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1.
论幼儿文学接受的游戏性特征 总被引：1，自引：0，他引：1
幼儿文学接受的游戏性特点在于它是一种伴随着动作的游戏,是一种想像的游戏,情感的游戏。基于这一特征的幼儿园文学教学要让幼儿有充分的想像、表达的自由,能感受阅读的乐趣,满足情感的需要。 相似文献
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幼儿文学接受的游戏性特点在于它是一种伴随着动作的游戏，是一种想像的游戏，情感的游戏。基于这一特征的幼儿园文学教学要让幼儿有充分的想像、表达的自由，能感受阅读的乐趣，满足情感的需要。 相似文献
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李学斌 《昆明师范高等专科学校学报》2010,(5):13-17
幼儿不断发展的认知能力和不断喷涌的想象力是能量无限的游戏＂永动机＂,是趣味和快乐得以产生的心理源泉。具体到儿童文学阅读接受,幼儿文学可谓幼儿的一种想象游戏。其内在精神旨趣和价值趋向,就是建立在表层＂快乐体验＂基础上的游戏精神。在幼儿文学中,游戏精神往往具有两种形态：＂无意思之意思＂和＂有意思之意思＂。游戏精神在幼儿文学审美范畴里的表达,核心是文学性和教育性的多元融合,其游戏意味是复合、多元的。 相似文献
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《陕西教育学院学报》2017,(1):6-10
游戏是童年特有的活动方式,它与幼儿的成长规律相契合,同时,也是幼儿内在生命的价值诉求。游戏中蕴含的自由、幻想、愉悦和体验的精神特质,回归着幼儿生活的本原、激发着幼儿创造的才能、顺应着幼儿唯乐的天性、满足着幼儿探索的需求,是童年生活不可或缺的活动。在教育的过程中,成人应学会用"童眼"观察幼儿世界、以"童心"体验幼儿成长、让"解放"环抱幼儿生活、让自由和规则相互渗透,将游戏精神的理念贯穿学前教育始终,使幼儿教育真正深入到幼儿的生活世界,为幼儿成长提供保障。 相似文献
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幼儿文学审美活动包括文学审美欣赏和文学审美创造。文学审美创造是幼儿经过文学审美欣赏,在美感形象不断积累的基础上所产生的审美想象、联想的外化活动,是文学审美活动中不可缺少的内容。幼儿文学接受具有游戏性的特点,基于这一特征的幼儿文学审美创造活动就要让幼儿有充分想象、表达的自由,去感受审美创造的乐趣。因此,教师应尽力为幼儿提供审美实践的机会,让幼儿通过各种途径,运用各种方式创造性地表现作品。 相似文献
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儿歌是篇幅最短小、内容最浅显的幼儿文学的一种体裁。它是以口语化的韵语来叙事表情的一种短歌,也是人生最早接受的文学样式,也是幼儿最易接受的一种文学样式。有效阅读儿歌作品,就是结合儿歌体裁的基本艺术特征,通过作品分析,看儿歌是否具备优美和谐的韵律、形象化的语言、无处不在的游戏精神、生动活泼的独特形式、丰富奇妙的想象和幼儿生活情趣等。 相似文献
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何卫青 《昆明师范高等专科学校学报》2010,(5):9-12
作为一种重要的精神元素和审美的深度结构,游戏建构了中国幻想小说的思想内容、叙事方式。小说以儿童或儿童式人物在五种游戏语境中的＂追寻＂游戏为核心,通过对权力意味下的童年的游戏性重构,在对以成人文化为主导的权威意识形态的消解中,确立了一种以想象力、生命感为内涵的新的精神主体。 相似文献
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《校园英语(教研版)》2015,(9)
学前英汉双语情境表演游戏是指幼儿根据文学艺术作品的内容,运用动作、表情、语言扮演角色,按照自己的意愿自编自演、自娱自乐而进行的游戏,具有艺术性、结构性、规则性、游戏性和表演性等特点,是促进幼儿语言、想象力、心理理论发展的一种重要途径。情境表演游戏可以加深幼儿对文学作品的理解和记忆,模仿作品中人们的思想、对话和动作,养成具有对周围事物的正确态度和良好的行为习惯,促进幼儿集体观念的形成,有利于幼儿自信心和独立性的培养。 相似文献
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游戏精神：儿童文学的审美特征 总被引：1，自引：0，他引：1
秦晓春 《桂林师范高等专科学校学报》2009,23(3):75-78
儿童天性喜爱游戏,游戏精神与儿童文学有着不可分割的联系。游戏精神作为儿童文学的一项重要审美内容,是形成儿童审美态度的一个重要来源。快乐欢愉、自由恣意、趣味幻想是游戏精神的突出表现,它们相互融合,尽展着儿童文学独特的艺术魅力。探讨游戏精神的审美特征,对于培养儿童的审美趣味与审美情感具有积极的意义。 相似文献
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使幼儿从事的活动游戏化,是顺应幼儿喜好游戏之天性的必然要求,能够给幼儿带来浸润放松性警觉感的情境体验,并为幼儿创建最近发展区,激活其经验联结。所谓教学游戏化,就是"化"教学为游戏,是陈鹤琴提出的幼稚教育的原则之一,与杜威的"做中学"教育思想相呼应,是中国幼儿教育的本土化创举。课程游戏化既是对教学游戏化的传承,也是对教学游戏化的超越。实施课程游戏化就是要保证幼儿有充足的游戏活动时间,保障幼儿的游戏权利;就是要赋予幼儿园一日活动以游戏的性质,让幼儿感受到心智的自由,产生丰富的"游戏性"体验;就是要聚焦幼儿生活,帮助幼儿在生活化、游戏化的活动情景中逐步养成良好的学习品质。课程游戏化的持续推进,既需要政府的规范引导与幼儿园的努力实践,也需要家园加强合作,共同建构和谐共育的社会生态。 相似文献
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Play is an important activity in young children’s lives. It is how children explore their world and build knowledge. Although free play, which is play that is totally child directed, contributes to children’s learning, self-regulation and motivation, adults’ participation in children’s play is critical in their development, especially their language development. Guided by children, adults can help scaffold children’s language, and especially their learning. We suggest that adults scaffold children’s language during play by using research based strategies such as asking questions that invite extended responses and new inquiry, provide meaningful feedback and effectively use wait time, which provides children with the opportunity to respond to adults’ comments and questions. The goal is to provide adults with strategies to scaffold children’s language development during play while allowing children to direct their own play activities. 相似文献
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Andrew Burrell 《Education 3-13》2018,46(5):547-562
There has been little research into ‘language play’, the manipulation of language for enjoyment, in children’s narrative writing. The unprompted language play of 36 children was investigated in their writing of an imaginative story. The sample comprised three attainment sub-groups from a larger repeat-design quantitative study of writing development in the 9–11 age range. A total of 71 stories were further analysed, using qualitative methods derived from the relevant literature. Extensive use of language play was evident, as well as some stylistic differences between the sub-groups. The findings suggest that children’s propensity for manipulating the forms, meanings and uses of language might be channelled more explicitly into the teaching and learning of writing. 相似文献
15.
马雅琴 《渭南师范学院学报》2012,(1):82-85
陕西东路碗碗腔皮影戏主要是以道具、重要情节、特定细节等为戏眼。戏眼的成功设置,不仅增强了戏剧的节奏感,营造了浓郁的戏剧效果,还有利于突出戏剧"点线串珠式"结构,增添戏剧的传奇性与观赏性。 相似文献
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A multiple case‐study design was used to explore the spontaneous play of three toddlers with disabilities as it emerged in the course of everyday activity in the home. Children were observed at home playing independently and with their mothers. Data consist of videotaped naturalistic observations in the children’s homes and mothers’ perspectives of their child’s play obtained in semi‐structured interviews. There was a great deal of similarity in the playful behaviour of toddlers and their mothers. Toddlers were active players throughout all daily routines and their play reflected their developmental level. Mothers actively supported their children’s initiative and engagement in play and they spoke of play as a highly valued behaviour. Some qualitative differences were noted in child and mother–child play, which seemed to relate to the nature of the child’s disability and developmental level. Further study of the play of young children with disabilities in naturalistic settings and ways that mothers and other caregivers value and support child play is recommended. 相似文献
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Research has highlighted the importance of early literacy development. In light of this, there has been a growing concern around boys’ underachievement on language and literacy assessments. Given the recent mandate for play-based learning in Ontario kindergartens, this paper examines children's literacy integration during play from a gender perspective. An analysis of 380 minutes of children's play revealed that girls and boys often played separately across the 12 kindergarten classrooms in this study. Importantly, the centres at which girls and boys played offered different literacy support. Our findings showed that gender played a salient role in children's play choices affecting the types of academic skills children practiced in their play. In this paper, we shed light on the need for gender awareness and sensitivity in policy mandates and teacher practice. 相似文献
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Andrew Burrell 《Education 3-13》2018,46(2):202-217
There has been little research into how children use language play in writing. The unprompted language play of 36 children was investigated through their writing of a short advertisement. The sample comprised three attainment sub-groups from a larger repeat-design study of persuasive writing in the 9–11 age-range. The writing was analysed using qualitative methods derived from relevant linguistic literature. Extensive use of language play was evident, as well as stylistic differences between the sub-groups. The findings indicate how teaching and learning might be enhanced from more conscious use of children’s propensity for manipulating the forms, meanings and uses of language. 相似文献
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梁志刚 《广东教育学院学报》2008,28(1):66-72
关中影戏中的碗碗腔、老腔、弦板腔等已被列入“第一批国家级非物质文化遗产名录”,根据田野调查结果,关中影戏的演出种类有庙会戏、还愿戏、驱邪戏、平安戏、山神戏、祈雨戏、丧戏、寿戏、满月戏,等;演出程序有奠酒、本戏、捎戏,等。 相似文献
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吴松林 《黑龙江教育学院学报》2006,25(2):96-97
剧本翻译应考虑文本的口语性(超语言和动态性)、时间因素(节奏、速度、长度、即时接受度)、经济性(以非口语符号替代口语符号的可能性)等因素,同时也应考虑导演、演员和观众等其他因素。只有这样,才能使译剧在舞台上体现出完整的效果。 相似文献