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1.
Hariz Halilovich 《Archival Science》2016,16(1):77-92
This paper discusses a number of stories about loss, grief and genocide in Bosnia-Herzegovina and the attempts by the survivors to construct intimate archives about their shattered lives. In addition to the loss of human lives, the deliberate destruction of documents, photographs, books and official records has been deeply felt by the genocide survivors and other victims of ‘memoricide’ in Bosnia as a very personal loss, an aggravated trauma and a metaphor for annihilation of their personal, family and communal existence. Subsequently, for them, the recreation of personal records and communal archives ultimately becomes an attempt to reclaim their own past and, in the process, to reaffirm their identities and recreate and sustain a sense of continuity in a post-genocide context. Using a series of ethnographic vignettes from Bosnia and the Bosnian refugee diaspora, the paper highlights the importance of the survivors’ emotional (and embodied) attachment to various forms of records and archival material. It also demonstrates the potential for research in memory and archival studies to actively engage in the creation of historical narratives about violations of human rights, thus contributing to truth-finding, social healing and reconciliation processes in post-conflict and post-genocide communities. 相似文献
2.
Lynette Russell 《档案与原稿》2018,46(2):200-207
Historians, as users of archives, often discuss the thrill and emotion of their ‘discoveries’. We can form romantic attachments or be repulsed across the decades. Archives containing the physical remains of the past can transport us, we can move beyond the here and now. Before the Museum of Melbourne digitised Alfred Howitt’s correspondence, I once opened a letter written to him on classic nineteenth-century blued paper. As I pulled the missive from its envelope, I could smell tobacco smoke. I was immediately in the room with him. Recently, after completing an article on the topic of frontier violence, my co-author and I both described a feeling of stress and trauma that came from reading colonial records of ‘skirmishes’ and ‘dispersals’. In this paper, I want to reflect on the experience of Affect in the archive. 相似文献
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Clare Horrocks 《Media History》2014,20(1):21-33
In a climate of fear about funding for libraries and the arts, the preservation of many periodicals and newspapers is under threat. Digitisation is therefore justifiable as a conservation directive however what of those volumes that are not chosen? Are we creating an alternative version of Victorian culture through so selective a gaze? Indeed, who is choosing these titles? There is a question of access, both of what material is available to digitise and also what it is perceived ‘the audience’ want. However, a further question is raised—who are ‘the audience’? What are these archives going to be used for? This article will examine the different forms of nineteenth-century periodical and newspaper archives that are available, how they are organised and who their perceived audience is, before going on to consider the pedagogical utility of such sites. How can we enhance students' understanding of nineteenth-century culture by using these archives in our lecture theatres? And if we do, what are the implications for research in the future? 相似文献
5.
David Kaye 《Archival Science》2014,14(3-4):381-396
The International Criminal Tribunal for the former Yugoslavia (ICTY) will complete its proceedings over the coming years, leaving behind an enormous collection of records. The ICTY archive provides a record of conviction and acquittal, prosecution case, and defense response—a vast series of contested facts and arguments. The ICTY winds down with a decidedly mixed reputation, especially among the communities of the Balkans, doing damage to the already-discredited idea of a Tribunal capable of aiding the processes of reconciliation. And yet the UN still speaks of the reconciliatory purposes the ICTY archives may serve. Pursuing reconciliation, however, sets up the archives for failure. It would be better for those establishing the archives to focus on other, attainable goals, taking into account Minow’s caution against judicial records that merely ‘speak for themselves.’ This essay provides historical context for the development of the ICTY archives, outlining its two decades of work, and emphasizes the political context from and into which the archives will emerge. 相似文献
6.
Sumayya Ahmed 《档案与原稿》2013,41(3):255-268
The 2004 Truth and Reconciliation Commission (TRC) that investigated human rights abuses in Morocco under King Hassan II cited the ‘deplorable state of national archives’ as a major obstacle to its work. In 2013, in accordance with the findings of the TRC, the National Archives of Morocco opened with a colonial fonds, primarily holding records from the period of French colonisation (1912–56). This article seeks to understand the late establishment of a national archives, positing that part of the delay was caused by the focus of Moroccan nationalists on the location of indigenous records and their rejection of colonial archives and historiography. 相似文献
7.
本文采用比较研究法和案例分析法,对当下三种主要的传统村落档案建构模式：权力主控模式、精英主导模式、村民自治模式,从建档主体、建档范围、档案材料分类、著录标准、建档成果及利用五个方面对已有建档实践的基本情况、优势、不足做出研判,并对各建档模式的自我优化、深度融合策略以及如何充分发挥档案专业人员在该工作中的“建档规范制定者”“建档技术输出者”“建档质量把关人”等角色作用问题提出建议。 相似文献
8.
Nicole Maurantonio 《Media History》2014,20(1):88-102
That technologies often govern the realm of possible research is a reality of the historian's enterprise. Although much attention has been paid to considering both the promises and pitfalls of newspaper digitization—specifically the increased speed with which searches can be conducted and archives culled for information alongside the drawbacks of proprietary databases and software—these are not the only transformations to the research-scape. Using her research examining news coverage of the controversial 1985 bombing of the MOVE1 house in Philadelphia, PA as a case study, the author explores the challenges of using digital newspaper archives that configure articles as plain text rather than as image files. The author considers how the absence of visuals, specifically photographs, from such databases complicates the work of media historians. Such databases, the author argues, stifle the otherwise productive communicative tension between ‘seeing and saying.’ 相似文献
9.
Melanie Oppenheimer 《档案与原稿》2020,48(2):171-185
ABSTRACT In 2014, as part of their centenary celebrations, the Australian Red Cross initiated a project in which it transferred archives to various national, state and territory institutions across Australia including the University of Melbourne Archives and the State Library of New South Wales. The transfer of this voluminous (but not complete) collection built on earlier transfers of archives to the State Library of South Australia and the Australian War Memorial. This paper charts the origins of the plan to donate the records to public repositories. It interrogates the societal provenance of those collections, recognising that the pluralising of records is an historical process, in which the agency of archivists, historians and administrators must be understood. An investigation of Red Cross records in Australia exposes that process in its contingency, inertia and, ultimately, enthusiasm. The paper also reveals the challenges faced by voluntary organisations in preserving their records, and how historians and archivists both can benefit from assisting such organisations. Finally, this paper argues that the ‘Gift to the Nation’ project, with its national and international significance, reflects a shift in our understanding of the First World War to a transnational paradigm that recognises the important role of voluntary organisations. 相似文献
10.
Elizabeth Shepherd 《Archival Science》2009,9(3-4):173-185
Archives have the potential to change people’s lives. They are created to enable the conduct of business and accountability, but they also support a democratic society’s expectations for transparency and the protection of rights, they underpin citizen’s rights and are the raw material of our history and memory. This paper examines these issues in the context of the historical development of archives and archivists in twentieth century England. The research lays the foundations for understanding how and why the modern archives and records management profession developed in England. This paper will investigate the historical conflict (or is it a continuum?) between archives as culture and as evidence. The story identifies and highlights the contributions made by many fascinating individuals who established archives services and professional practice in England in the twentieth century. They shaped the archive in a very real way, and their individual enthusiasms, interests and understandings set the course of the English archival profession. To a great extent, it was these individuals, rather than government or legislation, that set the boundaries of English archives, they decided what was included (acquired) and what was not (of archival value.) The conclusion will consider the more fundamental questions: what are archives and what are they for, or perhaps, ‘what good are the archives’? 相似文献
11.
Cultivating archives: meanings and identities 总被引：1，自引：1，他引：0
Eric Ketelaar 《Archival Science》2012,12(1):19-33
By cultivating archives through successive activations, people and communities define their identities. In these activations,
the meanings of archives are constructed and reconstructed. Archives are not a static artifact imbued with the record creator’s
voice alone, but a dynamic process involving an infinite number of stakeholders over time and space. Thus, archives are never
closed, but open into the future. Furthermore, digital archives are always in a state of becoming, being created and recreated
by technologies of migration and reconstruction. 相似文献
12.
This article examines the significance, in the lives of those who experienced out-of-home care as children, of the archived records of their institutionalisation. The affective ramifications of accessing the records as adults are discussed, with especial focus on the records’ capacity to revive past suffering. Drawing on the work of Bruner (Crit Inq Autumn 1–21,1991, Consumption and everyday life, Sage, London, 1997) and MacIntyre (After virtue: a study in moral theory, University of Notre Dame Press, Notre Dame, 1981), a ‘narrative’ model of the self is utilised to account for the negative effect of systemic flaws in the records’ original composition. Such flaws, it is argued, have the potential to disrupt the individual’s sense of self. Both the authors, who experienced out-of-home care as children, present their own experiences of accessing the records, as case studies. The records’ manifold inaccuracies and inadequacies are interpreted in the light of prevailing welfare practices, in particular a highly damaging judgemental paradigm of gendered and moralistic assumptions of the inferior character of those in care. The authors conclude by arguing that research into the archives should involve the direct participation, as ‘insider researchers’, of those who experienced the matters contained in the records. Such participation is essential if the process of revealing and interpreting the archives is to maintain the dignity of the records’ subject individuals, and ensure the integrity of the research. 相似文献
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Michelle Caswell 《Archival Science》2014,14(3-4):307-322
This article proposes a theoretical framework for managing records documenting human rights abuse based on five key principles learned from community archives discourses: participation, shared stewardship, multiplicity, archival activism, and reflexivity. In shifting the focus of human rights archives to these core community-centric values, this paper proposes a survivor-centered approach to such records and argues that survivors should maintain control over the decision-making processes related to records documenting their abuse. 相似文献
15.
Kate Newbold 《Media History》2013,19(2):208-223
This essay explores the diverse field of audio records manufactured as tie-ins to popular American radio programs of the postwar period. Little has been written on such products as meaningful artifacts of consumption during any phase in broadcasting history. Yet radio records proved especially meaningful to customers in the 1940s and 1950s, as they offered a highly convenient way to upend rigid transmission schedules and program ephemerality. Here, I focus on spoken word radio albums that promised listeners important broadcast knowledge stored for ‘posterity’ on disk. Phonograph companies like Columbia banked on consumer interest in replay of these programs to sell radio records as technologies of permanence and documents with unparalleled historical and cultural value. I analyze program-to-record case studies like You Are There (1949) and The Quick and the Dead (1951) to illustrate how producers lay claim to historical authenticity via capturing, recording, or releasing transient moments on records. 相似文献
16.
Matthew HOWELLS Ashleigh BELL Nicholas EVERITT Jennifer McMILLAN 《Learned Publishing》2009,22(2):109-112
There are enormous quantities of information available to researchers on the Internet, of varying levels of quality. Now, more than ever, it is important that academic publishers make best use of their journals and provide their readers with access to this high‐value content, in a form that can be easily found and used. To that end, Taylor & Francis have taken up the challenge of satisfying researchers' need to have all relevant content available at their fingertips, by digitizing their older journal content, creating subject‐based collections of backfiles and putting them online. This article provides an insight into the ‘why’ and ‘how’ of the process of digitization of Taylor & Francis's journal archives. The fact that these online backfiles are being requested, purchased, and used demonstrates the added value that publishers may hold in their archives. 相似文献
17.
Kaisa Maliniemi 《Archival Science》2009,9(1-2):15-27
The Kven and Sámi peoples of northern Norway have been represented as groups without a voice in public records. Through the project ‘National Minorities in Public Records in Norway,’ however, hundreds of documents written in the Sámi and Kven languages were found inside the public archives. These documents were neither labeled, nor cataloged in any way as non-Norwegian-language documents. This essay raises a number of questions related to how a lack of knowledge has influenced our understanding of ethnic minorities both in archives and in research related to minorities. Furthermore, recent experience leads us to a few more questions concerning the usage of sources. How do Norwegian ministries treat requests for access to official documents less than 60-years old related to the Kven and Sámi peoples? How were documents in minority languages arranged and archived by archival personnel? How can an oppressed collective memory serve as a counter-memory for minorities? How can archival documents change our understanding of minorities? What might archivists do to make minorities more visible in archives? This paper describes my personal experiences and reflections in connection with the project. 相似文献
18.
Rachel Bracha 《Archival Science》2013,13(2-3):133-141
Artistic engagement with the archive is on the increase and takes many forms. Archive-based artwork does not always contain or display its archival source. However, in some cases the archives themselves—rather than the information or evidence they hold—are utilised to form part or all of the work. This is particularly true where visual and audiovisual records are used creatively. The archival record is thus interpreted and re-created, giving rise to potential tensions and discord. Focusing on the film archive—and in particular on documentary film originally created and collected for the purpose of recording and accountability—the paper addresses this act of creative interpretation and re-creation. Firstly, it considers the use of archives in the creation and/or destabilisation of national identity and collective memory. Specifically, it examines the re-use of visual evidence of the Holocaust and its aftermath. Among others, it discusses the work of artist Eyal Sivan, whose use of archival material from the trial of Nazi war criminal Adolf Eichmann has caused great controversy. Secondly, Walter Benjamin’s concept of aura and its application to archives is used to highlight the conflict that such forms of creative engagement may bring to the archival arena and to questions concerning the role and responsibility of the archivist as access provider or gate keeper. 相似文献
19.
In recent years there has been growing interest in the discipline of computing in relation to cultural heritage, parallel with developments in greater user participation in archives and advances in documentation work. These trends are reflected in the case of a documentation project of an old Chinese cemetery in Singapore, Bukit Brown Cemetery. This case was characterised by tensions among the ‘wild’ array of emerging individual participants and archivists that took the momentum away from both more formal NGOs and government institutions in documenting, archiving and raising awareness of the heritage of the site when part of it was announced to be set aside for a new highway. The case presents a compelling need for participatory archives, facilitated by computing interventions encouraging public engagement and visits to the site. Being actively involved in the documentation process, the authors reflect on how conceptual frameworks of records may assist in designing new media innovations and informing the ways by which a cemetery may be documented. Through these reflections, the authors argue for the active participation of archivists and records professionals in documentation work, and demonstrate how, in the creation and keeping of records, they shape the collective imagination of the public and other stakeholders in heritage sites. 相似文献
20.
This article seeks to center the personal in archives, both theoretically and methodologically. After briefly reviewing how personal archives have been sidelined in archival theory and education programs, we suggest that whether a record is considered personal or not is best determined not based on who created it but rather on how it is activated. In two separate autoethnographic case studies, the authors activate institutional records that, for each of them, are intensely personal. In doing so, they demonstrate how centering the personal in this way might inform and impact archivists’ understanding of their responsibilities to those who create, are captured in and consult the records in our care. 相似文献