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A widespread instructional practice in the teaching of argumentative writing is the use of writing samples or models during instructional conversations about what counts as “good argumentative writing.” In this article, we focus on a set of lessons in a high school English language arts classroom in order to gain insight into how a teacher’s use of writing samples contributed not only to what counts as “good argumentative writing” in that classroom, but how her instructional conversations with a group of 11th grade students revealed a shift in her “argumentative epistemologies” for teaching literature-related argumentative writing. We examine simultaneously the impact of instructional conversations on the evolution of the socially constructed definitions of good argumentative writing and the teacher’s shifting argumentative epistemologies by tracing the teacher’s socially constructed definitions of good argumentative writing in the instructional conversations around argumentative writing samples as they evolve and change over time. The findings suggest that the interactional construction of “good argumentative writing” in instructional conversations was influenced by the broader instructional context (e.g., a testing regimen), by the teacher’s argumentative epistemologies for what counts as good writing, and by the conversational interaction of teachers and students in classroom lessons.
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散文意境的特征及其构造 总被引：1，自引：0，他引：1
陈剑晖 《华南师范大学学报(社会科学版)》2008,(4)
散文意境即“文境”与诗歌意境即“诗境”既有共性又存在着差异,但过去对这种差异缺乏研究。本文首先从造境与写境、凝炼集中与松散随意、单维视角与多维视角三方面分析了这种差异。接着从真实与真诚,生命的灌注与灵趣三个视角探讨散文意境的构造。最后指出以往一直强调的散文应以追求意境为上,以及认为只有借景抒情的作品才有意境的观点,其实是对散文意境的误读。由上可见,本文对散文意境问题作出了全新的诠释。 相似文献
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曹琳华 《番禺职业技术学院学报》2013,(5):24-28
从广州四所高职院校2012年6月份的大学英语四级考试中的作文成绩及对用人单位调查得知,大学生的英语写作能力还比较薄弱,有待于加强培养。从 Krashen 的“输入假说”和Swain等人的“输出假设”理论中得到启示,尝试运用基于“输入与输出平衡”的大学英语写作教学模式来提高大学生的写作能力,实证研究结果表明,这种教学模式能起到良好的教学效果。 相似文献
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朱立 《湖北成人教育学院学报》2014,(5):51-53
按照“实用性、科学性、易学性”的标准,高职院校的应用写作课程应力求突出培养应用文写作能力,以“简明知识,强化训练”为原则组合教学内容,加强训练的科学性、实效性,突出写作训练中的难点、重点,以贴近学生的职业需要。 相似文献
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谢尹 《宁波教育学院学报》2021,(1):136-140
以十六年英语高考全国Ⅱ卷及所授课班级作文写作训练方式为研究对象,总结出以“流行文化高级短语”“传统文化长句识记”“微写作”“复句速记”“板书练习”为主的作文写作训练方式。 相似文献
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邓智 《福建工程学院学报》2020,(5):468-471
晚清名家林纾的古文创作理论代表作?春觉斋论文?,在承续前人观念的基础上,融合自身的体会,提出了以“读书”“明理”“宗道”为核心概念的古文理论,而这三者皆由“理”字贯通。 “理”在文中的内涵既表现为圣贤经传,尤其是儒家经典著述中的修身、知世、明道之理,也表现为人生阅历背后的世事运行规律和价值取向。 另外,“理” 对古文创作既有指导作用,同时也作为文章艺术价值的衡量标准,更是写作主体自身修养的重要内涵。 因此,以原文为本对“理” 做探究、阐发,对理解林纾的古文创作思想极具意义。 相似文献
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Ashley Clayson 《Technical Communication Quarterly》2018,27(3):217-226
The author argues for a reinvigorated focus on writing “as material, corporeal action” and proposes a framework of “distributed writing” through which to enact this focus. This framework highlights writing’s simultaneously material and embodied nature and can help scholars further examine and understand interactions among tools, artifacts, and writing bodies. Continuing to study writing “as material, corporeal action” is necessary as 21st century tools for writing continue to change. 相似文献
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Martine A. H. Braaksma Huub van den Bergh Gert Rijlaarsdam Michel Couzijn 《European Journal of Psychology of Education - EJPE》2001,16(1):33-48
On repeated occasions, observational learning has proved itself to be an effective instruction method. Experimental studies have shown to be effective for complex tasks such as reading and writing for both teachers and students as models. The problem when interpreting the results of such research is that, in observation tasks, several mental activities play a simultaneous role. In this study we therefore set out to identify the effective elements of observation tasks. We focused on two elements of the observation tasks, both aimed at stimulating monitoring activities: evaluation of the model’s performance and elaboration on this evaluation. We have also distinguished between elaboration on the observed products (the models’ written answers), and elaboration on the observed processes (the models’ verbalisations of their mental activities). The data were subjected to a LISREL analysis. First of all, it was observed that subjects who performed “evaluation” and “productelaboration” better, and “process-elaboration” more often in one lesson, also performed these activities better or more often in the subsequent lesson. Next, we observed an effect of aptitude on the learning activities: pre skill scores influence “evaluation” and “product-elaboration”. The most important finding is that “evaluation” and “product-elaboration” contribute positively to argumentative writing skills. It is discussed that these findings confirm the importance of the monitoring, evaluative and reflective activities when learning complex tasks as writing. 相似文献
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在中国历史上,刘伯温是一个传奇式的人物,是“立德”“立功”“立言”三不朽的伟人,并且其上三代受朱元璋分封为永嘉郡公,自此从刘氏彭城郡独立出来,成为永嘉郡刘氏。论文追踪溯源,系统考述了刘伯温家族姓氏从远古到宋元明清发展脉络。 相似文献
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文章通过调查研究,揭示了高等专科院校学生中文素养与写作能力等方面存在的问题。指出培养学生中文素养及提高写作能力的主要途径:一是正确认识及理解写作教学中的“本”的问题,即如何在教学中因势引导,充分激发学生学好写作课的内在积极性,唤醒每个学生内心深处对生活、对专业、对未来的生命激情。二是在教学实践中通过改变学生写作观,转变评价标准,激发写作热情,加强阅读等方式落实“本”的意义。三是在实践中加强“本”的应用。 相似文献
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Circumscribed by the culture of collectivist and Confucian traditions, English as a Foreign Language (EFL) education in China has defaulted to an impersonalized provision and delivery. Much of teaching and learning is to assimilate individuals into a group identity. This epistemological model can be detected in learning outcomes, e.g., preferential use of ‘we’ over ‘I’, lack of authentic self-identity in student EFL writing, etc., and is characterized by ubiquitous rote learning. In this paper, we adopt a biographical approach to the teaching of stories expressed as personal narrative as part of the research framework. This is also applied to critical curriculum and pedagogical reforms that help students to write across their extant cultural constraint, enabling them to make a conceptual leap in understanding the difference between the collective, and the individual identities, of the “we” and the “I”. Once this conceptual awareness has been achieved, the individual viewpoint can be elicited and articulated in student writing of narrative accounts. Biographical narrative accounts of personal experience are found to have a creative and self-actualizing force in forming the individual’s identity, using his/her original voice. The findings suggest that EFL writing curriculum and pedagogy in the new era can be a useful strategy to empower students and EFL teachers to teach and write between the “we” and the “I” paradigms, and expand their ontological capability and flexibility through pedagogical effect. 相似文献
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校企合作进行实践教学已成为高职院校服装设计专业教学工作者的共识,但在实际操作层面,仍存在不少问题,理论课主导课程体系的现象尚未得到根本改观,以“教”为中心向以“学”为中心转变的步伐较为缓慢。南通职业大学尝试校企合作模式下的服装设计课程体系项目化改革,将服装结构设计、服装款式设计和服装成衣工艺三门原来独立开设的课程合并贯通起来,实施流程化、理实一体化教学,取得了良好的效果。 相似文献
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《Assessing Writing》2006,11(1):22-41
Grading papers may be one of the most stressful, most time consuming, and least rewarding activities in which professors engage. Although effective grading techniques for papers have been widely researched, especially within the “Writing” or “English” scholarly arenas, has this information been put into practice? The goals of this paper are two-fold: (1) to replicate and extend Connor and Lunsford's [Connors, R. J., & Lunsford, A. A. (1993). Teachers’ rhetorical comments on student papers. College Composition and Communication, 44, 200–223] analysis of faculty comments, and (2) to review some of the tips for effective grading practices and see if the comments reflected these effective practice advice. A content analysis was conducted on faculty comments from 598 graded papers written for hundreds of courses from 30 different departments in the university. Results indicate that most comments were technical corrections that addressed spelling, grammar, word choice, and missing words. Macro- and mid-level comments that addressed paper organization and quality of the ideas contained in it were surprisingly absent. The lack of these larger idea and argument centered comments may prevent students from improving the quality of the larger issues in writing and refocus them on the smaller, albeit important, technical issues of writing. 相似文献
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周达章 《宁波教育学院学报》2014,(5):134-137
初中作文教学应立足于学生的生活实际。生活作文的基本概念是通过以学生生活世界为对象的写作,在培养学生语言表达能力同时,在作文活动中,促进学生主体的人格形成。学生生活作文导写是运用作文表达方法而展开的教学活动,其本身就是一种作文教学法。学生作文导写包括:引导学生写好校园生活、家庭生活、社会生活,写好学生的个性成长。学生生活作文导写是基于《初中语文课程标准》的基础上,以新课程的教学目标、教学内容依据的作文教学创新。 相似文献
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陈思晗 《福建工程学院学报》2020,(2):133-138
?韩柳文研究法?一书,寄托了林纾为古文保存精华的理想,体现了他在文法与鉴赏两大版块突出的理论成就。文法论,是古文创作的技法理论:立意上,崇尚意在笔先、忌露贵掩;结构上,追求关合照应,制局有法;用字上,讲究锻炼字眼,因字见义。鉴赏论,是古文阅读与批评理论,主要表现为对揣摩创作心理和“博观”、对比等鉴赏方法的运用。?韩柳文研究法?是林纾古文理论的实践,问世后也备受关注,梳理其中文学思想,于文学写作、文学欣赏都有很大的启发作用。 相似文献
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New Zealander Sylvia Ashton‐Warner, a teacher in remote rural Māori schools in the 1940s–1950s, became internationally renowned as a novelist and educational theorist. Earlier commentators portrayed her educational theory as in conflict with those of her time and place, but recent studies conceptualise them as enabled by it. While space/place has often been considered the preserve of the geographer and time that of the historian, Henri Lefebvre and others suggest that: “these issues need to be thought together rather than separately” and that macro‐, meso‐ and micro‐levels of analysis be engaged simultaneously. The author traces how conceptual, linguistic, sensory and intellectual resources of the global “New Education” movement extended into the tiny bush‐encircled Māori communities in which Sylvia taught and wrote in the 1940s–1950s and surfaced in her writing. The article zooms in and out between the “the immensity of the global” (the New Education, the Second World War) and “the intimately tiny” (her classroom and home). The “data” include Sylvia’s non‐fiction education texts and official documents of her time: school curricula, education policy documents, Ministerial and Inspectors’ reports. What Lefebvre terms a “Rhythm analysis” of Ashton‐Warner’s educational writing shows intermingled pulses of domestic life, routines of educational bureaucracy, cycles of nature, and cataclysms of world events. It is important for historians to study “the where rather than just the when with location and landscape central parts of the analysis”. 相似文献
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Amanda Fulford 《Educational theory》2016,66(4):519-534
In this paper Amanda Fulford addresses the issue of student writing in the university, and explores how the increasing dominance of outcome‐driven modes of learning and assessment is changing the understanding of what it is to write, what is expected of students in their writing, and how academic writing should best be supported. The starting point is the increasing use of what are termed “technologies” of writing — “handbooks” for students that address issues of academic writing — that systematize, and smooth the work of writing in, Fulford argues, an unhelpful way. This leads to a reconsideration of what it means to write in the university, and what it is to be a student who writes. Fulford explores etymologically the concept of “writing” and suggests that it might be seen metaphorically as physical labor. Writing as physical labor is explored further through the agricultural metaphors in Henry David Thoreau's Walden and through Stanley Cavell's reading of that text. In making a distinction between writing‐as‐plowing and writing‐as‐hoeing, Fulford argues that some technologies of writing deny voice rather than facilitate it, and she concludes by offering a number of suggestions for the teaching and learning of writing in the university that emphasize the value of being lost (in one's subject and one's work) and finding one's own way out. These “lessons” are illustrated with reference to Thoreau's text Walden and to American literature and film. 相似文献