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1.
《Journalism Practice》2013,7(5):588-603
Hyperlocal journalism is thriving. This article describes the case of a Belgian regional newspaper experimenting with citizen journalism and user-generated content (UGC) for hyperlocal news coverage. For each municipality of the region, an online news page has been created where all citizen contributions are published side by side with professional stories on local community news and events. The fact that the UGC is not separated from the professional articles makes it an interesting case to examine commonalities and differences between both types of community reporting. The findings, based on a content analysis of 474 news items, suggest that the newspaper seems to use citizen volunteers primarily as a means to outsource the “soft”, “good” and “small” news coverage of local community life, while preserving the “hard” and “bad” news provision as the exclusive domain of professional journalists. Further, the study's findings support previous research indicating that (1) local community journalism is characterised by a mix of crime reporting and news coverage of fires and accidents, on the one hand, and positive human-interest stories about social club activities, cultural events, health and sports, and school life, on the other; and that (2) citizen journalists tend to rely heavily on first-hand witnessing and personal experience due to a general lack of access to official sources of information. 相似文献
2.
Ike Picone 《Journalism Practice》2015,9(1):35-49
This article contends that not only journalism but also journalism studies can benefit from a stronger commitment to the public. While the bodies of literature on “popular journalism”, “public journalism” and “citizen/participatory journalism” have, in different contexts and from different angles, made a strong case in favour of a public-oriented approach to journalism, it is remarkable how few of the empirical studies on journalism are based on user research. As the control of media institutions over the news process is in decline, we should take the “news audience” more seriously and try to improve our understanding of (changing) news use patterns. Besides this rather obvious theoretical point, there are also societal and methodological arguments for a more user-oriented take on the study of journalism. Starting from a reflection on the key trends in news use in the digital age—participation, cross-mediality and mobility—this article attempts to show the theoretical and societal relevance of a radical user perspective on journalism and journalism research alike. Furthermore, we look at new methodological opportunities for news user research and elaborate on our arguments by way of an empirical study on changing news practices. The study uses Q-sort methodology to expose the impact a medium's affordances can have on the way we experience news in a converged and mobile media environment. The article concludes by discussing what the benefits of a radical user perspective can be both for journalism studies as for journalism. 相似文献
3.
《Journalism Practice》2013,7(4):478-491
This paper examines the reporter–source interview in television news production. The starting point is that the interview as part of news production is largely ignored as a subject of research, especially considering its central importance in journalism. The interview is usually looked at as a method to gain information from interviewees. This study looks at the interview in a more constructivist way. The central claim is that the interview functions as a “news-generating machine” that compels replies from interviewees that can be used as raw material for news stories. The article brings forth the importance of the “pre-interview”, it examines and exemplifies standard question strategies, such as negative questions, and how the interviewee replies are edited and represented as news. In doing so, the article also shows how certain questions’ strategies are linked with the making of such common news frames as “the problem frame”, “the attraction” and “psychological news narratives”. 相似文献
4.
《Journal of Radio & Audio Media》2013,20(1):92-112
This article draws on and radically adapts the scholarship of medieval epistemology to suggest that at its heart, the Juan Williams clash with NPR represents an escalating conflict between two contrasting modes of authority in western culture with which journalism has long been aligned; scientia and probabilitas—in their modern forms, the authority of “disembodied objectivity” and “embodied” expert opinion. Discussing the controversy through the complex of theories surrounding issues of cultural authority, and employing the paradigm of “long journalism,” the article explores the repercussions of the rise of modern variants of probabilitas, not only at NPR but across the breadth of American journalism. In this light, the Williams affair is an illuminating flashpoint that represents this fundamental conflict, as the growing influence of probabilitas in news construction makes appeals to scientia increasingly tenuous ground on which to base journalistic credibility. 相似文献
5.
6.
《Journalism Practice》2013,7(5):572-587
How do online journalists define themselves? Journalistic self-perception plays a big part in understanding developments in the practice of online journalism in newsrooms. This article presents an analysis of the self-perceptions of online journalists using the theoretical framework of Pierre Bourdieu and data from empirical longitudinal observations based on ethnographic fieldwork in three Danish newsrooms. The analytical concepts “journalistic doxa”, “news habitus” and “editorial capital” are applied in an analysis both of ethnographic observations of journalistic practice, and a series of interviews with 35 journalists and editors. This analysis shows that online journalists position themselves in opposition to the “old” forms of journalism, which include the use of such well-known journalistic resources as specialist knowledge, technical skills, and research and writing as professional tools. However, at the same time they accept the “old” as “better” journalism, which indicates that online journalism is deeply embedded in a dominated position in the overall field of journalism. A scheme of four different analytical positions among online journalists is presented within a constructed “field of online news production”. 相似文献
7.
Dan Huang 《Critical Studies in Media Communication》2016,33(3):215-231
This paper examines three definitions of “news” in the history of journalism studies in China. Xu Baohuang’s definition emphasizes the “facts,” with an aim to establish an objective and neutral press model. Lu Dingyi defines news through “reporting,” which has since then transformed into the principle of “reporting with the facts.” Fan Changjiang prioritizes the “masses” in his definition, attempting to explore new ways for the operation of party-owned newspapers in the new era. 相似文献
8.
Christoph Raetzsch 《Journalism Practice》2015,9(1):65-77
Practices of news selection, presentation and distribution have been transposed to the domain of audiences communicating through network media. Media practices of journalists and “media-oriented practices” of audiences (Couldry) make use of the network as a common resource, merging into a new form of “news-based communication.” This new situation of public communication questions institutional approaches to journalism and the crisis it currently experiences. The paper proposes to regard journalism as a structure of public communication which is mutually enacted by journalists and audiences alike. Practice is outlined as a conceptual tool to study how social structures such as journalism can innovate. In practice, cultural schemas value resources of communication and endow actors with agency. As media of public communication are de-differentiated in digital contexts, practice offers a way to understand innovation as the gradual transposition of such schemas to new resources. 相似文献
9.
Selfies and Sensationalism on the Campaign Trail: A Visual Analysis of Snapchat's Political Coverage
Political communication has changed drastically in recent years, and in the 2016 election cycle, the messaging app Snapchat entered the arena. Snapchat is a virtually based messaging service that allows users to send and receive time-sensitive, visual messages called “snaps.” This study offers a visual analysis of news delivered via Snapchat, revealing three main themes: hard news sensationalized, soft news sensationalized, and limitations of the platform for political news. While Snapchat does indeed provide hard news to its users, much of it is sensationalized in a manner consistent with the platform but not with contemporary standards of journalism. Snapchat's value and influence as a news source is discussed in further detail. 相似文献
10.
《Journalism Practice》2013,7(2):196-215
Digital technology has revolutionized the journalist's toolkit with affordable miniaturized still and video cameras for producing high-quality multimedia, and connection equipment enabling that content to be transmitted via satellite from almost anywhere on the globe for publication on the Internet. Two results have been the advent of news production by an innovative type of lone, multimedia reporter, known as a “mojo” (mobile journalist) or “sojo” (solo journalist), and an increasing focus on “hyper-local” news on media websites. In an era of heightened newspaper and television competition driven by steadily declining North American readership and viewer numbers, many media managers have embraced with enthusiasm the solo journalist—able to move fast and travel light, at lower cost than traditional news teams. This paper surveys the impact that developments in multimedia publishing have had on the news produced by such solo journalists. It finds evidence of degradation of the genre in some, but not all, cases and concludes that since the Pandora's box of mojo journalism has been opened, if used judiciously by journalists with sufficient experience, there is some hope that the new modalities may result in responsible journalism enriched with multifaceted storytelling. 相似文献
11.
《Journalism Practice》2013,7(2):201-216
Using an ethnographic case study of the Newschannel at TV2 Norway, this article reveals ways in which the assembly-line mentality required by 24/7 news production nevertheless encourages reporters to negotiate a certain autonomy over their work and the routines required to produce it. By reorganizing its staff's use of time, space, and resources, TV2 was able to generate roughly 18 hours of “live” news coverage a day during the article's research period from 2007 to 2009. This production process is framed in terms of Schlesinger's “reactive” mode, here qualified as “reactive-active”, because it allows for the possibility of broadcasting live and gathering news at the same time. The article also revisits the concept of “professionalism” with regard to a traditional broadcaster's implementation of a 24/7 news channel within its existing newsroom. As a result of this process, more news—and more content concerning that news—is produced more efficiently while the tenets of traditional journalism remain operative. 相似文献
12.
Karen McIntyre 《Communication Research Reports》2016,33(3):223-230
To combat the constant supply of negative news, some online news outlets focus solely on “good” news. But what is the value of “good” news? A content analysis was conducted to determine which traditional news values (timeliness, conflict, impact, etc.) appear in stories on Web sites dedicated to positive news. The researcher compared “good” news sites to the New York Times. Results indicated that the majority of “good” news stories were entertaining and emotional, whereas the majority of New York Times stories involved authority figures and conflict. Good news stories were less committed to journalism’s core functions, such as holding power accountable and providing the public with information necessary for creating an informed electorate. 相似文献
13.
ABSTRACTBuilding upon the sociotechnical perspective presented by Lewis and Westlund (2015, “Actors, Actants, Audiences, and Activities in Cross-media News Work: A Matrix and a Research Agenda.” Digital Journalism 3 (1): 19–37. doi:10.1080/21670811.2014.927986), this study examines organizational dynamics, technological affordances and professional challenges of engaged journalism practices by analyzing how Hearken, one of the most celebrated audience engagement companies, and its tools and services are being implemented in 15 U.S. news organizations. This framework identifies Hearken and organizations like it as important “external actors” providing technological “actants” that are shaping how newsrooms report the news by providing ways for audiences to be brought into producing the news, particularly during the earlier phases of the reporting process. Based on in-depth interviews, we find that nearly every news organization in our sample reports some measure of success by using Hearken for involving audience members throughout the production of news. At the same time, we also identify how this implementation is significantly shaped by organizational imperatives and the models particular organizations create for producing audience-centric news work. Ultimately, this study presents a partial update to the decades-long literature on participatory journalism by suggesting that engaged journalism practices actually create opportunities for meaningful audience involvement. 相似文献
14.
《Journalism Practice》2013,7(3):304-318
This article explores the growth and character of breaking news on two 24-hour news channels in the United Kingdom, Sky News and BBC News 24. Our purpose is to examine, in detail, the nature and role of breaking news and, more generally, its impact on the quality of television news journalism. We draw upon a series of content analyses of news programming conducted in 2004, 2005/6 and 2007, and compare the elements of a breaking news item with more conventional forms of news. Our findings indicate that “breaking news” has become an increasingly important part of the 24-hour news culture. This growth means that the typical breaking news item is becoming increasingly predictable and routine. Moreover, by most measures, breaking news items are less well informed and feature less independent reporting than conventional news items. As a consequence, we argue, the decision to cover more breaking news stories impoverishes the quality of journalism. 相似文献
15.
This article explores the existence of a “citizen-centered journalism” that sees citizens as crucial participants in the construction of news and as co-creators of their own worlds. Through qualitative case studies of three news organizations, the article examines the motivation for using a citizen-centered approach, the news routines that are required to do so, the categories of content produced, and the perceived impact of this approach. The results suggest these news organizations are working in partnership with communities and striving to give a voice to historically marginalized communities. The journalists, however, see citizen participation as complementary to professional journalistic routines that favor verifiable information, rather than assigning inherent value to it for its own sake. 相似文献
16.
Aljosha Karim Schapals 《Journalism Practice》2018,12(8):976-985
Much has been written about the alleged “crisis” of journalism, with narratives of cultural pessimism centred on the decline of legacy news media, and print media in particular. Whilst factually accurate in parts, such narratives offer an incomplete picture not just of how journalism is declining, but also evolving as it transitions in the digital age. This paper is funded by a major Australian Research Council-study of “Journalism beyond the crisis”, a project which seeks to evaluate the emerging assemblage of journalistic forms, practices, and uses in a transnationally comparative study across four different countries. The present study is a first step in investigating how journalists perceive their roles at a time in which the legitimacy of factual accounts of current events is increasingly put into question. To do so, it draws on in-depth interviews with senior journalists based in London and Sydney, providing topical insights into how these practitioners understand their role in an era of “fake news”. The findings indicate that journalists are particularly concerned about a decrease of public trust in the media, and urge colleagues to adapt more rigorous fact-checking techniques – particularly at times when the role of journalism as a “watchdog” over society appears to be most crucial. 相似文献
17.
Raymond James Pingree Dominique Brossard Douglas M. McLeod 《Mass Communication and Society》2014,17(5):615-638
A frequent critique of contemporary journalism is that journalists rarely adjudicate factual disputes when covering politics; however, very little research has been done on the effects of such passive journalism on audiences. This study tests effects of active adjudication versus “he said/she said” journalism on a variety of outcomes, finding that adjudication can correct factual beliefs, increase perceived news quality, satisfy perceived informational needs, and increase the likelihood of future news use. However, for readers who were less interested in the issues under dispute, adjudication also reduced epistemic political efficacy, which is confidence in one's ability to find the truth in politics. 相似文献
18.
Kristina Riegert 《Journalism Practice》2015,9(6):773-790
This article explores how nine Swedish cultural editors and managers in mainstream media institutions define cultural journalism and its political dimensions during times of increased digitization and media convergence. Swedish cultural journalism is aesthetic and political critique applied to subject areas (music, literature, etc.) and contemporary societal and ethical issues. Drawing on Zelizer we ask whether there is a common interpretive community of cultural journalists in different media regarding: (1) how they define their scope, (2) how they understand “the political” in cultural journalism and its implications for democracy, and (3) how they view media convergence and digitalization. We find that although editors/managers from different media share a basic understanding of cultural journalism as an alternative perspective to news, “the political” in cultural journalism is approached differently in the press and the public service broadcast media. Furthermore, due in part to structural conditions, they also see the effects of digitization differently, forming sub-communities on two counts. This study thus contributes new knowledge to a field previously focused almost exclusively on newspapers. 相似文献
19.
Facebook is challenging professional journalism. These challenges were evident in three incidents from 2016: the allegation that Facebook privileged progressive-leaning news on its trending feature; Facebook’s removal of the Pulitzer Prize-winning “Napalm Girl” photo from the pages of prominent users; and the proliferation of “fake news” during the US presidential election. Using theoretical concepts from the field of boundary work, this paper examines how The Guardian, The New York Times, Columbia Journalism Review and Poynter editorialized Facebook’s role in these three incidents to discursively construct the boundary between the value of professional journalism to democracy and Facebook’s ascendant role in facilitating essential democratic functions. Findings reveal that these publications attempted to define Facebook as a news organization (i.e., include it within the boundaries of journalism) so that they could then criticize the company for not following duties traditionally incumbent upon news organizations (i.e., place it outside the boundaries of journalism). This paper advances scholarship that focuses on both inward and outward conceptions of boundary work, further explores the complex challenge of defining who a journalist is in the face of rapidly changing technological norms, and advances scholarship in the field of media ethics that positions ethical analysis at the institutional level. 相似文献
20.
Chris Peters 《Journalism Practice》2015,9(1):19-34
This article critically examines the invocation of democracy in the discourse of audience participation in digital journalism. Rather than simply restate the familiar grand narratives that traditionally described journalism's function for democracy (information source, watchdog, public representative, mediation for political actors), we compare and contrast conceptualisations of the audience found within these and discuss how digital technologies impact these relationships. We consider how “participatory” transformations influence perceptions of news consumption and draw out analytic distinctions based on structures of participation and different levels of engagement. This article argues that the focus in digital journalism is not so much on citizen engagement but rather audience or user interaction; instead of participation through news, the focus is on participation in news. This demands we distinguish between minimalist and maximalist versions of participation through interactive tools, as there is a significant distinction between technologies that allow individuals to control and personalise content (basic digital control) and entire platforms that easily facilitate the storytelling and distribution of citizen journalism within public discourse (integrative structural participation). Furthermore, commercial interests tend to dominate the shaping of digital affordances, which can lead to individualistic rather than collective conceptualisations. This article concludes by considering what is gained as well as lost when grand visions of journalism's roles for democracy are appropriated or discarded in favour of a participation paradigm to conceptualise digital journalism. 相似文献