This chapter sets current radio audience research in both historical and international contexts, and examines the recent controversy over different methodologies that apparently produce contrasting results. It uses data produced by a number of approaches to highlight inconsistencies that, if not resolved, may damage radio's credibility among advertisers, regulators and industry observers alike.
It describes the very public dispute that led to the formation of the breakaway Little Guys Radio Association by the former Sun editor, Kelvin MacKenzie ‐ and in response, research by Radio Joint Audience Research Ltd into competing systems of electronic measurement. In doing so, the chapter asks fundamental questions about what constitutes listening to the radio, and whether mere exposure ‐ if not legitimised by recall ‐ is sufficient to justify the industry's claims on the revenues it derives from licence fees and advertisers. 相似文献
Because there are no official requirements for data collection, much of the work on archival statistics has been voluntary, informal and, until now, uncoordinated. As a result, there are no comprehensive sources of data and no common statistics spanning the whole range of archives services. In their absence, this chapter explores the make‐up of the archival network and uses the available statistical data on core service elements as the basis for postulating averages for use as models for an attempted overview of the domain. While the limitations of this approach necessarily warrant caution over the results ‐ which are described as tentative ‐ it is proposed that with further refinement such a model could form the basis for future headline statistics of key archival inputs and outputs.
The remainder of the chapter looks in detail at evidence and trends in archives, with a particular focus on usage (user profiles, motivation for using archives and patterns of use etc); collections management and stewardship (archive holdings and preservation activities); and impact. The section on impact takes an overview of the archival contribution to the public policy agenda with regard to social, economic and learning issues.
In conclusion, the chapter reflects that too much of the previous effort has gone into measuring the resource base. It is argued that the future emphasis should be on using the available data to provide evidence of impact ‐ showing how archives can and do ‘make a difference’ in the broader cultural agenda. A final table illustrates the views of users on what archives contribute to society, highlighting the potential for creative partnerships between archives and other cultural service providers. 相似文献
This chapter of Cultural Trends does not, strictly speaking, set out to confirm or refute these common criticisms of the Dome. Instead, it aims to establish the facts and figures concerning various aspects of the project as precisely as possible. This in itself is difficult to do since, for instance, the exact value of corporate sponsorship is impossible to ascertain due to commercial confidentiality, although it was quite a small proportion of the actual funding ‐ less than 20 per cent. Further complicating matters is polling evidence of high visitor approval for the Dome which must be set against its general damnation in the media.
In effect, the chapter traces a complex process whereby an ambitious cultural project was beset by a series of seemingly intractable problems from beginning to end, including eventual disposal and future use of the site. Whether the Dome is considered an abject failure or an under‐reported success, it certainly did not meet its official targets in terms of visiting, revenue and sponsorship. 相似文献
Since 1990, governmental planning advice has switched the financial burden of recording archaeological remains from the state to private sources. This has allowed a great expansion of archaeological work to take place, through the requirements of the planning system, and funded from private sources.
While central government funding has remained static (falling in real terms) over the last decade, private ‐ developer ‐ funding has become the norm. It is calculated that approximately £120 million was spent on professional archaeological practice in 2000, with over half of that sum coming from private sources.
This chapter examines and quantifies all the sources of funding for professional archaeology, considering developer funding in detail. Undoubtedly the expansion of developer funding has brought great benefits to professional archaeology, not least in terms of the greater scale of work required, but it has also raised problems, allowing archaeological practice in 2000 to become a weakly regulated, market‐led activity.
Local government, as the regulator of the planning system, has a key role to play. As archaeological services in local government are not maintained on a statutory basis, they are open to budgetary pressures.
The chapter concludes by examining the key issues relating to development and archaeology in the near future, and suggests an alternative approach to funding that might better suit developers, planners and archaeologists alike. 相似文献
This chapter reports on a survey of museums and libraries conducted for Resource: the Council for Museums, Archives and Libraries, identifying the added value of involving volunteers and the institutional structures in place to support them. A survey was conducted in which 1,500 questionnaires were sent out ‐ with 500 each going to libraries, museums and archives. It finds that volunteers are a key element in extending the services that museums and libraries can offer. It also finds that practices in involving volunteers vary widely. Volunteers are more likely to be found in libraries than museums or archives and women are more likely to be involved than men. Very few of the organisations returning the questionnaires have somebody whose job is to manage or coordinate volunteers; perhaps unsurprisingly most are to be found in museums. Where organisations do not involve volunteers, issues of time management were most often cited, although a minority argued against involving volunteers per se.
The chapter concludes that although many organisations value highly the involvement of volunteers, there is more that can be done to support volunteering in libraries, museums and archives. 相似文献
Respondents indicate that 35 per cent of American adults visited an art museum or gallery at least once in 1997. Other popular activities included attending ‘musical plays’ (25 per cent), non‐musical plays and classical music (both 16 per cent). Twelve per cent of the populated went to performances of jazz and dance other than ballet. Reading literature and visiting a historic park or an arts/crafts fair also had high participation rates ‐ the former, 63 per cent, and the latter two, about 47 per cent.
The chapter is divided into eight sections. The first three sections describe total participation, rates of participation, and participation by demographic group for each arts activity by types of participation: attendance at live events, participation through media, and active participation. The fourth section is devoted to socialisation, the amount of education and exposure to the arts. The fifth compares participation rates for the arts and other leisure activities. The sixth section focuses on music preferences, and the seventh on the geographical distribution of participation in the arts. The final section presents a summary and conclusions. Appendices to the report provide background and history of the survey, details of its methodology and analysis, and the questions asked in the survey. 相似文献
The chapter presents the first overview of the subject. It covers developments within what is referred to as the ‘cultural framework’ ‐ the infrastructure associated with the Department for Culture, Media and Sport, which includes the ‘arts funding framework’. It also looks at developments affecting local authorities’ provision of cultural services.
The chapter draws on various published and unpublished policy documents, and accounts, as well as interviews with individuals involved in the development of performance management in the cultural sector. Their views are presented throughout the chapter to illustrate the points raised.
The chapter opens by examining the history of performance indicators in the sector, and maps the current requirements to measure performance. The second section considers the resistance to measuring the performance of arts organisations and museums. In doing so, it examines critical inheritance of former attempts to measure performance, and the issues raised in relation to current aspirations to do so. The third section presents attitudes to future developments, and is based on speculations by those currently involved in museums, galleries, the arts funding system and the introduction of Best Value as to the kinds of impact that the introduction of performance measurements might have. The fourth and final section draws together a series of observations about the introduction of non‐economic performance in the English subsidised cultural sector. 相似文献
Recent research has shown that the museum market is static. Sustainability may be difficult for many, with only those that are small and run by volunteers escaping financial difficulties. Alongside these market factors, and following the election of the Labour government, museums are being expected to confront new challenges. While much government policy continues the thrust of the previous administration ‐ especially the focus on the national museums and galleries ‐ there have been some distinctive shifts, especially in respect of admission charges. Besides devolution to Scotland, Wales and Northern Ireland, an increasingly important English regional agenda has developed, in which museums are expected to play a significant role.
Other influences have also had a considerable impact, such as the advent of Best Value, which requires museums funded by local councils to demonstrate their efficiency and effectiveness, and the National Lottery's significant investment in museum capital projects. While this has created some exciting new projects, it has also added to museums’ running costs at a time when market conditions are difficult. Additionally, limited opportunities for employees to progress and develop, and uncompetitive pay, make museums an unattractive career choice, thereby depriving them of the talent that will be needed to meet the public's changing needs.
All these issues provide a reason for central government to understand better the issues faced by the museum sector as a whole, and regional museums and galleries in particular. Without such national guidance, and opportunities for strategic change and rationalisation, museums may close in a disordered way, and their collections lost. In this way, the legacy of this generation to the next may be in danger. 相似文献
All this has sadly passed. The decline of parks can be traced back to the removal of railings for the War effort and consequent loss of sense of place, but the real damage became cumulative from the mid‐1970s. Local government reorganisation, political struggle between local and central government, privatisation of local services, year‐on‐year cuts in capital and revenue budgets and a shift of emphasis to foreign holidays and car‐borne countryside recreation all contributed to the downfall of urban parks into the dismal, neglected and vandalised landscapes which have become so familiar today. Responding to the concerns of voluntary and professional bodies, the Heritage Lottery Fund launched the Urban Parks Programme in 1996 to begin to address the issues. The Urban Parks Programme experience has highlighted how seriously underfunded parks have been and has committed far more money than intended to tackle the massive backlog of repairs to essential park infrastructure. It has also tried to address the causes of decline in partnership with local authorities and other bodies in the field ‐ loss of management structure and skills, lack of political support and understanding, and dearth of relevant data concerning parks.
This article traces the fortunes of public parks from their inception to their decline and documents the stirring of a potential renaissance as the government shows its concern with quality of life issues, with social exclusion, with multiple deprivation and with regeneration of the economic vitality and social coherence of urban areas. A government Select Committee has recently examined the state of the nation's parks and declared itself shocked and appalled at the extent of the problems that parks have faced in the last 30 years. There is now a chance that the long downward trend in the status and condition of urban parks can be reversed if a vigorous lead is given by government. 相似文献
It introduces the UK National Inventory of War Memorials, an archive which was established in 1989 and which records details of memorials throughout the UK. The chapter is based on data and detailed examples taken from the 47,000 records currently input on the archive's database and it explores those records to examine memorials commemorating the Boer Wars, First and Second World Wars and the Korean War, in particular.
The first section considers general issues regarding war memorials in the UK ‐ the ways in which memorial styles have changed, and how these reflect changing attitudes towards those who served in the armed forces in the late 19th and 20th centuries.
The second section is about the pragmatics of memorialisation, and focuses on the significance of where memorials are positioned, whether inside or out and within public or private spaces; the increase in secularisation; the geographical spread of memorials; and issues related to urban and rural memorialisation.
The third section considers the evolution of memorials from being a focus for grief for those whose friends and relations’ bodies were not returned, to manifesting veterans groups’ assertions of their identity many years after a conflict. The physical movement of memorials is also covered, ranging from memorials which have been lost or neglected, through to memorials being moved in order to preserve them so that remembrance services can continue. Peaks and troughs of memorialisation through the 20th century are also considered.
To conclude, the fourth section pulls together various threads drawn throughout the chapter, analysing memorials chronologically, geographically, stylistically and in terms of their relative ‘popularity’. 相似文献