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1.
Linda-Dianne Willis Sadia Shaukat Samantha Low-Choy 《British Educational Research Journal》2022,48(2):228-252
In this article we explore the use of teacher professional standards in an initial teacher education programme and preservice teacher perceptions of their preparedness for teaching using a survey of 54 first- and second-year preservice teachers in a graduate-entry programme. The survey asked the preservice teachers to respond to 16 questions based on professional standards as well as their knowledge of student learning, professional identity and teaching as a career path. The preservice teachers’ responses were analysed using a mixed methods approach that relied on quantitative methods, but was supplemented by qualitative analysis of short-answer responses. Our analyses hypothesised about possible links between the preservice teachers’ responses and the extent to which they perceived they were classroom and career ready. The themes of teachers, teaching and student learning are used to present and discuss the results, while the notion of agency as achievement is used to deepen possible understanding about their meaning and implications. We conclude that the preservice teachers appeared to benefit from learning about professional standards throughout their programme but appeared to lack confidence in: engaging professionally with others such as parents/carers; setting objectives for all students with different backgrounds; and implementing lesson sequences that engage students and promote learning. Most doubted teaching as their future career. Finally, we discuss implications for: adopting standards-integrated initial teacher education programme approaches; preservice and early-career teacher professional learning needs; and future research opportunities, which include using innovative methodologies and conceptual frameworks. 相似文献
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This paper explores the premise that environmental education involves raising environmental consciousness rather than simply knowing about the environment in a technical-rational manner and acting for it in mechanistic prescribed ways. The paper draws on educational theory and data from a phenomenological case study of educators working together at an outdoor education centre in urban Canada, whose practice of environmental education we believe can best be described as environmental consciousness raising. Based on our study’s findings, we suggest that raising environmental consciousness involves connecting people to their environment, fostering care for the environment, and building agency for the environment. Educating for environmental consciousness also requires providing people with deeply engaging experiences that afford authenticity, multidimensionality and serendipity. Our study shows how these features can work to raise environmental consciousness, by creating epiphanies or moments when sudden expansions of the self, realization and empowerment become possible. 相似文献
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Victoria Pavlou 《The International Journal of Art & Design Education》2015,34(2):192-205
This article focuses on ways of building preservice primary teachers' confidence in teaching art with artworks and, in particular, on how to develop their pedagogical content knowing. It is suggested that through opportunities offered for engaging in observational and reflective practices with artworks an initial groundwork is set that can challenge pre‐service teachers' preconceptions about art and promote an aesthetic form of inquiry. A qualitative approach was followed which included in‐depth interviews with twenty pre‐service teachers regarding their attitudes and knowledge towards artworks. The findings indicate that enhancing teachers' abilities to practice factual inquiries and then move on to interpretive inquiries of artworks can help them learn how to learn about artworks and how to organise meaningful art viewing activities with children. Issues relating to the participants' level of aesthetic understanding are also discussed as participants were asked to engage with artworks and their aesthetic encounters were documented. 相似文献
4.
Sebastien Fitch 《The International Journal of Art & Design Education》2018,37(2):244-252
In recent decades, the field of art education has seen an increasing interest in issues of social justice and social reconstruction which has led to pre‐service art educators often being encouraged to include potentially controversial topics in their pedagogy. Surprisingly, however, there seems to have been little concurrent discussion concerning the inherent risks involved in introducing polemical themes within the classroom. Indeed, despite its obvious importance, the subject of censorship is often given little attention in art education circles, save for when it has already become an active problem, such as when an instructor is accused of censorship by a student, or when forces outside the classroom seek to involve themselves in pedagogical decisions. In this article, I describe my experience creating and implementing an undergraduate pre‐service art education course on the subject of censorship. I begin by examining my students’ reactions to some of the themes explored, and then explain how discussing cases of art censorship and controversy can serve as a platform for introducing students to the key role that context plays in how we perceive, value and react to artworks. Finally, I make the argument that by including censorship as a subject within their curriculum, teachers can help students better to navigate the psychological, moral and ethical complexities of contemporary art making. 相似文献
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尹健君 《淮北职业技术学院学报》2005,4(4):47-48
本文站在培养具有“创造意识”、“创新精神”和“实践能力”人才的角度,探讨基础美术教育如何适应现代社会人才培养观的需要。提出基础美术教育应加强艺术设计教育,重新整合教材内容,以充分发挥其在素质教育中的重要性。 相似文献
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This paper explores the beliefs about self-as-teacher, learning and teaching of preservice elementary teachers during a three-year undergraduate programme. Using a qualitative grounded theory analysis, the study examined the initial beliefs or personal theories of 27 preservice teachers during their first Semester. Longitudinal data were gathered from 7 of these students over the three-year duration of their teacher education programme through iterative interviews and reflective journal analysis. The findings demonstrate expansion in preservice teachers’ understandings of the teacher’s role, the value of reflective practice, the differential needs of learners and approaches to pedagogy. Findings point to lacunae in preservice teachers’ capacity for critical reflective practice and demonstrate how classroom management concerns can cause preservice teachers to adopt more cautious and traditional pedagogical approaches, despite their espoused commitment to child-centred principles. 相似文献
7.
Frances Howard 《The International Journal of Art & Design Education》2020,39(3):672-685
Art education is often praised for its engaging programmes and inclusive pedagogies, with many initiatives created with the intention of widening access for those who are deemed to be lacking. This article investigates one such programme – the young people’s Arts Award, which is a nationally recognised qualification for young people aged 11–25. I call upon a range of pedagogies in order to critique the Arts Award within the context of informal and alternative education settings in the United Kingdom. Drawing on a 12‐month ethnographic study, the research was conducted across five diverse programmes which included youth work projects and alternative provision. I present two cases – ‘learning to be an artist’ and ‘learning to behave’ – which demonstrate a hierarchy of pedagogy in the application of this programme across these particular contexts. Artists’ Signature Pedagogies are used as an analytical framework to explore the affordances of working with artists through the programme. Further, I engage with the Pedagogy of Poverty to demonstrate that young people who were classified as ‘dis‐engaged’ were more likely to receive lower quality programmes, low‐level work and over‐regulated teaching. I argue that despite changes to the ways that young people access art education, there continues to be unequal opportunities. This finding is significant for not only creative practitioners and youth arts workers, but also arts education policy makers and programmers. 相似文献
8.
当下高校艺术教育存在着模式单一、路径太窄、创新能力薄弱等问题,而民间艺术的原生性质、健康情感与朴拙风格,对改革高校艺术教育有着拾遗补阙的功能。针对艺术教育的现状并结合个人教学实践,我们建议:(1)各地高校充分利用区域性人文艺术资源,在调查研究的基础上,把民间艺术的丰厚积淀转化为教学资源,改变艺术类专业与课程的趋同现象。(2)采取"1+1"教学模式,请民间艺人走上大学讲坛,走到师生之间,用其本色语言讲述自己的创作甘苦,弥补学院与书本教学之不足。(3)艺术专业的师生走出校园,走向民间,走向原生态的民间艺术,通过田野调查,既为区域文化建设做一些具体工作,同时增进对民间艺术的认知,从而提高人文素养。 相似文献
9.
闵永新 《安庆师范学院学报(社会科学版)》2011,30(6):95-100
科学教育与人文艺术教育相融合是当今世界教育发展的一种趋势,结合专业课程教学进行人文艺术教育,是深化大学生文化素质教育的重要手段,是实施人文、艺术教育与科学教育融合的重要渠道。在物理教学中把科学教育与人文、艺术教育相融合,充分发掘科学教育的人文艺术价值,使学生在融会贯通中汲取智慧,获得心智训练和提升,是物理教师的神圣使命。 相似文献
10.
Durward L. Allen 《The Journal of environmental education》2013,44(1):9-13
Abstract The purpose of this study was to evaluate the effect of participation in a 3-day outdoor environmental education program on preservice teachers' attitudes toward self-efficacy—which is a teacher's belief that he or she can teach environmental education (EE) effectively—and on outcome expectancy—which is a teacher's estimation of his or her influence on student learning. Participants were a convenience sample of 72 preservice elementary teachers taking a science methodology course at a state university. Participants were divided into 2 groups for this modified pretest/2-posttest/control group study. The instrument for all 3 tests was Sia's (1992) Environmental Education Efficacy Belief Instrument. The authors used parametric t tests to compare group means. The results suggested that the preservice teachers' self-efficacy was high before the program and remained unchanged by their teaching experiences but dropped significantly approximately 7 weeks after teaching. The lack of change in self-efficacy from the teaching experience was attributed to the structured nature and success of the teaching experience, but the negative effect of time on self-efficacy was believed to have resulted from the preservice teachers reevaluation of their ability to teach as they learned more about teaching methodologies. In addition, there was no significant change in outcome expectancy as a result of participation in the program or over time (7 weeks). 相似文献
11.
文章主要研究高职院校陶瓷艺术教育中兴趣培养带动多元能力培养的策略。教师在陶瓷艺术教育中要注重转变教学方法,创设生动的艺术情境;解放学生的艺术思想,培养学生的想象力;引导学生主动创造,培养学生的艺术敏感性;有效开阔学生的眼界,让学生深入了解陶瓷艺术市场;以信息技术为载体,强化学生的创新效果。 相似文献
12.
公共艺术教育是高等院校素质教育的一项重要内容,在提高大学生综合素质,促进大学生身心和谐健康发展,培养创新思维等方面具有重要作用。针对目前公共艺术教育实施过程中所存在的问题,各高校应从课程设置、管理机构、师资队伍、教学设施、教学环境、教育评估等方面,加强公共艺术教育的建设,保障公共艺术教育的顺利开展和健康运行,充分发挥公共艺术教育在促进大学生全面发展方面的重要作用。 相似文献
13.
徐楠 《杨凌职业技术学院学报》2012,11(1):94-96
随着我国对学前儿童教育日趋重视,高校学前教育专业人才培养的推进与改革被推上了日程,这对于学前教育的每一位专业教师的自身发展与提高就提出了更高的要求。笔者通过在自己的教学工作实践中总结出来的经验与心得,从美术教师应具有全面的专业文化素质、先进的现代化教育理念、教学手段以及灵活的教育创新改革教学方法、对学生应具有的责任心和教师的思想道德素养几个方面进行了论述。 相似文献
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Talita Groenendijk Andrea Krpti Folkert Haanstra 《The International Journal of Art & Design Education》2020,39(1):153-175
A tool for self assessment in secondary art education was developed and tested. The tool includes rubrics for assessing production and reception activities in art education and consists of visual and text rubrics. The criteria in the rubrics are based on the Common European Framework of Reference for Visual Literacy which was developed by The European Network of Visual Literacy (ENViL). The way teachers and students use the rubrics, whether they consider them helpful and to what extent students’ self‐assessments are in line with teacher assessments was studied. It was concluded that teachers work with the rubrics intensively and both students and teachers appreciate its visual form. However, it was found that the agreement between teachers and students about the students’ scores was moderate and needed to improve. The results show that it is untrue that students, or boys in particular, overestimate their own performance in art education. The current study contributes to the development of feasible and valid assessment criteria and instruments in secondary art education. 相似文献
16.
Cristin Silva Pacheco 《The International Journal of Art & Design Education》2020,39(1):242-254
This article proposes to explore the relationships between art education and the development of complex thinking (proposed as metacompetence in this study) from a theoretical perspective. This is an approach that arises from contemporary conceptions about art, which is an intrinsic relationship between the artwork and the creative and critical character towards representation systems. Emphasising the definition of complex thinking proposed by Mathew Lipman serves as a guiding axis to try to establish the cognitive processes that compose it. Among the main findings is that the development of complex thinking and cognition occurs through action and interaction with the environment, thus linking to the notions of ‘situated competence’ and the ‘complex approach to competences’. By including cognitive and metacognitive processes, it allows us to postulate complex thinking as metacompetence. In addition, it is proposed that the use of learning methodologies (under a competence‐based approach) could contribute to an art education where students produce artistic works that involve critical, creative processes or divergent results. It is also necessary that both the curriculum and the teachers encourage an expanded and interdisciplinary vision, understanding that art is not circumscribed to a specific discipline. 相似文献
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《Studying Teacher Education》2013,9(2):115-116
This article reports a study of literacy instruction in our own elementary preservice program. It examines the views and practices of both the preservice faculty who teach literacy and a sample of graduates of the program during their first three years of teaching. The new teachers reported learning many things from their preservice program, including the importance of engaging learners, strategies for developing an inclusive class community, the names of high-quality works of children's literature, and a variety of general teaching strategies. However, there were gaps between what was taught and what the new teachers wanted to learn. The new teachers struggled with program planning, desired more direct instruction on developing a literacy program, and wanted closer links between theory and practice. The teacher educators tried to cover so much material that the new teachers were unable to develop a focused, coherent pedagogy. The authors describe how they are revising their courses in light of these findings, modifying their approach to preservice instruction, and giving priority to certain key aspects of teaching. 相似文献
19.
高职教育中的美育渗透 总被引：1，自引：0，他引：1
高职教育的发展需要加强人文精神的内涵，其中审美教育是最重要的组成部分之一．审美教育就是要培养健全和谐的人，把审美教育渗透到高职教育的各个方面和环节之中．通过教师的言行渗透审美教育；通过课程教学渗透审美教育；通过开设各类艺术欣赏选修课，帮助学生建立审美意识；通过开展丰富多彩的校园文化活动，引导学生进行审美实践和创美实践；通过创造优美和谐的校园环境渗透审美教育． 相似文献
20.
Meltem Kuvac 《Educational studies》2019,45(1):72-94
This study attempted to investigate the effect of problem-based learning (PBL) on the environmental attitudes of preservice science teachers. In the study, an experimental design was used with a pre-test and post-test control group. In all, 51 junior preservice science teachers participated in the study. The study was carried out over 10 weeks within the scope of an environmental science course. During the study, lessons in the experimental group were processed using a PBL approach while lessons in the control group were processed using a traditional teaching approach. Data were collected through a personal information form and environmental attitudes inventory. Data were then analysed using PASW Statistics 18 (SPSS Inc.). The findings of the study revealed a statistically significant increase in favour of the experimental group preservice science teachers’ environmental attitudes. An increase in environmental attitudes was also found in the control group; however, this increase was not statistically significant. As a result, PBL was found to be more effective than the traditional teaching approach in the development of environmental attitudes in preservice science teachers. 相似文献