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1.
In this article we study the determinants of cultural participation in Israel with an emphasis on the Weberian distinction between class and status. The class measure is based on occupational groupings, and status is operationalized as a rank of occupations based on social distance. We expect that class will be less important than status in shaping cultural participation patterns. In addition, due to the importance of ethnicity and religiosity in Israeli society, we expect that these factors will be significant in shaping cultural participation. Data are based on two telephone surveys conducted in 2006 and 2007 of a random sample of the Jewish population in Israel. We find that, contrary to our expectation, class is more influential than status. We also find that ethnicity and religiosity are important factors that shape cultural participation patterns. We discuss possible explanations to the finding regarding class and status, with special attention to the role cultural policy plays in mediating the economic effect on consumer behavior. We also call for more attention to ethnicity and religiosity in studies of cultural stratification.
Tally Katz-GerroEmail:
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2.
Abstract

This paper examines the relationship between new media use and international communication that addresses religiosity and affirms users’ standpoints occupied by transmigrants that are marginalized in dominant societal structures. Drawing from focus group interviews among recent Chinese Protestant immigrants in Toronto, we argue that new media “use” is broadened by users’ cultural appropriation in situational contexts to include proxy internet access as accommodative communication given the political and legal constraints in their home country. Chinese transmigrants not only reinterpret and alter semantic associations that spiritualize the internet, they also engage in innovative strategies that involve the intertwining of offline and online communicative modes. These include deploying complementary media forms or communicating in codes that are mutually understood among participating members to facilitate intragroup networking among Chinese religious communities. Implications are discussed with regard to the importance of cultural norms and situational context in shaping mediated international communication.  相似文献   

3.
This study employs Cultural Identity Spectrum Theory to analyze identity construction and positioning of faith-based nonprofit organizations (FBOs). Intercultural communication studies have not adequately analyzed religion and identity, particularly as they intersect with socio-economic class and racial marginalization. Because religion is one of the most conflict-ridden social divides, the study situates FBOs as important (inter)cultural sites, and traces an FBO's Secular–Religious location on the Cultural Identity Spectrum to critically engage cultural discourses surrounding the organization, to shift its identity to serve historically marginalized groups. Building on the dialectical approach the study interrogates challenges of creating partnerships with diverse community stakeholders to promote enduring and far-reaching social change.  相似文献   

4.
Abstract

Originally indicative of adherence to Hindu spirituality, the bindi is gaining popularity beyond Indian shores as a trendy fashion accessory. This paper attempts a discursive analysis of the bindi as a performative indicator of acquiescence to the Indian way of life, and as a symbol of resistance to assert individuality and femininity in the pursuit of larger sociopolitical action. Research findings indicate that although it was once considered a quintessential symbol of Indian womanhood, the bindi as a performative identifier has evolved beyond religious significance to include Indo chic, political affiliation, pseudo spiritual identification, as well as feminism and social activism.  相似文献   

5.
Abstract

Two studies examined similarities and differences in how European Americans and Chinese view seeking social support as a strategy for coping with an upset. Participants (407 European Americans and 595 Chinese) completed instruments assessing the appropriateness of seeking social support and several self-reliant coping strategies (problem-solving, emotion management, avoidance) when confronting upsets. Both studies detected cultural and sex differences in support seeking. However, there were also substantial similarities in coping responses. Americans viewed seeking support as a more appropriate coping strategy than did Chinese. However, both Americans and Chinese viewed seeking support as more appropriate than the solitary coping strategies of avoidance and emotion management. Culture moderated sex differences in support seeking; American women viewed seeking social and emotional support as more appropriate than American men, whereas few sex differences were evident among the Chinese samples. Individual differences in interdependent and independent self-construals partially mediated cultural and sex differences in support seeking in Study 2; in addition, culture moderated the mediating effects of self-construal, with self-construal mediating sex differences among Americans but not among Chinese. The cultural and sex differences in self-construals, however, did not conform to theoretical expectations. Moreover, cultural and sex differences in self-construals were quite small in magnitude.  相似文献   

6.
As they conduct the practical work of collaborating during meetings, nonprofit stakeholders construct, negotiate, and manage identities. In this article we use membership categorization analysis to explore how meeting participants avow and ascribe cultural identities during collaborative meetings in two nonprofit organizations. Examination of identification practices, including employing labels for ethnic categories and implicating cultural identities through category-relevant predicates—which are part of the practical work of collaborating in nonprofit organizations—can serve as an aid to understanding how stakeholders negotiate interorganizational collaboration in social interaction.  相似文献   

7.
Why has cultural economics ignored copyright?   总被引：1，自引：1，他引：0  
My stance is that copyright policy should be viewed as part of cultural policy; cultural economists have had a great deal to say about subsidy and cultural policy but very little about copyright, though cultural economics is well placed to analyse copyright as an incentive to creativity in the creative industries because of its understanding of cultural policy and of artists’ labour markets. The article contrasts subsidy and copyright as policy tools and briefly discusses two current policy problems in relation to copyright—regulating copyright collection societies and the so-called ‘copyright levy’—arguing that these are the sort of issues cultural economists could (and should) be dealing with.
Ruth TowseEmail:
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8.
The cultural atmosphere in a society is accumulated over time through the consumption of cultural services and is diminished through depreciation. Using cultural capital (e.g., cultural heritage, paintings, music scores), cultural services are provided by the cultural-services industry (e.g., museums, opera houses); cultural capital is enlarged by new cultural goods created by individuals. Individuals’ utilities are positively affected by the cultural services they consume, by the cultural goods they create and by the cultural atmosphere and the cultural capital accumulated in society. In a laissez-faire economy, individuals tend to ignore the positive external effects of their cultural-services consumption and creation of cultural goods on other individuals via accumulating cultural atmosphere and cultural capital. Consequently, suboptimally little cultural atmosphere and cultural capital will be accumulated. The efficient intertemporal allocation can be restored by introducing an appropriate subsidy that not only stimulates consumers’ demand for cultural services and the creation of new cultural goods but also enhances the accumulation of cultural atmosphere and cultural capital.
Sao-Wen ChengEmail: Phone: +49-271-7404534
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9.
Determining heterogeneous behavior for theater attendance   总被引：2，自引：1，他引：1  
In this paper we propose and estimate a model of theater participation using the data contained in the 2002 Survey of Public Participation in the Arts from the USA, a dataset widely used to study the determinants of cultural participation. Our contribution relies on the use of an estimation technique that respects the count data nature of the attendance variable (number of theater performances that an individual attended) and allows for heterogeneous behavior. By using a Zero Inflated Negative Binomial Model, we can characterize two distinct behaviors for the observable attendance: a group of never-goers (who never participate) and a subpopulation that has a positive probability of attending. For this latter group, we can estimate the effect of certain personal variables on the probability of highest frequency. The results suggest that the proposed model is appropriate for estimating cultural participation.
Victoria Ateca-AmestoyEmail:
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10.
The is article analyses the two main approaches for artists’ selection in the recording industry: the direct model in which large major companies directly choose new artists from the supply market, and the agency model in which small independent labels realise the first choice and, subsequently, large organisations pick their new artists among those pre-selected by independents.An empirical analysis of chart sales reveals that artists selected through the agency model exhibit a longer presence on the chart due to repeated successes, while they are slower to reach heavy success once they have entered the chart. Conversely, the direct model leads to artists with a faster path to a strong success, but the same artists have a shorter presence on the chart due to the sporadic nature of their success. The profile of artists selected through these two models is also found to be different: big international soloist stars are more frequently selected through the direct model, while national bands are more frequently selected through the agency model.The insights suggest important implications for management in the cultural industries and especially in the recording industry. Jel Codes: L82; O32  相似文献   

11.
The analysis of environmental risk in historical cities facilitates the development of conservation strategies that can minimize the deterioration of historical heritage sites. Risk maps built with GIS software provide information about the probability of the main hazards in a region, and is a very useful tool to identify, evaluate and prioritize the restoration budget of a city in order to manage preventive conservation. In this paper, new methodologies are applied based on the vulnerability matrix and its relationship with static and structural factors, climate conditions, air quality and social agents. This technique has some obvious advantages in the application of risk analysis for cultural heritage conservation, such as the capability of simultaneous risk assessment and geographical references. The vulnerability study implies an on-site diagnosis analysis and requires an adapted protocol for archaeological heritage. The validation of this methodology was carried out in the historical town of Merida (Spain) with a GIS application (ArcGIS software), where the main monuments of this UNESCO World Heritage site were studied.  相似文献   

12.
This article examines the ways a social networking site for language learning (SNSLL) enhances or hinders intercultural communicative competence (ICC). The study identifies the components of intercultural competence that emerge from students’ interactions and reflections about the SNSLL Livemocha. The research was conducted with second-year students of an English class in a Colombian university. Data were collected through screen recordings, students’ logs, surveys, and a focus group. Findings indicate that, of the five dimensions of ICC, the components of Attitudes, Knowledge, Skills of Interpreting and Relating, and Skills of Discovery and Interaction featured strongly on students’ exchanges and reflections. SNSLLs hold potential to enhance intercultural skills; however, pedagogical adjustment and refocusing of some of their activities are required to expand opportunities for intercultural engagement.  相似文献   

13.
The goal of preventive conservation is to provide the correct maintenance of our cultural heritage in order to enrich our future. The Canadian Museum of Nature developed a risk model for preventive conservation that has proven useful in application to a Portuguese archive. This work applies this model to compare the magnitudes of specific risks estimated for this same archive collection when located in either of two pairs of storage rooms. These rooms are in two different parts of this building: two are in an older part and two are in a recent addition. It was, therefore, necessary to assess the building itself, both structurally and environmentally, as well as analyse its common human practices. In terms of the overall risk magnitude, the best room was found to be in the recent building and the worst in the older building. However, risks related to water problems were found to be higher in the new building. In this work cost-free measures and easy to implement recommendations are given in order to improve the quality of the storage rooms. A final comment on the method itself is also given.  相似文献   

14.
Precise documentation of cultural heritage status is essential for its protection and scientific studies carried out during the restoration and renovation process. The close range photogrammetry has been used successfully for documentation of cultural heritage. With recent developments in computer and information technologies, this well-known traditional method has been replaced with digital close-range photogrammetry. This new method offers us new opportunities such as automatic orientation and measurement procedures, generation of 3D vector data, digital ortho-image and digital surface model. Terrestrial laser scanning is another technology that in recent years has become increasingly popular for documentation which provides very dense 3D points on an object surface with high accuracy. In addition, the 3D model and digital ortho-image can be easily generated using generated 3D point cloud and recorded digital images.  相似文献   

15.
Abstract

An integration of critical and interpretive perspectives frames the analysis of interview discourse from participants in a U.S. peace-building dialogue program during 1997–1998. Israeli, Palestinian, and Palestinian/Israeli identified participants’ discourse reveals that they negotiate multiple and contextually contingent cultural identifications, and that the context both enables and constrains their relationships with each other. Discursive themes demonstrate the complexity and struggle in which participants position themselves and exercise levels of agency, and negotiate their cultural and intercultural relationships. The findings of the study substantiate calls by scholars and practitioners to incorporate contextual factors such as history, politics, social hierarchies, and agency into research and training models of intergroup dialogue.  相似文献   

16.
Abstract

The study critically reviews China's cultural policy and counterhegemony strategy against global Hollywood from 1994 to 2000. The central argument is that the Chinese government's strategy of using the so-called main melody propagandistic films to battle against Hollywood from 1994 to 2000 is ineffective in terms of film market recouped and quality films produced, but may be considered partially successful in terms of the technological renovation of film exhibition infrastructure. The reason lies in the conflict between a planned production and a market demand, plus an ambivalent explanation of the function of the film industry and an unclear definition of the cultural policy. This conflict not only speaks to the complexity of global-local interplay, but also reflects the fundamental dilemma of China's “one-party market economy” (Kahn, 2002, ¶ 2), and its contradictory perspective on globalization. The study also revisits the thesis of “cultural imperialism” and calls for a more synthesized way to explain the complex global-local dialectic.  相似文献   

17.
The band Third Eye Blind recently completed a tour, selling tickets exclusively on eBay. Many tickets were bundled with either VIP passes or autographed posters. These data are used to measure variations in price across different markets, as well as the premiums paid for different ticket types. Auctioning the tickets allows the seller to practice Third Degree Price Discrimination and bundling, without having to determine prices in each market and for each different bundle. We find: tickets bundled with VIP passes command a substantial positive premium; tickets bundled with autographed posters command a small negative premium; different prices emerge in different geographic markets; and auction prices are positively related to the fixed price at which tickets could be purchased by way of Buy-it-Now.
Timothy MathewsEmail:
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18.
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19.
ABSTRACT

Previous studies have overlooked how intermediaries and their digital cultural capital enhance the relationship between brand values and consumer identities; their specific uses of digital technologies; and how those uses are displayed in activities where intermediaries create consumer experiences. This paper thus explores the role that cultural intermediaries (music bloggers and an advertising agency) and their digital cultural capital play in making and communicating a branded music event. Briefly, intermediaries used a set of digital technologies (social media, guest lists, blogs, and websites) to create and orchestrate an authentic and exclusive experience between brands and consumers. We draw on empirical material from interviews and ethnographic work conducted in Santiago, Chile. Our study identifies digital technologies used by cultural intermediaries in communicating branded music events, including as: promotional tools; advertising campaign efficacy evaluation mechanisms; and relational objects that connect advertising agencies, music bloggers, brands, and consumers. By exploring the tensions and conflicts that arise among bloggers and advertising executives, we shed light on the uses and exchanges of digital cultural capital for commercial purposes, resulting from the connections between intermediaries that come from different fields of cultural production.  相似文献   

20.
This paper presents the work related to the 3D reconstruction of the scene depicted in the famous Piero della Francesca's fresco “The Resurrection”. The work has presented many challenges due to the fact that deliberate alterations to a mathematically correct perspective were introduced by the artist in order to visibly underline the contrast between the divine plane (Christ resurrected) and the human plane (a group of soldiers witnessing the scene). The reconstructed 3D model has been used in an interactive application enabling the virtual visit of the scene as seen from relevant viewpoints corresponding to the different perspectives and to details of the depicted figures. The application also allows to change in real-time the lighting conditions of the scene in order to compare the virtual illumination with the one present in the fresco so as to illustrate possible alternatives about the debated original collocation of the artwork.  相似文献   

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