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1.
This article explores the aftermath of job loss in journalism in 2012, a year of dramatic press industry restructuring in Australia. It reports the findings of a pilot survey of 95 Australian redundant journalists, undertaken as part of the New Beats project, a five-year, university–industry investigation of what happens to journalists, and journalism, after job loss. Three related questions drive the analysis: Where do journalists go after job cuts? How do they make sense of job loss? What happens to professional identity? In contrast to a recent study of journalists laid off from the British press, and the literature on the aftermath of job loss for older professionals, this research finds that, in practical terms, the Australian journalists had relatively better than expected post-job loss experiences. All but two of the redundant journalists seeking re-employment found some form of work within one year, and, thanks to union-enforced redundancy agreements, most left newsrooms with severance payments that cushioned the financial impact of unemployment. Yet, the majority did not resume their full-time careers in journalism, and many were emotionally traumatised not only by job loss but also career change. The article argues a sense of leaving a newspaper industry in seemingly terminal decline amplified feelings of anger and anxiety about both the future of journalism work, and lost professional identity, prompting many to leave the profession intentionally and seek jobs elsewhere.  相似文献   

2.
Research on journalists and journalistic work has focused on journalists with permanent, full-time employment. Given the rapid decrease of such employment opportunities, we argue that journalism research needs to pay more attention to those who those who have had to leave their jobs and either stopped doing journalism entirely, or who have switched to a freelance career (sometimes combining journalism with other work). This category of people is at once becoming more marginalized and “the new normal” within the occupation: In this paper, we furthermore focus on local (Swedish) journalists and ex-journalists. Based on a set of semi-structured interviews (n?=?12) with ex-journalists who share the experience of having lost their permanent, full-time jobs, we use the concept of livelihood as an analytical tool. The concept of livelihood highlights the shift from journalism as a job practiced exclusive of other jobs to an activity conducted alongside other income-generating activities and makes it possible to analyse leaving the occupation from a context that incorporates the whole life situation of the respondents. This also contributes to the current wave of studies of journalism and job loss by adding qualitative data about individual experiences of job loss to the existing quantitative survey evidence.  相似文献   

3.
ABSTRACT

The shifting constitution of journalists as humanitarian actors has profound implications for changing forms of journalism practice, as well as for the normative models through which journalists understand and reflect on that practice. In an effort to develop a more empirically-grounded engagement with change, this article explores the interview testimonies of Australian journalists who cover international and humanitarian issues. It argues that frameworks reliant on stark oppositions (between past and present, optimism and pessimism, or moral agency and material structure) are both empirically and practically problematic, and seeks to move beyond these. Engagement with data from semi-structured interviews offers insight into how journalists’ perceptions of and responses to change are shaped by the historical and shifting institutional relations in which they are implicated.  相似文献   

4.
A rise in informal labor, characterized by contracted and non-salaried positions, has been observed in many industry sectors including journalism. While opportunities for freelance journalists have increased, the journalism industry has simultaneously experienced mass layoffs. Using a survey (N?=?411), with quantitative and qualitative measures, this study assesses freelancers’ experiences in the US context with a particular attention to gender. The study finds that women perceive freelancing, but not full-time journalism, as compatible with raising children. Although there were no differences in perceptions about layoffs and job stability, the women in the sample were more likely to rely on freelancing as the only job and subsequently express concerns over pay. Open-ended responses provide further insight into the state of the journalism industry, full-time employment, and gender dynamics.  相似文献   

5.
This article examines how journalists defend their boundaries and epistemic authority in the face of the challenges from user-generated content (UGC). It investigates the issue through exploring 51 Chinese journalists’ views of UGC producers and journalism. The interviews reveal that in this case study, Chinese journalists’ commitment to their social identity as ‘people of work units’ (danwei ren), i.e. their identity is defined by the employment relationship between journalists and news organisations, forms the ground of demarcating the boundaries between journalists and UGC producers. As a result, this group of Chinese journalists reinforces their conventional journalistic norms and identity as ‘organisational men/women’ and keeps old-fashioned journalism alive. In the meantime, however, they are aware of changes in the environment within which they practice, and therefore they reflect on their work and (re-)define what journalism is in order to adapt to the changes. This case study shows that the boundary work of Chinese journalists interviewed in the study and their understanding of boundaries are contextually bound. The boundary work of journalism is not only about defence but also about adaptation. It offers a perspective for understanding both continuity and change in the transformation of Chinese journalism as well as the boundaries of journalism in general.  相似文献   

6.
《Journalism Practice》2013,7(2):224-233
Confessional journalism has become a staple of contemporary journalism, either in the form of first-person real-life experiences (often ghosted by journalists) or regular columns by journalists detailing intimate details of their lives. The form is now recognised as a distinct genre but what has not received attention, except as an internal debate within journalism itself, are the consequences of this form of writing for journalism and journalists. There is mounting evidence that editors are exerting pressure towards this form of writing, favouring particular types of writers. This review investigates the compelling ethical implications for writers and their subjects within the genre and argues that these implications are producing distinctive journalistic responses and strategies.  相似文献   

7.
Depth of Field     
Visual journalists were early adopters of DSLR cameras as a technology for the production of video journalism. While early DSLR cameras used by visual journalists were capable of capturing high-definition moving images with superior quality when compared to smaller sensor video cameras, they were designed for photography and thus presented several challenges in the context of filmmaking. DSLR cameras are often rigged with additional stabilization, audio recorders, or specialized lens in order to optimize their functions for video production. This study employs Bourdieu’s constructs of the field and habitus in confluence with the social construction of technology to examine how visual journalists reimagined DSLR cameras as video cameras and how this construction informed their professional practice and filmmaking style. Based largely on nine in-depth interviews with visual journalists who produce video journalism, this study presents how the employment of DSLR cameras informed entirely new habitus and cinematography styles while also supporting existing video journalism conventions. More experienced participants described their experiences in the context of transition, while participants early in their careers described the DSLR as part of their professional distinction.  相似文献   

8.
This article uses journalists’ memoirs, professional publications, and handbooks to show how British journalists projected images of themselves in the late nineteenth century. In a period of professional and social insecurity, journalists employed such self-presentations as a way of legitimizing their “title to be heard” in the public sphere. Rather than demand that journalism be converted into a closed profession comparable to law or medicine, journalists presented theirs as an “open profession” in which ability and hard work automatically led to success. Although such self-projections legitimized the status of elite journalists, they hampered attempts to improve journalists’ working conditions.  相似文献   

9.
ABSTRACT

This study presents the first global perspective on journalists’ perception of temporal acceleration in their professional life. Based on the second wave of Worlds of Journalism Study data, encompassing 63 countries and 26,514 replies, the article pursues the question of how journalists perceive time pressure at the workplace. The article looks further at the answers of those journalists who have been in the job for more than five years, whether they saw time pressure increase, decrease or stay the same. Based on a sample of 17,382 responses, this study places the answers into distinct clusters. These are used to establish a ranking of the 63 countries in terms of work time perceptions. It emerges that, even when using the single indicator of time pressure, clear inferences can be made about the ways information is acquired and how this affects journalists’ working practices.  相似文献   

10.
ABSTRACT

With reference to the current debate about a loss of trust in news media, journalism experts in practice and research often demand that journalists should concentrate on enhancing the quality of their reporting and hence focus on facts and evidences. Building on research on trust and credibility, we investigate how the use of different forms of evidences affects the credibility and quality evaluation of news stories, as well as the reading experience from the audience’s perspective. We conducted an online experiment to detect the influence of the presence of scientific sources, statistical information, and their visualization in an online article. Our findings indicate that these evidences increase the perceived credibility. At the same time, we found that adding scientific sources, statistical data and, visualizations to an article does not lessen its reading enjoyment but improves its perceived vividness in the view of news users. Further results and implications are discussed.  相似文献   

11.
The emergence of social media raises new questions concerning the relationship between journalists and politicians and between news media and politics. The increasingly complex media milieu, in which the boundaries between media producers and audiences become partly dissolved, calls for new theoretical approaches in the study of journalism. This article reassesses central theoretical arguments about the relationship between journalism, sources, politics and democracy. Drawing on a pilot study of the printed press, it explores the increased social media use among politicians in Sweden and its implications for political journalism. The article suggests that power relations between journalism and politics can be fruitfully explored from the perspective of mediatized interdependency, a perspective that acknowledges that journalists and politicians have become both actors and sources through mutual interaction in online spaces. Furthermore, it argues that social media use has expanded journalism's interest in the private life of politicians, thereby contributing to a de-politicization of politics.  相似文献   

12.
《Journalism Practice》2013,7(1):34-50
The field of journalism studies is growing globally, and the training of journalists is increasingly conducted within higher education institutions at both undergraduate and postgraduate level, even in countries that previously eschewed university education of journalists. Journalism studies goes beyond the training and education of journalists to encompass scholarly inquiry into journalism. Much teaching of journalism within universities is now conducted by journalists who have switched to the academy and become known as “hackademics”. This article explores the extent to which such journalists-turned-journalism-educators also contribute to a deeper understanding of journalism by engaging in scholarly research. It is based on an empirical study of 65 hackademics in the United Kingdom and Ireland, whose experiences of academic research into journalism will be discussed within the context of the international literature.  相似文献   

13.
If democracy is a platform for many voices, and the voices of the many, journalists serve democracy by bringing these voices to the forefront of governance by asking difficult questions to those in power. It can be argued that journalists engage in the broader form of surveillance of power from below, or sousveillance [Mann, Steve, and Joseph Ferenbok. 2013. “New media and the power politics of sousveillance in a surveillance-dominated world.” Surveillance and Society 11 (1-2): 18–34.], which aims towards a form of relative equilibrium. In democracies, the institutional system of checks and balances forms the basis on which journalism pursues its watchdog function. This paper explores the experiences of journalists with surveillance and their impact on journalists’ sense of freedom to fulfil their watchdog role. The paper contributes to increasing research interest in “journalism after Snowden” by addressing the intangible conditions under which journalists may or should work, and ultimately also how widely accepted standards of democratic liberties are challenged.  相似文献   

14.
The public interest is commonly presumed to be fundamental to the practice of journalism. Journalists and the media organizations for which they work routinely assume that they are able to identify what is in the public interest, and act accordingly. This article explores notions of the public interest in the context of a particular case study, that of Sharleen Spiteri, an HIV-positive sex worker who appeared on the Australian national current affairs television programme 60 Minutes in 1989 and admitted that she sometimes had unprotected sex with clients. As a consequence of the ensuing wave of moral panic, she was forcibly detained in a locked AIDS ward and a mental asylum. After she was released she was kept under 24-hour surveillance for the remaining 15 years of her life. In 2010, the authors of this article produced a radio documentary for the Australian Broadcasting Corporation about Sharleen Spiteri's case. The authors argue that her story raises some important and difficult questions for the ethical practice of journalism. They analyse the role of journalists and politicians involved in Sharleen's case, and show that their belief that they were acting in the public interest played into well-established historical narratives linking sex workers with disease and dissolution, with disastrous consequences for Sharleen herself. The authors argue that a more reflexive and responsible conception of the public interest for journalists requires them to pay more careful attention to the voices and perspectives of people who are excluded from participation in the public sphere.  相似文献   

15.
ABSTRACT

This paper analyses to whom Spanish journalists feel responsible. To achieve this objective, we sent out a survey to Spanish journalists to ascertain their opinion on this question. The journalists’ point of view was then compared with that of the general public though six focus groups consisting of Spanish citizens from six cities in Spain (Barcelona, Castellón, Madrid, Sevilla, Mondragón and Santiago de Compostela). Lastly, five in-depth interviews were conducted with journalism experts (e.g., directors of professional journalist associations). The main results show that the journalists feel particularly responsible to their conscience, the journalism code of ethics and their sources. The citizens, in contrast, believe that journalists should be responsible to the audience. We contextualised the Spanish finding in the European context by comparing our results with those derived from a study among European journalists.  相似文献   

16.
《Journalism Practice》2013,7(1):44-61
The profile of sport journalism has increased as the scale and media profile of large-scale international sporting events have escalated. This article considers the ways in which sport journalists have responded to such changes. It concentrates upon the nature of sport journalists’ relationships with their sources; their relationship with gatekeepers; and the issue of collusion, between journalists themselves and journalists and their subjects and sources. Drawing upon extensive periods of participation and observation at the Olympic Games, the FIFA (men's) football World Cup, and international football club and national championships and tournaments, and citing in-depth interviews with a senior wires-based journalist, the authors examine the practices of the sport journalism profession. These are also discussed in the light of journalists’ own published accounts, memoirs and reflections, and the wider, limited literature of research into the professional culture of sport journalism. In conclusion, the article argues that traditional legacies of source relations combine with current trends in promotional culture to confirm the collusive dynamic, and in widespread cases to intensify the trivialisation of the subject matter of the sport journalist.  相似文献   

17.
Reflecting a change from high to liquid modern culture, journalism is said to be encountering a transformation from high towards liquid modernity. Cultural journalism, however, has been found to be “journalism with a difference”. Due to this distinctive character, the principles of general journalism do not directly apply to cultural journalism. Consequently, the manifestations and consequences of the high and liquid modern ethos appear differently in cultural journalism. Proposing a theoretical framework of the core aspects of journalism—(1) knowledge, (2) audience, (3) power, (4) time, and (5) ethics—this article argues that cultural journalists differ from other journalists in their responses to the recent transformations in the professional values, working practices and the status of journalists.  相似文献   

18.
Doubly Dominated     
Based on comprehensive surveys in 2005 and 2013 among journalists, professional critics, and artists in Norway, this article analyses the cultural journalists’ position within the fields of journalism and culture. Although increasingly adhering to journalistic ideals and becoming more similar to other journalists through education and social recruitment, cultural journalism is still not the place to gain prestige and honour in the journalistic field. As cultural journalists tend to be recruited more from journalism schools than from higher education in the humanities, they also lack the skills and knowledge to be properly recognized within the cultural field. Cultural journalists seem to occupy a subordinated position in both fields—they are doubly dominated. The analysis also shows increasing differences between cultural journalists and professional critics. Cultural journalists are more anti-elite and populist in their view on culture than critics (and artists), and they are more likely than these groups to be supportive of the idea of culture as a private realm of leisure that should be guided more strongly by economic interests. There are signs of a division of labour where critique and high culture are left to professional critics, while employed cultural journalists with less formal competence adopt an advisory role in the realm of popular culture. With increasing coverage of popular culture and traditional criticism under pressure, these are signs of a less-critical cultural journalism that falls short of the idea of a cultural public sphere as a site for acquiring intellectual and cultural resources to (better) cope with the complexities of modern life.  相似文献   

19.
《Journalism Practice》2013,7(2):162-177
The purpose of this article is to present the results of a qualitative study on assignment stress injury within journalism. Thirty-one Canadian journalists and photojournalists participated in the research study. The focus of this article is on recommendations offered by our participants to address the effects of traumatic stress within their profession.  相似文献   

20.
Children’s status as a particularly vulnerable group in society implies a journalistic obligation to shed light on children’s stories and listen to their perspectives, but their vulnerable position also means they deserve protection from potentially harmful news coverage. Based on a close-reading of two extensively covered news serials concerning irregular migrant children facing deportation, and on in-depth interviews with journalists, editors, and key actors working on behalf of irregular migrant children, the present article sheds light on how journalists balance competing, ethical, professional, and organizational concerns when reporting on issues concerning children. The article shows that while journalists say they are aware of the ethical aspects concerning extensive media exposure of young children, they justify the reporting by foregrounding children as innocent victims of the immigration system and by highlighting the journalistic obligation of shedding light on the wrongdoings of this system. The potential burden of media exposure is relativized as less harmful than the alternative—deportation. Theoretically, the article contributes to the literature on children in the news media, human-interest stories and journalism, and the role of journalism reporting vulnerable groups.  相似文献   

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