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《Popular Communication》2013,11(4):253-272
This study provides a narrative analysis of documentaries on the History Channel that treat historical episodes as possible conspiracies. The analysis approaches these programs in terms of ritual, collective memory, and narrative theory. Conspiracy programs present unresolved historical episodes in which conflicting interpretations vie for dominance. It is argued that the content and structure of these programs, as well as the way they promote narrative ambiguity, provide a window into the construction of historical reality. In doing so, the programs act as a ritual cessation of the assumptions that govern predominant modes of thinking about history. Linear, conclusive narratives give way to timeless, figural open-endedness. As part of a larger genre of conspiracy texts, these programs may be emblematic of a perceived fiat of powerful groups to transgress the moral and logical bounds that structure everyday reality. 相似文献
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Ray B. Browne 《Journal of American culture (Malden, Mass. : 2003)》2008,31(3):342-342
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