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谈图书馆与大学文化建设 总被引：1，自引：0，他引：1
在大学文化建设中，图书馆扮演着十分重要的角色。它是传承大学文化的阵地，也是展示大学文化的窗口，更是育人的有效载体。首先，图书馆汇聚了大学文化的精华。这里有厚重的历史文明，有求真的科学精神，更有独特的大学品位。其次，图书馆展示了大学文化的魅力。她展示了规范的制度文明，展示了深切的人文关怀，展示了特色的文化风景。第三，图书馆承载着文化育人的重任，包括知识育人、服务育人、环境育人和制度育人。总之，图书馆是大学文化的集散地。 相似文献
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有人说,秋天是满载丰收和硕果的时节。我说,秋天还是载歌载舞、百姓齐乐的季节。这不,9月18日开幕的“2013美丽杭州群众文化节”,就是一场真正属于普通老百姓的文化盛会,这期间有服务类、赛事类、展示类三大板块的19项文化活动陆续登场,处处体现“文化惠民”。坐在台下的,是普通群众;站在舞台上的,也是普通群众;享受各类文化服务的,更是普通群众。普通群众,是文化节的绝对主角。 相似文献
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文化旅游产业发展方略探析——以辽宁省为例 总被引：2，自引：0，他引：2
文化旅游是辽宁省文化产业发展的重要组成部分,也是辽宁省旅游业发展的重要内容。辽宁省文化旅游资源丰富,产业基础较好。辽宁省文化旅游产业发展要依托文化产业园区,扩展文化旅游吸引物,增加文化旅游产业吸引力;张扬和创新主题化、个性化文艺演出,形成有影响力的演艺品牌,促进辽宁演艺旅游产业发展;保护性利用文化遗产,形成文化遗产旅游、文化遗产商品、纪念品产业;运用影视传媒形式,促进辽宁文化旅游产业发展;建立辽宁文化旅游研究和服务志愿者队伍,增加辽宁文化旅游产业发展力。 相似文献
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这里演绎的是杭帮菜的前世今生,这里展示的是杭州餐饮文化的经营理念和丰富内涵。让我们走进藏在江洋畈生态公园之中那可看可尝的美食殿堂,去领受饮食文化的风情与底蕴。 相似文献
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论南宋相党 总被引：2，自引：0，他引：2
相党与相党之争是南宋政治的重要表现形态 ,也是“宋代相权强化 ,帝皇愈加象征化”的突出标志 ;而“君子有党论”和“惟恐其党不众而无与共图天下之事” ,则是南宋相党在观念意识上的表现 ,也是“宋学”思想在政治领域中的具体实践。导致南宋相党的盛行与相党之争的最直接的因素 ,一是主战与主和之争 ,一是学术之争。南宋相党以群体的合力共振 ,在客体上改变了君主独裁的政局 ,但在主体上却具有鲜明的封闭性、排他性的文化性格 ,在政治实践中又“好己之同”、“恶人之异” ,明显地表现出喜同恶异、党同伐异的政治品格 ,所以相党的活动既对政治又对文化造成了严重的负面效应 相似文献
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红星剧院在文化体制改革中脱颖而出，被誉为“艺术红星”。在市场动作中频频出牌，创立了杭城演艺经营的新样板；作为一个剧院，他们转换“角色”，积极探索“请进来”和“走出去”，开创国际文化流新格局。 相似文献
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R. Scott Hiller 《Journal of Cultural Economics》2016,40(3):309-334
This paper examines the characteristics that are important to current commercially viable massive music festivals when making decisions on who to hire while facing horizontal and vertical quality differentiation with heterogeneous preferences among intended consumers. A model of customer demand motivates the empirical analysis using a unique bundling problem in which the consumer faces an unknown element, depending on festival reputation for expected utility. The empirical analysis utilizes characteristics important to the negotiation between the festival and the band as input. Musical acts with an album recognized as being of a high quality are about 33 % more likely to be hired by a festival in the year of release and 50 % more likely the following year. A top touring band is 40 % more likely to be hired in the first year, but 45 % less likely to be hired in the following year, likely due to an increased cost of hiring. Festivals hire quality, unknown bands to take advantage of the lower costs of lesser known acts by leveraging a reputation for evaluating quality before the consumer. Other industries face similar input decisions, giving the results a broader application. 相似文献
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The last few years have seen a remarkable increase in the number of cultural events and festivals. The increasing competitiveness among them and the need to safeguard their future viability make it necessary to identify factors that not only attract and satisfy new participants, but also retain previous attendees. Accordingly, this article examines the relations between motivation, satisfaction and loyalty in the case of a cinema event the Valdivia International Film Festival (Chile), distinguishing, in turn, between local attendees and visitors. To achieve this goal, a structural equation modelling is performed based on the data obtained through a survey conducted among festival attendees. The results show there are different motivations for attending a festival (leisure, professional motives and cinema) and that some directly affect satisfaction and loyalty. Similarly, satisfaction is presented as an unquestionable antecedent of loyalty, the latter being measured by means of different concepts. Finally, the research highlights some significant differences between residents and tourists and seems to point to the existence of a kind of cultural tourism focused on an interest in the cinema, which contributes to the festival’s continuity and sustainability. All of this allows us to extract some implications for the managers of this type of event and for those responsible for the destination’s cultural and tourist policy. 相似文献
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浙南瑞安市的碧山一带,有一年一度的闹春民俗事象-拦垟福。
拦垟福始于宋代,由民间信仰、祭祀海上护航护渔的杨精义杨府爷转而演化为农民祝祷虫害消弭、祈盼庄稼丰收的行为,现在成了借用娱神仪轨来娱人娱己的闹春活动。这种历经千年的田野巡游踩街过程及表演形式,独特精彩,已被列入瑞安市第四批非物质文化遗产名录。 相似文献
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《Journal of Cultural Economy》2013,6(3):379-394
This article develops the concept of ‘alternative cultural tourism’ through an in-depth study of the Prague Fringe Festival (PFF). In doing so, it argues that existing approaches to cultural tourism often fail to differentiate between different forms of culture (i.e. alternative versus mainstream), whilst also interrogating the criteria by which festivals can be understood as examples of alternative cultural tourism. Utilising a combination of both quantitative and qualitative data, involving audiences, festival performers and workers/volunteers, it is asserted that the PFF brings together a diverse mix of cultures, and seeks to create a more participatory and engaging tourist experience. Additionally, its more egalitarian organising structure produces different kinds of work and social relations in the production of art and culture – particularly between various groups working within the festival, but also in the creation of different ideas about audience engagement, performer relations, and engagement with the local community (through the idea of the ‘festival participant’). The article concludes by briefly exploring the potential of alternative cultural tourism to provide more meaningful and sustainable models of urban cultural development. 相似文献
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“美猴”“熊猫”闹盛会4N28日，第五届中国国际动漫节在杭州I华彩开幕，一对舞动的天使翅膀，营造出十足的动漫气息，内地港台明星竞相献演，“乐乐…喜羊羊”“功夫熊猫”等各路动漫明星粉墨登场，动漫大赛“美猴奖”隆重开奖。由中国动画学会会长余培侠、世界动画协会主席木下小叶子、世界动画协会秘书长芙丝娜·多尼科维奇、 相似文献
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秋风送爽时节,好戏连台。10月12日晚,荡气回肠的新编历史越剧《大唐骊歌》在温州大剧院拉开了第三届中国越剧艺术节的帷幕。本届中国越剧艺术节,围绕“戏曲故里、文化浙江、越剧盛会、人民节日”主题,突出“汇集越剧精品,展示地域特色,实践文化惠民,凸显市场运作”的办节思路,搭建起优秀传统文化的交流平台,集中展示中国越剧艺术繁荣的最新成果,进一步推动越剧艺术事业的可持续发展。 相似文献
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2012年2月7日,以“青春·使命”为主题的全国第三届大学生艺术展演活动在杭州开幕。来自全国各省、市、自治区的31个代表团在6天的时间里参加声乐、器乐、舞蹈和戏剧4个项目共172个节目的现场展演。活动期间还举办了艺术作品展览、高校艺术教育论文报告会等,图为河北省代表团的大学生在开幕式上表演。 相似文献