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1.
《Qualitative Research Reports in Communication》2013,14(1):46-61
This essay will provide further insight into how Black audiences interpret a popular culture text by focusing upon how a group of young black men construct Black masculinity as depicted in the film Barbershop. Interestingly, a rhetorical community of young Black men discussed the representations of the characters in the film from a perspective of Black individualism rather than reaffirming identity through a collective orientation toward the culture. This reading contrasts with much of the “ghettocentric” film literature by highlighting how a Black audience's interpretation of a text can focus on individualism rather than on cultural representations and stereotypes. 相似文献
2.
以市场上主流品牌的黑色中性笔为研究对象,参照DA/T 16—1995档案字迹材料耐久性测试法,通过干热、紫外光照、水浸、耐酸、耐碱老化实验,研究了黑色中性笔书写字迹的耐久性。结果表明,大部分品牌的黑色中性笔书写字迹耐久性优良,少数品牌的字迹耐久性较差,可擦写黑色中性笔的书写字迹耐久性差。同品牌不同型号的黑色中性笔书写字迹受老化实验的影响存在差异。 相似文献
3.
Hannah J. M. Ishmael 《档案与原稿》2013,41(3):269-288
Focusing on the inter-war period, this article examines the context of the publication of Sir Hilary Jenkinson’s Manual of Archive Administration alongside the less well-known contemporary publication of Arthur Schomburg’s ‘The Negro Digs up his Past’. By placing these publications together, this article raises questions about the production and reproduction of the professional canon, as well as highlighting Schomburg’s contribution to key archival questions on the nature of collecting. This work discusses Schomburg’s articulation of the purpose of archival collecting which offers a radically different conception of the value and use of archives, one that focuses on the concepts of recovery and transformation. This article also places Schomburg within the wider emergence of the Pan-African movement and situates his work within the developing Pan-African ideologies and the networks in which he operated, and argues that Schomburg’s legacy can be found in the development of Black-led archives in London. 相似文献
4.
《档案利用与“黑天鹅事件”——论档案利用的小概率及不可预测》一文具有一定的创新性和合理性,但也存在认知偏颇之处。本文针对该文提到的“黑天鹅事件”的概念定义、事件特征、具体案例及档案价值不可知等观点,在分析“黑天鹅事件”的概念和特征的基础上,结合我国档案利用的实际情况并通过剖析文章所列举的案例等与之进行了商榷。最终认为,该文所归纳的档案利用的特征及列举的案例不符合“黑天鹅事件”的特征、档案价值具有相对可知性。 相似文献
5.
Shardé M. Davis 《Communication monographs》2019,86(2):133-157
This study extends a rich line of research on racial microaggressions (Sue, 2010) by examining the way friendship networks of Black women communicate support to a targeted individual. Groups of Black women friends (n?=?52) engaged in supportive discussions about racial microaggressions by white women perpetrators, and a research team of Black women inductively analyzed the supportive encounters. The findings indicated that groups engaged in a two-phase process of supportive communication that began with Individual Orientation, which describes person-centered messages that solely supported a target, and continued to Collective Orientation, which describes group-centered discussions about the prevalence and effects of racial injustice on all Black women. Three co-occurring sub-themes emerged in Collective Orientation: Hostile Differentiation, Socio-political Contextualization, and Collective Uplift. Humor and Laughter were important in both phases. Generational dynamics were also considered in this study, but few differences emerged. Implications and directions for future research are discussed. 相似文献
6.
Marnel Niles Goins 《Communication Studies》2013,64(5):531-546
Female friendships are significant to many Black females because they represent a homeplace, or a safe space. This study uses Baxter and Montgomery's (1996, 1998) relational dialectics theory and Collins’ (2000) Black feminist thought to understand the interplay of contradictions in the stories that Black females tell in their friendship groups. The contradictions embedded in the stories were finances (spending/saving), language (“good”/“bad” English), appearance (satisfaction/dissatisfaction), and race (acceptance/rejection of otherness). The interaction of these tensions showed that the friends engaged in group segregation and integration, which ultimately enabled them to freely express their culturally based truths without fear of marginalization. 相似文献
7.
美国黑人图书馆事业在整个美国图书馆事业中占有重要的地位。在黑人馆藏、黑人图书馆员及其教育、独立黑人图书馆、黑人图书馆专业组织及黑人图书馆事业研究等方面要素的推动下,美国黑人图书馆事业大致经历了萌芽、奠基、发展、转折和今天的繁荣时期,黑人图书馆事业的发展历程反映了美国不同历史时期社会对待种族问题的态度,是美国社会民主进程的一个缩影。 相似文献
8.
《图书馆管理杂志》2013,53(3-4):183-197
Abstract The strategic stewardship of the nation's cultural resources assumes the existence of a national strategy to preserve and protect those resources. As we work to develop that strategy, we should be reminded that stewardship involves responsibility at the local level for the daily security and preservation of the vast historical and intellectual records of human experience. Any national strategy to preserve and protect must be based on the defining issue of selection-selection based upon common approaches, values, and prioritization across the research library and scholarly community-as well as on the choice of format for preservation. 相似文献
9.
In recent years, many international initiatives have sparked a debate on guidelines and criteria for documenting existing installations and environments. Nevertheless, a comparison between those environments, and lost or reproduced ones, still needs to be closely considered. This becomes even more interesting in the case of works that were made by artists no longer alive. Starting from the study on Italian artist Lucio Fontana's historical environments, we show how a historically accurate reconstruction, based on the analysis of various sources (original documents, letters, articles, interviews and videos, as well as critical essays) can be considered as a conservation strategy for works that were originally created as ‘ephemeral’, but later became fundamental within art history. The data and metadata can be used as a second step for the reconstruction of the environments, creating ‘replicas’ that closely mimic the artist's intent and that can then be documented and properly preserved. On one hand, the outcomes of the research presented is that of understanding to what extent it is possible to achieve a fair rendition of Fontana's environments and thus foster their proper appreciation. On a second and more practical level, we will present a study of the first exhibition centered on the reproduction of the artist's environments, which will be held in HangarBicocca, Milan, Italy, in 2017. A scientific and philological approach will allow us to fully respect the original artworks and the context in which they were produced. The reconstruction will also be the occasion to collect data regarding the materials that Fontana used extensively, and to gather information about the companies that produced them, as well as about the past and present quality of such materials, and the possibility of reproducing them today. This approach seeks to investigate the interplay between theory and reconstruction materiality through the double lens of historical research, on one hand, and contemporary conservation and museology debates on the other. 相似文献
10.
季晓林 《现代图书情报技术》2005,21(11):45-48
介绍的是一个实验性的系统。它将JBIG-2黑白二值图像压缩技术用于数字图书馆的海量数据存储和网上传输，并已在天津泰达图书馆得到了成功的应用。 相似文献
11.
William P. Cooper 《Journal of Applied Communication Research》2018,46(4):509-533
This study examines religious disengagement among African-American young adults through a communicative lens. Drawing on in-depth interviews, we unpack the tensions between organizational and institutional disengagement in participants’ accounts and trace the relational factors shaping their use of specific stigma management strategies. Participants’ religious disengagement unfolded through encounters with new information that contradicted institutional teachings, ongoing struggles with institutional ideologies they found problematic, localized conflicts with specific church experiences, and family circumstances. Stigma management strategies were chosen to keep the peace within their social circles, protect loved ones from being hurt, care for themselves to ensure their best and most authentic self, defend themselves from perceived attacks and social censure, and come to a mutual understanding with confidants about disengagement. Theoretical implications pertaining to religious membership, organizational vis-à-vis institutional disengagement, and stigma management were discussed, along with practical recommendations to empower congregants to grow spiritually. 相似文献
12.
The rise of the modern Black Lives Matter movement can be traced back to two key events, the 2012 death of Trayvon Martin and the 2014 death of Michael Brown. Research routinely showed that mainstream media’s narrative choices marginalize and delegitimize protesters and their causes, a pattern known as the protest paradigm. This study provides a longitudinal examination of how the same mainstream media system varied in their coverage of similar events and the degree to which journalists challenged the predicted paradigms conceptualized in other academic work. A content analysis of national newspaper coverage revealed that news before the judicial rulings focused on protesters’ tactics (violence versus peaceful) and changed to the realm of ideas (grievances and demands) after the assailants were considered not guilty of wrongdoing. No progression was found in legitimizing coverage of protests between the two cases. 相似文献
13.
Kristen Hoerl 《Critical Studies in Media Communication》2013,30(3):206-227
The 1995 movie Panther depicted the Black Panther Party for Self-Defense as a vibrant but ultimately doomed social movement for racial and economic justice during the late 1960s. Panther's narrative indicted the white-operated police for perpetuating violence against African-Americans and for undermining movements for black empowerment. As such, this film represented a rare source of filmic counter-memory that challenged hegemonic memories of U.S. race relations. Newspaper reports and reviews of Panther, however, questioned the film's veracity as a source of historical information. An analysis of these reviews and reports indicates the challenges counter-memories confront in popular culture. 相似文献
14.
This study employs content analysis to examine how the New York Times and St. Louis Post-Dispatch framed “Black Lives Matter” protests in the aftermath of the shooting of unarmed black teenager Michael Brown. The researchers examine all New York Times and St. Louis Post-Dispatch articles dealing centrally with the Michel Brown protests during three separate time periods corresponding to heavy protest activity. The coding scheme measured dominant frame direction, article length, sourcing, and mention of protester crimes. Contrary to expectations, the papers provided overwhelmingly sympathetic coverage of “Black Lives Matter” protests. In describing the protests, both newspapers were much more likely to employ a “positive” frame suggesting peacefulness and order than a “negative” frame suggesting lawlessness and deviance. Neither newspaper over-emphasized protester-perpetrated crimes, with both papers making relatively infrequent mention of looting, arson, assault, and gunfire, respectively. Importantly, both newspapers directly quoted protesters much more often than they quoted police officers and other government officials. 相似文献
15.
ABSTRACTThe Historically Black Colleges and Universities (HBCU) Library Alliance conducted a study to assess library services in support of faculty research. Funded by an Andrew W. Mellon Foundation grant, and with support from LYRASIS, the study involved two different assessments. The first assessment was of faculty members and their support needs for research. The second assessment was of librarians to understand current capacity and needs related to support libraries provide to faculty. While the HBCU Library Alliance acknowledges that libraries do not have the capacity to address all the challenges to faculty research, the results from this study can serve as a tool to augment the academic infrastructure to support research. 相似文献
16.
David Emblidge 《Publishing Research Quarterly》2008,24(4):267-276
Michaux’s National Memorial African Bookstore, Harlem, NY, was the epicenter of black literary life and bookselling, 1933–c.1975.
Michaux migrated from Virginia to escape farm work and his brother’s evangelical church, opting instead—despite the lack of
formal education—to become a trafficker in ideas, through bookselling. A self-styled Garveyite, Michaux advised Malcolm X,
though he never joined the Nation of Islam or advocated revolution. The bookshop—with a huge inventory of books about black
experience and spearheaded by the charismatic bookseller (known as “The Professor”)—attracted a loyal clientele, championed
famous writers and artists, and hosted international leaders (especially Africans). A rallying point for political speeches,
often delivered in front of the store, in its period, there was no other black bookstore in America with Michaux’s influence. 相似文献
18.
《期刊图书馆员》2013,64(1-2):239-252
The British Library Lending Division has one of the largest collections of serials in the world. This paper outlines the history of serials at Boston Spa and describes various aspects of policy and procedures relating to serials, including selection, acquisition, record creation, automation, usage and binding. It concludes by considering the future role of the Lending Division in the light of continuing developments in electronic publishing and telecommunications. 相似文献
19.
《Behavioral & Social Sciences Librarian》2013,32(1):11-38
Lewis Wickes Hine exploited the powerful impact of the visual image to arouse the reforming spirit among the middle and upper classes and to inspire them to do something about the living and working conditions of thousands of America's poor. Hine was acquainted with many of the men and women who were involved in the Progressive social reform campaigns that were popular in the United States during the early twentieth century. A trained sociologist, he became interested in photography while teaching at the Ethical Culture School. Hine quickly realized that photographs could be powerful instruments of social reform and was able to effectively combine his interests in social welfare and photography. Hine believed that this efforts as a photographer should be guided by a social conscience and referred to his work as "social photography." His photographs of men, women and children enduring dangerous and inhuman working conditions were both sensitive and intense. As a result of his social conscience and artistic commitment Hine raised the cultural and social awareness of his contemporaries and made a significant contribution to social reform efforts in the United States. 相似文献
20.