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1.
“新六艺”教育是佛山市南海外国语学校基于中华美育精神构建的大美育体系。学校通过实行“减负”三部曲,即推行周末零作业、早上推迟30分钟起床、整合语数英等必修课课时,开辟美育时空;通过实行“添彩”三重奏,即打造课程阵地、课堂阵地、文化阵地,描绘美育画卷。“新六艺”教育在“点亮”自己的同时也“照亮”了他人。学校通过“输血”和“造血”两种方式,用“新六艺”教育打通教育扶贫“最后一公里”,引领每个大山孩子走向美美与共的美好境界。 相似文献
2.
Mark Jackson 《Educational Philosophy and Theory》2017,49(13):1267-1276
AbstractThe philosophy of Immanuel Kant has been important in education theory, especially in the historical context of the Enlightenment and its legacies on contemporary understandings of global education. Particular reference is given to Kant’s writing on Enlightenment thinking and especially to his 1803 Über Pädagogik/Lectures on pedagogy whose groundwork tends to be thought from an empirical anthropology. This paper aims to question education, though from the perspective of a Kantian understanding of aesthetic experience, a perspective developed initially from my reading of Denis J. Schmidt’s Lyrical and Ethical Subjects (2005). In the Critique of Judgement (1986), Kant develops an ‘Analytic of the Beautiful’ that offers transcendental grounds for the possibility of aesthetic experience. In doing so, he discusses, somewhat briefly, training in the fine arts and even more briefly offers, somewhat indirectly, a far-reaching transcendental ground for pedagogy. It is these two brief accounts that form the substance of this paper, requiring a somewhat extended introduction to Kant’s Critique of Aesthetic Judgement in order to develop its analysis. From this analysis, two key questions arise: if fine art cannot be learned, and if imitation would ultimately aim at producing an objectively determinable rule—via a determinable concept—for the production of art works, how does one proceed with education in the fine arts? And, secondly, as a corollary, if genius is reserved for precisely what cannot be learned but yet can be conceived and communicated, what possible purpose is served by aesthetic ideas with respect to cognition itself? 相似文献
3.
Booyeun Lim 《Journal of Early Childhood Teacher Education》2013,34(4):367-373
Abstract This study describes early childhood teachers’ own beliefs and concepts of aesthetic experience in young children. The teachers involved in this study were directly engaged in preschools for 4 and 5 year‐olds where arts and aesthetic education are a primary consideration of their integrated curriculum. These teachers identified a variety of features of aesthetic experience in three dimensions, which develop in a dynamic, non‐linear cycle. This study suggests that early childhood teacher's awareness and knowledge of aesthetic experience is critical to support the high quality of young children's learning through the arts. It concludes with implications for both teacher education programs and early childhood teacher educators. © 2005 Published by Elsevier Inc. 相似文献
4.
Travis Noakes 《Learning, Media and Technology》2019,44(3):299-314
ABSTRACTDespite the growing importance of digital portfolios for justifying creative work and study opportunities, little is known about arts students’ creative appropriation of online portfolios in secondary school. In particular, there is a research gap concerning the challenges that young black women face when curating portfolios as visual arts students. This paper describes the key challenges that three such government school students negotiated when taught to creatively appropriate an online portfolio software for curating showcase visual arts e-portfolios: In formal contexts, art students’ e-portfolios are strongly shaped by assimilatory norms. Visual arts students who want to develop portfolios that follow local or global crafts and fandoms must negotiate their low status in, or complete exclusion from, the national syllabus. Students in under-resourced school and home settings may already be using other online portfolio solutions that suit their purposes better than the particular software prescribed in arts lessons. Online portfolios are public by default and young women negotiated this risk by using pseudonymous self-presentations. Each student's classroom practices were also constrained by a technology selected for its minimalist exhibition aesthetic. Students curated showcase exhibitions, but the prescribed service did not facilitate a wider exploration of contemporary digital practices. 相似文献
5.
AbstractLiberal arts education is based on a philosophy that uses an interdisciplinary curriculum to cultivate critical thinking, creativity, moral reasoning, analytical skills, and a sense of social responsibility. As China continues to invest in higher education, faculty, administrators and policy makers are aware that a narrow focus on professional and scientific training is insufficient to enable students to meet today’s global needs and challenges. Through qualitative and quantitative research and document analysis, this article examines Chinese policy development and transformation regarding higher education and liberal arts education in general, and the current state of liberal arts education in three universities in Shanghai in particular. 相似文献
6.
Lise Roll‐Pettersson 《欧洲特需教育杂志》2013,28(3):331-349
The aim of this study was to explore perceptions of parents in Sweden of children with special education needs, including whether perceptions varied with regard to the child’s age, diagnosis or placement. The parents’ general perception of their degree of effort to influence their child’s education, as well as their perceived degree of influence, were analysed. The findings demonstrated relationships between child’s age and parental perceptions, suggesting that parents of older children with special education needs, regardless of diagnosis or placement, do not want to disengage themselves from their child’s education. The results also revealed that placement affected parental perceptions of their child’s school situation, with parents of children enrolled in the special education programme being more satisfied with their relationship to school and the teachers’ knowledge than parents whose children were not enrolled. Findings also revealed positive correlations between parents’ perceived degree of effort and their perception of having influenced their child’s school situation. The results are discussed in terms of improving family–school linkages within a systems framework. 相似文献
7.
This study explored the role of student (e.g., age, language background, gender), home (e.g., parent/caregiver education), and school (e.g., school type, size) socio-demographic factors in students’ school (e.g., in-school arts tuition, arts engagement), home (e.g., parent/caregiver–child arts interaction), and community (e.g., arts attendance, arts tuition) arts participation. The sample comprised 1172 elementary and secondary school students from 15 schools. Findings revealed that student and home socio-demographic factors were the most salient in predicting arts participation across school, home, and community contexts. Age, gender, and prior achievement were the key student socio-demographic factors, while parent/caregiver education and occupation were also associated with students’ arts participation. Implications for practice and intervention pertinent to young people’s arts participation are discussed. 相似文献
8.
当前增强学校德育实效性，需要把美育融入德育。学校教育要充分利用自然美、社会美和艺术美，使学生获得思想濡染和人格塑造。美育融入德育，要使学生由“技巧人”转变为“审美人”，由“感性人”转变为“理性人”，由“庸俗人”转变为“高雅人”。 相似文献
9.
Adam Saifer Rubén Gaztambide-Fernández 《British Journal of Sociology of Education》2017,38(8):1190-1202
The neoliberal turn in public education positions the parent as a consumer within an expanding educational marketplace. This shift is premised on the notion that the free market is best suited to promote equity. Critics of this claim highlight how a larger choice arena creates additional opportunities for privileged parents to mobilize their resources to further their child’s advantages. While extremely important, this framework of analysis ignores the role that educational choice plays in producing parent subjectivities. In this article, we explore how parents at one specialized arts high school construct notions of the ‘good/moral’ parent around the decision to ‘choose the arts,’ and how these categories work to reinforce dominant race, class, and gender hierarchies within the school. We hope to illuminate how educational choice is not solely about shaping the material and symbolic conditions of the child; it is about producing parent subjectivities as well. 相似文献
10.
现代化教育是以创新能力培养为旨趣、以学生全面发展为宗旨的教育.如今,青少年学生思想意识更加自主,价值追求更加多样,个性特点更加鲜明,这些变化和需求对美育育人模式提出了更高要求.文章以萧红中学为例,从在教育中重视美育、在德育中强调美育、在区域内发展美育三方面探讨初中美育育人模式的构建,旨在开拓一条"美育育人"的新道路. 相似文献
11.
马克思主义劳动观是劳动教育的理论根基.从儿童时期起把教育与生产劳动相结合,是培养全面发展的人的唯一途径,是马克思主义劳动观和教育观的重要内容.中国共产党继承并发展了马克思主义劳动教育思想,始终把教育与生产劳动相结合作为教育方针的重要内容.学前劳动教育促进幼儿身体发育和体质的增强,促进幼儿智力和知识的提高,培养幼儿的审美... 相似文献
12.
The arts form an integral part of human education. Arts education contributes to the development of the individual’s expressive needs and interests. It serves to pass on cultural and aesthetic practices and enables active participation in the cultural life of society. Over the last years, the demand for data has been growing, and in 2012, the German Federal Ministry of Education and Research (BMBF), together with the Standing Conference of the Länder Ministers of Education (KMK), commissioned the German national report on education with a specific focus on “cultural and aesthetic education over the life-span”. The present contribution defines the scope of this thematic focus and presents an overview of available data sources for its operationalization. It describes the process of structuring the domain, the construction of statistics and indicators, and outlines ways for further improving the monitoring of arts education in Germany. 相似文献
13.
张科海 《河北能源职业技术学院学报》2007,7(4):15-17
基于新时代对人才综合素质的更高要求，结合陕西工业职业技术学院的多年实践，指出高职院校需要艺术教育，提出了“艺术与技术完美结合，美育与智育相融并进”的办学理念；探索出精品艺术课程课堂教学是兰渠道；大学生艺术社团是窗口；专题艺术讲座是补充；学校网络艺术教育新阵地；艺术教育与艺术创作相结合；大力开展各种校园文化活动，营造积极向上的校园文化氛围的艺术素质教育模式，取得了积极的效果。 相似文献
14.
徐平利 《深圳职业技术学院学报》2014,(6):61-65
人类进入工业化时代之后,无限放大了自身的“技术权力”。作为培养“技术人才”的一项“技术权力”,现代学校教育表现出规模化、标准化、任务化和官僚化特征。中国职业教育是中国工业化和现代化快速发展的产物,不可避免地把“岗位技能训练”作为其最主要的人才培养模式,职业院校被动性“适应市场需求”或理想化“引领经济发展”。随着学习化社会来临,“学校即社会”和“教育即生活”将回归教育本质。 相似文献
15.
Khaled Abu Asbah 《Diaspora, Indigenous, and Minority Education》2018,12(1):1-13
Education for multiculturalism, founded on liberal-democratic values, is a frequent topic of educational discourse that has not been ignored by Muslim Arab schools in Israel. In general, Arab society is undergoing change processes, in transition from a traditional to a modern society; traditional values are challenged, engendering social crises. This paper discusses whether the multicultural approach can be successfully imparted in a society with preexisting structured values. It focuses on the school’s role as a socialization agent that needs to adapt itself to a changing sociocultural reality, discussing the school’s involvement in creating a value crisis, since it transmits the Islamic perception of the principles, foundations, and goals of education for multiculturalism. It is concluded that education for multiculturalism in Arab schools lacks internal logic, conflicts with and even undermines the Arab society’s sociocultural values system, is inappropriate as a means to supervise the necessary change processes, and thus contributes to a values crisis. 相似文献
16.
Aesthetic education plays an important part in high school arts education.Therefore,to strengthen aesthetic education can not only improve the students’ sense of beauty,but also further improve students’ creativity.Besides,beauty can make people own landscaping,and help students to establish the ideal of beauty,beauty of sentiment in the learning process.The aesthetic education is to help students to establish a correct aesthetic conceptions,so that students in the daily learning can discover and appreciate beauty according to the standard of beauty. 相似文献
17.
该文通过论证认为,埃米尔·涂尔干首次将实证主义社会学引入道德教育领域,为现代道德教育的实施提供了新思路。在涂尔干看来,社会是高于个体的现实存在,同样也是个体道德的塑造者,道德起源于社会,并归属于社会,任何脱离社会集体而谈论个体道德的研究都是片面的。他认为道德教育的根本目的在于培养理性和自主的社会个体,并以此提出学校德育论。涂尔干的社会道德论述为国内现行德育模式提供符合儿童发展规律的价值参考和理论启示。 相似文献
18.
在中学历史教学中文学艺术亦可发挥其美育功能．笔者从历史典故、诗词、音乐戏剧、书画艺术、遗型艺术等方面论述了在历史教学中如何进行美育的渗透；主张在讲述各个国家、各个历史时期的文学艺术时，不仅要引导学生了解它们，理解它们对促进人类社会文明进步所起的巨大作用，而且还应该充分利用这些材料对学生进行美育的渗透． 相似文献
19.
柯立红 《福建教育学院学报》2012,(2):17-19
学校美育中的美术教育不仅要培养学生健康的审美理想和情趣,同时还要提高其思想品质,增进其身心健康,促进其人格的全面发展。学校美育中的美术教育有循序渐进的学习和人文精神的传播等特点。加强美术史论和作品欣赏教学,可培养和提高学生感受鉴赏美的能力。通过美术实践,可培养创新意识,提高学生表现创造美的能力。学校美育中美术教育可提升学生追求更高的人生境界,引导他们保持平和的幸福心境。 相似文献
20.
邱燕芳 《广东轻工职业技术学院学报》2022,21(1):66-71
近年国家政策力推教育优先发展,要深化产教融合,高职院校应为提高其人才培养质量与行业企业开展深度合作,“厂中校”培养模式是高职院校与企业深度合作的重要模式。探讨艺术设计类专业校企合作模式发展存在的问题,以广东省外语艺术职业学院“玉器设计与工艺”专业为例分析“厂中校”模式,总结在“厂中校”实践中获得的启示,为高职院校艺术设计类专业开展校企合作以及“厂中校”教学提供了可参考的策略和思路。 相似文献