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《Journal Of Archival Organization》2013,11(1):5-18
Abstract Many archivists regard the archival imagination evidenced in the writings of David Bearman as avant-garde. Archivist Linda Henry has sharply criticized Bearman for being irreverent toward the archival theory and practice outlined by classical American archivist T. R. Schellenberg. Although Bearman is sometimes credited-and sometimes berated-for establishing “a new paradigm” centered on the archival management of electronic records, his methods and strategies are intended to encompass all forms of record keeping. The essay provides general observations on Bearman's archival imagination, lists some of its components, and addresses elements of Henry's critique. Although the longlasting impact of Bearman's imagination upon the archival profession might be questioned, it nonetheless deserves continued consideration by archivists and inclusion as a component of graduate archival education. 相似文献
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Catherine Bailey 《Archival Science》2005,5(2-4):361-364
The author, who is Guest Reviews Editor for this special issue on macro-appraisal, introduces and provides context for four
review articles, written by archival educators from Canada, the United States, and Australia, that discuss the most important
works they use to teach macroappraisal and why these works are chosen. While each article demonstrates the unique characteristics
of the archival education program in which the author is situated, they are united by a common theme—the need for educators
to prepare students, as best they can, to take their places as practising professional archivists. 相似文献
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Donato Tamblé 《Archival Science》2001,1(1):83-100
Archival theory in Italy has a long tradition, going back as far as the second half of the nineteenth century, and with roots
in the 17th and 18th centuries. Central theme in the theory is themetodo storico, the principle of provenance, for the first time expressed in the late 19th century by Bonaini and Bongi. In the following
decades archivists like Casanova and Cencetti were among the leading authors. Elio Lodolini assigned himself the task to synthesize
ideas and notions, within a clear distinctions between records (registratura) and archives. One of the overall characteristics
of the rich Italian literature is the stressing of the cultural value of archives.
I have twice treated before the theme of archival theory in Italy from the fifties up to the nineties. The first time on the
occasion of the 25th anniversary of theScuola speciale per Archivisti e Bibliotecari dell'Università degli Studi “La Sapienza” di Roma in 1989, when there was an international round table on archival science in the State Archives of Rome. My essay,Italian archival science today, has been published in the proceedings of the meeting (cfr. Donato Tamblé,L'archivistica in Italia oggi, inStudi sull'archivistica, by Roma: Elio Lodolini, 1992). Some years later, in 1993, I published a book on contemporary Italian archival theory (Donato
Tamblé,La teoria archivistica italiana contemporanea (1950–1990). Profilo storico-critico (Roma, 1993) which was the sequel to the volume of Elio Lodolini on Italian archival history — (Lineamenti di storia dell'archivistica italiana (Roma, 1991). The purpose of my book was that of locating and identifying the scientific object of archival science as it
developed and was clarified in the thinking and in the lucubration of the contemporary Italian Archivists. 相似文献
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Donato Tamblé 《Archival Science》1987,1(1):83-100
Archival theory in Italy has a long tradition, going back as far as the second half of the nineteenth century, and with roots
in the 17th and 18th centuries. Central theme in the theory is themetodo storico, the principle of provenance, for the first time expressed in the late 19th century by Bonaini and Bongi. In the following
decades archivists like Casanova and Cencetti were among the leading authors. Elio Lodolini assigned himself the task to synthesize
ideas and notions, within a clear distinctions between records (registratura) and archives. One of the overall characteristics
of the rich Italian literature is the stressing of the cultural value of archives.
I have twice treated before the theme of archival theory in Italy from the fifties up to the nineties. The first time on the
occasion of the 25th anniversary of theScuola speciale per Archivisti e Bibliotecari dell'Università degli Studi “La Sapienza” di Roma in 1989, when there was an international round table on archival science in the State Archives of Rome. My essay,Italian archival science today, has been published in the proceedings of the meeting (cfr. Donato Tamblé,L'archivistica in Italia oggi, inStudi sull'archivistica, by Roma: Elio Lodolini, 1992). Some years later, in 1993, I published a book on contemporary Italian archival theory (Donato
Tamblé,La teoria archivistica italiana contemporanea (1950–1990). Profilo storico-critico (Roma, 1993) which was the sequel to the volume of Elio Lodolini on Italian archival history — (Lineamenti di storia dell'archivistica italiana (Roma, 1991). The purpose of my book was that of locating and identifying the scientific object of archival science as it
developed and was clarified in the thinking and in the lucubration of the contemporary Italian Archivists. 相似文献
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档案工作者是现代社会的记录者,他们挑选并保存历史事件和社会思想的凭证信息,并由此掌握着过去。海伦.塞缪尔斯提出的文献记录战略深刻影响了北美的档案思想和鉴定方法,启发了许多档案理论家和实践者去反思和探讨一个重要的主题:档案工作者怎样以更适合21世纪的方式来记录现代社会和掌握过去。 相似文献
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A review of the archival literature, including records and information management, indicates that archivists’ have shown over
the last two decades an interest in program evaluation. The sparceness of the literature on the subject suggests a gap in
an articulate body of knowledge, based on solid theoretical and methodological foundations, for evaluation of archival programs
and activities. However, if they have not particularly investigated the subject from a theoretical perspective, archivists
have developed in their different organizations and working environment practical knowledge of and experience with program
evaluation. In large corporations as well as in public bureaucracies, they have been part of or subjected to specific or generic
program evaluation initiatives conducted by internal and external evaluators. But archivists might need now to go some steps
further and to look from a critical perspective at what is needed in order to get full benefit from program evaluation. 相似文献
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四个范式:欧洲档案学的观念和战略的变化——1840年以来西方档案观念与战略的变化 总被引：1，自引：1，他引：0
本报告首先梳理了西方档案理论与档案史,探讨了那些激发档案专业思想、战略及方法的概念,其次又着重阐述了档案鉴定这个由档案工作者从人类文献记录中挑选出很小比例作为档案长久保存的过程。19世纪至今的档案工作者对其工作、职能、活动及社会作用的认识经历了(或者说显示了)四个大的思想框架(或范式),探讨和了解这个背景可以让我们更好地认识和应对我们现在所处的这个数字时代的挑战。 相似文献
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Elise Edmonds 《档案与原稿》2020,48(2):186-199
ABSTRACT Weeks after the Armistice was declared, Principal Librarian William Ifould of the Public Library of New South Wales recommended to Library Trustees that the institution begin to collect ‘private and official documents’ produced during the war. By early December 1918, advertisements began to appear in Australian and New Zealand newspapers, encouraging returning soldiers to sell their personal diaries to the Library. Known as the European War Collecting Project, this acquisition program was the first of its kind in Australia. This paper explores the Library’s acquisition of personal diaries written by those who served and analyses the appraisal methodologies carried out by State Library staff. This case study underscores the recent archival debate which has re-assessed the role of archivists in assessment, appraisal, preservation (and privileging) of some collections over others and argues that archivists mediate and consequently shape the collections in their institutions. 相似文献
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Richard J. Cox 《Archival Science》2002,2(3-4):287-309
In this essay, the author ruminates on the relationship between collecting and archival appraisal. He argues that collecting
does not necessarily equal appraisal, although society and even archivists value it as an important function. The author stresses
that the critical need is for archivists to have a clear perspective, whether highly theoretical or immensely practical, of
what it is they hope to accomplish in appraising and that they need to document this process so that future researchers and
archivists can understand what archival appraisal meant. As it is, archives might become more valued as important cultural
symbols than for the records they actually hold. The notion of an “end” of collecting is in the sense that collecting is appraising,
but appraising elevated to a professional function requiring more care, deliberate thought, and self-evaluation. 相似文献
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Terry Cook 《Archival Science》2005,5(2-4):101-161
Macroappraisal as developed in Canada has had significant currency in archival literature over the past decade, and aspects
of its program and ideas have been implemented in other jurisdictions. For the first time, this essay probes the theoretical
and practical origins of macroappraisal in Canada since 1950 and why its originators no longer found convincing the predominant
status quo on appraisal as articulated by T.R. Schellenberg. The essay then summarizes the theory of macroappraisal as articulated
at the National Archives of Canada, and the strategic and program infrastructure developed in the 1990s to turn the new theory
into operational reality. As no archival concept is universally locked in time, the evolution and changes in the macroappraisal
program, both in theory and strategy, are also analysed in its Canadian home base over its first decade, as well as some internal
and external criticisms of it. The essay intends to illuminate the deeper context of macroappraisal, so that an international
audience may better understand its strengths and weaknesses. As the author is the principal architect of macroappraisal, the
essay consists of equal parts of archival history, theoretical analysis, and personal reflection. 相似文献