共查询到20条相似文献，搜索用时 31 毫秒
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Web‐based peer‐review systems are ubiquitous within scholarly publishing today, providing valuable efficiencies for authors, editors, and referees. These systems are the result of a general evolution from paper‐based workflows to electronic processes that began in the 1970s. DOS‐based systems paved the way for Windows desktop systems and, in the mid‐1990s, Web‐based peer review. Governmental, academic, and commercial stakeholders all participated in advancing the state of peer review by experimenting with different technologies, workflows, and features. These experiments have coalesced into a new steady state in which Web‐based peer‐review systems are the norm, and in which continued evolution tends to focus on incremental improvements to traditional workflow. 相似文献
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Acknowledging the need for continuous improvement to keep health libraries at the forefront of patient care, Richard Bridgen considers the alternative ways in which library and knowledge services can be provided, from regional hubs to embedded services. Richard echo's the words of the CILIP Chief Executive Officer that services are likely to be judged on provision rather than breadth of collection and emphasises the need for a properly educated workforce to enable staff to keep up with changes in their professional domains. 相似文献
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Andrew Chitty 《Curator: The Museum Journal》2011,54(4):413-418
Abstract Film archives offer unique opportunities for co‐curation between collections‐based institutions and members of the public. By making available source materials and the tools to manipulate them, institutions can work with the public to develop new interpretations of their collections as well as to tap into the remixing and sharing cultures of social and digital media. Digital co‐curation projects can develop relationships with audiences that many institutions find difficult to engage, developing alternative narratives and reclaimed histories. This paper describes the evolution of an approach to co‐curation and the tools and strategies needed to engage users. It focuses on London Re‐Cut, a project to remix London’s film history, drawing on material from 11 film archives across the city. Projects such as London Recut suggest that audiences have both the enthusiasm and the skills to open up this radical “remix” approach to interpretation. 相似文献
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E‐books are a potential assistive technology, offering significant advantages over print books, and accessible materials are now a financial and legal necessity within UK academia. It is often difficult to find supplier information on accessibility, for example, whether files have been tagged for reading order or whether the interface has been tested with assistive technologies. Equally, library staff may lack confidence in identifying accessibility features, making it hard to promote them to students or demand them from suppliers. This article reports on a crowdsourced e‐book audit of 44 e‐book platforms that was undertaken by 33 UK universities during 2016. The research scored different platforms for a range of accessibility issues, and the resulting open data set is presented in a manner that can be interrogated by libraries looking for specific features. A key finding was that the platform can dramatically affect the accessibility of a publisher's content, making it important for publishers to work with suitable vendors to disseminate their publications. 相似文献
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