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1.
ABSTRACT

This article is an introduction to the New York Public Library’s revolutionary and post-revolutionary Soviet and East European photography holdings. It outlines the materials available to researchers from both the large and smaller collections, particularly those that are useful for studies of Revolutionary Russia and the History or World War II in Russia and Eastern Europe. Of particular note is the NYPL’s wealth of images documenting Poland during the Second World War and the Bessie Beatty album The Russian Revolution: An Album of Photographs.  相似文献   

2.
ABSTRACT

This article describes the Russian Art Collection at the Hoover Institution Library & Archives, along with some other small bodies of material held by this library which resulted from, or were influenced by, Frank A. Golder’s collecting activity soon after the Russian Revolution. It places these materials within the context of the Hoover Institution’s historical collecting mission.  相似文献   

3.
4.
ABSTRACT

This paper offers a look at some facets of the 1905 Revolution in Latvia, at the time part of the Russian Empire, and their interpretation in historiography from 1905 to 2015. Using resources in the Stanford University Libraries and the Hoover Institution Library and Archives, the paper provides an overview of the causes and the character of the 1905 Revolution in Latvia while also discussing various debates among historians of 1905. The main focus is on collective violence and political activism. The article is written from the point of view of a librarian and historian. It has two parallel goals: to tell the history of the Baltic collections at Stanford and to acquaint the reader with current scholarship on the subject of 1905 in Latvia. Even though some papers have been written that examine Baltic collections in American libraries, few, if any, of these have concentrated on individual historical topics.  相似文献   

5.
SUMMARY

This article is the first attempt to introduce Boris Aleksandrovich Bakhmeteff, the last Russian ambassador to the United States before the Bolsheviks' seizure of power and a many-sided Russian intellectual with a variety of interests, as a political thinker. Of particular interest to researchers are materials concerning two specific collections held at the Hoover Institution and Bakhmeteff Archive at Columbia University.  相似文献   

6.
SUMMARY

This article discusses the repatriation of émigré archives to the Russian Federation and the significance of this phenomenon in Russian cultural life. Particular attention is paid to six archival collections acquired by the State Archive of the Russian Federation in the 1990s.  相似文献   

7.
ABSTRACT

This study examines information about the display of early Soviet visual anti-religious propaganda in the past in order to conceptualize its re-presentation in the digital future. Based on recent research conducted in the Hoover Institution Library and Archive and other American and Russian collections, it considers printed visual images of the 1920s–1930s, including posters. It also investigates the theory and practices that guided their display detailed in the specialized literature and disseminated in the anti-religious periodicals Bezbozhnik and Bezbozhnik u stanka. These materials make it possible to recover the structures and contents of historic propaganda displays and to replicate and re-exhibit them virtually with digital technologies.  相似文献   

8.
ABSTRACT

The Russian Revolution Centennial has called forth many exhibitions of the vast holdings of libraries, archives, museums and other collections. This special issue reviews major exhibitions, the history of the collections and the conceptions and strategies of curators. Revolution’s centennial in 2017 called forth numerous conferences, programs, lectures, publications, and other events. One of the richest avenues of celebration and scholarship was the many brilliant exhibitions organized by archives, museums, and other repositories. The centennial provided an occasion for assessing and for rethinking the modes of presentation and the significance of many types of collections. What to show, how to show it, and for whom became big questions to which curators, archivists, art historians, and many others came up with big answers. These exhibitions and initiatives have pointed the way toward new and welcome collaboration between curators, archivists, historians of art and photography, and political and social historians of the Russian Revolution.  相似文献   

9.
ABSTRACT

This memoir is my personal story about how I created and came to curate on the International Counterculture Archive collection, which is held in the Global Resources Center of the George Washington University’s (GWU) Gelman library. The first person narrative relates my first encounters with Soviet rock culture and describes how I turned my initial interest into a Ph.D. dissertation on the subculture of Soviet hippies and traditions of Soviet rock music, which subsequently led to my later work as a librarian and curator. I tell the story of my initial encounters with the members of Soviet/Russian rock music subculture and other countercultural personalities and activists during my first trip to Moscow in 1993 to collect samples of Soviet rock music recordings and rock music zines for the European Division of the Library of Congress. During this formative trip I met with a number of counterculture producers and collectors who were instrumental in helping me build the International Counterculture Archive. Upon leaving the Library of Congress, I continued collecting Soviet/Russian countercultural materials on behalf of the Global Resources Center of GWU’s Gelman Library. I talk about the process of creating the Archive at Gelman library, about bureaucratic and financial aspects of this work, and about my many acquisition trips to Moscow, former Soviet republics, and East Central Europe. Much of the narrative centers on my work with Russian collectors and content producers and describes the type of materials that are included in the collection. I also describe how I built the collection of historical Soviet/Russian rock music recordings, focusing on the phenomenon of Soviet/Russian rock music zines and the history of the unique zine collection within the International Counterculture Archive.  相似文献   

10.
ABSTRACT

Over the past couple of years, The New York Public Library has made significant strides in jumpstarting a digital humanities research program through the establishment of a curator-focused, R&D technology unit called NYPL Labs. This article will examine the first three projects produced by NYPL Labs, a trilogy of online experiments exploring methods of mining new humanities data sets from special collections material, and of translating the Library's public mission to the Web via user collaboration and crowdsourcing. In just two years, NYPL Labs has demonstrated how much can be accomplished when technical resources are focused and procedural constraints loosened, though the challenges of sustaining this work are already becoming apparent as the team must continue to innovate while maintaining a growing portfolio of projects.  相似文献   

11.
SUMMARY

This article describes the diaries of Michael P. Riabouchinsky (Mikhail Pavlovich Riabushinskii), held by the New York Public Library, and their value as a resource for the study of the Russian emigration. The diaries and other papers were donated to NYPL in the course of the 1950s through 1960, after the author's death, but have thus far remained outside the purview of most scholars despite their significance as a primary source.  相似文献   

12.
ABSTRACT

In May 2005, the staff and collections of the library of the Davis Center for Russian and Eurasian Studies were formally brought together with the libraries of three other internationally focused centers, under the aegis of the Social Sciences Program of Harvard College Library. The article summarizes the move and earlier history of the Davis Center library.  相似文献   

13.
ABSTRACT

This article is an introduction to the New York Public Library’s pre-revolutionary Russian and Eastern European photographic albums. It also provides a checklist of these albums. The checklist is an especially rich source for Russian architecture, art, and science and provides documentation for a variety of places in the center and provinces of the Russian Empire. Some of the most significant albums are those once owned by the Romanovs and by George Kennan the elder, America’s first Russian expert.  相似文献   

14.
ABSTRACT

This article surveys the collection devoted to the memory of Emperor Nicholas II held at the Museum of Russian Culture in San Francisco. The author describes the cataloged materials of a unique collection of materials passed on to the Museum by Russian emigrants of the first and second waves, many of whom worked to preserve the memory of Russia’s last Sovereign and also made a significant contribution to the creation of the Museum and its archival collections.  相似文献   

15.
16.
ABSTRACT

Pashkov dom, publishing house of the Russian State Library (formerly the Lenin Library) is seeking partners and recommendations of significant foreign works for its translation series “Biblioteka budushchego: zarubezhnyi opyt” (The Library of the Future: Foreign Experience). Contact information is provided.  相似文献   

17.
This study focuses on the visual collections in the holdings of the Slavonic Library (a section of the National Library of the Czech Republic). The library holdings also include unique collections relevant to the topic of Russian and Ukrainian emigration: collections of visual art, ex libris, posters and flyers by Ukrainian émigrés (1918–1945), and a collection of invitations and flyers by Russian émigrés (1918–1945). Rudolf H?lka’s collection of photographs, dating back to the 1920s, captures a series of ethnographic, folkloric, and architectonic phenomena which no longer exist. Moreover, Russian posters from the period of WWI, from the revolutionary year of 1917, and the subsequent civil war are equally fascinating as are banknotes from the same period and region.  相似文献   

18.
This essay discusses the New York Public Library’s (NYPL)’s unique importance and chronicles the history and execution of the NYPL plan to remodel the Stephen A. Schwarzman Building on 42nd Street (also known as the Central Library). The plan would have sent millions of books to a storage facility in New Jersey and resulted in the sale of several NYPL branches to finance the remodeling of the building on 42nd Street. Not surprisingly these plans were greeted with alarm and galvanized efforts of librarians, citizens, bookworms, activists, and writers to halt the Central Library Plan. The essay concludes with some thoughts about the importance of transparency in the public library milieu.  相似文献   

19.
ABSTRACT

This article discusses the theory of exhibition presentation as a genre, the specific issues of curatorial styles, and the distinct features of exhibitions in libraries. Based on my personal reflections on taking part in curating the Russin Revolution: Hope, Tragedy, Myths exhibition at the British Library, the article discusses the tension between the nature of collections held in libraries and their transformation when turned into an exhibition display, as well as the tension between the purpose of collecting for libraries and collecting for displays. It also presents the author’s experience of the challenges and solutions that exhibitions in libraries normally face. As the number of exhibition projects in all kinds of libraries is growing, the library communities are looking toward a better understanding of how libraries’ special and general collections can function in an exhibition environment and how information professionals can contribute to curatorial practices. Sharing experience about library exhibitions in the wider framework of art and museum curation will help to recognize exhibition curating as a requisite part of librarianship, which might change our perception of libraries and their relations with users now and in the future.  相似文献   

20.
ABSTRACT

The Russian State Children's Library (RGDB) is the largest children's library in the world and has been serving as a cultural and educational center for more than 45 years. Important aspects of RGDB's activities are the development of electronic resources and setting up the library site for distant users. The National Electronic Children's Library in Russia is a specialized digital collection of publications about children and for children. This article focuses on these aspects and the future steps of the project.  相似文献   

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