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1.
壁画是我国最古老的艺术形式之一,数量众多,并且具有独特的民族风格。古代的墓室壁画、石窟壁画以及道观壁画等,虽然已经失去了往日的辉煌与作用,但是,其独特的民族风格和艺术价值仍然为世人所赞叹。敦煌壁画、永乐壁画等,现已成为一道道人们留连忘返的风景。公共艺术是环境的有机组成部分,壁画是公共艺术的重要内容之一。在科学技术飞速发展、环境问题受到普遍关注的今天,特别是在大力倡导去建设一个和谐的节约型社会的现在,如何继承和发扬古代壁画的优良传统,具有重要的现实意义。  相似文献   

2.
ABSTRACT

Building on a long-term university/community research partnership, this article examines how different ways of conceptualizing, interpreting, and producing murals impacted how an urban community saw itself. Using a participatory action research design, university researchers worked alongside community researchers to ethnographically document the transformation. Findings indicate that the mural project constructed pathways for building relationships and community in ways that made neighborhood transformation possible. The mural project embodied this transformative goal by providing a space where people gathered with shared attention to talk and to envision how their lives and their community could be different.  相似文献   

3.
Community-school partnerships are an established practice within environmental science education, where a focus on how local phenomena articulate with broader environmental issues and concerns brings potential benefits for schools, community organisations and local communities. This paper contributes to our understanding of such educational practices by tracing the diverse socio-material flows that constitute a community environmental monitoring project, where Australian school students became investigators of and advocates for particular sites in their neighbourhood. The theoretical resources of actor-network theory are drawn upon to describe how the project – as conceptualised by its initiators – was enacted as both human and non-human actors sought to progress their own agendas thus translating the concept-project into multiple project realities. We conclude by identifying implications for sustaining educational innovations of this kind.  相似文献   

4.
敦煌壁画表现出了中国传统绘画艺术的审美意趣,具有很高的艺术价值,通过对敦煌壁画艺术的分析,探索艺术的灵魂,分析敦煌壁画的表现形式,研究敦煌壁画在当代中国画创作与教学中的重要意义,希望通过简单的分析,可以为后研究者提供适当的借鉴参考意义。  相似文献   

5.
The purpose of this article is to describe how the Department of Art Education at the University of Lapland in Finland has developed winter art as a method of environmental and community‐based art education. I will focus on the Snow Show Winter Art Education Project, a training project funded by the European Union and the State Provincial Office of Lapland. The general aim of the project was to increase the know‐how of winter art in Northern Finland. This goal was put into practice through workshops on snow construction, documentation of winter art, winter‐oriented media production, and snow and ice sculpting; through continuing education seminars, workshops, and school projects for teachers; and through public lectures and seminars on winter and winter art. In this article, I describe the challenges that winter offers to community and environment‐based art education in the North. Further, I introduce the methods of implementation and the outcomes of winter art exercises carried out by several schools in Lapland in cooperation with and inspired by the Snow Show Winter Art Education Project.  相似文献   

6.
壁画是依托建筑墙面而存在的公共艺术。从属于建筑的功能和设计风格进行装饰是壁画的主要特点，满足公众的审美需求是壁画创作的基本原则。人类文明程度的普遍提高和现代建筑设计理念的发展，增强了大众对审美时尚的需求和变化，壁画艺术家在追求现代建筑精神与人文精神的完美结合中，以传统和现代工艺材料为造型手段，在承袭传统壁画艺术精髓和各民族优秀造型艺术特点的基础上，创造出审美内涵更加丰富、功能更加多元的现代壁画艺术。  相似文献   

7.
敦煌,一颗闪耀在大漠戈壁中的文化明珠,被称为"东方卢浮宫",历经十六国、北朝、隋、唐、五代、西夏、元等时期的兴建,现存的735个洞窟中汇集了大量珍贵精彩的佛教艺术作品,以精美的雕塑和壁画而闻名于世。敦煌"莫高窟"又称"千佛洞"被誉为20世纪最伟大的发现之一。"藏经洞"的发现又衍生了"敦煌学"研究。本文重点讨论敦煌壁画艺术对现代造型艺术研究发展的重要意义。  相似文献   

8.
Family engagement, in many forms, has been shown to be an essential component to successful learning for children. A child's first exposure to the arts is often through family rituals and traditions. New research suggests these activities can form the basis for personal exploration and skill development and reinforce in‐school learning. Because public schools continue to reduce art programs due to budgetary contraction, families and communities need to enhance and increase their commitment to informal arts and learning opportunities. These experiences can occur at home, in youth and arts museums, and in libraries and family‐based organizations as evidenced by a range of events already underway throughout the country. Communication and outreach about the relevance and the science of arts and learning for families needs to be expanded. By recognizing the important role families hold it is possible to enhance learning through the arts at home and in the community. More targeted research is required to better understand how families can use the rich array of arts‐integrated experiences in age‐appropriate ways to enhance literacy, numeracy, social‐emotional skills, and more.  相似文献   

9.
This article explores how Johanson's ecological public art and landscape design addresses current social issues and community necessities. It also examines how her designs may serve as a communication tool for the surrounding society, and how her public art may provide new perspectives for community members, scientists, artists, engineers, architects and government officials in shaping the future of their communities. The purpose of this study was to inspire art and design students in thinking about their future projects. This phenomenological case study highlights Johanson's works as a model for these students. Furthermore, it discusses some educational implications as seen among university students who first studied Johanson's works and then designed their own public art projects.  相似文献   

10.
The secondary worlds created in fantasy encourage the reader to compare and contrast the real world with the imaginary. In this way, fantasy as a genre can be transformative. In this article, the dystopia created in The Giver (1993) by Lois Lowry is examined as a metaphor for racism. After exploring the young adult novel as mystical fantasy in the context of reader response theory, the author evaluates the monochromatic world of The Giver as a portrayal of the consequences of a colorblind stance. Pedagogical considerations and implications for practice are also discussed. Susan G. Lea received her M.Ed. from the University of Pennsylvania, where she is currently a doctoral candidate. She also serves as Chair, Board of Trustees, The Agnes Irwin School, an independent girls day school in Rosemont, PA. Her areas of research include how aesthetic response and co-constructed meaning are enhanced through well-known visual art presented in intertextual sets of picturebook art parody, local public mural art parody, and original artwork. Zelnick, “The battle for color-blind public policy.” Lowry, The Giver.  相似文献   

11.
Art educators have been promoting Community‐Based Art Education (CBAE) in schools in order to enhance students’ sense of socio‐cultural identity and contextual learning about local art and culture. It cannot only bridge the gap between the students’ daily lives and the communities and art, but can also enhance their inquiry, discovery and meaning‐making abilities. In China, the community‐based approach plays a significant role in the National Standards for Visual Arts, and Chinese art educators have been applying CBAE in school art education for decades. However, Western art educators are still unfamiliar with the issues, practices and challenges related to CBAE in China owing to language constraints. In light of the above, this article aims to initiate a dialogue between Western and Chinese CBAE researchers through discourse and discussions on the main issues related to CBAE in Chinese art education. It outlines current practices of, and issues related to, CBAE from the perspective of Chinese art education. It also discusses the three major challenges to the implementation of CBAE in China, namely the conflict between indigenous knowledge and official knowledge in the school art curriculum, lack of motivation among teachers, and neglect of context in the practice of local art in schools. It is hoped that this article it will enrich our overall knowledge of CBAE and contribute to the understanding of CBAE from a global perspective.  相似文献   

12.
This paper examines how local knowledge is employed in environmental adult education in a community‐based ecotourism project in an island community in southern Thailand. The study is based on field research and analysis of project websites, media reports and documents. Situated at the intersection of global tourism and a local Thai–Malay Muslim fishing community, the ecotourism project functions as an alternative tourism development model challenging dominant practices of mass tourism. In the project, tourists stay as guests in local homes, and learn firsthand from family and community ecotourism guides. The informal ecotourism ‘curriculum’ for tourists centres on local knowledge of tidal and marine ecosystems, environmental conservation efforts, local culture, and traditional livelihood activities. Tourists learn experientially to understand and appreciate this local knowledge, and in the process, contribute to the sustenance of the community, to the preservation of culture, and to the conservation of the marine resources upon which the community depends. Members of the ecotourism project, for their part, have engaged in a wide range of adult learning over the project’s lifespan. This learning includes skills and knowledge in ecotourism management, environmental conservation, cross‐cultural exchange and political activism. Although the advent of mass tourism on the island now threatens to overwhelm the local community, the capacity for environmental adult education, adult learning and political activism built up over many years by members of the ecotourism project will likely help to moderate, if not control, the deleterious effects of future commercial development.  相似文献   

13.
This article is based on a project that explored the practices of art and design beginning teachers (BTs) working with learners in a post‐age‐16 context. The aim of the project was to: explore contemporary art and design practices; explore the concept of artist teacher learner researcher; enable beginning teachers to collaborate with post‐age‐16 pupils and develop new approaches and strategies to art and design pedagogy. Through practices that blurred learner‐teacher identities a dialectical pedagogy emerged and a collaborative community of practice developed, all enabled through a renegotiation and reconceptualising of places of learning. The beginning teachers also started to construct their artist teacher identities, understand what it means to practise as an artist teacher in the classroom, understand the impact of these practices on teaching and learning and develop new learning and teaching methods. This project demonstrates the possibilities of these practices for contemporary art and design pedagogy and also how these practices can endure and be sustainable for this community of beginning teachers in the current cultural, social and political contexts of education.  相似文献   

14.
敦煌壁画与凯尔特手抄本分别代表东、西方宗教艺术文化,在东、西方文化的视觉元素方面运用了相似的手法。佛教艺术与基督教艺术在叙事和装饰表达方面既有共通点,也各有侧重。  相似文献   

15.
A case study of school–community collaboration in an elementary community school in Israel follows up an environmental education (EE) school‐based curriculum that involves the parents and community members in various indoors and outdoors activities. The collaboration was established in the framework of the Community School Approach. In these schools, parents are encouraged to be involved in planning school‐based curriculum and participating in school's formal and informal activities. The aim of the study was to describe environmental education‐based school–community partnerships and to examine the advantages and limitations for such collaboration. Parents, teachers and community members were interviewed for a period of three years. Most of the participants acknowledged the unique nature of EE that allows such a partnership, emphasizing local ideas of project‐based learning in environmental education. The study describes an exemplary collaboration and the development of local school–community partnerships, which could be adapted by other communities within elementary or middle schools.  相似文献   

16.
表达形式多样的民间文学艺术是艺术地域珍贵的文化遗产.国际社会大都通过积极立法寻求其生态保护延续.我国地方民间文学艺术遗产丰富,但面临原生环境受到蚕食,传承人老化且急剧减少,地域外人随意滥用民间文学艺术的问题.在没有出台专门国家性立法的形势下,各文化遗产地方纷纷出台地方的民族民间文学艺术保护条例、办法.从现有的司法判例及学理研究的中,通过对黑龙江民间文学艺术的地方考察,公法保护文化传承模式是一种有益的选择.  相似文献   

17.
发展经济与繁荣文化艺术是相辅相成的。经济持续健康发展要靠精神文明 ,要靠全体民众道德及文化艺术修养水平的普遍提高。民间艺术是中华文化的母体文化 ,是地方文化得以传承的物质载体。保护民间文化艺术就是保护民族文化延续的桥梁和纽带。保护民间艺术绝不只是文化问题 ,也是经济问题 ,更是政治问题。对优秀民间文化艺术的保护和开发 ,有利于促进地方经济的可持续发展  相似文献   

18.
Botanic gardens have been evolving, responding to the changing needs of society, from their outset as medicinal gardens of monasteries and university gardens to more recently as organizations that contribute to the conservation of plant genetic resources. Considering that social and environmental issues are deeply intertwined and cannot be tackled in isolation from one another, a new challenge is now presented to botanic gardens: How can they redefine their purpose and expand their current roles in conservation, research, amenity and education in order to continue to be socially relevant? Empirical data regarding the impact of pilot community projects run by four UK botanic gardens show how it is possible in practice to address social, economic, political, neighbourhood, individual and group dimensions of exclusion whilst achieving public participation in plant conservation. This study presents the evaluation results regarding the outcomes of the Communities in Nature initiative which illustrated how botanic gardens can grow a social role and be socially relevant institutions that engage with their communities and address issues of social and environmental importance. Recommendations suggest that addressing social issues should target addressing the causes of exclusion as much as the effects.  相似文献   

19.
The Future Something Project (FSP), a two‐year action research project, was devised to nurture the creative and technological talent of small groups of young people at risk by creating a structured network, mentored and driven by creative professionals exploring innovative ways for the two distinct target groups to work together. The project practice is located within the new field of interaction design and takes a social and critical approach to art and design pedagogy. The external research team found that one valuable way of looking at the FSP enterprise was through the social theory of communities of practice (CoPs) developed in the 1990s by Lave and Wenger. The creation of a learning community as a pedagogical strategy is central to the conception and practice of this project. This article, therefore, sets out to apply an existing theory to a new art and design context together with more general thoughts on learning communities. It explores the potential of new technologies and different settings to effect learning within structured networks and local and virtual communities of practice.  相似文献   

20.
This article explores how art and design education can contribute to the imperative of climate change and help societies adapt to living more sustainably. Drawing on methods from arts‐based research and qualitative case study, it reports on an investigation into what can be learned from creating environmental art installations with preservice teachers (those training to be K‐12 teachers), as part of an environmental art education programme in a leading Canadian university. Findings support that preservice teachers experienced behavioural and attitudinal shifts towards sustainability after engaging in the processes of creating environmental art; involvement in the programme also provided opportunities for building community, engaging multiple domains of learning, modelling sustainable art‐making practices and prompting environmental activism. The results of this study inform a developing pedagogy for environmental art education in higher education settings.  相似文献   

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