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1.
PHILIP MESSON 《The International Journal of Art & Design Education》1995,14(1):83-88
The new curriculum in art establishes two elements in the study of the subject in schools; one active, a doing and making element, and one more cerebral not necessarily involving the making of works of art. This second element has been designated ‘knowledge and understanding’ and ideally should be related to the practical activities in the classroom, but it raises the question how understanding is achieved in art and what form such understanding might take. So far as knowledge is concerned the matter is fairly straightforward for it is easier to itemise the things that can be known about art. With ‘understanding’, however, we have to ask how it might be judged or recognised; how it might manifest itself. Does it manifest itself in discussion about works of art, or in the making of works of art, or are there other phenomena which might indicate the presence of understanding? 相似文献
2.
Tai Peseta Adrian Jones Sarah Barradell Mary Kennedy-Jones 《Teaching in Higher Education》2018,23(1):17-29
History has practically vanished from allied health professional education. We ask, what kind of problem does a ‘history of the professions’ pose for health sciences curriculum? What are the implications of graduates being unschooled in the history of their profession? Literature on knowledge in the curriculum, is used to interrogate how historical knowledge has come to be constituted in professional education fields. We develop a sketch of two particular health professions – occupational therapy and physiotherapy – and ask why it might be difficult to include a history of the profession in these curricula. Our view is that by helping students to cultivate an historical imagination, they can see how their experiences are framed by a fascinating collision of ideas, politics and practices. Furthermore, attention to history can help students better situate their own uncertainties about transitioning to practice enabling them to tackle professional quandaries with hindsight, foresight and insight. 相似文献
3.
Paul Duncum 《The International Journal of Art & Design Education》2002,21(1):14-23
Recognising that many art educators are increasingly using the term visual culture, rather than art, to describe their central concern, the author examines why this development is taking place, what visual culture might mean in the context of art education, and how pedagogy might be developed for visual culture. The paper draws on attempts by both art educators to redefine their field and others outside art education who are attempting to define visual culture as an emerging trans‐disciplinary field in its own right. 相似文献
4.
ABSTRACTWhere is the moving body in our written bodies of work? How might we articulate truly unspeakable and deeply moving moments of understanding? In what ways can we reflect and honor the knowledge of those who do not use academic words, English words, or any words at all? How might art move us to answer these questions differently—and more importantly, to ask different questions? These lines of inquiry have driven arts-based research movements within many fields including nursing, medicine, and education. In this article, we explore existing and potential uses of arts in adapted physical activity research and practice. We weave theoretical exploration, artistic engagement, and our personal experiences as researchers, practitioners and disabled movers. We do so in order to demonstrate how artistic epistemologies can enrich and expand our inquiry, understanding, and engagement in adapted physical activity. 相似文献
5.
In this article we discuss the problems of asking for a definition of quality in education from a philosophy of language perspective. We take the concept of quality as it appears in higher education discourse as our example. More specifically we discuss the possibility of obtaining a precise, unified definition of quality by addressing the problem of asking “what is” questions. We use definition theory and theory pertaining to linguistic vagueness, including Wittgenstein and the idea of family resemblance. We suggest that quality is an inherently vague concept, which runs us into boundary problems and forces us to operate in grey zones. This means that if your “what is” question is a question for the essence of quality, you make demands that the concept cannot fulfil. Recognition of this fact implies that our expectations concerning concept precision and unity should be modified. Our discussion illuminates why it is so difficult to find a definition of the concept of quality. 相似文献
6.
Trevor Norris 《Educational theory》2021,71(1):129-148
This article explores two questions: (1) Is education a unique and distinct discipline? (2) Is education anything other than the achievement of noneducational aims or objectives? In it, Trevor Norris examines how these two questions are interconnected, specifically analyzing how what we think about education as a distinct field of study informs what we ask of it as a practice. When we study education, we should be educational about it, because if we render education as the object of study, it is never endowed with agency or distinctiveness. Norris inquires into the distinctiveness of education as a way of thinking and a way of impacting the world, asking what are the conditions that make it possible for us to identify something as “educational”? To investigate this question, Norris draws from Hannah Arendt's account of politics, and he concludes by describing a case study assignment that requires educational foundations students to draw from philosophy of education in order to show what exactly is educational about education by contrasting education with business and psychology. 相似文献
7.
美术从视觉的角度感知艺术,其内容与内涵是十分丰富的。本文从基础教育阶段学生的审美、视觉特质的感知与创新意识的培养着手,学什么,怎么学,如何把握它的度,如何把握感知它的方式,让学生在有限的课堂时间内,得到充分的感知体验与表现,得到老师在人文关怀下的递进知识学习引导,进行探索性研究。 相似文献
8.
In our research and teaching we explore the value and the place of rhetoric in education. From a theoretical perspective we situate our work in different disciplines, inspired by major ‘turns’: linguistic, cultural, anthropological/ethnographic, interpretive, semiotic, narrative, literary, rhetorical etc. In this article we engage in the discussion about what all these turns might entail for education by elaborating on what it implies to read the world as a ‘text'—as is central in a semiotic approach—and by introducing new rhetoric in general, and the work of the literary critic and rhetorician Kenneth Burke in particular, as a possible theoretical and methodological resource. We illustrate its application in the analysis of a fictional narrative. Our aim is to explore how an understanding of education as rhetoric can be integrated into the teacher education curriculum. 相似文献
9.
This article explores the idea that the future of a profession resides in the questions it might ask of itself and how such questions affect its thinking. We consider how current conditions in teacher education-its crisis-driven orientation, its manic pace, its focus on control and stable knowledge-foreclose the capacity to think creatively from the having of awful thoughts. Drawing an example from literature we ask, what can it mean, to the lives we already live, to encounter human relations at the most difficult moments and in their most generous and ethical attempts? From this question, we raise themes that might allow us to rethink teacher education: affiliation, commitment, trauma, destruction and community. 相似文献
10.
《Educational Philosophy and Theory》2013,45(2):277-293
It is generally accepted that the notion of inclusion derived or evolved from the practices of mainstreaming or integrating students with disabilities into regular schools. Halting the practice of segregating children with disabilities was a progressive social movement. The value of this achievement is not in dispute. However, our charter as scholars and cultural vigilantes () is to always look for how we can improve things; to avoid stasis and complacency we must continue to ask, how can we do it better? Thus, we must ask ourselves uncomfortable questions and develop a critical perspective that Foucault characterised as an ‘ethic of discomfort’ (, p. xxvi) by following the Nietzschean principle where one acts ‘counter to our time and thereby on our time ... for the benefit of a time to come’ (Nietzsche, 1874, p. 60 in , p. xxvi). This paper begins with a fundamental question for those participating in inclusive education research and scholarship—when we talk of including, into what do we seek to include? 相似文献
11.
Judith Bessant 《International Journal of Inclusive Education》2013,17(3):265-281
In this article, I ask how university students with disabilities negotiate with staff arrangements for alternative assessment practices. I draw on three case studies using a personal pronoun perspective to challenge the conventional view that educational policy and teaching practice are forms of rational action. I demonstrate how the lives of students and staff are typically characterised by unexpected events, disorder, emotion and prejudice. The analytic perspective offered here establishes how meanings, intentions and different viewpoints and alliances emerge as social actors work to create specific faculty and institution cultures. The case studies also reveal what does and what does not work – some of the obstacles – and what needs to be done if we are serious about equity and inclusive education. They include practical assistance in recognising the specific requirements of students with disabilities and how to design alternative assessment for students with specific ‘conditions’. I argue that professional development and specific techniques in curriculum design are needed. Some staff also require help in recognising their policy and legal obligations. A cultural change which identifies and challenges prejudice is a larger task if universities are to become places in which equal opportunity principles and inclusive education are present and actively practised. 相似文献
12.
杨娇珍 《番禺职业技术学院学报》2012,(1):40-43,55
主体性是现代教育理念中的重要概念,发挥学生主体性既是现代教育所倡导的模式和手段,也是现代教育追求的目的。对高校的德育而言,发挥学生主体性和培养其主体性意识是增强德育实效性的重要手段,也是体现德育实效性的重要方面。因而从发挥学生主体性的角度来考察高校德育课教学情况,指出所存在的问题,并提出相应的增强实效性的途径。 相似文献
13.
Michael Gard 《Quest (Human Kinetics)》2013,65(4):488-502
It is obviously possible to argue that education is always an arm of social policy. However, there are just as surely degrees of directness between the agendas of noneducational authorities and what happens in school and university classrooms. This article considers what appears to be a direct example of a particular public policy agenda, the so-called “war on obesity,” translated into curriculum. My intention is to rouse the field from its slumber and to ask whether we are content for others to decide what and how we will teach health and physical education in schools and universities. I do this by examining a specific example of health and physical education curriculum. However, this is not a call for resistance to the intrusion of outsiders; we always need to listen to others. My question is whether the voice of physical educators matters at all when it comes to the practice of physical education. 相似文献
14.
孙兵 《连云港师范高等专科学校学报》2004,(1):103-105
在我国目前的基础美术教育中，美术教育总是被视为一种技术教育。文章通过对此种过分强调技术性的误区的分析，对基础美术教育思想提出了相关看法，以求教于方家。 相似文献
15.
《Educational Philosophy and Theory》2013,45(4):336-350
Creativity: what might this mean for art and art educators in the creative economies of globalisation? The task of this discussion is to look at the state of creativity and its role in education, in particular art education, and to seek some understanding of the register of creativity, how it is shaped, and how legitimated in the globalised world dominated by input‐output, means‐end, economically driven thinking, expectations and demands. With the help of Heidegger some crucial questions are raised, such as: How can art maintain its creative ontological and epistemological potential in the creative economies of globalisation? Is it possible for art and the creative arts to act as a process of ‘revealing’ and ‘becoming’ and ‘throwing light’ on the world while working within the market economies of innovation and entrepreneurship where creativity has become a generalised discourse? What matters in this discussion is to find a way to argue for the sustainability of art education as a creative mode of enquiry through which self and the world may be better understood, identity might be realised as difference and being‐in‐time might be possible. 相似文献
16.
Koeno Gravemeijer 《Learning and Instruction》1997,7(4):389-397
According to the researchers who report in this set of papers there are two causes for the phenomenon that primary- and secondary-school students ignore relevant and plausibly familiar aspects of reality in answering word problems. The first cause is the stereotyped character of common word problems. The second cause lies in the classroom climate. In this article, it is argued that the students act sensibly in their situation. Furthermore, it is noted that the use of stereotyped problems and the accompanying classroom climate relate to teacher beliefs about the goals of mathematics education. Therefore, improving the results on problematic word problems will ask for a change in teacher beliefs. Furthermore, a directed effort to change the classroom socio-math norms will be needed. In relation to this, Greer's suggestion for a change towards a modelling perspective is supported. However, what modelling is, is worked out differently. In line with the RME instructional theory, a plea is made for modelling as an activity of organizing, not of translation. 相似文献
17.
Tim Jones 《The International Journal of Art & Design Education》1999,18(1):135-142
It is argued, through the example of art education seen from a broad cultural perspective, that the concept of lifelong learning implies common terms of reference for learning in all contexts in which learning takes place, especially in schools, colleges and universities. This implies a common approach to standards at all levels of formal educational provision. The disparity of school art and art in other learning contexts is discussed, and concepts of standards currently in use are examined and found to be highly problematic. The idea of practitioner referenced standards is introduced in relation to standards derived from educational theory and practice. In the case of art these are considered in terms of ‘what it is that artists do; what it means to engage with a work of art at first hand; what people have to say about artists and works of art; and what it means to engage in learning’. Ways of relating these standards to each other and to lifelong learning in the context of a research rationale for an art curriculum are put forward. In conclusion, it is suggested that co-ordination of the current review of the National Curriculum and the developmental work on standards currently being undertaken by the QAA would represent a basis for the establishment of appropriate standards for lifelong learning, although this would require a new level of co-operation between the relevant educational sectors. Such standards would assist in reducing the possibility that lifelong learning could develop as a further isolated and self-justifying educational sector in a divided national educational system. They would also provide an opportunity for post-modern thinking to make a worthwhile contribution to educational debate. 相似文献
18.
艺术是人类表达自己内心情感的一种语言技巧。由于艺术教育在人才培养过程中拥有其他教育方式无法替代的作用,所以在大学非艺术专业中开展艺术教育具有十分重要的意义。但现实中艺术教育在我国大学非艺术类专业人才培养中却被人们忽视,产生这一问题的根源何在?从管理学的视角,以管理的基本要求为基点,展开相关探讨分析,并针对问题产生的根源提出了对策。 相似文献
19.
What level of government subsidy of higher education is justified, in what form, and for what reasons? We answer these questions by applying the hypothetical insurance approach, originally developed by Ronald Dworkin in his work on distributive justice. On this approach, when asking how to fund and deliver public services in a particular domain, we should seek to model what would be the outcome of a hypothetical insurance market: we stipulate that participants lack knowledge about their specific resources and risks, and ask what insurance contracts they would take out to secure different types of benefit and protection in the domain in question. The great benefit of the hypothetical insurance approach is that it allows us to take apparently intractable questions about interpersonal distribution and transform them into questions about intrapersonal distributions: that is, questions about how an individual would choose to distribute risks and resources across the various lives that they might end up living, in light of their individual ambitions and preferences. Applying this approach to higher education, we argue that the UK model of higher education funding in which the costs of an individual's higher education are shared between general taxation and the individual herself, with the latter element to be paid retrospectively through an income‐contingent state‐backed loan, is vindicated as just. In particular, we argue that it is more just than alternatives such as a graduate tax, full funding through general taxation, and full privatisation. 相似文献
20.
谢丽玲 《湖南师范大学教育科学学报》2009,8(6):65-67
当前,艺术教育在我国得到了空前的发展,其地位和作用受到了越来越多的关注.然而,由于对艺术教育本质的认识模糊,加之一些功利的追逐,致使艺术教育存在着许多问题,这些问题需要艺术教育研究者去研究和探讨,以独特的研究视角和话语来规范艺术教育,引领艺术教育走向净化人的灵魂、陶冶人的性情的正道上来. 相似文献