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1.
Edward W. Borgers 《广播与电子媒介杂志》2013,57(3):239-240
The current emphasis placed by the television industry on the development and production of public affairs programing has led to increased reliance upon perhaps the oldest, most simple, and least costly form of informative programing: the interview. This recent attention should not be allowed to obscure two facts: 1) the average interview program, valuable as it may be, rarely attracts audiences (and sponsors) to the same extent as does an “entertainment” program; and 2) some programs are exceptions. For eight years the “Paul Coates Show” has fascinated a loyal audience that has amply repaid the program's sponsors. Why has this particular program done so well? Mr. Coates, a widely‐read newspaper columnist, does not fit the stereotype of a television “personality,” neither are his questions so probing as those of some other television interviewers. In an attempt to uncover the factors underlying the popularity of the “Paul Coates Show,” Dr. Borgers has analyzed the structure of a number of programs and has arrived at some useful conclusions. 相似文献
2.
Emmanuel Levinas writes of how the “call of conscience”; is a “primordial discourse”; that “interrupts”; the routines and language‐games that help organize and give meaning to a person's everyday existence. Levinas thus provides a way of thinking about the relationship between the call of conscience and rhetoric that advances what rhetorical theorists have so far claimed about this relationship. This essay develops the position that the call of conscience is a rhetorical interruption in its purest form. A case study is offered to illustrate how such an interruption manifests itself in the debate over the justifiability and social acceptability of physician‐assisted suicide. The specific rhetorical transaction in question occurred in cyberspace and lasted five months; it began when members of a disability civil rights group known as “Not Dead Yet!”; conducted what their opponents described as an “invasion”; of an electronic mailing list operated by the Euthanasia Research and Guidance Organization. 相似文献
3.
Ted Striphas 《Critical Studies in Media Communication》2013,30(3):295-316
This essay explores the cultural politics of television talk-show host Oprah Winfrey's Book Club. Because women constitute both the primary Oprah television audience and the largest United States book buying public, it focuses specifically on women's involvement in the club and their modes of engagement with its selections. The Book Club's astonishing success was attributable in part to the carefully considered communication strategies through which participants, Winfrey, and Oprah producers collectively articulated the value of books and reading specifically for women. Their de-emphasizing of purely literary considerations, I contend, enabled women to strategize how to use Book Club selections simultaneously to distance themselves from and to engage more intensively with the demands of living in a patriarchal and otherwise socioeconomically stratified society – a relationship I call a “dialectic with the everyday.” This essay thus traces the communicative processes/practices through which those involved in Oprah's Book Club articulated a highly sophisticated economy of cultural value around books and reading and the implications of that economy to a possible feminist cultural politics. 相似文献
4.
Laurena Bernabo 《广播与电子媒介杂志》2019,63(1):77-93
Twitter updates and expands television’s cultural forum model by letting viewers speak to current events such as the Black Live Matter (BLM) movement. This article analyzes 1,985 tweets in response to three television episodes (Law & Order: SVU, The Good Wife, and Scandal) that dramatized BLM, and identifies five common themes in how viewers address these representations: thematic appropriateness, timing, producers’ qualifications, institutional critiques, and the purpose of entertainment television. This study concludes that Twitter facilitates a meta-commentary, which expands traditional discussions of entertainment programming, and that these programs transcend “mere” entertainment to become critiques of larger social movements. 相似文献
5.
ABSTRACTThe #MeToo movement, which engulfed much of India's news and entertainment industry in October 2018, was projected by many as a watershed moment for Indian journalism. Driven largely through social media activism, it created significant public discourse and outcry, leading to the “outing” and resignation of many journalists. This paper explores the perception of #MeTooIndia in regional and national newsrooms. Drawing on Manuel Castells's ideas of networked social movement, we consider the origins of #MeTooIndia, including its mediation on private and social networks. We then draw on 257 semi-structured interviews with journalists working in 14 languages across India to explore the “cause” of the campaign—the prevalence of sexual harassment and sexual violence in workspaces—before turning our attention to the impact, or potential for impact, that journalists saw in it. We find most journalists felt the movement was “good”, but did not think it influenced their environment or newswork in any meaningful manner. Regional journalists expressed more pessimism about the #MeTooIndia, men more so than women. 相似文献
6.
This essay explores the early history of the “separate but equal”; doctrine in nineteenth century legal and political argumentation. By employing ironic and tragic frames, the authors challenge the traditional, linear approaches to legal historirizing. Moving beyond legal texts, the authors investigate how various communities in antebellum Boston negotiated conflicting views about how to best advance the cause of civil rights, both inside and outside the courtroom. These early debates created a complex rhetorical culture, and they provided jurists with several possible interpretations of the terms “separate”; and “equal.”; The authors conclude that these early debates, and Lemuel Shaw's subsequent decision in Sarah C. Roberts v. The City of Boston (1849), provide readers with insightful illustrations of the irony and tragedy of the law. 相似文献
7.
《Communication monographs》2012,79(1):5-24
A guiding purpose of most social and political minority movements in a pluralistic society is to achieve legitimacy in the terms of the dominant ideology. In Anglo‐American liberal democracies such legitimation is located in the ideograph <equality>, an ideological commitment which promotes “sameness” and “identity.” An interesting feature of <equality> is that it functions implicitly as a rhetoric of control, requiring those who would achieve legitimacy to sublimate their “difference” from the dominant ideology. As such, it poses serious contradictions for a society that is truly interested in promoting a humanistic and pluralistic egalitarianism. In this essay the authors examine the way in which the culturetypal rhetoric of Martin Luther King, Jr. and the counter‐cultural rhetoric of Malcolm X functioned together to negotiate this characteristic of <equality> as black Americans in the 1960s strove to achieve legitimacy for their struggle for civil rights, and in so doing constructed a revised and emancipatory conception of cultural <equality>. 相似文献
8.
Sue Robinson 《Mass Communication and Society》2014,17(4):509-530
Digital technologies have reconfigured how active community members know about local news. Sampling one Midwest community's most engaged citizens—collectively, a “community of practice”—this research formalizes one emerging media-information repertoire around the issue of homelessness. Components of this repertoire include motivations, structuring conditions, norms of usage, and perceived consequences for media-source selection. Commenting, sharing, and other information exchange become “acts of news” for individuals involved in communities of practice. Through shared information-exchange practices, citizens can not only advocate their social causes but also reinvigorate their own affiliations to the community of practice and to the city itself. The use of this media repertoire by these individuals reconstitutes and amplifies their role in the pursuit of fostering a civil society focused on homelessness. The findings illuminate the process of how community activists work as an informal organizational form and, as a result, build a stronger commitment to civic action. 相似文献
9.
Frank Kahn 《广播与电子媒介杂志》2013,57(3):277-279
It is perhaps inevitable, but none the less disturbing to discover errors, in standard reference works. The source of the error may be well hidden, but it is the responsibility of each researcher to check “accepted” findings, whenever opportunity presents itself. This is as true with respect to bibliographic citations as to research data or analysis. This “research coup” by Frank Kahn is one of several comments on Lawrence Lichty's “Who's Who on Firsts: A Search for Challengers” published in the Winter, 1965–66 issue of the Journal. Many corrections or additions were published in the Spring, 1966, issue, and readers are urged to send in other “challenges” as soon as possible. Mr. Kahn, Lecturer in radio and television at Queens College, has contributed to the Journal of Broadcasting in the past. 相似文献
10.
Nick Couldry 《The Communication Review》2013,16(4):353-361
Television's liveness has long been seen as one of its key features. This paper argues that “liveness” is not a textual feature, but a more fundamental category (in Durkheim's sense) that contributes to underlying conceptions of how media are involved in social organization through their provision of privileged access to central social “realities.” This ideological view of liveness (cf. Jane Feuer's early work) is then extended in two ways: first, to consider two new forms of “liveness” that do not involve television (online liveness via the Internet and “group liveness” via the mobile phone); and second, by connecting liveness with Bourdieu's concept of habitus, and thereby linking “liveness” (including in its extended senses) with other parts of the materialized system of classification through which we make sense of the everyday world. 相似文献
11.
《Communication monographs》2012,79(4):301-305
"Communication” is examined as a cultural term whose meaning is problematic in selected instances of American speech about interpersonal life. An ethnographic study, focusing on analysis of several cultural “texts,” reveals that in the discourse examined here, “communication” refers, to close, supportive, flexible speech, which functions as the “work” necessary to self‐definition and interpersonal bonding. “Communication,” thus defined, is shown to find its place in a “communication” ritual, the structure of which is delineated. The use of the definition formulated, and of the ideational context which surrounds it, is illustrated in an analysis of a recurring public drama, the “communication” theme shows on the Phil Donahue television program. Implications of the study are drawn for ethnography as a form of communication inquiry. 相似文献
12.
This article explores how documentary film practice and visual storytelling can be used to help portray Qatari women's narratives, even though many are prohibited by cultural norms from appearing in visual media. We investigate which communication and media practices can provide a work-around, ensuring that women's stories and testimonies are documented. We also explore whether Qatar's social and cultural restrictions result in a form of “symbolic annihilation” for Qatari women, as articulated by Gaye Tuchman, and how this impacts Qatari women's position and visibility in local society. 相似文献
13.
Helen Morgan Parmett 《传播与批判/文化研究》2016,13(1):3-22
This paper contends with how postbroadcast television branding subsumes viewers’ affective interactivities with place to produce brand value. Focusing on the HBO series Treme, I argue that Treme engendered HBO's postbroadcast brand mutation by producing “passionate engagement,” where viewers were invited to interact with the show by touring New Orleans, thus adding place to online interactivity and multiscreen engagement as a means of constructing an “authentic” brand identity. The desire for viewers to connect to New Orleans’ culture is thus transformed into a vehicle for profit making for HBO and an assurance to shareholders that the brand still holds value. 相似文献
14.
Jarrod Waetjen 《传播与批判/文化研究》2013,10(1):3-26
Recent years have seen a productive dialogue develop between political-economic and cultural approaches to media studies. In this spirit, this article draws on the analytic tools of political economy to produce a textual analysis of J. K. Rowling's Harry Potter series. In particular, we argue that Rowling has woven throughout the Potter series a set of contradictory discourses related to class and consumerism. Yet out of this heteroglossia, AOL Time Warner—the holder of the series’ film and merchandising rights—has activated a narrow reading of Harry Potter that subordinates Rowling's critique of social inequality and materialism while amplifying those moments in the texts that celebrate the “magic” of commodity consumption. Our conclusion discusses the role such corporate activations might play in the struggle over how commodity production and consumption will be understood in the wider social field. 相似文献
15.
Brenda Cooper 《Critical Studies in Media Communication》2013,30(4):416-435
–This essay examines how the narrative structure of the Fox primetime television hit Ally McBeal opens the text to a feminist reading. Despite critics' charges to the contrary, I argue that producer/screenwriter David E. Kelley's teleplays construct a preferred feminine spectator position that appropriates dominant male gazes in three ways: the feminine setting of the law firm, the refusal of women characters to yield to the male gaze, and the “comic spectacle of maleness.” Ally McBeal's preferred feminine spectatorship stance is articulated through comic strategies in which gender ideals are questioned through mockery, thus opening a safe space for viewers to reject dominant patriarchal meanings and to experience a feminist epistemology. 相似文献
16.
Graham R. Walden 《Communication Booknotes Quarterly》2013,44(2):79-97
Abstract Interviewing has, of course, become a common place occurrence. Most adults are familiar with the nature of the transaction, but perhaps not with the complexity of what is actually happening. Modern interviewing as we have come to understand it is basically a post-World War II phenomenon. One of the major changes is the development of interviewing ordinary people (as compared with the more typical past practice of interviewing elites or at least only the significant players). In Learning from Strangers: The Art and Method of Qualitative Interview Studies, Weiss observes that interviews permit listeners “to learn about places, environments, organizations, fashions, careers, and cultures with which they would otherwise have no contact or exposure. But perhaps more telling is that interviews also reveal “interior experiences” including perceptions, and how they are interpreted. The human condition covering events, families, work, and all the emotions from joy to grief become open for all to witness” (Weiss, p. 1). David Silverman refers to the “interview society” (p. 248) in his 1997 Qualitative Research: Theory, Method and Practice (London: Sage), and that was a decade ago. Today we find ourselves being exposed more and more to a panoply of interviewing experiences. This essay review is designed to present the most recent books with both sides of the equation presented. Guidance on how to be a successful interviewer, and also how to be a wise and sensible interviewee can be found in the following pages. The neutrality of the interviewer is assumed, but should not always be taken for granted as various astute observers note. The subject domain of interviewing in mass media contains a range of topics considered below. The essay begins with general resources. Fielding's edited work, titled Interviewing, is the most unusual, as this four-volume book set contains “classic” journal article reprints. While there are no articles specifically on mass media, the individual contributions all pertain to the general topic and cover issues and findings that are relevant to the conduct of interviewing in mass media. As one element of the mass media, entries dealing with interviewing in journalism, follow. Of particular note in this category are Brady's The Interviewer's Handbook and the treatment of the online journalism environment as found in Craig's 2005 chapter. As the title suggests, Brady's work presents a “how to” approach. Craig's contribution brings interviewing into the electronic/computer era and addresses the special challenges and benefits associated with it. The interviewing in mass media section includes a review of Elsberg's Media Interview Owner's Manual, Barber's The Craft of the Media Interview, and Jones' Winning with the News Media. These, and other entries in this section, provide the core of the recent literature by highly experienced interviewers, and would be useful to anyone contemplating an interviewing career or interesting reading for the person attempting to understand the techniques used by the professionals. In the era of television and the Internet, radio interviewing still has a place, and Beaman's Interviewing for Radio more than adequately addresses the special consideration of the medium. Television interviewing is covered in Merlis' How to Make the Most of Every Media Appearance. The broader category of video interviewing is treated in The Video Performer, a manual written by Dreibelbis. Bull analyzes the highly specialized world of political communication via television appearances in his work titled The Microanalysis of Political Communication. The special kind of interviewing found in the public relations environment closes this essay. These works are guides or “how-to” presentations. All are useful, but the Palmer volume may prove to be the most valuable in terms of what to avoid and how to use the media for your own purposes. 相似文献
17.
Dennis T. Lowry 《广播与电子媒介杂志》2013,57(2):239-244
When radio and television are touted as the “greatest media for education” or the “promoting of social change” that the world has ever known, the need of the developing countries of the world for these media is often cited. It is probable that most citizens of the United States think of “developing nations” as those newly‐formed countries of Asia and Africa whose political, social and economic problems often are featured in the day's news reports. However, there are more than a score of developing nations in the western hemisphere, and one of these is right at the back door of the U. S. This country, Mexico, has been using radio and television effectively for a major literacy program since 1965, and the following article describes that program. Dennis Lowry is a doctoral candidate in mass communication in the University of Minnesota School of Journalism and Mass Communication. Information for this article was gathered during a six‐week study trip to Mexico in the summer of 1968. 相似文献
18.
David Chroust 《Slavic & East European Information Resources》2020,21(1-2):103-111
ABSTRACT Ethnocentrism affects perception and choices, and scholars, teachers, and students may not see or seek the “global” in our “global information revolution,” especially in such vast monolingual social spaces as the United States and the Anglophone world. Russia illuminates how unfortunate this state of affairs is because perceptions of Russia are so negative; whereas online information and open access there are so plentiful. Elibrary.ru offers free, full-text access to Russia’s periodical scholarship in all disciplines. Postnauka.ru is a lecture platform for Russian academics that rivals TED Talks in scale and production quality. Kul’tura is a federal television channel devoted entirely to education. Academic talk shows constitute part of the programming there and elsewhere. High-quality and reliable online tools such as these can enhance “Western” scholars’ and educators’ resource repertoires. 相似文献
19.
Karen C. Pitcher 《Critical Studies in Media Communication》2013,30(3):200-218
This paper addresses the ambivalence produced by Girls Gone Wild (GGW) as both text and social practice by interrogating the ways in which it functions hegemonically by staging an effect of agency. I draw on Bakhtin's notion of the carnivalesque as a means to examine how contradictory spatio-temporal contexts of GGW function as spaces that offer the opportunity to momentarily transgress—yet simultaneously reify—white, bourgeois norms of femininity. The videos reinforce a neoliberalist mentality of personal responsibility through the inclusion of the consent—and dissent—processes on camera. After analyzing how postfeminist discourses emphasizing “individual choice” justify GGW as a mode of female empowerment, I turn to a complementary textual analysis of GGW's role-reversal counterpart, Guys Gone Wild (2004), in an effort to show the ways in which this “mirror image” text ultimately reinforces the structure of exploitation in the original. 相似文献