSON QUARTERLY READER edited by Douglas Gomery (Baltimore: Johns Hopkins University Press, 1998 [rev. ed.]—$40.00/17.95, ISBN 0–943875–86–2 hard, 0–943875–87–0 paper, 303 pp., index)

THE ADVERTISING AGENCY BUSINESS: THE COMPLETE MANUAL FOR MANAGEMENT &; OPERATION by Eugene J. Hameroff (Lincolnwood, IL: NTC Business Books, 1998 [3rd ed.]—$39.95, ISBN 0–8442–3169‐x, 275 pp., index)

MEDIA MANAGEMENT: A CASEBOOK APPROACH by Ardyth Broadrick Sohn, et al. (Mahwah, NJ: Lawrence Erlbaum Associates “LEA's Communication Series,”; 1998 [2nd ed.]—$39.95, paper, ISBN 0–8058–3026‐X, 383 pp., tables, notes, references, index)

GLOBAL PRODUCTIONS: LABOR IN THE MAKING OF THE “INFORMATION SOCIETY”; edited by Gerald Sussman and John Lent (Cresskill, NJ: Hampton Press “Communication Series,”; 1998—$65.00, ISBN 1–57273–171–0, 317 pp., map, charts, tables, references, index)

ENTERTAINMENT INDUSTRY ECONOMICS: A GUIDE FOR FINANCIAL ANALYSIS by Harold L. Vogel (New York: Cambridge University Press, 1998 [4th ed.]—$39.95, ISBN 0–521–59438–3, 490 pp., charts, tables, chapter readings, references, glossary, appendices, index)

MEDIA MERGERS edited by Nancy J. Woodhull and Robert W. Snyder (New Brunswick, NJ: Transaction Books “Media Studies Series,”; 1998—price not given, paper, ISBN 0–7658–0409–3, 184 pp., charts, further reading, index)  相似文献   

15.
Popular culture     
POPULAR CULTURE GENRES: THEORIES AND TEXTS by Arthur Asa Berger (Newbury Park, CA: Sage, 1992—$14.95 paper, ISBN 0–8039–4726–7, 171 pp.)

ROCK FORMATION: MUSIC, TECHNOLOGY, AND MASS COMMUNICATION by Steve Jones (Newbury Park, CA: Sage, 1992—$14.95 paper, ISBN 0–8039–4443–8, 223 pp.)

DANCING IN THE DISTRACTION FACTORY: MUSIC TELEVISION AND POPULAR CULTURE by Andrew Goodman (Minneapolis: U. of Minnesota Press, 1992—$16.95 paper, ISBN 0–8166–206306, 237 pp.)

MAKING THINGS PERFECTLY QUEER; INTERPRETING MASS CULTURE by Alexander Doty (Minneapolis: U. of Minnesota Press, 1993—$15.95 paper, ISBN 0–8166–2245–0, 146 pp.)

CHIC THRILLS: A FASHION READER by Juliet Ash and Elizabeth Wilson (Berkeley: U. of California Press, 1993—$15.00 paper, ISBN 0–520–08339–3, 257 pp.)

FASHION, CULTURE, AND IDENTITY by Fred Davis (Chicago: U. of Chicago Press, 1992—$24.95, ISBN 0–226–13808–9, 226 pp.)

PASTIME: TELLING TIME FROM 1879 TO 1969 by Philip Collins (San Francisco: Chronicle Books, 1993—$16.95, ISBN 0–8118–278–7, 106 pp.)

EN ROUTE: LABEL ART FROM THE GOLDEN AGE OF AIR TRAVEL by Lynn Johnson & Michael O'Leary (San Francisco: Chronicle Books, 1993—$14.95, paper, ISBN 0–8118–0045–8, 120 pp.)

MADE IN JAPAN: TRANSISTOR RADIOS OF THE 1950S AND 1960S by Roger Handy, Maureen Erbe, and Aileen Farnan Antonier (San Francisco: Chronicle Books, 1993—$16.95, paper, ISBN 0–8118–0271‐X, 108 pp.)

PHONO‐GRAPHICS: THE VISUAL PARAPHERNALIA OF THE TALKING MACHINE by Arnold Schwartzman (San Francisco: Chronicle Books, 1993—$16.95 paper, ISBN 0–8118–0302–3, 120 pp.)

DANGER IS MY BUSINESS: AN ILLUSTRATED HISTORY OF THE FABULOUS PULP MAGAZINES; 1896–1953, by Lee Server (San Francisco: Chronicle Books, 1993—$27.50/17.95, ISBN 0–8118–0355–4 cloth, 0–8118–0112–8 paper, 144 pp.)

AROUND THE WORLD IN 72 DAYS: THE RACE BETWEEN PULITZER'S NELLIE BLY AND COSMOPOLITAN'S ELIZABETH BISLAND by Jason Marks (New York: Gemittarius Press, 1993—$12.95 paper, ISBN 0–9633696–2‐8, 261 pp.)

MALE TROUBLE edited by Constance Penley and Sharon Wilis (Minneapolis: U. of Minnesota Press, 1993—$16.95 paper, ISBN 0‐ 8166–2172–1, 316 pp.)

ECSTASY UNLIMITED: ON SEX, CAPITAL, GENDER, AND AESTHETICS by Laura Kipnis (Minneapolis: U. of Minnesota Press, 1993—$18.95 paper, ISBN 0–8166–1997–2, 308 pp.)

BLUES AND EVIL by John Michael Spencer (Knoxville: U. of Tennessee Press, 1993—$18.95 paper, ISBN 0–87049–783–9, 177 pp.)

PERSONAL DISCIPLINE AND MATERIAL CULTURE: AN ARCHAEOLOGY OF ANNAPOLIS, MARYLAND, 1695–1870 by Paul A. Shackel (Knoxville: U. of Tennessee Press, 1993—$27.95, ISBN 0–87049–784–7,225 pp.)

ANTI‐ROCK: THE OPPOSITION TO ROCK ‘N'ROLL by Linda Martin and Kerry Seagrave (New York: Da Capo, 1993—$14.95, paper, ISBN 0–306–80502–2, 374 pp.)  相似文献   

16.
Popular culture     
READING MATTER: MULTIDISCIPLINARY PERSPECTIVES ON MATERIAL CULTURE by Arthur Asa Berger (New Brunswick, NJ: Transaction, 1992 — $24.95, ISBN 0–88738–435–8, 148 pp.)

MEN, MASCULINITY, AND THE MEDIA edited by Steve Craig (Newbury Park, CA: Sage, 1992 — $42.00/19.95, ISBN 0–8039–4162–5 hard, 0–8039–4163–3 soft, 271 pp.)

13TH GEN: ABORT, RETRY, IGNORE, FAIL? by Neil Howe and Bill Strauss (New York: Vintage, 1993 — $10.00, paper, ISBN 0–679–74365–0, 229 pp.)

ENLIGHTENED RACISM: THE COSBY SHOW, AUDIENCES, AND THE MYTH OF THE AMERICAN DREAM by Sut Jhally and Justin Lewis (Boulder, CO: Westview, 1992 — $39.95/14.95, ISBN 0–8133–1418–6 hard, 0–8133–1419–4 soft, 152 pp.)

POPULAR WRITING IN AMERICA: THE INTERACTION OF STYLE AND AUDIENCE, 5th ed. edited by Donald McQuade and Robert Atwan (New York: Oxford, 1993 — $22.95, paper, ISBN 0–19–507308–8, 735 pp.)

TRIUMPH OF THE IMAGE: THE MEDIA'S WAR IN THE PERSIAN GULF — A GLOBAL PERSPECTIVE edited by Hamid Mowlana, George Gerbner, and Herbert I. Schiller (Boulder, CO: Westview, 1992 — $55.00/19.95, ISBN 0–8133–1532–8 hard, 0–8133–1610–3 soft, 269 pp.)

POPULAR CULTURE: AN INTRODUCTORY TEXT edited by Jack Nachbar and Kevin Lause (Bowling Green, OH: BGSU Popular Press, 1992 — $45.95/23.95, ISBN 0–87972–571–0 hard, 0–87972–572–9 soft, 504 pp.)

VIDEO ICONS & VALUES edited by Alan M. Olson, Christopher Parr and Debra Parr (Albany, NY: State University of New York Press, 1991 — $59.50/18.95, ISBN 0–7914–0411–0 hard, 0–7914–0412–9 soft, 189 pp.)

POPULAR ENTERTAINMENT RESEARCH: HOW TO DO IT AND HOW TO USE IT by Barbara J. Pruett (Metuchen, NJ: Scarecrow, 1992 — $62.50, ISBN 0–8108–2501–5, 592 pp.)

WATERGATE IN AMERICAN MEMORY: HOW WE REMEMBER, FORGET, AND RECONSTRUCT THE PAST by Michael Schudson (New York: Basic Books, 1992 — $24.00, ISBN 0–465–09084–2, 282 pp.)

THE MADONNA CONNECTION: REPRESENTATIONAL POLITICS, SUBCULTURAL IDENTITIES, AND CULTURAL THEORY edited by Cathy Schwichtenberg (Boulder, CO: Westview, 1992 — $55.00/17.95, ISBN 0–8133–1396–1 hard, 0–8133–1397‐X soft, 336 pp.)

WEST OF EVERYTHING: THE INNER LIFE OF WESTERNS by Jane Tompkins (New York: Oxford, 1992 — $21.95, ISBN 0–19–507305–3, 245 pp.)

MEDIAMERICA, MEDIAWORLD: FORM, CONTENT, AND CONSEQUENCES OF MASS COMMUNICA TION (5th ed.) by Edward Jay Whetmore (Belmont, CA: Wadsworth, 1993 —$36.00, paper ISBN 0–534–17934–7, 492 pp.)

HARDBOILED IN HOLLYWOOD: FIVE BLACK MASK WRITERS AND THE MOVIES by David Wilt (Bowling Green, OH: BGSU Popular Press, 1991 — $40.95/19.95, ISBN 0–87972–525–7 hard, 0–87972–526–5 soft, 189 pp.)

ADOLF HITLER AND THE THIRD REICH IN AMERICAN MAGAZINES, 1923–1939 by Michael Zalampas (Bowling Green, OH: BGSU Popular Press, 1989 — $35.95/18.95, ISBN 0–87972–461–7 hard, 0–87972–462–5 soft, 266 pp.)  相似文献   

17.

FILMS AND BRITISH NATIONAL IDENTITY: FROM DICKENS TO DAD'S ARMY by Jeffrey Richards (Manchester, England: Manchester University Press “Studies in Popular Culture,”; 1997—£45.00 /14.99, ISBN 0–7190–4742–0 hard, 0–7190–4743–9 paper, 387 pp., illustrations, bibliography, index of film titles, general index)

FORBIDDEN ANIMATION: CENSORED CARTOONS AND BLACKLISTED ANIMATORS IN AMERICA by Karl F. Cohen (Jefferson, NC: McFarland, 1997—$35.00, ISBN 0–7864–0395–0, 216 pp., illustrations, notes, appendix, index)

A READER IN ANIMATION STUDIES edited by Jayne Pilling (Luton, England: University of Luton Press/John Libbey Media, 1997—no price given, paper, ISBN 1–86462–000–5, 283 pp., illustrations, notes)

TEX AVERY: THE MGM YEARS, 1942–1955 by John Canemaker (Atlanta, GA: Turner Publishing, 1996—$34.95, ISBN 1–57036–291–2, 224 pp., illustrations, filmography, bibliography)

GILLES DELEUZE'S TIME MACHINE by David N. Rodowick (Durham, NC: Duke University Press, 1997—$49.95/$16.95, ISBN 0–8223–1962–4/0–8223–1970–5, 258 pp., illustrations, notes, bibliography, index)

RECREATIONAL TERROR: WOMEN AND THE PLEASURES OF HORROR FILM VIEWING by Isabel Cristina Pinedo (Albany: State University of New York Press “SUNY Series, Interruptions: Border Testimony(ies) and Critical Discourse/s,”; 1997—$44.50/14.95 paper, ISBN 0–7914–3441–9 hard, 0–7914–3442–7 paper, 177 pp., illustrations, films cited listing, notes, bibliography, index)

SELZNICK'S VISION: GONE WITH THE WIND AND HOLLYWOOD FILMMAKING by Alan David Vertrees (Austin: University of Texas Press “Texas Film Studies Series,”; 1997—$30.00, paper, ISBN 0–292–78728–6 hard, 0–292–78729–4 paper, 242 pp., illustrations, notes, bibliography, index)

THE PASSION OF DAVID LYNCH: WILD AT HEART IN HOLLYWOOD by Martha P. Nochimson (Austin: University of Texas Press, 1997—$40.00/19.95, ISBN 0–292–75566‐X hard, 0–292–75565–1 paper, 272 pp., illustrations, notes, bibliography, index)

CINEMA, THEORY, AND POLITICAL RESPONSIBILITY IN CONTEMPORARY CULTURE by Patrick McGee (Port Chester, NY: Cambridge University Press “Literature, Culture, Theory, No. 24,”; 1997—$59.95/19.95, ISBN 0–521–58130–3 hard, 0–521–58908–8 paper, 235 pp., bibliography, index)

ADAPTATIONS AS IMITATIONS: FILMS FROM NOVELS by James Griffith (Newark: University of Delaware Press, 1997—$39.50, ISBN 0–87413–633–4, 272 pp., notes, works cited, index)

DEFINING CINEMA edited by Peter Lehman (New Brunswick, NJ: Rutgers University Press “Rutgers Depth of Field Series,”; 1997—$48.00/18.00, ISBN 0–8135–2301‐X hard, 0–8135–2302–8 paper, 216 pp., notes, index)

FROM PEEP SHOW TO PALACE: THE BIRTH OF AMERICAN FILM by David Robinson (New York: Columbia University Press, 1996—$17.50, paper, ISBN 0–231–10338–7 hard, 0–231–10339–5 paper, 213 pp., illustrations, bibliography, index)

IN THE EYE OF THE BEHOLDER: CRITICAL PERSPECTIVES IN POPULAR FILM AND TELEVISION edited by Gary R. Edgerton, Michael T. Marsden, and Jack Nachbar (Bowling Green, OH: Bowling Green State University Popular Press, 1997—$49.95/$24.95, ISBN 0–89972–753–5 hard, 0–87972–754–3 paper, 274 pp., illustrations, index)

HIGH CONTRAST: RACE AND GENDER IN CONTEMPORARY HOLLYWOOD FILMS by Sharon Willis (Durham, NC: Duke University Press, 1997—$49.95/$16.95, ISBN 0–8223–2029–0 hard, 0–8223–2041‐X paper, 266 pp., notes, index)

MAMMIES NO MORE: THE CHANGING IMAGE OF BLACK WOMEN ON STAGE AND SCREEN by Lisa M. Anderson (Lanham, MD: Rowman &; Littlefield, 1997—$22.95, ISBN 0–8476–8419–9, 147 pp., illustrations, bibliography, index)

HEMINGWAY AND HIS CONSPIRATORS: HOLLYWOOD, SCRIBNERS, AND THE MAKING OF AMERICAN CELEBRITY CULTURE by Leonard J. Leff (Lanham, MD: Rowman &; Littlefield, 1997—$24.95, ISBN 0–8476–8544–6, 255 pp., illustrations, notes, works cited, index)

FOOTAGE: THE WORLDWIDE MOVING IMAGE SOURCEBOOK (New York: Second Line Search, [3rd ed.] 1997—$195.00, ISBN 1–890979–24–4, 1098 pp., glossary, index to advertisers)  相似文献   

18.
THE MEDIA IN WESTERN EUROPE: THE EUROMEDIA HANDBOOK by the Euromedia Group (London: Sage Publications “Communications in Society,”; 1997 [2nd ed.]—price not provided, ISBN 0–7619–5405–8 hard, 0–7619–5406–6 paper, 274 pp., tables, references, index)

TELEVISION UNDER THE TORIES: BROADCASTING POLICY 1979–1997 by Peter Goodwin (London: British Film Institute; Bloomington: Indiana University Press, 1998—$55.00/24.95, ISBN 0–85170–613–4 hard, 0–85170–614–2 paper, 248 pp., notes, bibliography, index)

THE INTERNATIONALIZATION OF TELEVISION IN CHINA: THE EVOLUTION OF IDEOLOGY, SOCIETY, AND MEDIA SINCE THE REFORM by Junhao Hong (Westport, CT: Praeger, 1998—price not given, ISBN 0–275–95998–8, 165 pp., tables, 1956–96 chronology, bibliography, index)

MEDIA IN EUROPE: THE YEARBOOK OF THE EUROPEAN INSTITUTE FOR THE MEDIA 1998 edited by Jo Langham‐Brown (The European Institute for the Media, Kaistrasse 13, D‐40221 Düsseldorf, Germany—price not given, paper, ISBN 3–929673–30–4, 338 pp., tables, maps, charts, notes)

TELEVISION AND CULTURE: POLICIES AND REGULATIONS IN EUROPE by Emmanuelle Machet and Serge Robillard (Düsseldorf, Germany: The European Institute for the Media, 1998—35 DM, paper, ISBN 3–929673–29–0, 182 pp., tables, notes, bibliography)

1998 GLOBAL TELECOMS TAX PROFILES: A RESOURCE FOR BUSINESS, TAX AND MARKET STRATEGIES edited by Dennis J. McCarthy, et al. (New York: John Wiley, 1998 [2nd ed.]—$150, paper, ISBN 0–471–31841–8, about 500 pp., tables, index)

CAPITALISM AND THE INFORMATION AGE: THE POLITICAL ECONOMY OF THE GLOBAL COMMUNICATION REVOLUTION edited by Robert W. McChesney, et al. (New York: Monthly Review Press, 1998— $43.00/16.00, ISBN 0–85345–988–6 hard, 0–85345–989–4 paper, 254 pp., notes, index)

STRUCTURAL AND REGULATORY CHANGES AND GLOBALIZATION IN POSTAL AND TELECOMMUNICATIONS SERVICES: THE HUMAN RESOURCES DIMENSION (Geneva: International Labour Organization “Report for Discussion at the Tripartite Meeting...,”; 1998—17.50 Swiss francs, paper, ISBN 92–2‐110966–6, 90 pp., tables, charts, bibliography)

NONE OF YOUR BUSINESS: WORLD DATA FLOWS, ELECTRONIC COMMERCE, AND THE EUROPEAN PRIVACY DIRECTIVE by Peter P. Swire and Robert E. Litan (Washington: Brookings Institution, 1998—$39.95, ISBN 0–8157–8240–3, 269 pp., notes, table, index)

ELECTRONIC EMPIRES: GLOBAL MEDIA AND LOCAL RESISTANCE edited by Daya Kishan Thussu (London: Arnold/New York: Oxford University Press, 1998—$75.00/19.95, ISBN 0–340–71895–1 hard, 0–340–71896‐X paper, 310 pp., tables, charts, notes, references, index)

TRANSFORMING ECONOMIC RELATIONSHIPS IN INTERNATIONAL TELECOMMUNICATIONS: THE CHANGING ROLE OF GOVERNMENT IN AN ERA OF TELECOM DEREGULATION by Michael Tyler (Geneva: ITU “Briefing Report, Regulatory Colloquium No. 7,”; 1998—60 Swiss francs, paper, ISBN 92–61–06751–4, 120 pp., tables, charts, notes, appendices, glossary, bibliography)

WORLD COMMUNICATION REPORT: THE MEDIA AND THE CHALLENGE OF THE NEW TECHNOLOGIES by Lotfi Maherzi (1998—about $50.00, paper, ISBN 92–3‐103428–6, 298 pp., photos, tables, charts, notes, bibliography, glossary)

WORLD INFORMATION REPORT 1997/98 edited by Yves Courrier and Andrew Large (1997—about $52.00, paper, ISBN 92–3‐103341–7, 390 pp., photos, tables, charts, index)  相似文献   

19.
Electronic Media     
THE FUTURE OF TELEVISION: A GLOBAL OVERVIEW OF PROGRAMMING, ADVERTISING, TECHNOLOGY AND GROWTH by Marc Doyle (Lincolnwood, IL: NTC Business Books, 1992‐$39.95, ISBN 0–8442–3461–3, 187 pp.)

TELE‐ADVISING: THERAPEUTIC DISCOURSE IN AMERICAN TELEVISION by Mimi White (Chapel Hill: University of North Carolina Press, 1992‐$29.95/10.95, ISBN 0–8078–2055–5 hard, 0–8078–4390–3, 218 pp.)

THE FACTS ON FILE DICTIONARY OF FILM AND BROADCASTTERMS by Edmund F. Penney (New York: Facts on File, 1991‐$29.95/14.95, ISBN 0–8160–1923–1 hard, 0–8160–2782‐X paper, 251 pp.)

SOCIETY'S IMPACT ON TELEVISION: HOW THE VIEWING PUBLIC SHAPES TELEVISION PROGRAMMING by Gary W. Selnow and Richard R. Gilbert (Westport, CT: Greenwood, 1993‐$49.95, ISBN 0–275–94390–9, 240 pp.)

TELELITERACY: TAKING TELEVISION SERIOUSLY by David Bianculli (New York: Continuum, 1992—$24.95, ISBN 0–8264–0535–5, 315 pp.).

THE RADIO STATION by Michael Keith, with Joseph M. Krause (Stoneham, MA: Focal Press, 1993—price not given, paper, ISBN 0–240–80159–8, 315 pp.)

ELECTRONIC MEDIA PROGRAMMING: STRATEGIES AND DECISION MAKING by Raymond L. Carroll and Donald M. Davis (New York: McGraw‐Hill, 1993—price not given, ISBN 0–07–010298–8, 532 pp.)

WHY VIEWERS WATCH: A REAPPRAISAL OF TELEVISION EFFECTS by Jib Fowles (Newbury Park, CA: Sage Publications, 1992‐$19.95, paper, ISBN 0–8039–4077–7, 280 pp.)

CRITICAL THINKING IN AN IMAGE WORLD: ALFRED KORXYBSKI'S THEORETICAL PRINCIPLES EXTENDED TO CRITICAL TELEVISION EVALUATION by Geraldine E. Forsberg (Lanham, MD: University Press of America, 1993–18.50, paper, ISBN 0–8191–8971–5, 208 pp.)

TUNED IN: TELEVISION IN AMERICAN LIFE by Lloyd DeGrane (Urbana: University of Illinois Press, 1991‐$11.95, paper, ISBN 0–252–06222–1, about 80 pp.)

BROADCASTING/CABLE AND BEYOND: AN INTRODUCTION TO MODERN ELECTRONIC MEDIA by Joseph Dominick, Barry Sherman, and Gary Copeland (New York: McGraw‐Hill, 1993—price not given, ISBN 0–07–017819–4, 493 pp.)

CABLE TELEVISION LAW 1993: LEARNING TO LIVE WITH THE 1992 CABLE ACT (Practicing Law Institute, 810 Seventh Ave., New York, NY 10019‐$80.00, paper, two vols, no ISBN given, 1,040 pp.)

BASIC LIGHTING WORKTEXT FOR FILM & VIDEO by Richard K. Ferncase (Stoneham, MA: Focal Press, 1992—price not given, paper, ISBN 0–240–80085–0, 109 pp.)

SINGLE‐CAMERA VIDEO PRODUCTION by Robert B. Musburger (Stoneham, MA: Focal Press, 1993‐$22.95, paper, ISBN 0–240–80034–6, 195 pp.)

THE AGE OF MISSING INFORMATION by Bill McKibben (New York: Random House, 1992‐$20.00, no ISBN available, 261 pp.)

POLITICAL BROADCAST CATECHISM (National Association of Broadcasters, 1771 N St. NW, Washington, DC 20036–1992, price not given, ISBN 0–89324–151–2, 103 pp.)

DUNCAN'S RADIO MARKET GUIDE 1993 EDITION (Duncan's American Radio, PO Box 90284, Indianapolis, IN 46290‐$265, paper, about 350 pp.)

BROADCAST AND CABLE SELLING by Charles Warner and Joseph Buchman (Belmont, CA: Wadsworth, 1993—price not given, ISBN 0–534–19770–1, 447 pp.)

DUNCAN'S RADIO COMMENTS... by James H. Duncan, Jr. (Duncan's American Radio, Box 90284, Indianapolis, IN 46290‐$50.00

PRICING & RATE FORECASTING USING BROADCAST YIELD MANAGEMENT by Shane Fox (Washington, DC: National Association of Broadcasters, 1992—price not given, paper, ISBN 0–89324–150–4, 138 pp.)  相似文献   

20.
WHATEVER HAPPENED TO MADISON AVENUE? ADVERTISING IN THE '90s by Martin Mayer (Boston: Little, Brown, 1991—$22.95, ISBN 0-316- 55154-6, 269 pp.)

THE CODES OF ADVERTISING: FETISHISM AND THE POLITICAL ECONOMY OF MEANING IN THE CONSUMER SOCIETY by Sut Jhally (New York: Routledge, 1990—price not given, paper, ISBN 0-415-90353-X, 225 pp.)

ROCK AROUND THE BLOCK: A HISTORY OF ROCK MUSIC IN EASTERN EUROPE AND THE SOVIET UNION by Timothy W. Ryback (New York: Oxford University Press, 1990—$21.95, ISBN 0-19-505633-7, 272 pp.)

MUSIC AT THE MARGINS: POPULAR MUSIC AND GLOBAL CULTURAL DIVERSITY by Deanna Campbell Robinson, Elizabeth B. Buck, and Marlene Cuthbert (Newbury Park, CA: Sage, 1991—$39.95/19.95, ISBN 0-8039- 3192-1 hard, 0-8039-3193-X paper, 312 pp.)

THE MANY LIVES OF THE BATMAN: CRITICAL APPROACHES TO A SUPERHERO AND HIS MEDIA edited by Roberta E. Pearson and William Uricchio (New York: Routledge, 1991—$39.95/13.95, ISBN 0-415-90346-7 hard, 0-415-90347-5 paper, 213 pp.)

BROADCAST ADVERTISING: A COMPREHENSIVE WORKING TEXTBOOK by Sherilyn K. Zeigler and Herbert H. Howard (Ames: Iowa State University Press, 1991—$34.95, ISBN 0-8138-0072-2, 358 pp.)

FUNDAMENTALS OF ADVERTISING RESEARCH by Alan Fletcher and Thomas Bowers (Belmont, CA: Wadsworth, 1991—price not given, ISBN 0-534-14778-X, 364 pp.)

THIS BUSINESS OF MUSIC by Sidney Shemel and M. William Krasilovsky (New York: Billboard/Watson-Guptill, 1991—$27.50, ISBN 0-8230-7706-3, 688 pp.)  相似文献   

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