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1.
In this paper, the threat posed to cultural heritage by landslides and avalanches is analysed for two communities (Ushguli and Mulakhi) in the Upper Svaneti region in Georgia. The vulnerability of 60 cultural heritage objects has been evaluated through a conservation calculation based on an existing methodology using a State of Conservation Index (SCIx), which served as an input in a Spatial Multicriteria Evaluation (SMCE). Factors that are considered important for the occurrence of landslides (slope, landcover, lithology and drainage density) and snow avalanches (slope, insolation, slope curvature and landcover) have been used to generate a susceptibility map. A qualitative risk assessment was carried out by combining susceptible areas and cultural heritage objects. As there were very limited historical data available on the occurrence of landslides and snow avalanches, a combination of local and expert knowledge has been used to extract information on both cultural heritage and natural hazards. Existing management plans were also analysed to evaluate how natural hazards could be incorporated. Finally, some recommendations are given related to the analysis of the impact of natural hazards on cultural heritage in Georgia.  相似文献   

2.
Three-dimensional (3D) digital preservation aims at generating 3D models of objects that have cultural or scientific value. It allows realistic visualization of objects through virtual museums or scientific applications, and the restoration of the preserved object in case of natural wear or accidents. This work contributes to this research area by presenting a method to improve color texture quality of 3D models obtained from color and depth images of a laser scanner. Although this device offers precise depth information, the resulting color information is still poor and limits the generation of realistic textures. Our approach is to capture photographs of the object with a high-resolution digital camera and use them to generate a new color texture for the 3D model. Our work proposes a practical technique, easy to replicate, to generate high quality textures for 3D models from photographs. The method is composed by three main steps: (1) calibration of the image acquisition devices; (2) data acquisition; and (3) texture generation. In this paper, we detail our color texture generation method and apply it on the digital preservation of many artworks made by native Brazilians (indians) from the Wauja and Karaja communities. These indigenous communities are acknowledged as great ceramic artists, each bearing their own main themes, using a very rich symbolism in their paintings. Their artworks represent important aspects of the native South American culture and their digital preservation is motivated by three main reasons: (1) their fragility; (2) the paintings loose their original appearance with time; and (3) the possibility of extinction of these communities. We present several results of preserved artworks with enhanced quality realistic texture maps. Also, we present a methodology to analyze the quality and accuracy of texture maps. The resulting 3D models can be visualized through a tool we developed to support the virtual exhibit of 3D preserved heritage.  相似文献   

3.
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4.
Plasma technology is an innovative environmental friendly process that can be an option to the conventional methods for materials’ processing. Nonequilibrium low pressure plasma found efficiency as a nondestructive method for the treatment of different materials, many of them belonging to the cultural heritage, in some proper operations such as: atomic-level cleaning, decontamination, thin film deposition. In the paper, the low pressure nonequilibrium plasma is applied for the deposition of plasma polymer poly(methyl methacrylate-co-ethyl acrylate) P(MMA-co-EtA) thin films on natural aged paper, with the consolidation and protective aim. To verify the plasma polymer applicability for paper protection and consolidation, the film is aged accelerated by UV radiation and the structural and morphological changes are evaluated by FTIR spectroscopy, color/gloss measurement, contact angle and AFM.  相似文献   

5.
The preservation of early 20th century, late 19th century albumen prints is of great concern to collection managers and conservators of photographic materials. Attenuated Total Reflection Fourier Transform Infrared (ATR-FTIR) spectroscopic imaging is presented for the first time as analytical methodology for the study of albumen photographs. This paper shows the feasibility of obtaining FTIR images of samples from albumen photographs with a high spatial resolution using a Ge ATR objective coupled with an infrared microscope. The improved spatial resolution compared to FTIR images obtained by the reflection method is due to the high refractive index of the ATR crystal, which gives a high numerical aperture and hence, a higher spatial resolution. The technique reveals detailed information on the organic functional group distribution in the individual layers of embedded cross sections and is used complementary to visual microscopy and scanning electron microscopy/energy dispersed X-ray spectroscopy. The main results of the study are discussed with regard to their historical and artistic significance, and they are compared with data from historical and conservation literature.  相似文献   

6.
Dust accumulation is an important management and conservation problem in historic houses. Laboratory and field observations show that high relative humidity enhances the cementation of particles to underlying surfaces. The hygroscopic nature of particles or the fibres to which they adhere influences this cementation process. The cements, which can form in a matter of hours at high humidity, appear to be microcrystalline calcites. Reducing the impact of this process on heritage objects requires preventing dust deposits, especially in periods of high humidity.  相似文献   

7.
3D reconstructions of small objects are more and more frequently employed in several disciplines such as medicine, archaeology, restoration of cultural heritage, forensics, etc. The capability of performing accurate analyses directly on a three-dimensional surface allows for a significant improvement in the accuracy of the measurements, which are otherwise performed on 2D images acquired through a microscope. In this work we present a new methodology for the 3D reconstruction of small sized objects based on a multi-view passive stereo technique applied on a sequence of macro images. The resolving power of macro lenses makes them ideal for photogrammetric applications, but the very small depth of field is their biggest limit. Our approach solves this issue by using an image fusion algorithm to extend the depth of field of the images used in the photogrammetric process. The paper aims to overcome the problems related to the use of macro lenses in photogrammetry, showing how it is possible to retrieve the camera calibration parameters of the sharp images by using an open source Structure from Motion software. Our approach has been tested on two case studies, on objects with a bounding box diagonal ranging from 13.5 mm to 41 mm. The accuracy analysis, performed on certified gauge blocks, demonstrates that the experimental setup returns a 3D model with an accuracy that can reach the 0.05% of the bounding box diagonal.  相似文献   

8.
A broad category of cultural heritage objects are multilayer structures composed of organic, humidity-sensitive materials – wood, animal glue, paper, leather, bone or paints. They respond to variations in relative humidity (RH) in their environment by cyclically gaining and losing moisture, and consequently swelling and shrinking. Differences in the moisture response of the materials induce internal stresses in the individual layers of the structures, which cause objects to deform and crack. Polychrome wood is examined in detail. The cumulative physical damage of the design layer on wood due to repeated RH variations is quantified in terms of their magnitude and number of times they occur. The climatological risk index for accumulated, ‘fatigue’ damage is established, using a procedure to reduce irregular real-world climate histories into simple RH cycles of known damage impact. Using output from the Hadley Model (HadCM3) and simple transfer functions predicting indoor temperature and RH from outdoor climate, changes in the indoor climate through to 2100 were forecast for unheated buildings. European maps highlighting the areas in which painted wood may be significantly affected by climate change are presented.  相似文献   

9.
The costs for deterioration and soiling of different materials due to air pollution are huge and the damage to culture targets endangers seriously the rich European cultural heritage. Within the sixth Framework Programme of the EU, the overall aim of the CULT-STRAT project has been to assess and predict the effects of different pollutants on materials and objects of cultural heritage in a multipollutant scenario and to identify indicators and thresholds levels of pollutants. In particular, the present paper reports one of the studies carried out in the CULT-STRAT project at city level and focused on the town of Madrid (Spain). Different maps are shown for the past, present and possible future scenarios: inventory of stock of cultural heritage for each selected material, concentration of selected pollutants (SO2, NO2, O3 and PM10), corrosion (cast bronze) and recession (Portland limestone), exceedance of tolerable degradation thresholds for each material and corrosion-cultural heritage overlapped maps. The model and the methodology developed could be useful if apply it to towns, regions or countries in order to quantify the percentage of Cultural Heritage at risk or to quantify the percentage of the area where corrosion/recession exceeds the established tolerable levels.  相似文献   

10.
Image-based modeling is an appropriate technique to create 3D models of cultural heritage objects, which starts with the basic task of designing the camera network. This task is, however, quite crucial in practical applications because it needs a thorough planning and a certain level of experience. The optimal camera network is designed when certain accuracy demands are fulfilled with a reasonable effort, namely keeping the number of camera shots at a minimum. In this study, we report on the development of an automated method for designing the optimal camera network for a given cultural heritage building or statue. Starting from a rough point cloud derived from a video image stream, the initial configuration of the camera network is designed, assuming a high-resolution HR state-of-the-art non-metric camera. To improve the image coverage and accuracy, we use a mathematical non-linear optimization with constraints. Furthermore, synthetic images are created to guide the camera operator to the designed images. From the first experimental test, we found that a target accuracy of 10 mm could be maintained although the initial number of more than 300 high-resolution images got reduced to less than 90 for the final, optimized network.  相似文献   

11.
A definition of cultural heritage: From the tangible to the intangible   总被引：2，自引：0，他引：2  
The aim of this work is to analyse the evolution of the concept of cultural heritage in West European states. In the last decades of the 20th century, the term “heritage” was characterised by expansion and semantic transfer, resulting in a generalisation of the use of this word, frequently used in the place of another, such as, monument and cultural property. However, all these terms are not able to cover the same semantic field. Starting by the reflection on the semantic evolution of the notion of cultural heritage in France, we approach to the international definition of heritage given by the directives, charters and international resolutions in order to define a global outline of the meaning of heritage that is not just limited to a particular national dimension. From a purely normative approach, one went to a less restrictive approach, one based on the capacity of the object to arouse certain values that led the society in question to consider it as heritage and therefore, to a further step in which heritage is no longer defined on the basis of its material aspect. This development has also made it possible to recognise intangible cultural heritage, which was ignored for a long time, as heritage to be protected and safeguarded.  相似文献   

12.
Since 2005, Outstanding Universal Value (OUV) is the standard by which United Nations Educational Scientific and Cultural Organization (UNESCO) evaluates world cultural heritage site suitability. The sites worthy of UNESCO preservation as well as the parameters used to demonstrate OUV are diverse. Our study focused on the uniquely distinguished rural landscape sites and the OUV parameter of integrity. Integrity however, is an elusive concept for which UNESCO provides no definitional protocol, and for which the scientific community objects to a static or pure historical interpretation. Given this, our work aims to analyse the concept of integrity and how it can be used to preserve the heritage of rural landscapes. After reviewing the UNESCO approach, we focused on the international scientific debate on the meaning and application of integrity. We designed and conducted a comparative study of UNESCO rural landscapes selected from the 2011 World Heritage List. Documents describing the historical, rural, and agro-ecological features of each of the fourteen rural sites were analysed. From this, several historical and ecological parameters were chosen as “values to have” and several socio-economic and management parameters were chosen as “values to maintain” to assess the integrity of each landscape. Our results found integrity to be a value of both cultural and natural landscapes and that it is key to site identity. We demonstrated that UNESCO assigns a high value to the following parameters: historical features, traditional crops and local products, land-use and agricultural practice permanence, and the presence of architecture related to agricultural activity. Finally, we found the relationship between culture and nature to characterize best the integrity of a rural landscape, rather than nature or culture alone.  相似文献   

13.
One essential approach in preserving architectural heritage is the documentation of 3D geometries and surface textures of historic buildings. For example, precise colour information, excluding lighting effects, is an intrinsic property of the surface materials of building interiors and exteriors. However, while colour information has been recorded for small sample areas, it has not been accurately documented on the scale of entire building surfaces. This is critical, because building materials decay and their colours fade with time. The goal of this project is to develop a method to assist in recording and documenting the chromatic information of interiors and exteriors of historic buildings with low cost and high efficiency. The method takes advantage of emerging high dynamic range imaging (HDRI) technology, which can store rich information about colour and illumination through digital photography. By recording the colour information, in addition to the geometry and texture information obtained through other existing technologies, we can achieve more complete documentation for architectural heritage. In this paper, we discuss an overview of the problem and present our algorithms for utilizing computer vision techniques to retrieve chromatic information of historic buildings. We also present and discuss our experiments and results of applying our method to studies of lab objects and the Hall of Supreme Harmony in the Forbidden City, Beijing.  相似文献   

14.
Desalination is a relatively new intervention in the field of conservation of architectural heritage. Especially the desalination of immovable objects, such as masonry structures, is still a trial-error practice. In the field, different desalination materials and methods are used, sometimes with unsatisfactory results. Better understanding of the desalination process is needed in order to support the conservator with clear guidelines for choosing a suitable desalination material and method. The research presented in this paper constitutes the first step towards the development of a modular system of poultices, which can be adapted, i.e. fine-tuned to different types of substrates. Starting point is to make use of advection, i.e. the transport of salt ions with water flow. This transport mechanism is faster than diffusion and the application on immovable objects is relatively easy. In order to optimize salt extraction, a poultice working by advection should have smaller pores than the substrate. Starting from this principle the pore sizes of different desalination materials (sand, cellulose, kaolin and bentonite) mixed in different proportions, have been measured. Interesting results were obtained, showing that the desalination materials commonly used in the field are often not the most suitable ones. On the basis of the results, recipes for poultices, adapted to a specific substrate, can be formulated.  相似文献   

15.
钟友 《文化交流》2013,(9):41-43
"一部戏剧史,半部在浙江。"目前,浙江省有56个剧种列入省级"非遗",24个剧种列入国家级"非遗",因而被称为"戏剧大省"。但据浙江省政协文卫体委员会和浙江省戏剧发展促进会调研,只有14个剧种可以登台表演,有11个剧种已经进入濒危状态。如在千岛湖畔的淳安县,古属睦州,睦剧全盛时有90多个剧团,300多名艺人。而现在县里只有一个睦剧团,戏称"天下第一团"。为此,浙江省文化厅专门制订  相似文献   

16.
The seismic assessment of art objects requires a multidisciplinary approach and the definition of a specific methodology for evaluating the level of safety and the possible interventions necessary for seismic risk prevention, finding a compromise between safety and conservation. This paper describes a first step in this direction, in which the different aspects of the procedure, from knowledge path of the art object to the structural analysis, were studied in the six Michelangelo's statues located in the “Galleria dei Prigioni” (Slaves’ Gallery) at the Accademia Gallery of Florence. We showed that the general principles and criteria expressed in the “Italian Guidelines for evaluation and mitigation of seismic-risk to cultural heritage”, which are specifically devoted to masonry constructions, could be profitably extended to other artworks, like statues, starting from historical research, geometrical survey and material characterization, up to the developing of specific methods of analysis. This research could be the base for future studies to be performed concerning the prevention of seismic damage of art objects, including both bare minimum interventions and specific devices, such as isolation systems.  相似文献   

17.
In recent years, plastics are designated as a source of indoor pollution and particular attention has thus been devoted to the identification of emitting low molecular weight compounds. Headspace-solid phase microextraction-gas chromatography coupled with mass spectrometry (HS-SPME-GC/MS) has been already successfully applied for screening emissions from synthetic materials. This analytical tool being also non-invasive, it has been already successfully applied in the field of cultural heritage science for the identification of volatile organic compounds (VOCs) emitted from various museum objects made of natural materials. In this research, we aimed at assessing the use of HS-SPME-GC/MS as an in situ non-invasive analytical tool for a better knowledge of the volatile organic compounds emitted by plastics in collections. The possibility of characterizing plastics based on their emission signatures was also evaluated. Twelve new standard plastic samples, belonging to seven main polymer families widely present in museum collections as well as three naturally aged museum objects, were investigated. In this paper, we provide a survey of the VOCs emitted, and the use of HS-SPME-GC/MS for identifying volatile marker compounds, degradation products, additives, and monomer residues of the plastic synthesis is evaluated. More than 200 different VOCs were identified from the new standard samples. Two categories of VOCs were distinguished: “non-specific” and “specific” ones. We showed that based on the “specific” VOCs, it was possible to identify the nature of the polymeric matrix itself or at least to unambiguously distinguish a plastic by family. Emissions from the museum objects were then characterised, and main volatile degradation compounds considered as degradation markers of the natural deterioration of polymeric matrices, were identified. This identification procedure could be further exploited for the characterization of VOCs emitted by objects made of multiple synthetic polymers. Complementary to other techniques, this analytical tool is an interesting way to assess the risk for the objects stored in the vicinity of emitting plastics.  相似文献   

18.
This paper is concerned with the role of cultural heritage in coastal areas, including land belts and coastal marine waters in the prospect of operating sustainable development-aimed strategies. It is a part of the investigations carried out in the framework of the Progetto Finalizzato Beni Culturali (Special Project Safeguard of Cultural Heritage) convened by the Consiglio Nazionale delle Ricerche (CNR, the Italian National Research Council). Essentially, it aims at contributing to the discussion on how the mise-en-valeur of the coastal cultural heritage may be framed within integrated coastal management programmes. In this view, the discourse on the coastal cultural heritage runs along this pathway: (i) global (climatic) change and globalisation are assumed to be the key components of the external environment with which the coastal area interacts; (ii) the conceptual framework of coastal management, as it can be deduced by the background guidelines from Agenda 21 (United Nations Conference on Environment and Development, UNCED), is considered; (iii) the legal framework, which the coastal area is characterised by, is taken into account by focusing on its implications on the management patterns. At this point, attention is concentrated on the role of cultural heritage in the framework of integrated coastal management approaches. It is considered, how this pivotal component of the coastal area has been dealt with bythe intergovernmental organisations. Special consideration is attributed to the European Code of Conduct for Coastal Management Zones, since it considers the ecological patrimony and cultural heritage as giving shape to a unique ethically-endowed reality, which materialised through landscapes and seascapes. The final step consists of the design of a tentative Code of Conduct for Coastal Cultural Heritage consisting of some background and operational principles.  相似文献   

19.
Given the civic and social commitments of urban local bodies in developing countries, renovation and maintenance of all heritage buildings and sites is a financially non-viable proposition. Urban planners, therefore, need to take decisions on which heritage sites are to be protected (either in their original form, or with suitable modifications that permit commercial use without destroying their architectural integrity) and the sites to be pulled down, ensuring more efficient land use. Such selection can generate considerable dispute between policy makers and various stakeholders unless the selection process is transparent, consistent and incorporates views of stakeholders. The difficulty in creating an analytical framework to be used for grading is the multiple (often qualitative) attributes of heritage sites. How to combine the performances of heritage structures with respect to these attributes into an aggregative index is a major concern for urban planners and conservationists. This paper argues that the Multicriteria Decision Making (MCDM) method may be a relevant method for grading heritage sites. The application of this method is illustrated for several heritage buildings in Calcutta, India.  相似文献   

20.
Roads built by civil or military engineers from the 18th century onwards form an essential part of our heritage, but currently considered on a very infrequent basis. They represent one of the main turning points in the development of the transport system and serve to gain a better understanding of the historic construction of many landscapes and their current arrangement and operation. Their consideration as heritage has to be made on a territorial scale. This approach regards landscape as a cultural artifact, which is undergoing constant design, construction and transformation, where the road is considered as an axis that shapes the landscape and that contains individual elements such as associated structures or buildings. One of the most important characteristics of historic roads undoubtedly lies in the fact that they are a heritage that is still in use. Many of the roads built for carriages or the first automobiles have, in fact, served to trace the current network of roads and motorways. For this reason, many historic routes have undergone considerable modification and a large percentage of their heritage has disappeared. Likewise, their original or more intact sections, that is to say those that were replaced during their gradual adaptation to the automobile in the 20th century, are not always easy to identify. The distinction and undoubted documental value of historic roads, together with the neglect and vulnerability of these assets, makes it essential to define specific strategies with some degree of urgency in order to appraise this heritage. In this respect, the purpose of this article is to establish a methodology with which to identify sections of historic roads that were replaced by new alignments. The decision to focus the work on these sections is based on the fact that the infrastructure of these and particularly the older sections, have undergone a smaller degree of change and subsequently retain their original routing and geometry and a far higher number and variety of heritage elements more intact. This has made it possible to ascertain the diversity of elements composing the heritage of historic roads and enables the classification of the same. The identification methodology has been applied to a significant proportion of the Spanish main road network on selecting some 15 sections of historic roads of very different characteristics. Files have been prepared for each of these sections on the basis of cartographic analysis and detailed field work, these files including data related to location, characteristics and inventory of historic elements forming the road's heritage and will subsequently include references to road layout (both longitudinal and cross-sectional), structures (essentially drainage works), auxiliary elements (signalling) and associated buildings (inns, roadworkers’ houses…). Finally, and on the basis of the experience gained during the research, an initial proposal is laid out for the heritage assessment of these assets, considering aspects such as historic, technological and documental singularity which will depend on the degree of transformation and definition of the section in question.  相似文献   

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