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1.
ABSTRACT

This paper examines the significance of reading two Korean American novels which address the issue of Japanese military sexual slavery (known as the “comfort women” system) in the context of Japan: Nora Okja Keller’s Comfort Woman and Chang-rae Lee’s A Gesture Life. I will explore how this act can facilitate the understanding of the militarized sexual violence in the present social and discursive context of Japan, where the issue suffers from a strong backlash. Lee’s A Gesture Life with its critique of multiple militarized imperialisms challenges the Japanese revisionists’ effort to deny the egregious wrongs of Japan’s military sexual slavery; it also responds to popular criticism in Japan that Korean/Americans disregard the practices of Western imperial and military violence and only condemn Japanese war crimes. The paper in turn also reads Keller’s Comfort Woman through the frame of Joy Kogawa’s Obasan, a Japanese Canadian novel which remembers the internment and U.S. atomic bombing of Nagasaki. My aim here is to examine both the risks and possibilities which this reading can generate. While it can help us see the comparable acts of remembering war sufferings from the standpoint of diasporas, it can also erase the non-equivalence between the two histories.  相似文献   

2.
This paper investigates how the official discourse of race and caste are constructed in response to the Dalits’ claims that casteism is racism and caste should be included in the World Conference against Racism, Racial Discrimination, and Xenophobia (WCAR held in Durban in 2001). The research question driving this project probes into discursive strategies and logics, which deny any association of caste with race in the Indian context and the significance of race denial. The paper also questions whether the denial of association of race and caste is indicative of racial Indianization. I argue that in India, race lives through the category of caste as a form of racial Indianization.  相似文献   

3.
Recent scholarly accounts of early post-war society have emphasised the importance of positive and self-congratulatory narratives of decolonisation – whereby the end of empire was the inevitable result of a pro-active British beneficence – or have suggested that society was shielded from a sense of imperial decline. Such accounts are complicated by Agatha Christie’s immensely popular crime novels, which constructed a narrative of British decline rooted in a sense of departure from pre-war ideals of imperial masculinity, but whose Anglocentrism nevertheless offered up the potential for imperial renewal pending a ‘rediscovery’ of such characteristics.  相似文献   

4.
In this article, I reflect on my personal experiences of racial queerness. In an effort to speak my secrets, I explore my identity production as a Multiracial person by critically examining my positionality throughout various key stages in my life. I present Multiracial microaggressions –those accumulated moments that underscore my racial queerness and argue that these phenomena, while taxing, also confer agency. I propose a conceptual framework that incorporates both queer theory and borderlands theory as a potential framework from which to study how Multiracial individuals are positioned as racial queers. I argue that queerness, for the Multiracial individual, may denote both deviance (from the monoracial norm) and a unique individuality (stemming from one’s Multiracial background). By offering my testimonial as a racial queer and introducing the racial queer conceptual framework, I come a bit closer to naming my experience as a Multiracial individual and providing a space from which others can do the same.  相似文献   

5.
Abstract

The major purpose of this study is to critically reassess China’s hierarchical view of East Asia and, specifically, its manifestation toward Korea, particularly in the context of the East Asian discourse that has been active in China and Korea since as early as the 1990s. According to this discourse, East Asians have been preoccupied with ‘a dream for the strong nation‐state’ in the past century that specifically accounts for the secularized concept of modernization, ‘the wealth and power of the nation‐state’. But rising above the dream is more desirable in both bringing peace to the region and helping carry the grand project of East Asian regional integration through the 21st century. This is an integration initiated from the periphery (weaker states) to the center (strong states), and an integration that differs from the past Chinese empire and the Japanese Greater‐East Asian Co‐prosperity Sphere. However, the East Asian discourse falls short of efforts to combine intellectual discourse to concrete political issues in the region. In this regard, the discourse is likely to remain merely a normative and abstract subject of study unless it is related to practical and pending issues among the regional countries. This study is a response to this critical viewpoint, by applying the East Asian discourse to a critique of China’s view of East Asia and its manifestation toward Korea. For the full materialization of the spirit of the East Asian discourse, the essential component is continuous dialogue among intellectuals from throughout the region to gain and improve a horizontal perspective among them and to overcome the obsolete and redundant geographical concept of the nation‐state. The East Asian discourse will therefore provide a communication network to support active intellectuals in their striving to provide an academic framework capable of supporting the regional positive development and transformation.  相似文献   

6.
Editorial     
ABSTRACT

Before the 1820s, enslaved people in many of Britain's Caribbean colonies were regularly sentenced to the punishment of ‘transportation’, which meant being sold into the slave trade within the Americas. For a short period ending in 1837 people sentenced to transportation in the Caribbean were sent to Australia via Britain. This article examines these successive systems of transportation and addresses the Colonial Office decision of 1837 to end transportation from the West Indies to Australia. It highlights the significance of an emerging racial and spatial politics of empire that coded Australia white and the Caribbean black, and tried to ensure that the two did not mix.  相似文献   

7.
Taiwanese film KANO recounts the passage of a mixed-race baseball team to Japan’s Koshien Tournament during the colonial era of the 1930s. Its release evoked in both Taiwan and Japan critical responses in view of its rosy depiction of colonial modernity. Through analysing the film’s text and reviews in both Taiwan and Japan, we identify KANO as a “post-national” cinematic event. Its inviting nostalgic invocation of Japanese colonialism at the civilian level has launched divergent discourses on colonial legacies in the contemporary re/making of national identities, reflecting on the post-colonial socio-cultural conditions facing both Taiwan and Japan. We found that KANO in Taiwan instigated a re-examination of the state’s role in crafting the foundational myth of baseball as a “national” sport. Furthermore, the film brought on schemes of othering in which two national others were distinguished to manifest Taiwan subjectivity: Japanese colonialism versus Chinese nationalism. On the other hand, KANO in Japan was stripped of its colonial connotation. Its honouring of juvenile devotion to baseball was employed as a psychic introjection of Japanese-ness, which many considered losing in the globalizing social milieu.  相似文献   

8.
Abstract

In this article, I analyze the political significance of Shōji Sōichi's Chin-fujin (The wife of Mr. Chen), an intricate story of an interracial family in colonial Taiwan struggling to come to terms with their cultural identifications against the backdrop of political upheavals in the late 1910s to the mid-1930s. The novel was well received in wartime Japan and received a 1943 Greater East Asia Literary Prize. Contemporary critics praised it for depicting the perseverance of a Japanese woman married into a Taiwanese family and for representing a Han-Taiwanese intellectual realistically. Yet it was the political effect of the novel that was appreciated by those who selected it for the prize. Shōji demonstrated how the policy and political discourse of the Japanese empire could be acted out in a site of family life, the site that was regarded as critically important for colonial control. He depicted a Taiwanese elite man, his Japanese wife, and their mixed-blood daughter as trying to transcend the old categorical distinction between metropolitan Japanese and natives of Taiwan and seeking a new unified identity position based on colonial Taiwan. I want to show the repressive nature of the national subject formation outlined in this colonial fantasy.  相似文献   

9.
Since the mid-1970s, six Navy studies have investigated equity in discipline across racial and ethnic groups. The present study identifies the similarities and differences of those studies. There are three areas covered in this review. The first section examines the methods that were used to obtain the disciplinary data. In the second section, the overlap/uniqueness of the analyses and findings from the six disciplinary studies are reviewed. A summary, conclusions, and recommendations for future issues in Navy equity-in-discipline research are discussed in the last section.  相似文献   

10.
By the twentieth century, Black intellectuals envisioned Japan as a beacon of their own possibilities. Japanese perceptions of this bond are typically implicitly assumed in most research on the subject. In this essay we argue that Japan saw Black America as a symbol of strategic not substantive solidarity. With its entrance onto the international scene in the nineteenth century, Japan encountered an international racial hierarchy, and struggled in formulating an emergent self-identity that would allow it to rationalize its rightful place alongside White Western powers. On the eve of the Second World War, Japan's national/racial identity is a complex set of influences: a merging of its own indigenous perceptions of race, an importation of outside racial ideology, and contextual needs linked to still trying to insert itself as an equal to Western powers.  相似文献   

11.
Abstract

This article examines the way in which seemingly contradictory positions of populism and cosmopolitanism are articulated in the development of the Japanese post‐Second World War fascination with overseas. Specifically, I analyze the writings of Ohashi Kyosen, a popular television entertainer, and investigate how a particular mode of subjectivity is expressed through his ideas of overseas leisure and retirement in his best‐selling book Kyosen: Choose Your Own Life (Kyosen: Jinsei no Sentaku) and related essays published around 2000. While the issue of subjectivity has been the central concern throughout modern Japanese history, earlier analyses have been focused on the critical writings of intellectuals. I argue that in order to understand the larger social impacts of the translation of subjectivity, we also need to examine how the issue is articulated in popular discourses. Ohashi’s popular writings suggest that the issue of subjectivity still haunts the contemporary everyday lives of many Japanese, and continues to be the key predicament for articulating a culturally meaningful model of ‘citizen’ in Japan. Ohashi’s writings raise questions about what it means to be an active agent of one’s life, and how to situate the self in the larger society. Through an analysis of Ohashi’s narratives, I first illustrate how subjectivity is negotiated through people’s demands for leisure and their concerns about retirement, both of which are entangled with their fascination with overseas. Second, I examine Ohashi’s narratives as an expression of the paradoxical position of the Japanese citizenry conditioned by the US–Japan political, economic, and military coalition. I discuss how the predicament of articulating Japanese subjectivity reflects this paradoxical position under the legacy of Cold War geopolitics in Asia.  相似文献   

12.
Abstract

‘Asian Pop’ cultural products, which include a wide range of media artifacts such as film, music, television drama, comic books, magazines, websites and fashion, have emerged as a popular choice for youth in Asia in recent times. These cultural artifacts feature prominently in the lives of urban youth in major metropolitan centers throughout Asia. This paper examines how Thai youths have become consumers of Korean pop (K‐pop), following the trend of neighboring countries. The popularization of Japanese pop (J‐pop), Taiwanese‐pop and more recently, K‐pop, is welcomed by the Cultural Industry as a sign of expanding borders and as a major step towards expanding its Asian market. On the one hand, growing consumption and mainstreaming of Asian pop might become problematic due to the notion of cultural ‘McDonaldization’/standardization, in the future. On the other hand, perhaps nationalism and national ties will manage to overrule this projected standardization. This paper explores the Thai youth’s consumption of K‐pop in the process of cultural appropriation vis‐à‐vis their ‘national’ cultural formation in changing socio‐cultural contexts.  相似文献   

13.
In this article the author speaks to the teaching of Barack Obama in U.S. schools. Drawing from scholarly literature on the heroification of American historical figures in public memory, the author argues that focusing on Obama's firstness as an African American may lead students to have incomplete and misleading understandings of what the 2008 election means for American racial politics and progress. Using a racial literacy framework, the author suggests Obama's narrative as an ideal subject for furthering students’ conceptions of race in its historical and contemporary manifestations. The author concludes with pedagogical recommendations for employing Obama's narrative toward improving students’ racial literacies.  相似文献   

14.
The “Whites as victims” motif in conversations about race has been well documented in recent decades. When discussing affirmative action hiring policies, a common belief expressed by Whites is that people of color have been permitted to progress unfairly at the expense of harder working Whites. Whites using this discourse see themselves as victims of a political process that ignores individual responsibility and caters to people of color who are not willing to work toward their own success. Using students’ Blackboard discussion forum postings, the author analyzes ideas about race expressed by students in education classes at a small denominational Christian college in the northeastern United States, and compares these students’ constructions of race to those analyzed in previous research using Whites as subjects in both religious and non-religious settings. The author argues that these students do not differ in their constructions of race and racism from other Whites in non-religious settings. Further, with more complete education and intentional conversation about the history of racism in the United States, these students are able to incorporate understandings of deeper structural causes of racial inequality.  相似文献   

15.
The present study examines the relationships among situational features, face concerns, and requesting strategies in the light of discourse patterns and speech levels. Japanese participants (N = 428) rated these measures in one of four situations where relational closeness (high and low) and social status (high and equal) were manipulated. The results of the path analysis generally confirmed that the situational model that predicted situational factors influenced face concerns and requesting language use, and face concerns were mediators from situational factors to language use. These results are discussed in the cultural contexts of face theories.  相似文献   

16.
This paper began as an inquiry into the plight of ethnic Japanese in postwar Taiwan. As a group, they have been an object of benign neglect. Despite the advent of “multiculturalism” (duoyuan wenhua zhuyi) in Taiwan, was marked by an “alien” (mainlander Chinese) KMT regime and led to the eventual liberation of opposition parties and indigenous ethnic groups, few have found it relevant to celebrate the cause of oppressed Japanese. The postwar ban on Taiwanese and Japanese culture was part of the same imperative of mono-cultural nationalism that endeavored to erase 50 years of Japanese colonialism in order to restore the legacy of Chinese civilization. At the same time, there is little recognition in the literature of any Japanese “diaspora” in Taiwan. It pales in comparison with the many Japanese orphans abandoned in Manchuria after the Second World War. The birth of a generation of children from mixed marriages making claims to Japanese “identity” has added other significant dimensions to the concept of diaspora and its definition as a social group or discursive construction.  相似文献   

17.
In this wide-ranging interview and discussion with Kuan-Hsing Chen and Sun Ge, Mizoguchi Yūzō describes the origins of his interest in China studies and the process through which he developed his perspective on China, Japan, and the world. Mizoguchi details his break with both old-style Japanese Sinology and Western-influenced scholarship, which assumes Japanese superiority over China and takes Euro-American society and concepts as its standard. Mizoguchi suggests that historians can and should cultivate a new subjectivity for themselves and understanding of the history of the world as a whole through an approach to China that attempts to understand China’s own internal historical processes rather than assuming the universality of Western processes. He discusses his efforts to help reform the institutional structure of China studies in Japan, and further touches on the part played by Japan in China’s modern history as well as its historical relations with Taiwan and Korea.  相似文献   

18.
Abstract

This paper examines the ambiguous nature of Murakami's criticism toward the postwar Japanese condition – as the artist most effectively captured in his phrase ‘A Little Boy,’ which was also the title of his curated exhibition at the Japan Society of New York in 2005 Murakami, Takashi. 2005. “‘Earth in my window’”. In Little Boy: The Arts of Japan's Exploding Subculture, Edited by: Murakami, Takashi. 98–149. New York and New Haven: The Japan Society and Yale University Press. Linda Hoaglund (trans.) [Google Scholar]. As Murakami wrote in his introduction to the catalogue, demilitarized Japan after the Second World War underwent a collective sense of helplessness, and the metaphor of a little boy is intended to describe Japan's supposedly unavoidable reliance on its big brother, America. The name ‘Little Boy,’ in fact, originates from the code name used by the American military for the atomic bomb dropped on Hiroshima in 1945. The proliferation of ‘cuteness’ in Japanese contemporary art, which draws upon youth culture, especially otaku culture, evinces a common urge among the postwar generation in Japan to escape from their horrible memories and sense of powerlessness. Murakami's rhetorical analysis of Japan's self‐image seems, however, contradictory, given his extremely aggressive business tactics, which can find no counterpart in the Western art world – not even in the efforts of Murakami's predecessor, Andy Warhol. Like My Lonesome Cowboy (1998), whose hyper sexuality defies its pubescent and immature appearance, his art, theory, and art marketing indicate the paradoxical nature of his theory of impotence. By focusing on his manifesto and writings published on the occasion of his 2005 Murakami, Takashi. 2005. “‘Earth in my window’”. In Little Boy: The Arts of Japan's Exploding Subculture, Edited by: Murakami, Takashi. 98–149. New York and New Haven: The Japan Society and Yale University Press. Linda Hoaglund (trans.) [Google Scholar] exhibition and his style of managing Kaikai Kiki Ltd., this paper delves into the dual nature of Murakami's interpretation of postwar Japanese art and culture, particularly in relation to those of America.  相似文献   

19.
This paper discusses the legacy of Stuart Hall’s cultural studies approach to socialist politics. Like many other socialist thinkers, his ideas are the direct outcome of political intervention, often through the form of theoretical practice. Because gaps will always remain between reality and theoretical explanation, political intervention tends to be an overreaction to social change or the underestimation of people’s power. Hall’s political practice cannot therefore be exceptional in that it is far from perfect. This paper attempts to establish a balance sheet in terms of his involvement in the debate on the nature of British society, Thatcherism and neo-liberalism. From this examination, some key concepts will be employed to analyse the nature of Korean society in relation to neo-liberal restructuration and the neo-liberal historic bloc. Discussing Hall’s ideas and applying these to Korea, the paper sets out to demonstrate both weaknesses and strengths in Hall’s thought. The strength consists of his open-ended and empirically sensitive reformation of Marxism. On the other hand, the core weakness is found in his post-Marxist epistemological relativism. The main argument set out here is that, in order to develop and refine Hall’s thought, there should be an ontologically realist position compatible with epistemological relativism. For this difficult task, the concept of needs can be suggested as a fresh starting point.  相似文献   

20.
This paper explores how Nagasaki was reinvented from an imperial city to an “International Cultural, Christian city” and elicits the continuity of Japanese imperialism in postwar Nagasaki as well as the discontinuity between the war and postwar periods in the city. The paper seeks to determine what history and whose memory have been excluded or erased in the process of remaking Nagasaki into an international Christian city; it examines the particular historical and political conditions that enabled Nagai Takashi, Urakami Catholics and Kitamura Seibou’s Memorial Peace Statue to symbolize Nagasaki’s atomic bomb memory and postwar city identity as an “International Christian city” that “prays.” While Nagai is widely known as a spiritual, religious leader in postwar Nagasaki/Japan, and Kitamura’s Peace Memorial statue dominates Nagasaki’s commemoration space, this paper analyses how US dominance over Japan enabled the country to rehabilitate its imperial past and to revive the imperial legacy by appropriating the GHQ’s (General Headquarters of the Allied Powers’) demilitarization and Christianization policies. It argues that Nagasaki’s postwar reconstruction signifies the failure of what Kuan-Hsing Chen (2010 Chen, Kuan-Hsing. 2010. Asia as Method: Toward Deimperialization. Durham and London: Duke University Press.[Crossref] , [Google Scholar]) calls the “deimperialization” of Japanese consciousness and subjectivity.  相似文献   

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