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Diana Thamrin Laksmi Kusuma Wardani Ronald Hasudungan Irianto Sitindjak Listia Natadjaja 《The International Journal of Art & Design Education》2019,38(2):461-477
The profit‐driven tendency of interior design trends and styles today has developed in line with the decrease of social awareness in design. The majority of interior design students also decide to pursue interior design education for its marketable and profitable purposes rather than seeing interior design as a field of opportunity to contribute to the social welfare of their communities. Hence, the objective of this research is to implement community service through co‐design in interior design pedagogy. The article describes the learning and design methods used based on human‐centred design approaches of co‐design and analyses the resulting benefits from this approach. Findings reveal that the process of collective creativity and collaborative development with the community enables a direct experience of learning and fosters a deeper connection and understanding of users. They also promote novel multidisciplinary design innovations, accommodate the community's potentials in the society and stimulate a reflexive impact, allowing students to reflect on their future role as interior designers in bringing positive changes to their community against the profit‐driven tendency of contemporary designers today. 相似文献
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Winnie Sin Wai Pui 《Support for Learning》2016,31(4):329-346
The purpose of this study was to explore special educational curriculum design at senior secondary school level and whether this helps to enhance the academic attainment and self‐confidence of students with learning difficulties. An in‐depth discussion focuses on lesson planning for the individual needs and group needs of students by implementation of self‐regulated learning strategies, based on a case study in a special school in Hong Kong. A multiple methods research design was envisaged for the implementation phase of this participatory action research. Lesson observations, video recordings, teachers’ diaries and students’ interviews were collected during one academic year in a form 5 (equal to year 12 in the UK) classroom. It is suggested that curriculum design should include various elements: learning knowledge, values and attitudes, and generic skills. This differentiated curriculum design showed how subject learning targets could be responsive to both the individual and the group needs of students with learning difficulties. Conclusions also indicate that assisting students to become aware of their individual needs is beneficial both for learning and for curriculum design. 相似文献
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Burçak Altay Gülnur Ballice Ebru Bengisu Sevinç Alkan-Korkmaz Eda Paykoç 《International Journal of Inclusive Education》2016,20(11):1123-1141
This paper explores the process and outcome of using learner-centred methods to develop students’ empathic design abilities during an educational workshop on inclusive design. In the first section of the paper, we suggest the significance of incorporating inclusive design within the education of design disciplines. Then, we introduce a workshop on inclusive design awareness that architecture and interior design students participated, which applied various learner-centred methods. We discuss the process that incorporated project-based learning, role-playing/simulation and students’ reflections and feedback on their experience. The workshop process, the student project experience and students’ reflections on their learning indicate how multiple methods of learning engage students and enhance their empathic understanding so they can embrace differences and adopt a user-centred design approach. Based on the findings, we provide suggestions for similar educational events that can be applied in other disciplinary contexts. 相似文献
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As digital modelling programmes become increasingly prevalent in interior design education, there is concern that graduates are entering the workforce relying too much on strong graphic presentation skills while lacking the basic ability to speak about design. This study explores the gap between practitioners’ perceptions of importance regarding oral presentation competency and students’ perceptions of their oral presentation performances. Additionally, the study explores correlations between in‐class activities and students’ perceptions of their oral presentation competency. Mixed‐methods of investigation include a Delphi study with a panel of interior design practitioners and a survey questionnaire of both practitioners (n = 102) and currently active interior design students (n = 91) in the USA. An Importance‐Performance framework is employed for comparison. Results identify performance criteria for evaluating oral presentation competency and indicate variances between students’ perceptions of their performance and industry perceptions of importance. Furthermore, students’ in‐class activities including studio critiques and written peer assessments show significant correlation with student oral presentation performance indicating activities already frequently incorporated into a design curriculum may have a greater impact on improving performance than specific oral presentation instruction alone. 相似文献
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Mi Jeong Kim Seo Ryeung Ju Lina Lee 《The International Journal of Art & Design Education》2015,34(1):102-120
A design studio is a critical venue for design students, as they are educated to develop design thinking and other skills through studio courses. This article introduces a design studio project in which Korean and Malaysian students worked jointly for one semester to design affordable urban housing. The Korean students were interior design majors and the Malaysian students were architecture majors; thus it was thought that the students' areas of expertise were likely to differ. It was also anticipated that the students would display cultural differences in terms of housing and planning practices. The motive for starting the joint design studio was the idea that a cross‐cultural collaborative working setting could redefine students' thinking styles and stimulate students to obtain non‐routine perspectives on the design of buildings and spaces. Through observation and interviews, we explored how students tackled affordable housing problems within the context of cross‐cultural and interdisciplinary design education. Collaborative learning in a joint studio situation supplemented students' expertise, re‐orienting approaches to design and opening up a holistic approach to the design issues of affordability, sustainability and community. Overall, the practical learning in the joint studio project validated the importance of exploring alternative solutions based on varied levels of information, and input of those from different educational and cultural backgrounds. The cross‐cultural and interdisciplinary collaboration allowed for a previously unavailable enhancement of design education by encouraging students to obtain divergent thinking for innovative design ideas. 相似文献
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Stephanie A. Clemons 《The International Journal of Art & Design Education》2006,25(3):275-285
Interior design, as a field of study, is a rapidly growing area of interest — particularly for teenagers in the United States. Part of this interest stems from the proliferation of design‐related reality shows available through television media. Some art educators and curriculum specialists in the nation perceive the study of interior spaces as a ‘practical application’ of the arts. This article discusses an experiential design problem, originally used in higher education interior design studio courses that was modified and shared with students in third grade to address national academic standards. Later, this same project was modified for use with high school students in the educator's community and with international design students in South Korea. Lastly, the project was presented in a workshop to art education students at a higher education institution. The project was modified to address (1) the age group level and (2) a topic relevant to the audience. Goals of the design project were: (1) to explore creative problem‐solving, (2) to explore the application of design elements and principles, and (3) to increase student understanding of spatial relationships within an interior environment. Findings indicate that the project supported several visual art standards, including perception and community. This project may be of interest to current and future art educators and others interested in the potential of interior design content supporting art education. 相似文献
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唐丽 《江苏经贸职业技术学院学报》2012,(4):87-89
高职院校"室内设计"课程的传统教学方法大多侧重理论知识的传授,而不注重学生实践操作能力的培养。教师对教学方法的研究不够重视,教学手段和方法单一,造成课堂教学形式呆板、学生对所学内容不感兴趣、授课内容与就业需求严重脱节等问题。针对这一现象对高职院校"室内设计"课程教学中的角色扮演法进行研究。通过角色扮演和场景教学的方法,调动学生的学习积极性,培养学生的实践动手能力和语言表达能力,增强教学的互动性,以便在轻松活跃的课堂氛围中取得良好的教学效果。 相似文献
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Sylvia Pantaleo 《Literacy》2012,46(3):147-155
Colour, a visual element of art and design, is a semiotic mode that is used strategically by sign‐makers to communicate meaning. Understanding the meaning‐making potential of colour can enhance students’ understanding, appreciation, interpretation and composition of multimodal texts. This article features a case study of Anya, an 11‐year‐old student who participated in a classroom‐based research project that explored developing student visual meaning‐making skills and competencies by focusing specifically on a selection of visual elements of art and design in picture books and graphic novels. Excerpts from Anya's interview about her multimodal print text revealed that her intentional use of colour was affected by her participation in the learning opportunities afforded during the explorative study that included overt instruction about making meaning with colour. The semiotic analysis of Anya's use of colour in her multimodal text included a consideration of how the various distinctive features of colour were evident in her work. The article concludes with a discussion of pedagogical and assessment issues associated with teaching students about colour and other visual elements of art and design. 相似文献
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李梅 《佳木斯教育学院学报》2012,(6):80-80
随着社会的进步,人们的心理、观念意识以及文化背景都有所改变,居住方式也相应发生变化,人们对居住环境的要求越来越高。室内设计的功能服从和服务于人们的生活和工作的物质要求,同时室内环境的艺术美满足人们的精神需求。本文从室内设计的作用、室内功能美、室内艺术氛围的营造几方面进行探讨。 相似文献
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《师资教育杂志》2012,38(4):369-378
This study aimed to explore teacher candidates' reflections on the methodology and practice components of a pre‐service English teacher training programme in Turkey. For this purpose, a qualitative case study method was followed. The participants were 176 senior year students at the Middle East Technical University in Ankara, Turkey. The data were analysed by seeking patterns and themes in relation to each research question. The participants believed that a close connection between the course materials and practical application in real classrooms did not always exist. They also stated that they did not have enough opportunities for micro‐teaching and practice teaching. 相似文献
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Esther Charlesworth 《The International Journal of Art & Design Education》2018,37(2):253-264
This paper discusses the model of ‘walking the talk’, when running design studios based on the ‘live projects’ model within a university setting for vulnerable communities. This model is examined through exploring emerging humanitarian and community‐based design approaches in architectural education. It is tested through two case studies of design studios in Mostar and Beirut, led by the author between 1998 and 2002. Lessons from these community‐engagement studios are applied through a third case study, a design project for a disability day‐care centre in Hoi An, Vietnam. The project was led by RMIT University students and staff between 2009‐2011 and built in April 2012. 相似文献
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Gráinne Conole Eileen Scanlon Karen Littleton Lucinda Kerawalla Paul Mulholland 《Educational Media International》2013,50(4):277-292
This paper describes a participatory design approach to the development of inquiry‐based learning supported through a technology toolkit. The work is part of an interdisciplinary project – Personal Inquiry (PI). The paper focuses on the approach we adopted, concentrating in particular on the two mediating artefacts we used to guide and frame the design process during two design workshops. The first mediating artefact used was an inquiry framework developed as part of the wider PI project and the second was Kellett’s enquiry research bubbles, which is a framework to guide enquiry‐based thinking processes. The paper reports on data collected during the workshops and reflects on the value of the approach adopted. The paper also explores the PI‐team’s own reflections on the design process and its role in the overall project. 相似文献
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张健 《中国教育技术装备》2012,(9):82-84
在现代社会生活中,灯饰作为室内设计中的重要组成部分,应体现出功能与艺术的完美结合,因此现代灯饰的设计对艺术设计专业的学生即未来的设计师来说,既面临广阔的设计空间,又面临更大的挑战。针对此问题,将教学过程中的几点体会与学生分享,希望能够以此激发和引导学生的设计创造能力。 相似文献
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Cristina Pomales-García Kenneth Cortés Barreto 《European Journal of Engineering Education》2014,39(6):685-699
This study presents the skills, experiences, and values identified in project self-reflections of 161 undergraduate engineering students. Self-reflections from two different engineering design courses, which provide experiences in project-based learning (PBL), are analysed through the content analysis methodology. Results show that ‘application’, ‘true life’, ‘satisfaction’, and ‘communication’ are the common keywords shared in the reflections. Multiple hypothesis tests to identify differences between courses, project types, years, and gender suggest that there are no significant differences between experiences, skills, and values self-reported by students who completed either a case study or an industry project. Based on research findings, recommendations will be provided to enhance the engineering curriculum based on PBL experiences to support the development of relevant professional skills and experiences. 相似文献
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能源过度消耗,环境污染严重已经威胁到了人类的生活和身体健康,成为世界亟待解决的问题。在建筑室内设计行业中,绿色设计理念遵循的是降低能耗、循环再利用的原则,强调以人为本,促进人与自然的和谐发展。环保健康是室内设计追求的目标,绿色环保设计理念在当前已经被广泛应用,成为社会发展的主流趋势和诉求,在现代室内设计中,也应贯彻绿色设计理念,充分运用环保材料,发挥出自然资源的循环利用功能,以及绿色植物的益人作用。本文对绿色设计原则及绿色设计理念在现代室内设计中的应用进行了归纳阐述,希望为广大设计师今后应用绿色设计理念提供一定参考。 相似文献
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柴力斌 《佳木斯教育学院学报》2012,(1):54-55
意境在室内环境设计中有着极为重要的地位。现代室内环境的功能不再是仅为人们提供生存条件的物质空间,更多的是承载人的精神和情感追求的心理空间,成为连接人们情感世界的桥梁。本文在这种情况下,首先对意境以及室内设计中的意境进行了简单的说明,然后分别从空间、色彩、材质、光照、自然景观等角度对意境在室内空间中的创设进行了分析,具有一定的借鉴意义。 相似文献
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定制家具作为室内装修的重要组成部分,存在着个性化和功能化之间的矛盾。通过对室内装修中的定制家具设计要素进行剖析和概括,对工艺和结构问题进行深入地探讨,发现了定制家具在设计和安装方面的特殊性问题及其形成原因,解决了定制家具设计既满足了消费者在室内装修中的个性化心理需求,又确保了合理使用功能,为定制家具在室内装修中的应用提供了设计、制造和安装的相关注意事项及其解决方法。 相似文献
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Orest Pilskalns 《Computer Science Education》2013,23(3):193-204
A senior project course is often employed to expose students to industrial problems and teamwork. Students are expected to use industrial strength tools to deal with issues such as requirements, design, process models, collaboration, management, testing, maintenance and more. In addition, the senior project often plays a large role in satisfying outcomes related to the Accreditation Board for Engineering and Technology (ABET) accreditation process. The senior projects are often provided by the schools industry partners, however, this does not guarantee student interest and commitment. From the student's perspective, as the semester ends, so does the project. This study presents a case study for an alternative method to senior projects – an entrepreneurial approach that motivates students and aids with the ABET assessment process. 相似文献