共查询到20条相似文献，搜索用时 31 毫秒
1.
Kylie Budge 《The International Journal of Art & Design Education》2016,35(2):243-258
Learning to be an artist or designer is a complex process of becoming. Much of the early phase of ‘learning to be’ occurs during the time emerging artists and designers are students in university art/design programmes, both undergraduate and postgraduate. Recent research reveals that a critical role in assisting students in their maturing identities as artists and designers is played by artist/designer‐academics teaching in university art and design programmes. By maintaining active art/design practices and drawing from these in their teaching, artist/designer‐academics model professional practice to students. Witnessing and interacting with such modelling is part of the process of students learning the shared discourses, views and practices of the art or design worlds to which they aspire to belong. The modelling of professional practice is critical to an artist or designer's ‘learning to be’ experience because it enables students to access the tacit and nuanced behaviours, languages and cultures that constitute contemporary art or design practice. This article outlines findings from a recent Australian study revealing the role of professional practice modelling in university art/design teaching. It highlights the centrality of professional practice modelling to artist/designer‐academics in their beliefs and approaches to teaching their academic disciplines. In critically exploring the research data and findings this article describes the role that modelling of practice plays and how it comprises a core part of the value that artist/designer‐academic participants contribute to the teaching of art/design education. 相似文献
2.
Learning how to effectively write a literature review is a critical tool for success for an academic, and perhaps even professional career. Being able to summarize and synthesize prior research pertaining to a certain topic not only demonstrates having a good grasp on available information for a topic, but it also assists in the learning process. Although literature reviews are important for one’s academic career, they are often misunderstood and underdeveloped. This article is intended to provide both undergraduate and graduate students in the criminal justice field specifically, and social sciences more generally, skills and perspectives on how to develop and/or strengthen their skills in writing a literature review. Included in this discussion are foci on the structure, process, and art of writing a literature review. 相似文献
3.
ABSTRACTIn this article, the authors, based on a process developed in the context of US higher education, demonstrate a model for undergraduate student research skill development that involves academic staff writing collaborative book reviews with undergraduate students and librarians, especially librarians that are also academic staff with relevant content expertise. This model can and should be modified to fit various disciplinary contexts and academic circumstances, potentially around the world. The authors acknowledge that this model will be more useful for academic staff in the social sciences and humanities as compared to the so-called hard or natural sciences. The authors reimagine book reviews based on the notion of ‘scholarship as conversation’ in library science. As evidence, the authors describe the origins of this unique collaborative process and document the impact of academic staff, librarians, and undergraduate students partnering to increase the academic rigor of book reviews. Contributing to scholarship at the intersection of research skill development, information literacy, and embedded librarianship, this article identifies a strategic opportunity for collaboration that makes writing reviews more engaging and educationally productive for students, academic staff, and librarians. 相似文献
4.
Kelly Goodwin 《Journal of Further & Higher Education》2019,43(4):521-532
This article reports the findings from an institutional case study into the work placement experience of undergraduate international students studying at a UK-based university. Given the centrality and importance of the employability and internationalisation agendas in higher education, little published literature considers both and how they impact upon the work placement experience of international students. With past increases in international student recruitment numbers and the drive for students, regardless of their nationality, to gain work experience, there is a need for institutions to better understand work placement from the international students’ perspective. Findings revealed that challenges exist in finding and securing work placement, with critical themes emerging to include placement information, visa rules, culture differences, prior work experience, academic preparation for placement and academic writing ability. A support framework is proposed to assist institutions to consider how they could align their practices to meet international students’ work placement and employability needs. 相似文献
5.
The issue of mathematics underachievement among students has been an increasing international concern over the last few decades.
Research suggests that academic success can be achieved by focusing on both the individual and social aspects of learning.
Within the area of mathematics education, the development of metacognitive skills and the incorporation of discourse in classroom
instruction has resulted in students having deeper conceptual understandings of the content and increased mathematical achievement.
However, studies in this field tend to focus on the effects of these practices separately, making research that seeks to harness
the potential of both quite rare. This paper reports on a study that was aimed at addressing this gap in the literature by
examining the effects of writing and argumentation on achievement. Two hundred and eleven students and five teachers participated
in this multimethod study that investigated the effects of three treatment conditions on mathematical achievement. These conditions
were writing alone, argumentation alone, and writing and argumentation combined. Analysis of covariance revealed significant
differences between the groups, and tests of the contrasts showed that students who engaged in both argumentation and writing
had greater knowledge gains than students who engaged in argumentation alone or neither activity. 相似文献
6.
This qualitative research study examines how 12 undergraduate second-language learners understood the concept of citations in academic writing. The following questions guided this study: What are the participants’ beliefs about citing research? How do students conceive the role and function of citations in their writing assignments? How do they make decisions about what and what not to cite? Results indicated that students believed that citations were a superficial accessory to the main text and only cited information to comply with teacher directives, thereby, sacrificing their own empowerment in the writing process. To overcome their unfamiliarity with academic prose, students created specific compensatory writing strategies. Although this study included only L2 students, the findings are consistent with the research involving monolingual students. This research can inform educators about the need to engage undergraduate students in participatory discussions about the role, function, and power of referencing within a privileged academic discourse. 相似文献
7.
郭三科 《渭南师范学院学报》2004,19(3):90-92
段国超教授的《文艺论稿》以历史的和美学的辩证统一的标准研究、评论文学艺术,编选其中的论文堪为科学研评的范例;研究深入,富有新意,具有很高的学术价值、资料价值;对当代文学艺术的健康发展起到了导引作用;该书的出版对人们学习他的治学精神和方法,也很有教益。 相似文献
8.
The literature on academic writing in higher education contains a wealth of research and theory on students’ writing, but much less on academics’ writing. In performative higher education cultures, discussions of academics’ writing mainly concern outputs, rather than the process of producing them. This key component of academic work remains under-theorized, and the exact nature of the challenge of academic writing is understated at best and misunderstood at worst. This paper offers a new approach to academic writing, based on a transactional and a systems model, which aims to understand academic writing practices. This paper offers a new explanation of the challenge of academic writing, defining factors that enable and inhibit academics’ writing. 相似文献
9.
The task of writing about the process of making and contextualising art can be overwhelming for some graduate students. While the challenge may be due in part to limited time and attention to the practice of writing, in a practice‐based arts thesis there is a deeper issue: how the visual and written components are attended to in a manner that neither is subjugated and both are fully realised. Helping students to revision art and writing as similar creative processes that can be structured around a framework designed to address both processes can override the conception that writing and art are polarising forces. This article describes one such framework that was found to be effective from both the perspective of the professor and the student in fleshing out the heart of both artistic processes and finding an integrating structure that moves a thesis to fruition. 相似文献
10.
Art educators have been promoting Community‐Based Art Education (CBAE) in schools in order to enhance students’ sense of socio‐cultural identity and contextual learning about local art and culture. It cannot only bridge the gap between the students’ daily lives and the communities and art, but can also enhance their inquiry, discovery and meaning‐making abilities. In China, the community‐based approach plays a significant role in the National Standards for Visual Arts, and Chinese art educators have been applying CBAE in school art education for decades. However, Western art educators are still unfamiliar with the issues, practices and challenges related to CBAE in China owing to language constraints. In light of the above, this article aims to initiate a dialogue between Western and Chinese CBAE researchers through discourse and discussions on the main issues related to CBAE in Chinese art education. It outlines current practices of, and issues related to, CBAE from the perspective of Chinese art education. It also discusses the three major challenges to the implementation of CBAE in China, namely the conflict between indigenous knowledge and official knowledge in the school art curriculum, lack of motivation among teachers, and neglect of context in the practice of local art in schools. It is hoped that this article it will enrich our overall knowledge of CBAE and contribute to the understanding of CBAE from a global perspective. 相似文献
11.
Vera Sheridan 《Higher Education》2011,62(2):129-140
This qualitative study examines the interplay between academic staff and international students with regard to developing
academic literacies at university. Higher education has traditionally responded to increasing student diversity with the expectation
that students will conform to institutional norms or habitus. In this context international students arrive with cultural
capital which may not fit such norms, and would benefit from developing their academic literacy, as indeed would home students
given an increasingly diverse student body in Irish higher education. Findings reveal a gap between academics expectations
and international students’ capabilities. Academic staff remained within the remit of the research in contrast to the 22 international
students who were interviewed. They did not separate the totality of their campus experience from academic literacy practices.
These ranged from uncertainty around writing in another language to a mismatch between diversity management in class and students’
own expectations. International students found difficulty to making friends on campus which could benefit their integration
into the academic literacy practices of their respective disciplines. Findings point towards a whole institution response
to student diversity which transcends traditional disciplinary boundaries. 相似文献
12.
This classroom ethnography examines the engagement of fifth-grade children in a year-long study of rights, respect, and responsibility,
which culminated in a focused study of tolerance and intolerance organized around literature regarding the Holocaust. A close
examination of one teacher’s approach to teaching about the Holocaust, the study highlights the importance of long-term engagements,
a layered curriculum that supports children in building understandings over time, and varied opportunities for making meaning
together. This approach included empathy-building, a focus on rescue and resistance and the bystander response, building a
knowledge base about the Holocaust, stories of individual experiences, and opportunities to make personal connections. Drawing
on samples of student talk, writing, and art, the article illustrates how children built upon academic and social practices
established from the first days of school to expand their repertoire of meanings, language, and actions of (in)tolerance,
gaining more complex understandings of the social, political, and moral implications of the Holocaust. Students in this bilingual
class also developed individual and social actions in speaking out against social injustice in their own communities. The
author argues that this classroom experience supported students as critical citizens who conscientiously and compassionately
participate in the day-to-day building of more equitable communities. 相似文献
13.
Supporting undergraduate students with their academic literacies has recently been a major focus in higher education in the UK. This paper explores the value of tutor mediation in the context of academic writing development among undergraduate business studies students in open and distance learning, following the dynamic assessment (DA) approach that has been developed within Vygotskian sociocultural theory of learning (Vygotsky, 1978). DA is an assessment approach that blends instruction and assessment. The data, which came from a pilot study of a larger research project, consisted of text-based interaction between a tutor–researcher and two business studies students across various drafts of two assignments in line with the DA approach. This interaction was mediated by computers mainly through emails. The analyses of such interaction suggest that DA can help to identify and respond to the areas that students need the most support in (in this study, managing information flow). Finally, we argue that a learning theory-driven approach such as DA can contribute to undergraduate students’ academic writing development by responding to their individual needs. 相似文献
14.
Jacquie Swift 《The International Journal of Art & Design Education》1999,18(3):281-292
This paper seeks to demonstrate the way in which a group of second year BA Fine Art in Context students and I worked to demystify the process of academic essay writing and to set about the task of examining their own creative thinking and its relation to their art practice. It is also a tribute to the dedication they brought to the project. Fifty students took part, but it is with regret that for reasons of space only nine examples could be selected as representative of their wide-ranging scope and expertise. These are presented in three broad categories that the work overall suggested; the use of materials to symbolise and communicate ideas; the layering of combinations of images, thoughts and words; the juxtapositioning of words, objects and images to indicate the struggle to integrate and relate them, as well as the innate intractability of the materials thoughts and words themselves. 相似文献
15.
The doctorate in Fine Art has had a troubled history in the UK. Although there are growing numbers of doctorates being undertaken and over forty institutions which offer doctoral study, there is still little understanding of this research culture. There is a developing literature, but it remains curiously focused on research methods and protocols rather than on establishing the character of the culture through what is being produced by doctoral students. Macleod and Holdridge have produced an AHRB‐funded study of selected exemplars of doctoral submissions. The study seeks to make both a practical and strategic intervention in the ongoing ‘making/writing’, ‘theory/practice’ debate. It also seeks to clearly demonstrate how artist researchers have dealt with the academic requirements of the PhD and how the production of a substantial written text (generally 30,000 words plus) showing a keen knowledge and criticality of the subject field has been achieved. The exemplars demonstrate both the distinctive and the normative character of the PhD in Fine Art. However, the underpinning empirical research for the study (1996 —) has also demonstrated the critical independence of such exemplars within the broader field of academic research. Through a brief analysis of three doctoral submissions selected from the study, the paper seeks to draw out some of the more important findings and their implications for the developing research culture. 相似文献
16.
《Critical Studies in Education》2013,54(2):145-155
Against the background of an increasing drop‐out rate of students with ethnic minority and working‐class backgrounds, the aim of this paper is to discuss the ways in which writing practices in Swedish teacher education produce power and include/exclude subjectivities. A conventional academic writing practice will be compared to a hybrid writing practice that has been experimented with for several years at the Stockholm Institute of Education. This hybrid writing practice is characterized by two intertwined features: a divergent complicity that combines diverse subjectivities and multiple theories in a multigenre text; and a convergent and reductive shift that makes academic writing accessible. As the paper will show, a hybrid writing practice can strengthen the inclusion of students with ethnic minority and working‐class backgrounds and, in turn, help them finish their programs. It is, however, not bereft of all exclusionary tendencies. 相似文献
17.
Albert Stabler 《The International Journal of Art & Design Education》2018,37(3):377-386
A primary function of schooling is to impart moral discipline, and art education distills this role to its core imperative of mandated pleasure, summarised by Jacques Lacan as the ‘will to enjoy’. This manifests in the insistence that, despite producing similar outcomes, students come to recognise themselves as unique and creative. In the twentieth century, art education in the USA has developed methods for extracting supposedly intimate personal expressions from young people, albeit without demanding the technical versatility, historical knowledge and critical reflection required of mature artists – the exception to this, despite its many flaws, being so‐called Discipline‐Based Art Education, or DBAE. In this article, I begin with reflections on the untapped potential of DBAE to relate to contemporary art practices. My ideas on moral instruction are expanded upon in the second section, when I undertake a ‘backwards’ history of British and American art education, in which the ideal of art class as a site of intrinsic and authentic meaning‐making is challenged by the functional requirements of education. My last section takes up a critique of critical pedagogy, in which I use the example of a project my high school students did about Michael Jackson to challenge ways in which trauma and pleasure are seen by critical pedagogues as features of experience that conflict fatally with the educational ends of individualist autonomy. 相似文献
18.
《Assessing Writing》2006,11(1):66-73
In this article, the authors argue that evaluation courses grounded in assessment theory and situated within a cultural context of actual workplace practices enhances student learning. Giving students the tools that assessors, both formal and informal, use helps them learn to anticipate and generate those tools for writing situations they will encounter in the future. The authors detail the development, structure, activities, and outcomes of an evaluating writing course at the undergraduate level to illustrate their assertion. Theories and concepts that guide and support the course's ongoing development are also presented. Benefits of the course, demonstrated through various sources including surveys, course evaluations, and student achievement on assignments, are identified. Achieved outcomes support the claim that a course with an explicit focus on evaluating writing, one featuring a critical understanding of criteria for writing in diverse contexts, fosters students’ own development as writers. 相似文献
19.
《International Journal of Educational Research》2004,41(2):136-162
The merger of art schools into academic institutions and the consequent proliferation of higher degree courses in the visual arts has created pressure for these courses to justify that their research content ‘measures up’ to more traditional research practices.This study aimed to identify the parameters for PhD examination and research practices in the field of Fine Art through interviews with Fine Art examiners as well as an analysis of written PhD examination reports. A comparison of PhD examination reports across disciplines revealed that there were similarities as well as some significant differences between the type of feedback provided by Fine Art examiners and feedback by examiners from other disciplines. Interviews with 15 Fine Art examiners from 11 Australian institutions provided information about the expectations, standards and models of evaluation in the Fine Art field as well as how examiners perceive their role and what constraints are evident in current examination processes. 相似文献
20.
Graham Badley 《Teaching in Higher Education》2013,18(2):209-219
Academic writing, especially the writing of research articles, dissertations and theses, is often viewed in the literature as ‘writing up’. It is as if first comes the research, an active creation of new knowledge, and then comes the writing, a relatively passive assembling of what has already been achieved. It is as if researching and writing were two entirely separate processes. Alternatively we may choose to conceive of academic writing as a set process which overlaps considerably with researching itself and, indeed, which may contribute dynamically to knowledge making. This article outlines some of the ways in which we may re-conceptualize academic writing as a more dynamic set of activities and practices. This includes a consideration of, for example, academic writing as constructing, deconstructing and reconstructing knowledge, connecting, disconnecting and reconnecting concepts, describing and re-describing our views of the world, as well as shaping, mis-shaping and reshaping ideas. 相似文献