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1.
In recent years there has been an explosion of citizen-produced content appearing in mainstream media outlets. Terms such as convergent journalism, citizen journalism and user-generated journalism are all widely used in an attempt to define this growing phenomenon. This paper explores the specific genre of citizen photojournalism (CPJ). It is argued this is a definitive genre of its own and has important implications for audience perceptions due to the narrative or “storytelling” role of the visual mage. An “action genre” approach is used to examine how this new photographic genre has been enabled within current technological, cultural, political and economic environments That is to say, that photographic production processes, undertaken by amateur photographers are examined to identify patterns of activity that comprise the genre of CPJ. Through a review of existing literature on how citizens work in the field, and the way the resulting photographs are used in mainstream media, I offer a conceptual structure to delineate recognisable patterns of activity that comprise the genre of CPJ. The strength of this approach is that it allows me to describe CPJ in a way that reveals how external factors and the practice of citizens taking photojournalistic images impact upon the final product published in influential publications including popular press, books, magazines and internet publications.  相似文献   

2.
When a journalist returns to political reporting after working as a political media adviser it can trigger concern about conflict of interest based on a suspicion of partisanship. Despite this, there is little discussion in the journalism literature about how reporters should manage this type of conflict when it arises. This paper reports on a selection of findings from wider inductive, qualitative research into the career transition from journalism to political media advising and back again. Semi-structured, in-depth interviews conducted with 21 journalists who had moved between the two roles revealed that the media advisers took four main routes back to journalism in an attempt to manage the possible conflicts: “Escape”; Being “laundered”; Going “straight back in”; and “Cooling-off”. Based on these findings, this paper argues that a uniform approach to managing the transition from political advising to journalism could be useful in easing public concern about conflicts of interest.  相似文献   

3.
This paper identifies the significant ethical challenges expressed by journalists and editors working in media companies in the city of Hyderabad, India. Keeping those dilemmas and challenges in mind, the authors propose economist and Noble laureate Amartya Sen’s capabilities approach as a theoretical outline for the development of future journalism ethics curricula. The major challenges described by the journalists and editors were cross-media ownership, which fosters a political economy focused on revenue generation rather than journalism for public good; problems with the publication of inaccurate information, which are now precipitated by the omnipresence of social media; and a culture of “democratic deficit” where journalists find it increasingly difficult to practice journalism safely and to report about poverty, corruption, crime, environment, caste, and gender. The specific knowledge systems from Sen’s capabilities approach suggested for integration are the study and coverage of injustices in a democratic society; the focus on whether people have flourishing lives that give them the opportunities, freedoms, and choices they need; and economic and political freedoms that give journalists an understanding and appreciation for reporting on inequality and strengthening democratic institutions.  相似文献   

4.
《Journalism Practice》2013,7(5):572-587
How do online journalists define themselves? Journalistic self-perception plays a big part in understanding developments in the practice of online journalism in newsrooms. This article presents an analysis of the self-perceptions of online journalists using the theoretical framework of Pierre Bourdieu and data from empirical longitudinal observations based on ethnographic fieldwork in three Danish newsrooms. The analytical concepts “journalistic doxa”, “news habitus” and “editorial capital” are applied in an analysis both of ethnographic observations of journalistic practice, and a series of interviews with 35 journalists and editors. This analysis shows that online journalists position themselves in opposition to the “old” forms of journalism, which include the use of such well-known journalistic resources as specialist knowledge, technical skills, and research and writing as professional tools. However, at the same time they accept the “old” as “better” journalism, which indicates that online journalism is deeply embedded in a dominated position in the overall field of journalism. A scheme of four different analytical positions among online journalists is presented within a constructed “field of online news production”.  相似文献   

5.
ABSTRACT

As traditional news outlets decline and corporations cultivate publisher ambitions, brand journalism (i.e., native advertising and content marketing) has grown robustly. This paper examines and critiques the various ways in which those corporations have adopted and mirror news production practices, given the “techno-logics” of convergence culture and the political economy pressures of our media era. The research draws upon 28 in-depth interviews with brand journalism professionals who operate in the United States along with years of trade press coverage of the phenomenon. Findings illustrate how brand journalism is informed by traditional reporting fundamentals and techniques, the affordances and demands of online environments, and industrial shifts in media labor allocation.  相似文献   

6.
This special issue addresses a topic of journalism studies that has previously been somewhat neglected but which has gained increasing scholarly attention since the mid-2000s: the coverage and evaluation of art and culture, or what we term “cultural journalism and cultural critique.” In this introduction, we highlight three issues that serve to frame the study of cultural journalism and cultural critique more generally and the eight articles of this special issue more specifically: (1) the constant challenge of demarcating cultural journalism and cultural critique, including the interrelations of “journalism” and “critique”; (2) the dialectic of globalisation’s cultural homogenisation, on the one hand, and the specificity of local/national cultures, on the other; and (3) the digital media landscape seen in terms of the need to rethink, perhaps even redefine cultural journalism and cultural critique.  相似文献   

7.
《Journalism Practice》2013,7(1):99-112
Journalists in the “new media” era confront important questions as to whether, or how, they adapt their professional practices to a new interactive on-line form that allows citizens to become involved in the news-making process. This paper seeks to re-establish the relevance of traditional journalism practices in the modern era and suggests that they will remain very much a part of the “new journalism” beyond the digital divide. It does so through examining how broadcast journalism interviews challenge authorities in the “public interest”, and suggests, in conclusion, that such practices remain undiminished by the technical, and accompanying social, changes that are driving the “new media”.  相似文献   

8.
The competition and conflict existing between newspapers and radio is one of the organizing images of Pre‐World War II journalism in America. Although there was some animosity, competition and conflict between these media, this study argues that the metaphor of “war”; overstates and distorts the early as well as on‐going approach the managers of these media took toward each other. Examination of the minutes, proceedings, and publications of the American Society of Newspaper Editors, as well as secondary sources, indicates that editors followed a much more consensual and cooperative model, rather than one characterized by conflict Rather than being adversarial, the documents of ASNE indicate that the editors were trying to achieve shared economic objectives with the competitive medium of radio.  相似文献   

9.
《Journalism Practice》2013,7(10):1220-1240
In recent years, the rapid expansion of Web 2.0 tools has opened new possibilities for audience participation in news, while “engagement” has become a media industry buzzword. In this study, we explore approaches to engagement emerging in the field based on in-depth interviews with editors at a range of news outlets from several countries, and we map these approaches onto the literature on participatory journalism and related innovations in journalism practice. Our findings suggest variation in approaches to engagement that can be arrayed along several related dimensions, encompassing how news outlets measure and practice it (e.g. with the use of quantitative audience metrics methods), whether they think about audiences as more passive or more active users, the stages at which they incorporate audience data or input into the news product, and how skeptically or optimistically they view the audience. Overall, while some outlets are experimenting with tools for more substantive audience contributions to news content, we find few outlets approaching engagement as a way to involve users in the creation of news, with most in our sample focusing mostly on engaging users in back-end reaction and response to the outlet’s content. We identify technological, economic, professional, and organizational factors that shape and constrain how news outlets practice “engagement.”  相似文献   

10.
Fake News     
Much has been written about the alleged “crisis” of journalism, with narratives of cultural pessimism centred on the decline of legacy news media, and print media in particular. Whilst factually accurate in parts, such narratives offer an incomplete picture not just of how journalism is declining, but also evolving as it transitions in the digital age. This paper is funded by a major Australian Research Council-study of “Journalism beyond the crisis”, a project which seeks to evaluate the emerging assemblage of journalistic forms, practices, and uses in a transnationally comparative study across four different countries. The present study is a first step in investigating how journalists perceive their roles at a time in which the legitimacy of factual accounts of current events is increasingly put into question. To do so, it draws on in-depth interviews with senior journalists based in London and Sydney, providing topical insights into how these practitioners understand their role in an era of “fake news”. The findings indicate that journalists are particularly concerned about a decrease of public trust in the media, and urge colleagues to adapt more rigorous fact-checking techniques – particularly at times when the role of journalism as a “watchdog” over society appears to be most crucial.  相似文献   

11.
Practices of news selection, presentation and distribution have been transposed to the domain of audiences communicating through network media. Media practices of journalists and “media-oriented practices” of audiences (Couldry) make use of the network as a common resource, merging into a new form of “news-based communication.” This new situation of public communication questions institutional approaches to journalism and the crisis it currently experiences. The paper proposes to regard journalism as a structure of public communication which is mutually enacted by journalists and audiences alike. Practice is outlined as a conceptual tool to study how social structures such as journalism can innovate. In practice, cultural schemas value resources of communication and endow actors with agency. As media of public communication are de-differentiated in digital contexts, practice offers a way to understand innovation as the gradual transposition of such schemas to new resources.  相似文献   

12.
Reflecting a change from high to liquid modern culture, journalism is said to be encountering a transformation from high towards liquid modernity. Cultural journalism, however, has been found to be “journalism with a difference”. Due to this distinctive character, the principles of general journalism do not directly apply to cultural journalism. Consequently, the manifestations and consequences of the high and liquid modern ethos appear differently in cultural journalism. Proposing a theoretical framework of the core aspects of journalism—(1) knowledge, (2) audience, (3) power, (4) time, and (5) ethics—this article argues that cultural journalists differ from other journalists in their responses to the recent transformations in the professional values, working practices and the status of journalists.  相似文献   

13.
In times of turbulence in the media industry, media organizations are looking for new business models. Digitalization has led traditional news media organizations to testing new forms of advertisement, such as sponsored content and native advertising, whereas others, such as lifestyle magazines, have a longer history in collaborating with brands. Editors are key players in these developments, since they are journalist–managers and decision makers within those daily practices that shape policies and influence new product innovation and development. In this study, we examine from the editors’ point of view, how they see the process of adopting novel forms of advertisement and what ethical challenges are in the way. Building on interview data of lifestyle magazine editors and news editors in Finland (N=18), we present a study that identifies four editorial dilemmas arising from the intersection of brand collaboration and journalistic work in lifestyle magazines and provide a timely first look into an emerging new category of “hybrid editors” in newsrooms. Our results suggests that, in overall, editors’ attitudes toward new forms of brand collaboration are positive.  相似文献   

14.
《Journalism Practice》2013,7(1):20-32
In attempt to define a methodology, journalism scholars use the term “reflective” as a way to distinguish their critical study of journalism from that of a non-practitioner. The phrase “reflective practice in journalism” is now also used widely in higher education course literature and increasingly it is emerging in discourses relating to journalism research. However, the use of the term “reflective” in both cases has not been anchored in meaning. This paper will propose a number of definitions, and will discuss a number of potential approaches that seek to move towards a synthesis of journalism practice and theory. It will start by outlining the current scholarly context for undertaking journalism research, focusing on the rise of “journalist-academics” and the desire for recognition of the value and status of practice within the academy. It will then examine a number of critical models which may shed helpful light on how journalism might be viewed as “research-in-practice”.  相似文献   

15.
《Journalism Practice》2013,7(6):789-808
By developing model-based news articles and presenting them to audience focus groups, this research gauges reader response to “test stories” based on four models of science journalism: science literacy, contextual, lay-expertise, and public participation. This approach allows investigation of how to tie journalism theory to practice to audience reception, and back again. The results show how journalists and readers differently engage with various models of science journalism and used them to gain different knowledge and understanding. These differences show the need to articulate more clearly hybrid models of science journalism that make use of the overlapping positive features of the models investigated. Such hybrid science journalism models could provide new educational tools aimed at showing how to better understand who “the audience” is and exemplifying how to position audiences as active members in stories and as stakeholders in the scientific process.  相似文献   

16.
This article contends that not only journalism but also journalism studies can benefit from a stronger commitment to the public. While the bodies of literature on “popular journalism”, “public journalism” and “citizen/participatory journalism” have, in different contexts and from different angles, made a strong case in favour of a public-oriented approach to journalism, it is remarkable how few of the empirical studies on journalism are based on user research. As the control of media institutions over the news process is in decline, we should take the “news audience” more seriously and try to improve our understanding of (changing) news use patterns. Besides this rather obvious theoretical point, there are also societal and methodological arguments for a more user-oriented take on the study of journalism. Starting from a reflection on the key trends in news use in the digital age—participation, cross-mediality and mobility—this article attempts to show the theoretical and societal relevance of a radical user perspective on journalism and journalism research alike. Furthermore, we look at new methodological opportunities for news user research and elaborate on our arguments by way of an empirical study on changing news practices. The study uses Q-sort methodology to expose the impact a medium's affordances can have on the way we experience news in a converged and mobile media environment. The article concludes by discussing what the benefits of a radical user perspective can be both for journalism studies as for journalism.  相似文献   

17.
Placing Facebook     
Facebook is challenging professional journalism. These challenges were evident in three incidents from 2016: the allegation that Facebook privileged progressive-leaning news on its trending feature; Facebook’s removal of the Pulitzer Prize-winning “Napalm Girl” photo from the pages of prominent users; and the proliferation of “fake news” during the US presidential election. Using theoretical concepts from the field of boundary work, this paper examines how The Guardian, The New York Times, Columbia Journalism Review and Poynter editorialized Facebook’s role in these three incidents to discursively construct the boundary between the value of professional journalism to democracy and Facebook’s ascendant role in facilitating essential democratic functions. Findings reveal that these publications attempted to define Facebook as a news organization (i.e., include it within the boundaries of journalism) so that they could then criticize the company for not following duties traditionally incumbent upon news organizations (i.e., place it outside the boundaries of journalism). This paper advances scholarship that focuses on both inward and outward conceptions of boundary work, further explores the complex challenge of defining who a journalist is in the face of rapidly changing technological norms, and advances scholarship in the field of media ethics that positions ethical analysis at the institutional level.  相似文献   

18.
This study seeks to understand how community newspaper editors negotiate the professional complexities posed by citizen journalism—a phenomenon that, even in the abstract, would appear to undermine their gatekeeping control over content. Through interviews with 29 newspaper editors in Texas, we find that some editors either favor or disfavor the use of citizen journalism primarily on philosophical grounds, while others favor or disfavor its use mainly on practical grounds. This paper presents a mapping of these philosophical-versus-practical concerns as a model for visualizing the conflicting impulses at the heart of a larger professional debate over the place and purpose of user-generated content in the news production process. Moreover, these findings are viewed in light of gatekeeping, which, we argue, offers a welcome point of entry for the study of participatory media work as it evolves at news organizations large and small alike. In contributing to a growing body of literature on user-generated content in news contexts, this study points to the need for better understanding the causes and consequences of journalism's hyperlocal turn, as digitization enables newswork to serve increasingly niche geographic and virtual communities.  相似文献   

19.
Belgium-based Mvslim.com is a citizen media platform that aims to create a space for Muslims and non-Muslims to contribute content dedicated to challenging stereotypical portrayals of Muslims in legacy media. Launched in 2015, this non-profit digital media startup claims to reach over 10 million unique visitors per month worldwide and is one example of a successful grassroots citizen media initiative that attracts and appeals to a global community. Based on a combination of content analysis and in-depth interviews with the platform’s editors and contributors, this paper examines the citizen media practices used by the editorial team at Mvslim to foster participatory engagement amongst contributors and connect Muslims and non-Muslims. Theoretically, the study takes the practice approach proposed by Stephansen, which enables us to understand “what citizen media do” not only as news-making practices, but also as “public-making practices”. We argue that digitally native citizen media platforms like Mvslim are blurring the boundaries of journalism, as they can fulfil democratic functions once limited to legacy media.  相似文献   

20.
《Journalism Practice》2013,7(1):92-107
This article presents the findings of the first research into editors’ views of journalism education in Slovenia. The results of a mail survey and in-depth interviews reveal that although the vast majority of editors are not particularly familiar with the curriculum of current journalism studies, they identified a broad general knowledge and practical journalistic knowledge as the curriculum's advantages, with—inconsistently—the latter also being described as the curriculum's main deficiency, together with the lack of any knowledge of special fields such as law and economics. The editors’ negative attitudes to journalism education are grounded less in actual knowledge of what the Journalism Faculty offers its students than a priori convictions and stereotypes about journalism graduates being incompetent theorists. Factors in the media and in society that might be hindering journalists’ professionalism are overlooked, while the blame for editors’ negative experiences with journalism graduates is almost exclusively ascribed to the Faculty. Although the Slovenian university journalism curriculum has been reformed several times in the past few decades, the old image of the Faculty of Social Sciences as a remnant of the old communist political school is still firmly grounded in the mentality of Slovenians, yet rejected by the editors.  相似文献   

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