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1.
This article discusses a small scale project investigating the role of writing poetry in order to strengthen pupils' responses to reading and analysing poetry. This takes place within the context of preparation for a question on unseen poetry in a high stakes examination, in a contemporary climate where creative responses to poetry are reported to be less prevalent than analytical responses within an assessment‐focused curriculum. The project investigates strategies to inspire pupils to write their own poetry and to analyse the work of their peers in order to ‘put themselves in the shoes’ of the poet, supporting them in preparing for the examination question. It also involves teacher‐modelling of the writing and reading processes to support pupils in feeling part of a reading and writing community. 相似文献
2.
Francis Gilbert 《English in Education》2012,46(3):198-211
This article aims to examine the benefits of teachers using their own autobiographical writing in the classroom. It explores the blurring of truth and fiction in autobiographical writing and argues that teachers can help students if they provide students with the cloak of fiction when writing about their own lives. Furthermore, it puts forward the case that when teachers share pertinent autobiographical episodes then pupils are more willing to respond in an engaged and passionate fashion. In developing my argument, I suggest that autobiographical writing can be therapeutic in certain classroom contexts. The data sources for this article are the author's own life and two case studies: an 11‐year‐old boy, George, and a 15‐year‐old girl, Eloise, both of whom were pupils of the author and wrote autobiographically for him. The methodological approach is that of bricolage: chiefly, the article combines ethnographical observation with interviews and discourse analysis. I also examine quantitative studies which look at the therapeutic dimensions of autobiographical writing. Theoretically I draw on Friere's concept of ‘conscientization’ (Friere 1985: 49) in order to critique the ‘banking’ concept of education, which would close down opportunities for pupils to write freely about their own lives. 相似文献
3.
《Literacy》2017,51(3):162-168
This paper focuses on a Community of Writers creative writing project where 25 primary school pupils from lower socio‐economic backgrounds took part in creative writing workshops over a 2‐week period at a higher education institution. Using practitioner enquiry and discourse analysis, this paper views identity as participation in ‘figured worlds’ and highlights the relationship between the children's creative writing outputs and their shifting identities (Holland et al., 1998 ). A case is made that children's authentic creative writing can be nurtured by a community that promotes intertextuality and ‘hybridity’ (Bakhtin, 1981 ) as well as balancing pedagogical ‘structure’ and ‘freedom’ (Davies et al., 2012 ) in order to provide textual space for writers to enact different identities. At a time when the global figuring power of performativity (Ball, 2003 ) actively restricts the ways in which teachers and children interact, this paper also presents an informed argument for the value of school–university research partnerships. 相似文献
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5.
This article describes the outcomes of a research project conducted at the Ministry of Stories (a London‐based writing centre) which sought to develop an online, mentor‐assisted, writing platform. Across a 3‐month period, at four different sites across the UK, more than a hundred Year 7 pupils took part in the project, using the platform to write stories and get feedback from mentors who came from a variety of backgrounds. For reasons of space, pupil/mentor interactions are not discussed extensively in the article; however, these stories were collected and analysed alongside a range of other survey and interview data to establish how creative writing might be developed through online mentoring, the use of an online interface and the intersection of both these tools. The article seeks to answer some questions raised by the data collected in the project, and in turn, uses both the questions and the data to interrogate some of the discourses which surround the teaching of creative writing both in and outside the classroom, and in particular the tensions that occur between the teaching of writing skills, ‘official versions’ of writing in the classroom and children's use of their own cultural resources in creative writing. 相似文献
6.
Over a number of years we have been investigating ways in which e‐communication can contribute to children's writing development and how new technology re‐frames our understandings of writing in the classroom (Merchant, 2003; Burnett et al, 2004; Burnett et al, 2005; Merchant, 2005). Here we analyse the digital writing of pupils from two linked primary school classes (Year 3–5) in the North of England. Part of the project involved the pupils in communicating about themselves and their interests to email partners of the same age. In this article, we track children's identity performance in informal message exchange and show how this contributed to a final knowledge product. We explore how work that had its origins in representing children's lives and identities reflected their position in wider cultural worlds. This perspective causes us to question whether there are there sufficient opportunities for pupils to explore and express ‘who they are’ in the current content‐driven curriculum where public genres are central and personal voice is peripheral. 相似文献
7.
My article argues that the concept of ‘aesthetic learning’ can be helpful for English teachers on two levels. First, it can be a useful identity for English teachers and students to adopt, based upon my own experiences as a secondary English teacher, creative writer and PhD student. Second, I argue that ‘aesthetic learning’ is an effective and productive way of analysing some of the learning processes that happen in the English teacher’s classroom. In order to arrive at these conclusions, I examine my own creative writing, teaching and learning processes from which I extrapolate the notion that we are all ‘aesthetic learners’ in the sense that we learn to appreciate the qualities of the worlds we inhabit, whether these are actual or virtual. Throughout, my own writing, learning and teaching are used to illustrate my argument. In particular, the article seeks to re-position my own teaching in secondary schools within the context of ‘aesthetic learning’. 相似文献
8.
John Evans Brian Davies Emma Rich Laura DePian 《British Educational Research Journal》2013,39(2):320-337
Drawing on research investigating the impact of health imperatives around obesity, diet and exercise on the actions of teachers and pupils in schools, this paper offers a reflexive account of the relationships between the ‘noise’ of obesity discourse in the public domain, policies forged to tackle health issues and the realities of teaching in schools. Our analyses suggest that intersections of bio‐policies, body pedagogies and human agents forge assemblages of meaning that frame and regulate but cannot determine either teachers' or young people's lives. Teachers and pupils experience the capriciousness of policies as they flow through specific school contexts and intersect with ‘local’ institutional cultures, expectations and interests. We suggest that Basil Bernstein's concepts and poststructural social theory prove useful when addressing how the aforementioned processes are emplaced, enacted and embodied. 相似文献
9.
Roy Corden 《English in Education》2000,34(2):35-44
Margaret Meek (1988) has described how children borrow ideas from literature through ‘unteachable’ lessons. In this article, I examine how children's written work is enhanced through ‘teachable’ lessons, where the teacher draws attention explicitly to aspects of literary texts and where children explore and evaluate literature through group reading and discussion. The ways in which children transfer the knowledge of literary devices, gained through group discussion, to their own writing are examined. The relationship between group evaluations of texts and children's writing development is explored with reference to the work of Year 6 children. This illustrates how critical reading and group discussion can raise primary children's metalinguistic awareness and develop their understanding of the stylistic features of narrative texts. 相似文献
10.
Finding the common ground: Teachers' and employers' representations of English in an assessment context 
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下载免费PDF全文 There has been a long‐standing debate about how ‘English’ can be defined. Educational policy changes have typically been driven by differing representations of the subject, and have ranged from broad ‘aesthetic’ definitions to more narrow ‘functional’ views. The present study aims to analyse areas of consensus and contention in stakeholders' discourse regarding English. A questionnaire‐based survey and focus groups were used to explore how teachers and employers viewed English as a subject. Their views were conceptualised into three themes: the importance of functional English; English as atomistic versus holistic study; and English as critical thought. These themes are discussed in relation to historical definitions of ‘English’, and their implications for the future reform of English qualifications. 相似文献
11.
Jonathan Monk 《English in Education》2016,50(2):95-115
Historical attitudes to literary creativity often focus on it as a genetic or innate characteristic. Ericsson's notion of ‘deliberate practice’ and Simon & Chase's ‘ten‐year rule’, however, have shown the importance of sustained practice to achieve high‐level performance. The iceberg illusion of elite performance leaves observers marvelling at the end product without an appreciation of the hours of work beneath the surface. This case study considers how attitudes to student creative writing may be altered by emphasising creative process. Students engaged in creative writing which literalised the iceberg metaphor, placing greater focused on the ‘submerged’ planning, drafting and revision alongside the ‘visible’ end product. Utilising the extended mind hypothesis, student responses demonstrate the importance of planning to order and develop their ideas. The benefits of encouraging an approach to creativity that negates innatist explanations in favour of a growth mindset or deliberate practice approach are evidenced. 相似文献
12.
This study examines the impact that the ‘writing in role’ drama strategy has upon underachieving year 4 children's writing. The findings draw upon observations during the activities, group interviews with the sample group and analysis of children's writing. The study shows that children have positive attitudes towards the ‘writing in role’ strategy and an increased motivation to write. Technical aspects of writing were improved which developed interesting and flourishing pieces of creative writing. 相似文献
13.
《Educational Philosophy and Theory》2013,45(5):500-521
In this article I elucidate a conception of small worlds, or ‘ontological’ contexts, within the curriculum that stand out and beyond the horizon of technological‐scientific reality, which might be linked with forgotten, marginal ways of being and thinking. As I attempt to demonstrate, it is possible that such ontological worlds apart from technology's ‘Enframing’ effect might inspire the type of meditative thinking in our classrooms that is consistent with Heidegger's notion of authentic worldly dwelling as it appears in the later writings of the 1930s, or the ‘turn’. 相似文献
14.
Set against the backdrop of children being ‘alienated’ from their writing, this paper is taken from a United Kingdom Literacy Association sponsored project where primary school teachers were trained to use process drama in order to give children more agency in their writing across the curriculum. Here, we use discourse analysis to think about the children's historical creative writing in relation to the drama lessons which are differently framed by the teachers. Building upon a theoretical model of process drama as involving ‘embodied experience’ and writing as problem‐solving, a case is made that process drama can lead to what we term ‘agentic writing’. Agentic writing, we demonstrate, involves children actively translating their embodied experience of process drama into writing by making a range of intertextual borrowings. These borrowings serve both to capture and transform their embodied experience as the children gain agency by standing outside language to achieve ‘double voicedness’ and in doing so write sophisticated texts. Seeing the relationship between process drama and writing in this light, we argue, provides a means of reconnecting children to the act of writing. 相似文献
15.
Intrinsic Factors for Continued ERP Learning: A Precursor to Interdisciplinary ERP Curriculum Design
Kuanchin Chen Muhammad Razi Thomas Rienzo 《Decision Sciences Journal of Innovative Education》2011,9(2):149-176
Unilateral enterprise resource planning (ERP) curriculum improvements from the instructor's perspective are likely to generate only limited success. Understanding student motivations and beliefs with ERP systems is the missing link to effective ERP education. Relatively little attention in the ERP literature has been given to student learning associated with ERP experience, and almost none to factors influencing current and expected student beliefs and behaviors relative to ERP. The complexity of ERP systems demands that beliefs and behaviors be considered when planning ERP curricula. In the present study, the Theory of Planned Behavior was extended to examine students’ intentions to explore additional aspects of ERP after their class exercises. When considering all students, attitude and subjective norm had positive and significant effects on intentions to continue ERP learning. Subjective norm also affected attitude, and availability of support materials had a positive effect on subjective norm. Distinctive patterns are found for the construct relationships between student groups who valued ERP education (the engaged) and those who placed little or no value on ERP education (the undecided). Results from competing model analyses indicate that support materials influenced the engaged and undecided groups differently. Strategies for ERP curriculum design are provided. 相似文献
16.
Terry Wrigley 《British Educational Research Journal》2018,44(3):359-376
In response to the increasing emphasis on ‘evidence‐based teaching’, this article examines the privileging of randomised controlled trials and their statistical synthesis (meta‐analysis). It also pays particular attention to two third‐level statistical syntheses: John Hattie's Visible learning project and the EEF's Teaching and learning toolkit. The article examines some of the technical shortcomings, philosophical implications and ideological effects of this approach to ‘evidence’, at all these three levels. At various points in the article, aspects of critical realism are referenced in order to highlight ontological and epistemological shortcomings of ‘evidence‐based teaching’ and its implicit empiricism. Given the invocation of the medical field in this debate, it points to critiques within that field, including the need to pay attention to professional experience and clinical diagnosis in specific situations. Finally, it briefly locates the appeal to ‘evidence’ within a neoliberal policy framework. 相似文献
17.
Ruth Gilbert 《Children‘s Literature in Education》2005,36(3):241-253
Mark Haddon’s The Curious Incident of the Dog in the Night-Time was the cross-over publishing sensation of 2003. It has been the subject of widespread critical and commercial acclaim and has won prestigious UK prizes including the Whitbread Book of the Year and the Guardian’s Children’s Fiction Prize. It is still enjoying considerable commercial success in the best-seller lists. This essay reads Haddon’s novel alongside Kevin Brooks’ Martyn Pig (2002), winner of the Branford Boase Award and short-listed for the Clip Carnegie Medal. Brooks’ hero, Martyn has a troubled teenage life, and like Haddon’s Christopher, he turns to detective fiction in order to shape his own experience. The essay develops the idea that “every life is in search of a narrative” (Richard Kearney, On Stories, p. 4) and argues that detective fiction, in particular, provides structures that allow Brooks’ and Haddon’s first person narrators to make sense of their confusing worlds.Ruth Gilbert is senior lecturer in English at University College, Winchester, England. She has published on gender and sexuality in early modern literature. Recent research has focused on memory and identity in contemporary British Jewish fiction. This article stems from an ongoing interest in teenage and “cross-over” fiction and creative writing. She is currently writing a novel for teenagers. 相似文献
18.
Paul Gardner 《English in Education》2014,48(3):230-249
This article employs an autoethnographic, rhizotextual approach to analyse the compositional processes involved in the construction of two poems by the same author. What the analysis reveals is not only the internal thinking of the author in the process of composition but how the socio‐cultural standpoint of the author is implicated in the texts. It is posited that, in addition to the author's own lived experience informing composition, rhizotextual analysis enables us to extend beyond the self to interrogate the ‘secondary worlds’ of others and to form an empathic relationship to the ‘Other’. The findings of this article have implications for teachers’ knowledge of the socio‐cultural contexts of written composition. An authoethnographic, rhizotextual approach allows personal insights into the self, both as a writer and a person. This approach has implications for classroom practice, particularly for writing around issues of identity located in social class, gender, ‘race’, disability and sexual orientation, as well as the growing body of work on the teacher as a writer. 相似文献
19.
Sarah Steadman 《English in Education》2003,37(2):38-47
‘The Writers' Zone’ project took place in an 11–18 mixed comprehensive in south‐east Essex. It involved 16 Year 7 boys identified as having a high level of performance in non‐verbal reasoning but low levels of performance in verbal reasoning. They were isolated from normal lessons for a fortnight to follow an alternative curriculum focusing specifically on writing. This article details the structure of the project and evaluates its success in accessing writing potential. 相似文献
20.
Writing Process and Progress: Where Do We Go from Here? 总被引：3，自引：0，他引：3
Mary Hilton 《English in Education》2001,35(1):4-11
This article examines the rationale behind the government's methods for raising standards in writing at Key Stage 2. Firstly there is a renewed drive to teach discrete units of sentence grammar. Secondly there is a fresh commitment to shared and guided writing. But, because it is envisaged that these teacher‐led sessions will take up at least half of the Literacy Hour two or three times a week, both these aims will lead to a diminution of time for written composition by the children themselves. This is in accordance with new criticisms by NLS policy makers of the model of ‘process’ embedded in the National Curriculum, particularly the idea of creative pre‐writing activities and sustained independent writing. The article goes on to argue that these new measures ignore research on the ways children learn to write and will not lead to a rise in standards. 相似文献