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1.
Abstract

This paper attempts to draw implications of neoliberalism for intercultural communication by critically analyzing a Japanese neoliberal nationalism discourse. In January 2000, a governmental report proposed adopting English as an official language of Japan. Utilizing the notion of representation as a methodological lens for the analysis, this essay first examines how Japanese culture and communication, which have played key roles in asserting Japanese “uniqueness” along with the Japanese language, are redefined in the report. This essay then investigates how Japan's relations with Asia and the West—two significant discursive “Others” for constructing Japan's identity—are depicted in the text and situate the representation of Japanese culture and communication in the discursive triad for further contextualizing the analysis.  相似文献   

2.
ABSTRACT

This essay reads the Latina/o/x migrant vernacular discourses that emerge out of pro-migrant activism. Anzaldúa’s notion of mestizaje – a logic of border consciousness – is put into conversation with Deleuze’s notion of nomad thought – a logic of movement – to inform a rhetorical strategy for reading the vernacular archive of social movement discourse. The “No Papers, No Fear” is one such social movement that demonstrate the logic of mestizaje/nomadism in their communication strategies. This study illuminates three tensions that define the ways Latina/o/x migrants in the US navigate the spaces of citizenship: tensions between movement/stasis, migrant identity/national identity, and fear/safety.  相似文献   

3.
Abstract

The establishment of the European Union, reunification of Germany, and Germany's extension of dual citizenship to immigrant minorities provided challenges to the country's understanding of itself as a nation. In negotiating these changes, debates on citizenship frequently centered on definitions of German culture. Using the concept of Leitkultur (guiding culture), conservatives argued that Germany should reject multiculturalism and stem immigration. This essay analyzes discourses on cultural policy in Germany through a contextual and textual analysis of the film Mostly Martha. In its alignment with aesthetic conventions of the art house food film, Mostly Martha participates in the debate on cultural citizenship and embodies changes in the German film industry that have moved German cinema toward increased commercialism. The film's main character, Martha, is transformed through an intercultural relationship and a trip to Italy. We argue that the film's citation of this well-known tradition of traveling south to redeem oneself and its treatment of ethnic “Otherness” engages in the Leitkultur debate and participates in the transition from national German to transnational cinema. Through the utopian treatment of Italian food, the film fetishizes cultural difference and reaffirms fixed constructs of nation and gender, thereby avoiding an explicitly politicized engagement with intercultural citizenship and identity.  相似文献   

4.
Abstract

This essay examines the relationship between globalization and the diasporic movements of cultural groups as manifested in their communication practices of identity. I argue that diasporic groups dynamically reconstitute their understandings of cultural tradition, authenticity, and identity in line with their diasporic contexts and experiences. I frame my argument around two different diasporic Pacific Islander groups Tongans and Hawaiians—each situated in a particular kind of diasporic/global movement with specific historical, political, and economic dimensions. Qualitative in-depth interviews were conducted with each of these groups in this study.  相似文献   

5.
ABSTRACT

This essay examines the cross-cultural communication strategies deployed by a coalition of indigenous tribes in Virginia to leverage the Quadricentennial commemoration of the founding at Jamestown in support of their sovereignty campaign. The tensions between Jamestown’s mythos as the “birthplace of democracy” and the natives’ historical and contemporary lived experiences, combined with the national and international attention focused on the events, constructed the 400th anniversary “celebrations” as a compelling location for social action. The coalition employed intercultural communicative practices—particularly cross-cultural dialogue and negotiation—as means of mobilizing these tensions to renegotiate their relationship with the federal government, illustrating the intersection of intercultural communication, memory, and identity.  相似文献   

6.
Abstract

This essay focuses on how immigrant mothers and second generation interracial daughters construct, perform, and negotiate racial and ethnic hybrid identities. Placing my mother's experiences in dialogue with my own experiences, I (auto)ethnographically examine how we navigate our mother-daughter relationship and intercultural and interracial identities in relation to discourses of Asian American-ness. I identify three sites for identity formation: location, language, and the dialectical tension of assimilation-preservation. I argue that the enactment of a racial self is not always a conscious part of one's identity. Rather, we each enact racialized cultural identities that are contextually performed and continuously shifting.  相似文献   

7.
Abstract

This essay discusses Nietzsche's tragic moral psychology and its significance for liberal political philosophy. In the essay, I sketch out what I view to be the basic features of Nietzsche's tragic psychology, which is strongly opposed to the Socratic and Stoic traditions, and I show how this perspective can be distinguished from the moral psychology that informs liberalism's position on issues such as personhood and political history. I conclude with a few suggestions for viewing Nietzsche's thought as a necessary corrective to a certain dogmatism that still inhabits liberal theory, in this way enabling liberal thought to conceptualise human nature and the human good in more creative and complex ways.  相似文献   

8.
Abstract

This essay examines post-migration identity of the Montagnard men who came to the United States as refugees. In particular, given the salience of home to identity, interview participants' notions of home space are explored. Findings are discussed first in terms of emotional, relational, sociocultural and political significance of home spaces that were identified by the participants. Then, the articulations of home are discussed in terms of implications they have for the current post-migration theories of cross-cultural adaptation and diaspora. The Montagnard men's experiences with and views of home shed light on applicability and limitations of the theories.  相似文献   

9.
ABSTRACT

This essay analyses two Singaporean graphic novels which represent the motivations and processes of creating and marketing cartoons, Sonny Liew's The Art of Charlie Chan Hock Chye (2015), a retrospective of the life and work of a fictional artist, and Troy Chin's ongoing autobiographical series, The Resident Tourist (begun in 2007). The analysis focuses on how Liew and Chin represent creative work and its relationship to Singaporean identity, focusing on how each negotiates one of the central contradictions of the creative industries in Singapore, the problem of how creativity can be conceptualised and practised within a society in which, for decades, pragmatism has been systematically valued and imagination devalued. There are three main ways in which both Liew and Chin construct, in very different ways, new creative worker and Singaporean identities which resonate with readers around the post-industrial world. The first is through subtle challenges to the Western, individualised ‘genius’ model of the creative worker. The second is through the creation of modes of address that encompass both Singaporean and non-Singaporean readers, and make all readers complicit in the project of constructing Singaporean identity. Third, both Liew and Chin reimagine the relationship between Singaporean and creative worker identities through simultaneously using and subverting the idea of national allegory.  相似文献   

10.
Abstract

The objective of this article is to critique the current literature on Jews and Jewishness in North American television. It is our contention that this work is problematic in a number of ways. First, it insists on a strict binary between ‘bad’ and ‘good’ television images, and ‘bad’ and ‘good’ audience responses to these images. Second, it assumes that a unified, ‘acceptable’ Jewish identity pre‐exists the production of these images, and that this identity merely needs to be incorporated into the television landscape to make its images ‘better’. Third, it assumes a direct and unproblematic relationship between what the viewers see on television and how they understand the world. In the second half of this essay we introduce scholarship in other areas of television and media studies, as well as in the emerging field of Jewish cultural studies, to point to the need to theorise a much more complex relationship between identity and spectatorship than is realised in much of the current literature on Jewishness and television. We argue that our relationship, as viewers, to television is inherently complex, contradictory, ambivalent, and shifting, and thus cannot be pinned down by rigid and hierarchical binary structures. Further, we argue that Jewishness cannot be reified as a single, visible, knowable identity, and that the ambivalent pleasures of viewers viewing Jewishness on television, including our own, must be accounted for rather than dismissed.  相似文献   

11.
Abstract

In light of identity management theory (IMT), this research seeks to uncover the stages and transitions that explain the process of relational identity formation within intercultural friendships. Three stages (i.e., initial encounter, interaction, and involvement) and two transition phases emerged within the intercultural friendships of this research. This study concludes that while IMT contributes to our understanding of the process of intercultural relationship formation, it overlooks how intercultural relationships transition from one stage to another and the influences of networks and a third cultural context.  相似文献   

12.
ABSTRACT

This essay considers the activist group FEMEN and the online reactions to their “International Topless Jihad Day” protests. Specifically, I analyze the vernacular discourses present in the Facebook group Muslim Women Against FEMEN and their counter-protests as they articulate their dissatisfaction with FEMEN’s imperialist feminism. I argue that online spaces can provide meaningful sites for Muslim women to reassert their agency alongside of, rather than despite of, their Muslim identity. Tensions over the boundaries of feminist activism help us understand how digital spaces can aid in developing a more capacious understanding of agency that actively decolonizes imperialist feminist politics.  相似文献   

13.
Abstract

The Allied occupation of Istanbul is a little-known historical event outside of Turkey and the Middle East. European powers occupied Istanbul between 1918 and 1923 to enforce the partition of the Ottoman Empire after WWI in the construction of the Modern Middle East. Almost 100 Turkish novels that address occupied Istanbul have appeared over the last ninety years, beginning even before Allied armies left Istanbul in 1923. Turkey's present Middle Eastern re-emergence and post-Kemalist reassessment of secular modernity has also led writers and intellectuals back to the occupation of Istanbul. To examine why Turkish authors return repeatedly to the trope of occupied Istanbul, this essay surveys the first canonised novels about occupied Istanbul written during the Kemalist monoparty period (1923–50): Shirt of Flame by the exiled feminist and nationalist Halide Edib (1884–1964), Sodom and Gomorrah by the Kemalist ideologue Yakup Kadri Karaosmano?lu (1889–1974) and Outside the Scene by Turkey's first experimental, modernist author Ahmet Hamdi Tanp?nar (1902–62). As bilingual Istanbul intellectuals, all three made occupied Istanbul a central drama in their fictions. However, each represented it differently as a formative event in the construction and critique of the nation-state and of modern Turkish subject-formation.  相似文献   

14.
This essay examines the topicality of intra-European intercultural tensions, focusing on German–Italian relations. Grounded in Burke’s interpretation of literature as “equipment for living,” this project uses Marisa Fenoglio’s Never without a woman—a novel about an Italian Gastarbeiter in Germany—as a case study and suggests a critical cultural analysis of German–Italian food-related rhetoric as reflective and constructive of German–Italian interculturality. This essay invites a nuanced understanding of the rhetoric of European foodways as representative of the contemporary European culture and intercultural communication because we are what we eat.  相似文献   

15.
Abstract

This article problematizes the theoretical assumption of communication-as-symbolic that delimits the way identity is theorized. I argue that deconstructing identity requires moving beyond the symbolic construction of social categories, and instead focusing on how a perceptual and embodied subject is constituted through communication. Informed by Merleau-Ponty's phenomenologically driven approach to critical inquiry, I present a multimodal approach that reveals how perceptual subjectivity and the reflexive body are constituted within, and constitutive of, the symbolic mechanisms of social construction. Utilizing various examples pertinent to intercultural communication, I theorize cultural identity through the perspective of communication-as-embodied.  相似文献   

16.
Abstract

This study is a mixed methods analysis of how French-Muslims respond to a French law banning the wearing of religious symbols in French public schools. In summer 2007, 356 French-Muslims were surveyed, and 20 of those Muslims were interviewed for this analysis. The statistical analysis reveals religiosity to be a significant predictor of French-Muslims’ negative sentiment toward la Loi 2004-228, the ban on the wearing of religious symbols in French public schools. In the interviews, French-Muslims express how they perceive la Loi 2004-228 as stifling Islamic religious identity and freedom, and leading to religious and political struggles in France. The paper concludes with a discussion of how the current situation in France represents a struggle over assimilation and how the issue of and controversy over Muslim immigration has spread throughout the European Union.  相似文献   

17.
Abstract

This essay analyzes the contemporary constructions of Latina/o identity, Latina/o gender and Latina/o nationality as evidenced in the self-proclaimed “first major studio comedy to reflect the Hispanic cultural experience in America,” Chasing Papi. The contradictions between the film's progressive mission and the film's representations are teased out by a cross-reading of the film's usage of the popular Chicana/o mythic figure, La Llorona. Invoking La Lorona as muse and means, we find that the Latin Lover stereotype succeeds in its anti-assimilationist task while concurrently furthering confusion on who and what is a U.S. Latina/o. However, the authors also demonstrate how cultural cross-readings can provide hope out of delimiting discursive constructions.  相似文献   

18.
Abstract

This essay examines how racially or ethnically different students define, make sense of, and evaluate intercultural interaction at the multicultural university. Eighty qualitative in-depth interviews were conducted with university students of varied backgrounds. These interview sessions access students' definitions, sensemakings, and experiences of on-campus intercultural interaction as it has played out in their lives. The findings demonstrate that interviewees equate intercultural interaction with being present in demographically diverse settings. Moreover, this study reveals that definitions and sensemakings of intercultural interaction vary among interviewees primarily based on their racial or ethnic background. Latino/a, Black/African American, White/European American, and Asian American interviewees define and make sense of intercultural interactions in culturally specific ways and in relation to their historical experiences.  相似文献   

19.
Abstract

Both fans and critics of Lars von Trier's work would likely agree with his capacity to make his audience suffer. This essay canvasses the devices through which the suffering of women in von Trier's melodramas is rendered excruciating to watch. Drawing on Deleuze's influential account of masochism, the first part of the essay discusses how von Trier's film Dogville foregrounds the complicated relationship that suffering has with pleasure and power. The second part of the essay focuses on the temporal dynamics of melodrama and the creative ways in which Lars von Trier disturbs the rhythms of suffering on screen. In particular I argue that von Trier introduces intervals of ‘dead time’ that make the passage of time itself painful to the audience and that open up a larger cultural history of temporal disorder. This part of the essay looks back to von Trier's early experiments with time in Psychomobile 1: The World Clock (2000) and forward to more recent innovative play with time and movement in Melancholia (2011) to make the case for rethinking the temporal dimensions of mediated suffering and the significance of time in the work of Lars von Trier.  相似文献   

20.
Abstract

Race is rigorously policed through, and predicated on, a crisis of maintaining a claim to supposed racial ontology. The language of crisis pervades race; yet crisis is only brought into focus – shows itself – when racial ontology is called into question or threatened as an axiomatic reality. This essay argues, however, that it is crisis, in the form of the imperative regulatory call to race or the intricate operations of racialising discipline that constitutes raced subjects. The crisis is one of belonging or of successfully representing a ‘racial truth’. The objective of this analysis is to demonstrate that it is when race is viewed as performative that crisis becomes evident as the ever‐present condition of racial identity formation. From this vantage point, the concept of crisis as a point of danger can be revised to be seen as a turning point when an important change can take place: then, crisis might be envisaged as a positive means through which to imagine and realise new enactments of racial being.  相似文献   

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