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1.
The use of numerical simulation methods for the Cultural Heritage is of increasing importance for the analysis, conservation, restoration and appreciation of works of art. This is particularly important when their preservation and planned maintenance is the primary aim. Today museums, and particularly historical buildings converted to museums, should be considered as places where precious artefacts should have first-rate protection and conservation. It is a question of solving the compromise between protection, conservation and comfort for works of art and/or visitors, with the consequence that preservation and planned maintenance criteria must prevail over use requirements. Refurbishment and conservation of a building, and requirements for visitor presence and works of art need different thermo-physical indoor parameter values. The present paper concerns the thermal and air velocity analysis of the Salone dei Duecento (the Hall of the Two Hundred of the Palazzo Vecchio (Old Palace)) in Florence. In this paper an appropriate transient 3D model by Computational Fluid Dynamics (CFD) software based on the finite element method (FEM) was used. Variations and interaction between indoor and outdoor microclimatic conditions, and thermo-physical behaviour of the building connected to lighting, visitor presence and cooling–heating fan coils system were considered. The 3D modelling method provided by the present paper can be applied to several situations where there is interaction between outdoor and indoor climate variations and the building structure. It can be very useful for defining measures to preserve tapestries, understanding deterioration processes, and developing new conservation techniques and strategies for care and exhibition.  相似文献   

2.
During the 20th century, many innovative binders have been rapidly introduced to the art world and soon became popular as artists’ paints and pictorial media. However, despite the advantages that new synthetic materials presented, oil paints have never been entirely substituted. Indeed, this paper focuses on the results provided by the scientific analysis of a group works from the oeuvre of Lucio Fontana (1899–1968), all of which created between 1960 and 1964 using oil-based media, and aims to illustrate how oils contained in the pictorial media have influenced these works’ respective ageing and degradation processes. Despite the apparent coherence in the behaviour of many of Fontana's creations, some artworks revealed discrepancies in terms of the physical and mechanical behaviour of the pictorial films and in alterations resulting from degradation processes. Samples taken from case studies belonging to the Olii and Fine di Dio series were analysed using optical microscopy, X-Ray Fluorescence (XRF), Fourier-Transform Infrared Spectroscopy in attenuated total reflectance (FTIR-ATR) and Gas Chromatography-Mass Spectrometry (GC-MS) in order to study and identify the materials employed by the artist and the products of their degradation processes. These analyses gave unexpected but useful results (such as the presence of non-drying or slow-drying oils in the paint formulations) which not only provided us with new insight into the nature of the constituent materials, but also facilitated the elaboration of correct conservation measures and suitable restoration interventions.  相似文献   

3.
以南京市南捕厅历史街区为例,通过综合运用三维地理信息系统、多元异构时空数据分析、历史信息比对等技术手段,展示了复合历史空间导向的数字化保护与更新实践。通过无人机倾斜摄影测量技术,对历史街区的大场景进行纹理数据采集,构建整个历史街区的三维数据模型。在历史研究的基础上,为历史街区更新构建合理的历史空间形态框架,并对历史街巷内部一系列公共空间节点进行了保护更新设计。在此基础上,基于多源异构时空数据分析手段,通过对南京主城及和南捕厅历史街区文化活动的精准画像,探求南捕厅历史街区价值活化的路径。  相似文献   

4.
Italian state museums are characterised by a rigid bureaucratic structure and are almost completely financed by government transfers. In this paper we develop a simplified two-stage model in an attempt to explain how the government's preferences for differentiated museum functions may affect museum organisation. The model shows that the government prefers that complementary functions (e.g., conservation and scientific research) be produced by a single museum, whereas it prefers that substitutable functions (e.g., conservation and access by the general public) be produced by two museums. We use this prediction for an empirical analysis of the organisational structure of Italian state museums. On the basis of the unique ISTAT census of the Italian museum system, we test with two separate probit models the probability of observing in a state museum the concentration of either scientific activities of conservation and research or promotion activities for education and the general public. Higher classes of centralisation for the state museums are also considered by means of an ordered probit model. The results seem to suggest that the Italian state museum structure, as surveyed in the early 1990s, fully reflected the traditional policy model viewing museums as institutions devoted to conservation, scientific research and education. JEL-Classification: D73, Z11  相似文献   

5.
This paper describes some results from an experiment carried out regarding a procedure to be adopted for temperature and R.H. monitoring of indoor spaces designed for exhibiting events, such as museums and similar institutions. The monitored data employed in this study has been collected by the Department di Ricerche Energetiche ed Ambientali of the Università degli Studi di Palermo in co-operation with the Regional Gallery ''Palazzo Abatellis'' of Palermo. The study analyses a simple method for characterising the environmental quality of museums so as to ensure the optimal conservation of works of art. This methodology is based on the procedure (where thermal and hygrometry parameters are concerned) proposed by an Italian standard rule. A new technique, firstly applied to the industrial environment, based on the passive reactive monitoring of proper coupons is also proposed for monitoring air quality in museums. The methodology adopted, has been applied to two survey campaigns which were carried out at a distance of 5 years. This shows the two aspects of thermal-hygrometry and levels of indoor air quality aimed at preserving works of art. The future developments of this work are oriented towards the definition of guidelines in support of those responsible for the conservation of works of art and improvements in the quality of environments for artwork conservation and for the comfort of visitors through the use of proper HVAC systems.  相似文献   

6.
The need of inspecting a masterpiece of fine art without affecting it led to develop non destructive methods of investigation. In the field of art conservation, several diagnostic techniques are being widely used to inspect works of art, giving different but complementary results. The present work deals with two of these methods, reflectography and thermography, both techniques examining objects in the infrared spectrum but in different wavelength bands. Their integrated data potentially provide a powerful tool for mapping hidden features and alterations of artworks. This was confirmed during the inspections of a 13th century panel painting under restoration at the Opificio delle Pietre Dure laboratories (Florence, Italy). A graphical user interface was also designed to aid operators in the field of conservation dealing with the results of the two IR methods. Many options such as image adjustment, comparison, overlaying and transparency variation, in addition to thermographic elaborations, have been made available to users. Imaging data integration provides a multi-layered and multi-spectral representation of the painting that yields a comprehensive diagnosis confirms the anomalies individuation and reduces the ambiguities of information coming from a single diagnostic method.  相似文献   

7.
In recent years the economic performance of public non-profit sectors such as cultural services has become an interesting economic issue. This is due to the high dependence of cultural institutions on public funding on the one hand and the increasing cost-pressure on public budgets on the other hand. In order to achieve an efficient, cost-minimizing resource allocation public authorities who decide on the distribution of public budgets need reliable performance indicators. Against this background, this paper analyzes the efficiency of German public theaters for the seasons 1991/1992–2005/2006. Using a stochastic frontier analysis approach, we test whether the assumption of cost-minimizing behavior is reliable in this sector. Moreover, several panel data models that differ in their ability to account for unobserved heterogeneity are applied to evaluate the impact of unobserved heterogeneity on the efficiency estimates. The results indicate that the cost-minimizing assumption cannot be maintained. Consequently, an efficiency analysis based on a cost function approach seems inappropriate in the case of German public theaters. Further, we find a considerable unobserved heterogeneity across the theaters, which causes a significant variation in the models’ efficiency estimates. This implies that failing to account for unobserved heterogeneity leads to biased efficiency values. Overall, our results suggest that there is still space for improvement in the employment of resources in the sector.  相似文献   

8.
Most of the historical paints are mainly constituted by inorganic pigments, either pure or mixed, spread on the surfaces using different binding agents. The knowledge of the exact amount of different constituents of the paint, as well as of the mixing and pictorial techniques, is crucial for a careful program of conservation of polychrome works. Moreover, since the availability of these pigments has been changing through the centuries, their identification and chemical characterisation is useful to acquire or deepen information about the artist and his/her work. This information can also be useful for authentication purposes through relative dating because the identification of one pigment respect to another one can be used as a terminus post quem or ante quem the artwork was realized. In this work, X-ray fluorescence data from historical pigments, both pure and mixed, will be presented, in order to obtain quantitative information on the samples and to extract calibration curves to the aim of evaluating the pigment concentration in unknown mixtures.  相似文献   

9.
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10.
信息时代到来,以互联网移动终端为主要传播途径的社会信息共享效率大大提高,大众需求也随之提升.大量城市网红建筑及"打卡点"的出现表明建筑设计传播过程已不能忽视当下新媒体传播环境对其造成的影响.这些建筑作为城市文化的重要传播载体,成为社会公众与城市文化生活联结的"桥梁".运用传播学理论对建筑设计传播过程进行解读,以与公众社...  相似文献   

11.
This work faces the problem of detecting decay zones from color images of stone materials. In Cultural Heritage, the extraction of degradation regions from images of ancient monuments represents an important step forward in studying and analyzing the state of preservation of historical buildings. Generally the decay diagnosis is provided by “naked eye” analysis done by expert scientists “walking around” the artifact and recording the conservation state of each individual element they observe. In addition to this kind of investigation, the application of an image segmentation strategy to color images of stony materials can be used in order to extract regions characterized by a visible chromatic alteration, changes in color, for example, as oxidation or concretion. This paper features a color image segmentation approach founded on the fast marching numerical method. We have applied this technique for its possibility to work locally, that is, only the contour of the region under study is processed. In addition to this method, we present a global approach, that is, the possibility to extract decay regions from the entire image; these regions are spatially disconnected but with similar colorimeter value. The main aim of the present work is to provide a tool that helps the expert to contour the degraded regions. In this sense even if the results of the proposed procedure depend on the expert evaluation, the approach can be a contribution to improve the efficiency of the boundary detection process. The study case concerns the impressive remains of the Roman Theatre in the city of Aosta (Italy). In the image segmentation process the color space L*a*b* is utilized.  相似文献   

12.
This paper investigates the dynamic and performative construction of publics in public engagement exercises. In this investigation, we, on the one hand, analyse how public engagement settings as political machineries frame particular kinds of roles and identities for the participating publics in relation to ‘the public at large’. On the other hand, we study how the participating citizens appropriate, resist and transform these roles and identities, and how they construct themselves and the participating group in relation to wider publics. The empirical basis of our argument is a discussion of four different kinds of participation events in Austria. Building on these observations we develop conclusions about the public up-take of public participation in technoscience and the role of public engagement in current techno-political cultures.  相似文献   

13.
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14.
This paper presents the results of a light levels survey conducted at the Donald W. Reynolds Center for American Art and Portraiture in Washington DC. The museum space is shared by the National Portrait Gallery and the Smithsonian American Art Museum. After six years of extensive renovations, the building reopened to the public in July 1, 2006. The structure was not originally designed to house a museum collection since it contains numerous openings such as windows, doors and skylights, which provide a path for natural radiation to enter the building and come in contact with the artworks. From a preventive conservation standpoint, this is an important problem since sensitive works of art in the collection may be subjected to damage caused by light exposure. Environmental data loggers installed throughout the museum were programmed to take successive measurements every 10 min for 24 h a day, 7 days a week and 52 weeks a year. This light levels assessment started in November 1, 2007 and finished in October 31, 2008. This study presents a new method for determining natural radiation exposures registered in exhibition spaces that rely on both electric lighting and natural lighting, considering the growing trend of using daylight illumination in museums.  相似文献   

15.
Spectrophotometric and colorimetric data obtained during a measurement campaign aimed at supporting the Roman “Villa del Casale” (Piazza Armerina, Sicily, Italy) conservation activities, are presented. Special attention was paid to the possible variation of the chromatic coordinates, possibly due to the interventions of cleaning, consolidation, and protection. Data have been analyzed by the Principal Component Analysis (PCA) statistical technique, with the attempt to investigate its role in data variability reduction and verify its effectiveness in interpreting the phenomena occurring on the mosaic surface of the Villa, through grouping the observations into homogenous clusters. Effectiveness in the use of the information provided by the spectrophotometric and colorimetric analyses is strongly related to the immediacy and ease of data reading by the restoration operators for whom the issues concerning the color measurement and its representation are often unfamiliar. This paper analyses data of different mosaic tesserae before/after the cleaning intervention and presents data clustering with PCA. This statistical technique has provided a synoptic scheme capable of improving data interpretation concerning the chromatic behavior of the materials. Moreover, the cluster distribution highlighted by the multivariate analysis made it possible to identify, more clearly, the parameters that mostly contribute to the chromatic shift and to monitor the behavior of variously colored tesserae.  相似文献   

16.
Ca(OH)2 particles with submicrometric dimensions (nanolimes) are recently introduced in cultural heritage conservation, in order to improve lime treatments. Lime nanoparticles are typically produced by a chemical precipitation process in supersaturated aqueous solutions of the reactants (calcium chloride [CaCl2] and sodium hydroxide [NaOH]); water is then partially substituted with 2-propanol in order to improve stability and to reduce a random orientation of the particles. Aim of the present work is to analyse the influence of the nanolime suspensions concentration on the carbonatation process, in relation to the residual water content too. The obtained lime nanoparticles are characterised by X-rays diffraction (XRD) and profile analysis. Afterwards, the influence of the suspension concentration on stones protective treatments is evaluated: alcoholic nanolime suspensions, characterised by different concentration values, are applied on several natural lithotypes. Standard tests are performed to estimate the superficial consolidation and the protective treatment effectiveness: “Scotch tape test” (STT) and capillarity test. Porosimetric investigations are performed too.  相似文献   

17.
The identification and localization of the proteinaceous binders are essential issues in studies of painting materials and techniques, for further proposing valid restoration and conservation treatments of the painted or polychrome works of art. The challenge for analytical chemists and conservation scientists is the availability of methods able to simultaneously identify and map the presence of the binders in the multilayered structure of a sample and the possibility to use a very low amount of sample from the studied art object (considering also the criteria of minimum sampling). These methods should be fast, reproducible in different artefacts and in case of mixture of protein-based binders with other non-proteinaceous constituents (oils, resins, waxes, gums etc.) and also economical (both in terms of materials and time consume). In this context, the present paper proposes an innovative protocol of investigation using two complementary techniques – Matrix-Assisted Laser Desorption/Ionisation – Time of Flight Mass Spectrometry (MALDI-TOF MS) and staining tests (one visible and one fluorescent stain) assisted by Optical Microscopy (OM) on cross-section of samples – for the simultaneous identification and mapping of protein – and oil-based binders in paint materials. The novelty is based on the use of MALDI-TOF MS on cross-sections of paints together with a fluorescent stain for protein identification and mapping (mainly used in the area of proteomics) complementing the use of a traditional visible stain for oil-based material identification. The protocol was successfully applied on several samples taken from a Czech medieval polychrome sculpture, entitled “The Mourning of Jesus Christ” (16th century) belonging to the Moravian Gallery (Brno).  相似文献   

18.
In recent years the control and monitoring of works of art has gained more and more importance. In particular, works partially or totally realized with wood, such as polychrome sculptures, painted panels or Crucifixes, are highly sensitive and delicate and thus need a particular attention. The wooden support is, in fact, an essential element for the stability of pictorial layers: the color lies on a preparation, which in turn, is anchored to the wood. Wrong conservation methods, i.e. in an environmental climate that is not controlled, or intrinsic mechanical stresses, can warp such structures, and the effects can be irreversible and destructive to the painted layer. The use of fiber Bragg grating (FBG) sensors for the quasi-distributed, in situ measurement and continuous monitoring of deformations in painted wood panel is proposed. In order to demonstrate the applicability of FBG sensors to painted wood panels, a wooden support, made using the same 15th–16th century techniques, was prepared in the Opificio laboratories. A number of Bragg grating sensors were affixed in several critical points, on the back and front sides and on the strengthening cross-beams, in order to detect deformations in the panel dependent on the variations in the environmental relative humidity (RH). Measurements during the removal of the cross-beams are also reported. The results of measurements have shown the applicability of FBG sensors for the continuous in situ monitoring of valuable wooden objects and works of art.  相似文献   

19.
Accurate three-dimensional representations of cultural heritage sites are highly valuable for scientific study, conservation, and educational purposes. In addition to their use for archival purposes, 3D models enable efficient and precise measurement of relevant natural and architectural features. Many cultural heritage sites are large and complex, consisting of multiple structures spatially distributed over tens of thousands of square metres. The process of effectively digitising such geometrically complex locations requires measurements to be acquired from a variety of viewpoints. While several technologies exist for capturing the 3D structure of objects and environments, none are ideally suited to complex, large-scale sites, mainly due to their limited coverage or acquisition efficiency. We explore the use of a recently developed handheld mobile mapping system called Zebedee in cultural heritage applications. The Zebedee system is capable of efficiently mapping an environment in three dimensions by continually acquiring data as an operator holding the device traverses through the site. The system was deployed at the former Peel Island Lazaret, a culturally significant site in Queensland, Australia, consisting of dozens of buildings of various sizes spread across an area of approximately 400 × 250 m. With the Zebedee system, the site was scanned in half a day, and a detailed 3D point cloud model (with over 520 million points) was generated from the 3.6 hours of acquired data in 2.6 hours. We present results demonstrating that Zebedee was able to accurately capture both site context and building detail comparable in accuracy to manual measurement techniques, and at a greatly increased level of efficiency and scope. The scan allowed us to record derelict buildings that previously could not be measured because of the scale and complexity of the site. The resulting 3D model captures both interior and exterior features of buildings, including structure, materials, and the contents of rooms.  相似文献   

20.
The project for Domus Aurea reopening to the public was carried out by Soprintendenza Archeologica di Roma in cooperation with CISTeC. The principal technical problems faced are classified in three main categories related to: a) structural and safety analysis and works; b) control of the internal environmental conditions; c) elimination of water infiltration. The purpose made survey and the stability study carried out by applying the finite elements numerical methods add new data to the knowledge already acquired. The structural analysis and model show clearly that the complex of the octagonal hall and the surrounding parts form a well constructed and ingeniously conceived building, with low strain, mostly directed to the foundations. The project for the closure of the ‘eyeˈ in the octagonal hall is also illustrated in this article. On the basis of many experimental measurements and numerical simulations, a plan has been drawn up to gradually close a number of air sources and to define the number of daily visits. Finally, the project for the impermeabilization is explained: sodium bentonite laid on a layer of raw (unfired) bricks has been chosen to drain the rain water to the sewage system and far from the Domus Aurea structures.  相似文献   

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