共查询到20条相似文献，搜索用时 15 毫秒
1.
Although many factors affecting a movie's success lie outside a television network's control, on-air promotion is produced by the network and can be utilized to varying degrees of effectiveness. This study measured the impact of 10 promotional variables on broadcast movie ratings by analyzing 813 prime-time promos for 137 televised movies. Results showed how the effectiveness of promotion differed according to a movie's familiarity, popularity, and compatibility. The ratings for made-for-television movies were most affected by the promotion's audience reach, frequency of exposure, and close distance in time to movie airdates; in contrast, theatrical movies aired on television were more affected by promotional reach and the construction of the promotional spot. The findings supported the general salience model of on-air program promotion but also demonstrated that the factors affecting television movie promotion differ markedly from those affecting dramatic and comedy series promotion. 相似文献
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Susan Tyler Eastman Gregory D. Newton Paul D. Bolls 《Journal of Applied Communication Research》2013,41(3):238-259
This study assessed the impact of content--as opposed to structural--factors on television program ratings, seeking to locate clusters of components that would identify effective on-air promotion and allocate content a better-defined place within theoretic models of media priming. Stepwise multiple regression analyses of 1,547 on-air promos for 155 prime-time programs demonstrated that 5-9% of ratings variance was accounted for by content appeals, humor, and presentation in promos for comedy programs. The influence of content variables was greater for familiar than unfamiliar comedies, and humor and presentation in promos contributed to variance in ratings for mid-rated but not high- or low-rated comedies. 相似文献
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Susan Tyler Eastman Gregory D. Newton Paul D. Bolls 《Journal of Applied Communication Research》2003,31(3):238-259
This study assessed the impact of content--as opposed to structural--factors on television program ratings, seeking to locate clusters of components that would identify effective on-air promotion and allocate content a better-defined place within theoretic models of media priming. Stepwise multiple regression analyses of 1,547 on-air promos for 155 prime-time programs demonstrated that 5-9% of ratings variance was accounted for by content appeals, humor, and presentation in promos for comedy programs. The influence of content variables was greater for familiar than unfamiliar comedies, and humor and presentation in promos contributed to variance in ratings for mid-rated but not high- or low-rated comedies. 相似文献
4.
《Journal of Radio & Audio Media》2013,20(2):428-440
This research examines dramatic old-time radio programs produced by the networks to identify prime-time shows that focused regularly and principally on ecclesiastics- people in service to the institutional church. Although many such programs appeared on prime-time broad- cast television, this study reveals that only one such program aired in the history of prime-time radio. The article draws a profile of this program, The Bishop and the Gargoyle, looking at how it represents ecclesiastics. The aim is to contribute to an understanding of how popular culture represents the institutional church and its leaders, here adding a review of radio to the existing literature that looks at the church's representation in television and movies. The study also considers why church-set network-produced prime-time programs were so scarce in old-time radio. 相似文献
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David R. Mackey 《广播与电子媒介杂志》2013,57(2):202-205
This study examined physical violence portrayed in a sample of televised professional wrestling. Trained research assistants coded the frequency of violent interactions, perpetrator characteristics, and contextual features (extent of violence, use of weapons, consequence of violence, reasons for violence, and reward for violence). Wrestling was compared with a sample of prime-time television from the National Television Violence Study (Smith, Nathanson, &; Wilson, 2002). Findings show that the extent of violence in wrestling is significantly greater than other prime-time genres and that wrestling more often portrays violence as justified, likely to go unpunished, and unlikely to produce extreme harm. Overall, wrestling presented violence in amounts and contexts linked with increased risk of harm to viewers. 相似文献
6.
In the United States, public television claims itself a champion of localism. A prime-time schedule analysis of the Public Broadcasting Service's (PBS) member stations establishes localism scores, and discriminant analysis finds variables that predict differences among stations. Market level variables (income, education, ethnic diversity, geographic component) and organizational level variables (Community Service Grants, membership funding, overall revenue) affect localization of member stations' schedules. This is the first empirical study utilizing a structural operationalization of localism, inclusive of all programming genres, applied to PBS member stations. 相似文献
7.
《Communication monographs》2012,79(2):181-199
This work investigates the influence of geographical proximity on the cultivation effect in the context of cultural imperialism. A content analysis of prime-time programming (n=63 hours) is used to compose questions about the prevalence of different occupations in the USA and Israel. A sample of 655 students answered these questions. Viewing of American programming was significantly correlated with a tendency to hold a biased estimation of the prevalence of certain occupations in America in a manner that resembles the world of TV content. Viewing of Israeli programs had no such impact on the estimation of occupation prevalence in Israel. General viewing had no influence on the estimations made about any of the countries. 相似文献
8.
This investigation of offensive language on prime-time broadcast and cable programs found that 9 out of 10 programs contained at least one incident of profanity, and viewers were exposed to 12.58 cuss words per hour in 2005. Viewers of broadcast programs were exposed to slightly less than 10 objectionable words per-hour compared to 15 words-per-hour on cable programs. 相似文献
9.
The potential of television to both reflect and shape cultural understandings of gender roles has long been the subject of social scientific inquiry. The present study employed survey methodology with 420 emerging adult respondents (18–25 years old) in a national U.S. sample to explore associations between amount of time spent viewing television and views about “ideal” masculine gender roles. The viewing of particular television genres was explored in addition to (and controlling for) overall amount of time spent with the medium, using cultivation theory as the theoretical foundation. Results showed significant statistical associations between viewing sitcoms, police and detective programs, sports, and reality television and scores on the Masculine Roles Norms Inventory–Revised scale. Biological sex of respondent (which very closely approximated gender identity in the sample) moderated a number of these relationships, with positive associations between viewing some genres and endorsement of traditional masculine gender roles stronger for biological male compared to biological female respondents. 相似文献
10.
《Mass Communication and Society》2013,16(4):277-298
An analysis of 9 week-long samples of prime-time network programming broadcast between the fall of 1997 and the fall of 2003 found that more than 8 out of 10 programs were labeled with an age-based rating (TV-G, TV-PG, TV-14, or TV-MA), whereas fewer than 4 in 10 programs were also labeled with content-based ratings (V, S, L, or D). Although programs with age- and content-based ratings accurately reflected sexual and violent content, a sizable number of programs without content-based ratings also had sexual and violent content. Ratings provide parents with incomplete information on which to base viewing decisions. 相似文献
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A content analysis of 584 prime-time programs examines messages about sex on Israeli television, comparing local and foreign shows. A 2-week composite sample from 7 commercial broadcast, cable, and satellite channels is analyzed. Results show that sexual content is highly prevalent, with a significantly higher frequency in foreign than local shows. Less than 20% of programs with sexual content address sexual health and risks; foreign shows again exceed local ones. Few differences emerge between local and foreign content in the contextual presentation of sex. Findings are discussed in light of theory, research, and implications for audience effects, policy, and education. 相似文献
13.
《Mass Communication and Society》2013,16(2):215-236
This study investigated the role that age plays in gender portrayals in contemporary television commercials. A content analysis of 2,315 characters appearing in commercials aired during a composite week of prime-time programming on 6 major broadcast networks was conducted. The study compared images of female participants from childhood through the senior years to identify the extent to which female members of different age groups replicate conclusions drawn about images of females-in-general in advertising. The study also contrasted images of female characters from different age groups with their same-age male counterparts to shed additional light on the complexity of gender portrayals in prime-time commercials. The findings indicate significant differences among same-age gender portrayals and same-gender age portrayals. Results are interpreted within a social cognitive theory framework and directions for future research are articulated. 相似文献
14.
Using a sample of 124 prime-time television programs airing on the 6 broadcast networks during the 2005–06 season, this study examined the social roles enacted by female and male characters. The findings confirm that female characters continue to inhabit interpersonal roles involved with romance, family, and friends. In contrast, male characters are more likely to enact work-related roles. Moreover, programs employing one or more women writers or creators are more likely to feature both female and male characters in interpersonal roles whereas programs employing all-male writers and creators are more likely to feature both female and male characters in work roles. 相似文献
15.
Racial and ethnic relations in America are a form of social interaction about which changing perceptions could have important consequences. Current research examining the nature of discrete social interaction situations in entertainment content on television is lacking. This study was conducted with the objective of obtaining an updated account of the state of interpersonal interaction portrayals between characters of different racial/ethnic backgrounds in popular prime time programs on broadcast television. Specifically, we analyzed prime-time television program content on 4 major U.S. broadcast networks. Findings are interpreted via a media priming framework. 相似文献
16.
Peter Lunt 《The Communication Review》2013,16(4):329-335
The emergence of reality TV and the use of live-shot material in documentary programs are salient features of contemporary television, raising a variety of challenges for critical analysis. We present here a number of pieces that reflect on “liveness” in different genres (reality TV, news, and documentary) from diverse theoretical perspectives. In the first paper, Peter Lunt introduces the papers and sets the scene by developing key themes in the analysis of liveness. The papers by Nick Couldry and Jane Roscoe discuss reality TV. John Corner analyzes the use of live-shot material in documentaries. Finally, Thornborrow and Fitzgerald unravel the deployment of devices for representing reports of live events in news. 相似文献
17.
《广播与电子媒介杂志》2013,57(4):638-647
Given the paucity of contemporary examinations of racial/ethnic minority portrayals in television advertisements, this study analyzed the frequency, context, and quality of 2,3 15 speaking characters in a one-week sample of prime-time television commercials. Results reveal different patterns of portrayals when African American, Asian American, Latino, Native American, and White characters are featured in television advertisements. The implications of these images are examined from the perspective of social cognitive theory to provide insights into their possible impact on audience members' self-perceptions. 相似文献
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Using a sample of 129 situation comedies, dramas, and reality programs airing during the 2004–05 prime-time season on the broadcast networks, this study examined the relationship between the gender of storytellers and on-screen portrayals of conflict resolution. The study found that the employment of at least one woman storyteller was related to the more equitable use of conflict resolution strategies and more “civilized” conflict resolution strategies among characters. 相似文献
20.
《Mass Communication and Society》2013,16(4):429-452
This study examines the frequency and types of offensive language spoken on prime-time television in 2001, particularly on programs rated acceptable for children and teenagers, and the use of profane language by characters under the age of 21. The findings are compared to similar studies conducted in 1990, 1994, and 1997 to determine whether the use of profanity by child and young adult characters has increased over an 11-year period. Age and content warnings inadequately protect children from profanity. TV-PG programs contain as much off-color language as TV-14 programs, and more coarse language could be found in programs not given an L warning. Further, the earliest hour of prime time, when children are more likely to be viewing, contains significantly more instances of profanity than the time period of 10 to 11 p.m. However, characters under the age of 21 rarely utter profane words, and they are just as infrequently spoken to with such language. 相似文献