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2.
《Cultural and Social History》2013,10(1):69-91
ABSTRACTThis article explores the nineteenth-century origins of the sniffer dog in one of the most notorious homicide investigations in British history, focusing on Scotland Yard's attempts to use the reputed olfactory powers of pure-bred English bloodhounds in the hunt for London's East End serial murderer Jack the Ripper in 1888. This episode has been historiographically overlooked in part because the dogs were never actually deployed. However, the failure to unleash dogs on the Ripper's trail turns out to be critically significant, opening up a space through which the historical contingencies and social meanings of dog-breeding and training practices can be explored and scrutinized. As a crime-solving tool, utilized for the purpose of investigating metropolitan crime, canine detection posed distinct problems. Proponents of bloodhound detection had to contend with various cultural, material and practical challenges, in order to guarantee the canines as reliable hunters in an environment that was contaminated by slum odour. 相似文献
3.
《Cultural and Social History》2013,10(3):451-467
ABSTRACTIn the 1950s and early 1960s, the British teenager was presented as a symbol of generational rebellion in the popular press, social investigations, and much political debate. We draw on oral histories, newspapers and the archives of prominent social surveys to question this presentation. By examining how working-class teenagers and their parents experienced and remembered the post-war years, we identify a disjuncture between the literature on moral panic and the widespread evidence of intergenerational cooperation between parents and children. Many working-class parents, enjoying newfound economic security, felt able to encourage their children to enjoy more adventurous lives. 相似文献
4.
《上古时期的“衣”与“裳”》(作者:柴静、白友涛,载《文史知识》1997年第 3期,下称《衣》文)一文认为:“上古时期‘衣’指下衣——裙,也用来泛指衣服;‘裳’指上衣.”我以为此说不确,不能不辩.《衣》文提出的第一个理由是:“从服装的起源来看,最早出现的衣服是下衣,人们对于‘衣’字的最早概念当指下衣.”“在上衣还没有出现的时候,说衣是上衣当然极不合情理.后来随着时间的推移、历史的进步,人类开始使用上衣来遮蔽前后心及臂膀,就出现了‘裳’.”实际上最早出现的衣服未必是下衣,原始人使用服装的最初动机并非遮羞,因为这并不是第一需要.在至今还处在原始社会的部落中,曾经发现过不少不穿衣服的原始民族,却从来没有发现过没有装饰品的原始民族,因而许多人类学家认为装饰才是原始人使用服装的最初动机.至于遮羞的观念,恐怕要到私有制产生以后才有,原始人并不像文明人那样因赤裸身体而感到羞耻(参见上海古籍出版社编《中国文化史三百题》).退一步说,就算最早出现的是遮羞的下衣,也不能证明上古时期“衣”指下衣,“裳”指上衣.因为语言符号中的形式和意义的结合完全由社会“约定俗成”,正如荀子所说:“名无固宜,约之以命,约定俗成谓之宜,异于约则谓之不 相似文献
5.
Laura Tisdall 《Cultural and Social History》2013,10(4):489-507
AbstractThe 1950s saw a wave of depictions of threatening male working-class adolescents in English novels, films and cartoons. However, these texts must be contextualised not only as part of the well-documented 1950s moral panic about youth but in relation to the popularized psychological concepts of the ‘normal’ and ‘deviant’ child and the increasing implementation of progressive educational ideas that artificially limited working-class pupils’ horizons. This makes this period not only another reiteration of the perennial moral panics about the rising generation that Geoffrey Pearson has documented, but an emergence of a new way of conceptualizing youth. 相似文献
6.
《Cultural and Social History》2013,10(4):555-574
ABSTRACTThis article explores the experiences of nineteenth and early twentieth century Indigenous and Euroamerican men who worked as guides in the Adirondacks for urban, upper-class sportsmen. It also examines entanglements between Indigenous and non-Indigenous Adirondackers in work and family contexts. The results create a complex understanding of the term ‘Native’ there as outsiders combined the two inhabitants to describe their wilderness vacation. This article argues that scholars who study the history of Indigenous societies should consider rural and urban culture alongside ethnicity, class and gender as important categories of analysis, especially in the nineteenth century and later. 相似文献
7.
《Cultural and Social History》2013,10(1):25-45
ABSTRACTIn early modern London, gesture, demeanour and manners embodied the hierarchies of gender and status. An archive of litigation between male and female apprentices and their masters and mistresses offers a way to reconstruct the performances of power and submission in urban working households. Young men manifested all the misbehaviours of urban youth, both troublesome and central to the performance of masculinity; society expected them to display a subordination that was temporary. For a few young women, the contract of apprenticeship offered a route to independent labour. In learning the competence and assertiveness required for the marketplace, these women needed to manifest the internalized manners of a proper woman. When apprenticeships broke down, employers, fellow apprentices and neighbours painstakingly tracked and criticized the errors of demeanour and conduct on both sides. The resulting narratives give us a new insight into the meaning of early modern work. 相似文献
8.
《Cultural and Social History》2013,10(3):397-417
ABSTRACTPolish immigrants arrived in the United States familiar with the culture of public letter-writing to the press, in which they participated through the periodicals for peasants circulating in the Polish countryside at the turn of the twentieth century. The article analyses public letters published in over thirty Polish-language newspapers printed in the United States between 1880s and 1960s, and demonstrates that the editors used them to support important functions of the ethnic press: creation of a national as well as diasporic immigrant community; formation of readers' networks loyal to particular newspapers; and adoption of personal service journalism, which guided the immigrants in their adaptation in the new country. The immigrants who arrived in subsequent decades continued the practice of letter-writing to the press, strengthening and expanding it to include the entire Polish Diaspora. 相似文献
9.
《Cultural and Social History》2013,10(3):401-421
ABSTRACTThis article investigates the cultural and political meanings of everyday landscapes in postwar Britain. Public discussions of these landscapes have moved beyond relatively narrow questions about the aesthetics or design of public space to consider broader issues of land use, national identity, historical tradition and the management of social change. They have fed into anxieties about postwar reconstruction and the spread of ‘subtopia’, national decline, and more recent concerns about conservation and heritage. The article argues that the recurrent fear that Britain is being colonized by standardized subtopian clutter has tended to ignore more subtle historical shifts, produced by changing relationships between government and commerce, public and private space, urban centre and suburban periphery. 相似文献
10.
《Cultural and Social History》2013,10(3):425-439
ABSTRACTAnti-Catholic polemics from the mid-nineteenth century made frequent comparisons between religious practices in Britain, Ireland and India. The supposed atrocities taking place at locations such as Lough Dearg in County Donegal and ‘Juggernaut’ (Jagganath) at Puri were denounced in terms which hinted strongly at a striking combination of extreme asceticism and perverse sexual enjoyment. In the same period the word ‘perversion’, which had hitherto referred to apostasy, started to develop connotations of sexual deviance. Protestant sexualized readings of Catholic and Hindu asceticism appear to have been an important site for the development of conceptions of deviant sexuality in general and masochism in particular. 相似文献
11.
《Cultural and Social History》2013,10(4):597-619
ABSTRACTYoung women were harbingers of social change in postwar Britain; this article addresses discourses that informed their sense of self and expectations. It focuses on magazines produced for, and read by, young women in their mid-to-late teens and early twenties as a prism through which to explore ideas about the teenage self and lifestyle between 1957 and 1970. It argues that a distinctive feature of these magazines was a new ideal of young womanhood that resonated with late-modern discourses of self-discovery and self-fulfilment and which necessitated a lifestyle characterized by independence, experience and opportunity. Though an attractive ideal, it was also problematic for young women and potentially frustrating. 相似文献
12.
Peter Weinreich 《Int J Intercult Relat》2009,33(2):124-139
Following a critique of Berry's model of ‘acculturation strategies’, the paper considers the relationship between heritage culture and ethnic identity. Analysis of processes of development, maintenance and redefinition of identity in contexts of alternative cultural norms contends with the assumption of conscious choice or strategy towards mainstream and heritage cultures. From the perspective of identity issues, enculturation of cultural elements rather than acculturation is often the more significant process. Going beyond critique to consider issues of the persistence of ethnic identity and processes of cultural reformulation, brings attention to the origins of primordialist sentiment within ethnic identity and the possibilities for generating situationalist perspectives. Reference to empirical investigations using Identity Structure Analysis (introduced as a conceptual framework for explicating complex identity processes) provides evidence for different identity processes and structures according to socio-historical context and the greater malleability of situationalists compared with primordialists in their empathetic identifications with alternative cultural groups. 相似文献
13.
Alessandro Russo 《Inter-Asia Cultural Studies》2013,14(4):673-682
Abstract In the Chinese Cultural Revolution – the epicenter of the last great political sequence at worldwide level in the 1960s and 1970s – the flashing of unprecedented possibilities of post‐party politics was entangled with the epochal closure of a network of political culture. The Cultural Revolution proves to be extremely refractory to historical investigation because it undoes the established conceptual bridges between history and politics, bridges that all other social sciences crossed for studying politics. Therefore, new theoretical perspectives and new protocols of investigation are required, and not only for those events, but in the last analysis for the study of all political situations. The author discusses three main points for finding a new perspective. First, a basic distinction should be stressed between the intermittent nature of politics – one of the rarest modes of subjectivity, which exist only in singular intellectually inventive sequences – and the structural invariance of the state, despite the incessant historical mutations of its particular forms. Moreover, the relationships between the present state of depoliticization and the previous political situations deserve close analysis. The hypothesis is that the concrete form of the state in a given moment is the hollow imprint of the last great political sequence, or that it is shaped by a reactive de‐politicization. Finally, the declarations and the related behaviors of the actors during the events are the major analytical elements in the study of politics. However, the Cultural Revolution was marked to an unprecedented degree by increasing dissonances and, finally, irremediable ruptures between the processes created by the subjective declarations and the same network of political culture within which they were formulated. 相似文献
14.
Krishna Sen 《Inter-Asia Cultural Studies》2013,14(1):171-184
Abstract Through much of post‐colonial history and particularly during the so‐called ‘New Order’ (under General Suharto), Indonesian citizens of ethnic Chinese descent have been caught in a strangely ambiguous position: they have enjoyed enormous economic power while at the same time being threatened with politico‐cultural effacement. This paper is an attempt to understand that ambiguity in relation to the Indonesian cinema – both around questions of industry history and around issues of representation of national and ethnic identity on screen. The paper traces the presence, the erasure and the absent‐presence of Indonesia's ethnic Chinese minority from the establishment of a film industry in Indonesia in the 1930s to the post‐New Order political shifts, opening up possibilities for a new public discourse of Chineseness. I argue however that the openness of current Indonesian culture and politics, while providing the necessary condition for re‐imagining the Chinese Indonesians, does not ensure a radical shift in a politics of representation, deeply embedded in the textual practices of the film industry and more widely in the cultural and political history of modern Indonesia. 相似文献
15.
Mingbao 《中外文化交流(英文版)》2021,(2):9-10
From January 2021 to June 2022,a series of related activities will take place in 54 cities among 49 countries around the world,highlighting the latest news and ... 相似文献
16.
Marcus Morris 《Cultural and Social History》2013,10(3):315-330
AbstractNew political histories of late nineteenth-century British political culture have closely analysed the role of language and rhetoric in popular politics. The focus on the content of political messages has meant that the ways such messages were communicated has often been overlooked, as have the varied forms of political communication in the period. This article follows on from recent work that has sought to examine the place of material and visual culture in popular politics in the period. In particular, it focuses on the links between dress, class and politics. It suggests that visual, along with material, forms of political communication remained important and that they illuminate the political culture of the period. 相似文献
17.
18.
《Cultural and Social History》2013,10(3):419-438
ABSTRACTHistorians of nineteenth-century British tea consumption have highlighted the function of the substance as an index of middle-class civility and marker of national identity. In this article, I maintain that concerns about tea drinking were equally prominent throughout the late Victorian period. As medical practitioners increasingly intervened in food matters, apprehension about the physiological and psychological consequences of increasing access to tea in working-class communities proliferated. This pessimistic discourse can be firmly situated in the context of broader debates about national decline, physical and mental deterioration, the subversion of gender roles in the domestic sphere and Imperial expansion. 相似文献
19.
Yumiko Iida 《Inter-Asia Cultural Studies》2013,14(1):56-74
Contemporary Japanese society has seen the emergence of aesthetically conscious young men who employ ‘feminine’ aesthetics and strategies as ways of exploring and practising new masculine identities. In this paper, I explore the significance of this emerging trend of male beauty by observing and analysing the expressions, strategies and intentions of those young men who have taken to aesthetically representing themselves in these ways. This cultural trend is often described as the ‘feminization of masculinity,’ echoing the gendered articulation of rising mass culture in terms of the ‘feminization of culture,’ which acknowledges aspects of the commercialization of masculine bodies in Japan of the 1990s onward. While this view successfully links important issues, such as femininity, beauty, and the gendered representation of the self in a broader context of capitalist culture, it does not sufficiently convey a sense of agency in the young men's lively practices of exploring and expressing new masculine values and ideals. Rather than viewing ‘feminization’ simply as a sign of commodification, I argue that these young men strategically distance themselves from conventional masculinity by artificially standing in the position of the ‘feminine’, where they can more freely engage in the creation of alternative gender identities. From this point of view, the use of the phrase ‘feminization of masculinity’ often implies a fear and anxiety on the part of patriarchy over the boundary‐crossing practice that seriously challenges the stability of gendered cultural hegemony. Moreover, such anxiety driven reactions easily merge with nationalist inclination, as those threatened tend to seek the consolidation of patriarchal/hegemonic order by eliminating ambiguities and indeterminacy in cultural/national discourse. I conclude that the cultural hegemony of contemporary Japan could better sustain itself by incorporating non‐hegemonic gender identities, which would allow it maintain an open space for critical imagination and effectively diffuse an obsessive and ultimately self‐destructive desire for transparency/identity. 相似文献
20.
Asuman Suner 《Inter-Asia Cultural Studies》2013,14(3):363-382
Abstract This paper aims to engage in a critical analysis of the concept of ‘accented cinema’ recently developed by Hamid Naficy to refer to the emergent genre of exilic/diasporic filmmaking. Naficy’s theorization of ‘accented cinema’ in particular and discussions around exilic/diasporic cinema in general will be challenged on the basis of the observation that the cinematic styles and thematic preoccupations associated with exilic/diasporic films consistently appear also in wide‐ranging examples of contemporary ‘world’ cinema that are often classified under the rubric of ‘national cinemas’. To illustrate this observation, the paper provides a parallel reading of three recent films – A Time for Drunken Horses (1999) by Kurdish‐Iranian director Bahman Ghobadi, Happy Together (1997) by Hong Kong director Wong kar‐wai, and Distant (2002) by Turkish director Nuri Bilge Ceylan – whose directors cannot possibly be considered as ‘exilic/diasporic’ in a conventional sense. Yet, it will be argued, the styles and thematic concerns associated with exilic/diasporic cinema manifestly prevail in all three films discussed in this paper as well as in many other examples of contemporary ‘world’ cinema. Departing from this observation, the paper will open up the new genre of ‘accented cinema’ to further questioning and suggest that unless the mutual entanglement between exilic/diasporic filmmaking and national cinema is disclosed, the notion of ‘accented cinema’ will not be sufficiently able to realize its critical potential. 相似文献