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1.
The notion that women in the United States’ electronic sports media face greater standards of appearance is not new (Sheffer, M. L., & Schultz, B. (2007) Double standard: Why women have trouble getting jobs in local television sports. Journal of Sports Media, 2(1), 77–101). What has not been explored, however, is the persistence of this double standard through a Foucauldian lens. Using Michel Foucault’s (Foucault, M. (1978). The history of sexuality: Vol. 1, an introduction. New York: Vintage Books) power/knowledge paradigm, this Foucauldian discourse analysis uses one-on-one interviews with women sportscasters and textual analysis to grapple with this previously unexplored aspect of one of electronic sports media’s longest standing gendered double standards.

Using these data, this article argues that post-feminist discourses (Gill, R. (2007) Gender and the media. Cambridge: Polity Press; McRobbie, A. (2004) Post-feminism and popular culture. Feminist Media Studies, 4(3), 255–264) have a mutually informing relationship with three manifestations of the electronic sports media’s gendered double standard of appearance: sportscaster hiring and retention, inequitable media consumer evaluations of on-screen appearance, and expectations for sportscaster dress, the latter of which have required many women to wear increasingly revealing clothing, a trend this article refers to as nightclubification. While post-feminist analysis explicates the nuances of the appearance double standard and the electronic sports media’s contributions to our culture’s constructions of gender relations, Foucauldian discourse analysis demonstrates how the appearance double standard has been taken for granted and how it might inform other obstacles women in the industry must navigate.  相似文献   


2.
Through the lens of political economy of communication and sports, this article examines the role of Bollywood’s sports movies in promoting patriotism and constructing an Indian national identity. Focusing on three popular movies premiered in the last decade, Dil Bole Hadippa (2009), Chak De! India (2007), and Lahore (2010), we explicate how Bollywood mobilized patriotic codes through these films in ways that are advantageous for the Indian government and the economic goals of the industry.  相似文献   

3.
Courses: Interpersonal Communication, Relational Communication

Objective: This article teaches students to explain and evaluate Knapp’s Relational Staircase Model through the creation of personalized greeting cards for each relational stage. The in-class activity encourages students to be creative and succinct in capturing the essence of an assigned relational stage in their respective greeting cards. The activity also provides students with an opportunity to apply the model to their lives and to test the validity and usefulness of the model in the hook-up culture prevalent among many college students today.  相似文献   


4.
ABSTRACT

This article is an introduction to the New York Public Library’s revolutionary and post-revolutionary Soviet and East European photography holdings. It outlines the materials available to researchers from both the large and smaller collections, particularly those that are useful for studies of Revolutionary Russia and the History or World War II in Russia and Eastern Europe. Of particular note is the NYPL’s wealth of images documenting Poland during the Second World War and the Bessie Beatty album The Russian Revolution: An Album of Photographs.  相似文献   

5.

The article traces the history and conflicting policies of the camera in the courtroom debate, analyzes the United States Supreme Court's decision in Chandler v. Florida, and concludes that Chandler is fundamentally a victory for states’ rights.  相似文献   

6.
《Journalism Practice》2013,7(5):555-571
American sports writers' use of social media as a newsgathering tool has influenced journalism practice, further complicating the industry's abstract definition of “professionalism.” This study builds on a pilot study published in the fall 2011 issue of Journal of Sports Media, which assessed print sports journalists' use of social media. In the current study, a survey was administered to 77 full-time print sports journalists who cover professional sports. This paper seeks to extend the pilot study and previous professional research in two ways: firstly, to assess how this specific subgroup of sports writers use Facebook and Twitter to gather information; and secondly, to analyze how these sports writers define “professionalism” and what industry factors correlate with chosen definitions, such as newspaper circulation and work superiors' attitudes toward social media. Cross-tabulations and chi-square tests were used to test hypotheses. Cramer's V or Phi, depending upon the cross-tabulation, were used to measure relationship strength. Results suggest this subset of sports writers more often uses Twitter for newsgathering purposing than Facebook. There is also a strong relationship between the frequency of Twitter usage and the definition of professionalism chosen; circulation size and instances of directly quoting from athletes' social media accounts; and age and Twitter usage.  相似文献   

7.
《Journalism Practice》2013,7(7):834-852
ABSTRACT

This paper examines the impact of the digital transformation on broadcast practices from a producer/studio participant perspective with a focus on sports journalism online. More specifically, the study targets changes in sports talk and interaction as producers re-shape their communicative activities to fit audiences’ new contexts of reception. It discusses how these changes in practices relate to some of the fundamental assumptions in current broadcast talk theory. The textual studies are complemented by interviews with six prominent Swedish media industry representatives in order to shed light on their perceptions of the broadcast to online shift given their respective experiences. The results show how producers/participants adapt to a more casual and relaxed interactional style and tone online than in ordinary broadcasting. The studied sportscasts also largely abandon the traditional broadcast address, as expressed in direct discursive address and looks-to-camera, for an orientation to screen devices where social media active audiences are to be “found,” although still having a traditionally positioned audience to attend to. Although sociability is still the structural principle for producers’ interactional choices irrelevant of platform, the strategies of how to achieve it are changing due to the digital transformation.  相似文献   

8.
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9.
ABSTRACT

Stuart Hall’s work on culture, representation, ideology and hegemony positions Hollywood as a cultural institution informed by and informative of US social values and norms. Thus contemporary debates over Hollywood's diversity are indicative of broader social conflicts. Empirically the article examines 2014–2015 news coverage of Hollywood to question the Hollywood paradox—the lack of diversity in film/TV production yet TV’s increasing shift towards on-screen diversity. It maps three discursive frames: Hollywood exceptionalism, economic imperatives, and institutionalized racism and sexism. The article concludes by using Hulu’s East Los High to reflect on TV’s digital turn and innovative models in production and representation.  相似文献   

10.
《The Reference Librarian》2013,54(57):187-190
Abstract

This article presents a selective annotated list of sports-related websites for reference use. Current sports news, sports information, directories, and recreation sites are included.  相似文献   

11.
ABSTRACT

This article proposes a new appraisal of Brazil’s alternative media. By investing in the concept of the periphery, this study draws on past literature, semistructured interviews, and data collected from across the country (n = 50) to propose a repertoire analysis of media producers’ views of the country’s popular notion of the periphery. Evidence shows that they have shown nuanced views of the periphery as a site of purpose, pluralism, and authorship. Despite crisis and turmoil, this study presents some paths that could help reorientate the priorities of alternative media research toward a closer consideration of the periphery as entity that appears much more in line with local realities and expectations than previous international debates.  相似文献   

12.

A generation of broadcasters has grown up without a firsthand knowledge of the now‐out‐of‐print FCC “Blue Book.” Mr. Meyer's personal overview of the content and effects of this document will be followed by a future article on “Reaction to the ’Blue Book’.” It is accepted that any one individual's summary of a controversial document will itself be controversial. Richard J. Meyer is Assistant Professor and Director of Educational TV at the University of Wichita, and wrote the MA thesis on which this article is based under the direction of Professor Stanley Donner at Stanford University. He also has worked in broadcasting at stations KZSU, KSAN‐TV and KQED (TV).  相似文献   

13.
Abstract

This article reports on the “2019 Best Practices from World Libraries” Photo Gallery Project initiated by the International Connections Committee (ICC) of the International Relations Round Table (IRRT) at the American Library Association (ALA). The project was inspired by a 2018 ALA-IRRT Emerging Leader’s project, Toward Increasing Engagement of International New Professional Leaders in ALA Activities, which followed a survey study developed to explore IRRT’s ability to engage its international members. The article shares the project planning process and the key actions taken to build a virtual and physical gallery for the 2019 ALA Annual Conference in Washington, DC, as well as highlights example programs from the project which demonstrate how libraries around the world are building stronger communities. Finally, the authors consider how the project may be improved upon and further developed in the future.  相似文献   

14.
Jessie Lymn is a PhD Candidate at University of Technology Sydney (UTS) and a casual academic in the Information Studies programs at both UTS and Charles Sturt University. Her doctoral research focuses on the archival practices of subcultural communities and how this furthers temporal and spatial understandings of archives.

Building on Eichhorn’s concept of ‘archival genres’, this article considers the recent spate of zine anthologies published in Australia and the United States as examples of these genres. It proposes that the anthologies are archives of content, form and practice, given that they commonly reproduce entire zines as visual material, not just text, and are produced by members of zine communities. This article argues that the anthologies’ narratives, presentation and distribution preserve ideologies of zine culture and that archival genres create spaces for the preservation of practices.  相似文献   

15.
Social media is now an integral part of modern sports broadcasting, which combines old and new media into a redefined and multidimensional experience for fans. The popularity of social media has particular implications for professional women's sports due to this convergence, and may be utilised by organisations to address some of the issues women's sports face from a lack of traditional broadcast coverage. This article discusses Twitter activity surrounding the ANZ Championship netball competition and analyses the ways social media can help transcend the structural challenges that “old” media has placed on professional women's sports.  相似文献   

16.
ABSTRACT

In January 2018, a feminist blog, babe, detailed an anonymous woman’s date with comedian Aziz Ansari, ending with her accusation that he had sexually assaulted her by escalating his sexual advances despite her verbal and nonverbal objections. Online reaction to the babe article was swift and plentiful, including a New York Times editorial written by conservative provocateur Bari Weiss entitled, “Aziz Ansari is Guilty. Of Not Being a Mind Reader.” Weiss’ piece drew 2953 online responses before the comment section closed the next day, with wide-ranging views addressing the respective behaviors and motivations of Ansari, “Grace,” and Weiss. The responses provide an opportunity to explore how commenters negotiate the boundaries of the #MeToo movement in the venue that had ignited the movement’s resurgence with the story of movie mogul Harvey Weinstein’s longstanding sexual abuse of women working in the film industry. This study applies quantitative and qualitative analysis to comment discourse and elicits three major themes: (1) expectations for seeking or conveying consent, (2) criteria for publicizing the private, and (3) demarcations between insensitivity and abuse. Justifications frequently offered for the positions articulated were based on references to personal experience, cultural expectations, the #MeToo movement, and feminism.  相似文献   

17.
Abstract

In 2016, the Munday Library at St. Edward’s University migrated to a new discovery layer. The Library had been an EBSCO Discovery Services (EDS) customer for six years, and the migration to Ex Libris’s Alma-Primo negatively impacted content discovery and collection usage due to issues with EBSCO’s proprietary metadata and Primo’s OpenURL link resolver. This article discusses switching the library’s collection using collection data analysis to respond to the change in discovery layer. The data-informed changes made to the collection improved collection usability and access.  相似文献   

18.
ABSTRACT

This article is an introduction to the New York Public Library’s pre-revolutionary Russian and Eastern European photographic albums. It also provides a checklist of these albums. The checklist is an especially rich source for Russian architecture, art, and science and provides documentation for a variety of places in the center and provinces of the Russian Empire. Some of the most significant albums are those once owned by the Romanovs and by George Kennan the elder, America’s first Russian expert.  相似文献   

19.
This paper contends with how postbroadcast television branding subsumes viewers’ affective interactivities with place to produce brand value. Focusing on the HBO series Treme, I argue that Treme engendered HBO's postbroadcast brand mutation by producing “passionate engagement,” where viewers were invited to interact with the show by touring New Orleans, thus adding place to online interactivity and multiscreen engagement as a means of constructing an “authentic” brand identity. The desire for viewers to connect to New Orleans’ culture is thus transformed into a vehicle for profit making for HBO and an assurance to shareholders that the brand still holds value.  相似文献   

20.
《期刊图书馆员》2012,62(1-2):49-59
ABSTRACT

This study compares China’s research article outputs rankings with its innovation rankings in the world, in the perspective of China’s high monetary rewards for research publications. It finds that there is a mismatch between China’s publication outputs and “research quality and broad influence on inventions,” and that the high monetary rewards for publications may have also led to some academic misconduct. This study’s findings also correlate with the findings of studies on China’s patent applications, which were found to be policy driven and to be results of policies which incentivize patenting but decrease patent quality. Some awareness of the issues related to policy-driven publications would help librarians as well as readers in selecting journal articles.  相似文献   

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