共查询到20条相似文献，搜索用时 406 毫秒
1.
2.
3.
4.
5.
杜氏家族，自汉初以来，历代任官为宦。汉武帝时，南阳人杜周为廷尉，他治狱苛酷，被司马迁写入了《酷吏列传》。自杜周开始，杜氏一家由南阳迂至茂陵(今陕西兴平县东北)。杜周有三子：延寿、延考、延年。延寿、延考都曾为郡守，延年在昭帝时官至太仆。他任朝官多年，治狱尚宽厚，比他的父亲名声要好。自延年开始，杜氏家族又从茂陵迁到了杜陵(今陕西省西安市东南)。 相似文献
6.
7.
提篮桥位于上海市虹口区的东南部。提及“提篮桥”，人们首先想到的往往是提篮桥监狱。在上海人的口语中，“提篮桥”就是监狱的代名词。提篮桥监狱被称作“远东第一监狱”“东方巴士底狱”。但是，从1933年第一批犹太难民到上海，直到1949年前后他们陆续离开，上海虹口的提篮桥地区成为犹太难民最主要的聚居地，并在这里创造了别样的“维也纳风情”。 相似文献
8.
9.
《聊斋志异》中的纪实文学 总被引：1，自引：0，他引：1
《聊斋志异》中反映清官折狱、揭露局骗、描叙杂技艺术、写女扮男装中进士等题材的纪实文学 ,表现了紧贴现实的精神。作为一块待开垦的处女地 ,值得认真研究 相似文献
10.
虽然在写出《查太莱夫人的情人》之前，劳伦斯已经以《彩虹》、《恋爱中的妇女》、《儿子与情人》等作品享有了相当名声，可是，眼下的这部书，仍然叫出版商、朋友甚至劳伦斯自己感到为难。最后，劳伦斯只好自己在异国去私自出版，出版后又自己发售。当然，正因为这种形式，也最早地、毋需官方认可地将这部注定要引起轩然大波的作品推向了社会。 相似文献
11.
12.
13.
14.
15.
Li Guoping Xiao Mei 《中外文化交流(英文版)》2009,(8):12-14
He is an ordinary Chinese artist but his creations stunned former British Prime Minister Thatcher and Danish Queen Margaret Ⅱ, He was invited to many countries like USA, Japan, South Korea, Italy , Spain and Canada, His artistic career was covered by such prestigious International media as CCTV, Washington Post and BBC. AS a young artist, he was granted the title of ＂Chinese Folk Affist＂ by UNESCO. He was hailed as ＂Chinese Plcasso ＂ by Western art critics. His name is Gao Dongsheng. 相似文献
16.
Visits to museums have been studied as hedonic and utilitarian forms of cultural consumption, though limited attention has been given to the access of museum collections online. We perform a unique historic analysis of the visibility of collections in a museum of ethnographic collections and compare 100 years of onsite visits to 5 years online visits. We find two main results: first, access to collections increased substantially online. From a selection of objects available both onsite and online, access grew from an average of 156,000 onsite visits per year to over 1.5 million views online per year. Onsite, the museum received 15.5 million visits in a span of a century while online, collections were viewed 7.9 million times in only the last 5 years. Second, we find a difference in consumer preference for type of object, favouring 3D onsite and 2D online (photographs of objects, particularly when showing them being used). Results support understanding of online heritage consumption and emerging dynamics, particularly outside of an institutional environment, such as Wikipedia. 相似文献
17.
18.
19.
20.